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#but you can totally learn it!
german-enthusiast · 2 months
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Scary scary German syntax... right?
The following sentence exhibits a typical mistake German-learners make: Heute ich gehe in ein Museum.
It's not conjugation ("ich gehe" is correct!), it's not declension ("ein Museum" is correct too!). The issue is "heute ich gehe". Correct would be: Heute gehe ich in ein Museum (or: Ich gehe heute in ein Museum.)
What's the rule here?
It's unfortunately not simply "there can only be one word before the verb"
German word order is so difficult be cause it is so variable. All following sentences are correct and synoymous (though emphasis shifts):
Der Opa schenkt seiner Enkelin zum Geburtstag ein Buch über Autos.
Seiner Enkelin schenkt der Opa zum Geburtstag ein Buch über Autos.
Ein Buch über Autos schenkt der Opa seiner Enkelin zum Geburtstag.
Zum Geburtstag schenkt der Opa seiner Enkelin ein Buch über Autos. All mean: The grandfather gifts his niece a book about cars for her birthday.
What do they all have in common, syntax-wise? There's only one phrase in front of the finite verb. What does this mean? A phrase is a completed (!) unit that can consist of one or more words (depending on the word class (-> noun, verb, …)) Typical word classes that can be a phrase with just one word are:
Proper nouns, plural nouns, personal pronouns, relative pronous (Lukas kocht. Busse fahren. Ich schreibe. Der Mann, der kocht, …)
Adverbs (Heute, Morgen, Bald, Dort, Darum, …) Most other word classes need additional words to form a full phrase:
adjectives need a noun and article: der blaue Ball, der freundliche Nachbar
nouns need a determiner (= article): der Mann, eine Frau, das Nachbarskind
prepositions need… stuff (often a noun phrase): auf der Mauer, in dem Glas, bei der Statue
A finite verb is the verb that has been changed (=conjugated) according to person, time, … All verbs that are NOT infinitive or participles are finite. ich sagte -> "sagte" is the finite verb ich bin gegangen -> "bin" is the finite verb The infinitive and the participle are called "infinite verbs" and are always pushed towards the end (but not always the very end!) of the sentence: Ich bin schon früher nach Hause gegangen als meine Freunde.
So: Before the verb (that is not the participle or infinitive) there can only be one phrase.
Since "heute" is an adverb (-> forms a full phrase on its own) and "ich" is a personal pronoun (-> forms a full phrase on its own), they can't both be in front of the verb "gehe" You have to push one of them behind the verb: Heute gehe ich in ein Museum Ich gehe heute in ein Museum.
Both of these are main clauses (Ger.: Hauptsätze), which in German exhibit "V-2 Stellung", meaning the finite verb is in the second position (after one phrase).
What happens if we push all phrases behind the finite verb?
Gehe ich heute in ein Museum? (Watch out: Gehe heute ich in ein Museum would be ungrammatical! The subject has to come in the second position)
It's a question now!
In German, question sentences (that do not start with a question word like "Was?", "Wo?", …) start with the finite verb (called "V-1 Stellung").
Questions, main clauses,… what's missing?
Dependent clauses!
The third type of sentence exhibits "V-letzt Stellung" or "V-End Stellung", meaning the finite verb is at the very end of the sentence. Ich bin gestern in ein Museum gegangen, … main clause -> V-2 Stellung … weil es dort eine interessante Ausstellung gab. dependent clause -> V-letzt Stellung If you want to practice this....
... determine if the following German sentences are correct. If not, what would be the right way to say it?
Der Zug war sehr voll.
Gestern ich war in der Schule.
Die Lehrerin mich nicht hat korrigiert.
Gehst du heute zur Arbeit?
Das Buch ich finde nicht sehr interessant.
To practice this further, translate the following sentences into German and focus on the order of words:
The boy gave the ball back to me.
I called my girlfriend because I missed her.
The girl saw her brother at the train station.
The horse, which was standing on the field, was white and black.
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datcravat · 8 months
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Kimberly Street Fighter 6 makes my gay brain go brrr
prints | patreon  
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marsuro · 3 months
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My bit for the Cagliostro Reanimated project! :)
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hisui-dreamer · 3 months
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jamil, who loves showing affection by cooking food for his loved ones, making sure the curry is seasoned to perfection and your favourite dessert to go along with the meal.
and you, with zero spice tolerance but so incredibly overwhelmed with gratitude and affection for how hard jamil's worked. and with your favourite dessert right there enticing you, you're determined to finish every drop of curry on your plate.
...
it doesn't go too well.
indeed, you have finished every drop of curry. but you've also downed around 12 cups of water, and the burning in your mouth is still unrelenting. jamil visibly looks concerned with how much water you're drinking and it's unavoidable you address your non-existent spice tolerance.
jamil sighs, and his eyes show a hint of exasperation you often see when he's following kailm's whims. you avert your gaze to the floor, upset at yourself that you've disappointed him and maybe he hates you now how could you not like his fo-
flick!
ouch! your hands reach up to shield your forehead, and your eyes meet his. not exasperated, maybe slightly, but amused and... loving??
"dummy, don't go forcing yourself to eat what you don't like," he sighs
you timidly explain you could never do that with how much time and effort he puts into his cooking
his smile widens slightly.
"for now, i guess i'll be making more desserts for you then,"
he chuckles at the way your eyes light up.
"here," he feeds you a spoonful of the chilled dessert. "is your mouth still burning?"
oh. you don't think it is anymore.
but your heart sure is.
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tddoodles · 4 months
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a bunch of WIPs that probably won't be finished
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egophiliac · 2 years
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some quick episode 6 doodles while I process...you know. everything.
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angelhummel · 5 months
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there were too many awful suggestions to include them all but it's done!!! terrible job everyone <3
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milfygerard · 2 months
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but fr outside of my contracted madness i absolutely refuse to give joe alwyn gold rush like how is that song at all related to their relationship the lyrics clearly spell out a relationship that either never existed or only existed in implication and fantasies and maybe-maybe nots and its so bitter and yet desperately soft in the bridge where it almost projects a sense of envy, of wanting to be them as much as you want them. It continues an interesting oft ignored lyrical trend of taylor wanting just as much to be her lover as to have them, envying their easy charisma (you were flush with the currency of cool/i was always turning out my pockets) or quiet dignity (your integrity makes me seem small) dating back to her earliest songs (the kind of flawless i wish i could be). Theres a projected self hatred and yearning to be better that twists itself into both romantic and sexual lust for her partners thats so fascinating and speaks to how all of her songs regardless of who theyre about are also an act of self reflection on who she is and who she wishes to be.
#barry.txt#taylor swift#putting this in the tags as a form of self protection but make no mistake this is a gay thing to do especially in gold rush#which through simple context clues is Obviously About A Woman or maybe even women in general#whivh is a totally seperate post on how taylor constructs and uses gender identity in her music#her girlhood and femininity are earnest but also so carefully constructed and so high effort and kind of desperate#shes a deeply self concious and obsessive person who never looks comfortable in anything ever unless shes#onstage or like. by herself in loose jeans and a tshirt#i think thats one of the things that subconsciously irritate ppl when it comes to her shes constantly and clearly putting in effort#to appear As The Celebrity Taylor Swift and struggles not to self censor or overperform in interviews (when she gives them)#especially present in pre 1989 interviews where the interviewers really didnt have to respect her or worry abt how they frame her#if they didnt want to. Like the fearless era rolling stone interview where she almost has a meltdown over her mom buying eggnog instead of#milk. That whole interview is strange looking back not just bc of the weird misogyny but also because of what it does share#taylor is....weird. She has a strange and desperate vibe and always reacts slightly too much and uses slang poorly#shes media trained and has learned how to socialize but you can feel her discomfort whenever she doesnt have a guitar in her hand#idk these tags have once again gotten so unweildy. i just find it interesting that she finally feels some level of comfortable#in sharing that construction w us in songs like mirrorball and mastermind and imo gold rush#and scene#should i write this up and put it in the swiftieism zine#i should write something and put it in the swiftieism zine
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gxlden-angels · 4 months
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Bro I hate fundamentalists and culturally-fundie parents they'll say shit like "spare the rod spoil the child am I right haha yea my parents used to have to beat my ass with a switch almost everyday but I sure did learn my lesson" but like??? no you didn't??? you were hit multiple times for something you very obviously did not, in fact, learn
Like studies about how harmful even lightly spanking children is aside, you're literally contradicting yourself?? Some even admitted they got worse as they got older cause they wanted to see how far they could push their parents before they got punished
And studies not aside, you're gonna get child raising advice from the same book that tells you to stone your wife if her hymen doesn't break on your wedding night instead of the decades of research we have now?? Just say you're a bad parent and move on my guy. Skill issue
#bro I had a coworker go 'unpopular opinion I think some kids really do need beatings' and I'm like????#unprompted???? what's going on there????#well anyways I ended up going 'yea so I plan on specializing in play therapy with autistic children so I've been learning about talking#to children and the ways their parents and environment affects them'#and they're like hmmm but beating this kid with a stick after they broke something or I upset them to the point of yelling is good actually#had a boss say it taught him and his kids respect cause they were hard-headed#and I'm like?? that's fear not respect! they fear punishment! they do not act out of respect for you!#he's a conservative christian black man tho so he's like 'But Authority!' like bro I don't even respect you what are you on about#'You don't respect police and their authority?' Nope! I fear them! I do not respect cops and every cop/cop-adjacent person I personally know#has reinforced that for me#'We'll agree to disagree' Cool! Doesn't mean you're not wrong! I could believe trees aren't real but that is in fact incorrect#then he pulled out the bible verse and I was like ah okay I forgot you like 'here's how to treat slaves' book you're so right bestie#I'm totally wrong now and so sorry for doubting you and your 2000+ year old book I don't believe in <3#They'd go 'well I turned out fine!' then say something that directly contradicts that#anyways I need christians to get their grubby little hands off the current state of Child Protection and Rights in the U.S.#So we can actually start working on helping kids without the force of christian hands suffocating them#cause homeschooling and child raising by evangelicals are so fucked up bro I'm tired of this shit#I'd only stay in my current state to help children get out of that cycle since I'm in the bible belt#ex christian#religious trauma#child abuse tw
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I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.
Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.
But here's the thing: That piano is Louis' heart.
I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?
That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.
Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.
And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.
Yet, Louis keeps playing. He keeps singing. He keeps making jokes.
Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.
It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.
We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.
Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.
But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.
It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.
Then Marlon's dead. The song is over, and reality has arrived.
I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.
Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.
Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.
She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.
When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.
If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.
And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.
I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.
And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-
Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?
Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.
Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-
Listen. I am fine. I'm so normal about this. And fine. I'm fine.
But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.
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blinkpen · 3 months
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waking up in a cabin deep in a remote pine forest as the sun is going down. or coming up? you can't tell yet. suppose that's less important when you remember this world has no pine forests, or a sun to rise and set.
instead, this world has no sky at all. instead, this world has stale air and monsters. instead, this world has a man you've only heard rumors of. suppose the rumors are true, and that man has a cabin. and that cabin doesn't smell quite right.
but when has anything ever smelled right down here
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“I hate to admit it, but I actually learned some stuff from you.”
Abbott Elementary | 02×22: Franklin Institute
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icys-junkyard · 2 years
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A stowaway passenger!!
1 / 2 / 3 / 4 / 5 / 6
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aresstan · 1 year
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I think more of my peers in my generation and younger (im 25 for reference) need to be less hostile to being corrected online or presented with new information. Especially when the person doing the presenting is not being accusatory, is not insulting them for not knowing, or assuming the worst.
Being ignorant of something is not a moral failing, and being corrected by another person is not being attacked.
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front-facing-pokemon · 11 months
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weather-cluddy · 2 months
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So a lot of people have been commenting how the shadows in the 4th anniversary's image looks like prison bars, and that's probably not unintentional but my first thought was actually a kujira-maku, which is a kind of curtain used in funerals.
Coupled with the fact that Japanese media generally shows corpses in their coffins laying atop a bed of flowers, and that white flowers in particular are associated with death and mourning... RIP.
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