good morning. neuvillette with a dragon!child!reader who, once everything blows over in fontaine, goes to find furina and gives her the biggest hug. they've known her for a very long time. and many times, perhaps she almost, almost cracked to them... but her resolve stood strong every time, and she would backtrack with a laugh and some dramatic flair.
while they can't understand how badly she must have suffered, because they aren't human and their mind is not so fragile, they can at least imagine it. and they can't help but think that maybe she doesn't want to be alone right now; she's been alone for five hundred years. if she wants to be left alone... that's fine, and they know she'll tell them that, but at the very least, as one of her best friends (perhaps her very best one), should they not go check on her?
idk i'm going to play her story quest today probably so i will return with more thoughts!
73 notes
·
View notes
really weird thing ive noticed lately re: hermits getting critiqued for stuff theyve said or done is that as soon as someone holds a shit opinion (even if it's just them being stupid, or a centrist, or saying a bad word without knowing what it means, or whatever) people immediately seem to flock to the 'this guy should die' 'kys' 'why are we giving this person a platform' rhetoric and like. that's not how meaningful change is made?
like, yeah, if one of my beloved CCs posted a tweet or video tomorrow about how much they hate gay people, or believe in conservative ideals, or they just said a bunch of slurs or whatever (these are hyperbolic examples obviously) then yeah, fuck them, they should go rot. but like, having some dumb takes, or saying bad things in the past, doesn't = evil terrible person...
idk, i feel like we can critique content creators without getting so insane about it. like, shit, there are things some of my favourites do that i don't like, but theyre not even really worth bringing up tbh. unless its something actually important, i feel like it just creates more drama out of nothing and all these assholes come crawling out of the woodwork to tell everyone how much they hate that creator. or find their content boring anyway so clearly they have no real merit to anyone.
more of an explanation of what i mean in the tags but yeah.
33 notes
·
View notes
"not to ocpost-" please oc post (as long as you're ok with it) i would love to learn more about holly and chun-run!! (as long as you're ok with it!!)
! oh its absolutely ok, i love being enabled ^w^ kjfngdkjf um um. this is another Entire Thing(tm) that requires Exposition(tm) so um hope youre ready to read More Paragraphs !
the short answer is
the long answer is: i went 'hey i have two* ruina-era ocs, what if i put them next to each other for fun? haha they'd hate each other ^w^' ... 'Oh God They'd HATE Each Other.'
so uh, the exposition.
Holly! You've Never Met Her Before. certainly not. ttttechnically. out of narrative, Holly was originally a branch of what Cocoa's character would have been when I was first developing her. in narrative, Holly is what would have happened if they'd never been picked up by LCorp. she's... an entirely different person, basically.
in essence, if you thought the other one was unstable, Oh Boy(tm). Holly is what happens when the city Actually gets the chance to sink its claws in. it's just this time, she was far, Far less quiet about it. girlies who completely fucking failed their stat check Again. there's only so much 'keep your head down and take it' you can really handle before you're just about ready to tear a bitch apart, and well. Well! anyway.
Holly is another angle of the Human/Monster/Object tangle, in where Cocoa's development hinges on the equivalent of trying to balance several spinning plates and Fucking Up Miserably, Holly has started hurling plates directly into the audience with intent. if you will.
humans are always talking some hot shit about how high and mighty they are, the "value" that comes with just being Human, and yet their entire lives are a horrible, animalistic dance of clawing each other to shreds while hiding behind ideas and roles they themselves put into play, like it's some stupid game. that harm is just an intrinsic part of the human nature. she can't fucking stand it.
essentially, she's an odd argument between the Human and Monster corners of the tangle. not only hates the binds that the city places on them of obligation, but also the ties of human emotion-- namely guilt and connection. that endless dance. she wants nothing more than to shed these ideals completely-- unfortunately, she still intrinsically and unconsciously clings onto them, afraid to let go. a human trying to claw its way out of humanity. it doesn't matter what it takes-- she's not letting this city take her first.
...and then there's Chun-Run.
we just don't know where chun-run came from. but she sure Is, and she's Immediately going to make it a Huge Fucking Problem. being aligned with the musicians of bremen, she has.. very normal views about art, and what it means to be Alive. she's the closest thing to a human time bomb i can think of, probably.
she doesn't have much of a character... honestly kind of intentionally? her entire being is solely rooted in the present, the What Is and the What Will Be. she strives to feel what the pianist's performance invoked that day-- through any means necessary. whatever happens to Her, to anything around her-- none of it matters. first and foremost, she is a conduit. it's all secondary to that singular experience.
horrifying. painful, disgusting. striking, poignant, pungent. it makes her sick to think about, but some part of her wishes she was closer to truly Feel it. its repulsive– but she Needs to hear it again. to witness, to experience. what is it– what was it? to grasp onto an ephemeral feeling she physically cannot understand– frustrating, frustrating. but she Needs to. to make the soul sing, cry out in reverence... to call it a Song is almost insulting.
so you have the worlds most unstable walking contradiction with absolutely no outlet and an unidentified fucking thing intent on wringing some undefineable meaning from the soul through physical violence.
so like, moth meet flame.
chun-run is pretty much Instantly infatuated with holly-- but for the Entire Wrong Reasons. it's pretty much "Yeah I Could Make Her Worse." all the way down, but expressed entirely through Murder. yknow, girl things. and holly, of course, fucking hates this are you for real right now??? shut the fuck up about reaching Art through Violence there is something WRONG WITH YOU. chun is entirely convinced that she's what will harmonize closest to that sound she's chasing-- that dissatisfaction, desire, rage... it's so painfully close. and yet she refuses to acknowledge that spark! refuses to engage entirely! is it not the nature of the soul to sing? so sing girl, sing.
girlies who are trying to claw their way back to stability and girlies who want nothing more than to burn to ashes in a beautiful blaze of Being. in conclusion:
20 notes
·
View notes
upd8.... spoilers
i will say im liking how the new crew is treating this plotpoint. also i. love women. thought i should mention that
the freaking. the lipstick color.
going from roses color to kanayas aarghh [holding head] <- victors reaction to the most basic and straightforward symbolism
but also gosh. jade bringing up how gods are treated... you see people cracking jokes about it but, obvious horrible behavior aside. shes right! none of them are really capable of making a real connection! theyre caged, trapped even, within this circle of people theyve known since they were 13. and thats kinda messed up!! a little bit!!! it sucks!!!!
btw say what you will but i missed ruby. her whimsy...
the artists have been absolutly kicking it out of the park btw! like aghhh! must stress again that i love women
10 notes
·
View notes
I think Cedric and Calamus should be friends and join the club of teenagers with way too much weight on their shoulders because holy shit they deserve good things.
I mean, one of those small details that I always felt were kind of sad was that line Cedric has about not knowing Calamus or Alula... which makes sense in a way, because it was the Author who knew them better. And yet both Cedric and Calamus feel close in age and have similar personalities I am genuinely surprised they weren't friends.
And now considering their circumstances... Both of them need to be the proactive sibling, ready to react to situations that are beyond what teens like them should be doing.
We... never get told what happened to Rachis, although context probably tells us he was one of the NPCs lost to the squares. But even if Calamus and Alula were not aware of that truth, they're both still functionally orphans, and Calamus has made it his responsibility to make sure Alula is okay because she is all he has left.
Cedric is one of the few people aware of being in a simulation, and this by itself is already really isolating. Cedric is also the one responsible for... pretty much ensuring that Niko made it to the city and fulfilled their mission, having to make up plans as he goes. Not to mention the knowledge that his father is gone for good now, and the grief that is tied to it.
And besides all of this, I just really think that these two are alike in personality. Both are really polite, hardworking and responsible. The only big differences are their sets of skills and that Cedric is more willing to take risks on the spot, while I feel like Calamus would be more cautious in his place.
But gosh they could be good friends.
37 notes
·
View notes