Cas is alive and in the Good Omens universe, because Heaven pulled him out of The Empty (as they have done many times before) on September 8th, 2022, and sent him to England to record the death of Queen Elizabeth II.
...and yes. this is supported by actual religious lore.
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They both die at the end, Destiel edition
Because this is what exactly happened in the show
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my redbubble | my etsy
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Thoughts on music
Carry On Wayward Son is a fan thing. The song shows up twice in the show. 10x5 Fan Fiction and the finale.
The interesting thing about it showing up in Fan Fiction is that the kids in the musical sing it. Like the song has a deep and personal meaning to the in universe fandom. Which means Chuck must use it for something significant in the books. Carry On Wayward Son is a Chuck song through and through.
But with The Winchesters we got Led Zeppelin. For the first time ever we got Dean's favorite band. Playing while Mary drove Baby on her way to save the day.
This is literally Dean picking the music. He's rewriting the story in this particular universe. He's throwing the last remains of Chuck out and shutting the door behind them.
But then we have Jack. Jack who is dressed wrong and acting wrong and speaking wrong referencing the song. The song that represents our fandom, yes, but also the fandom Chuck made for himself. That is Chuck's music trying to force Dean back onto the path Chuck laid out.
But, I think it's pretty clear that Dean is going to Ramble On. He's clearly got some sort of scheme going with Bobby.
(And I will die on the The Rowena Was Our Rowena Hill)
@wigglebox per your request
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i just dont understand how ANYONE could have watched the last two episodes of supernatural and thought that jack got a happy ending. like he is what three years old and he had to give up who he is his family everything to become god??? that ending was seriously sad and fucked up and in NO WAY a win for jack. so yeah the only explanation that makes that ending make any sense at all to me is if chuck really won.
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I love the interaction between Chuck and Becky. Someone else did this analysis but they were right, this is like the fans (us, Becky) and the writers (Chuck), talking. Like we are successful and love Supernatural for what we made it and the writers/producers come crawling back, not understanding that we don't want the dumb story they wrote, we want the one that exists in our head. And because they are the writers, they can write a dumb ending they KNOW we are going to hate (Becky hating Chucks ending).
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okay but like. cogs turning .. last holiday truthing cwt maxxing… the sheer difference in dialogue between the script and the episode is killing me. the deliberate choices made to change said dialogue and even the ending…
like am I alone in thinking that this whole exchange in the dungeon was very oddly disjointed? very “nobody fucking talks like that” core. they just say shit but it doesn’t land with the other’s response.
and especially when you compare it to the draft:
for some reason or another, the writers deliberately cut out jack’s lamentation that he is still dangerous, that mrs butters is right to be doing what she’s doing, and that nothing has been the same between him and the Winchesters since he’s come back. they deliberately cut out dean saying “you’re one of us, and you have a chance to make it right.”
there’s also the glaring difference between how sam and dean defend jack in the episode vs the draft. in the draft, they say this:
D: “You said you didn’t want to destroy this family, but Jack is our family.”
S: “You hurt him, you hurt us.”
Mrs B: “No, he’s infected you. I have to keep you safe.”
D: “By trying to kill the people we care about?”
Mrs B: “No, he’s a monster!”
D: “Aren’t we all?”
•••
not only do sam and dean say that jack is their family and someone they care about, but they also explicitly hold themselves on the same monster totem mrs butters holds jack to (much like what dean said in tombstone, “we’ve all done things, so if you’re a monster then we are too,”
…which all then gets cut and turned into “He can save the world.” no, don’t kill jack, he’s our family and we care about him and he is good despite his mistakes -> no, don’t kill jack, he can save the world.
the explicit choice to center jack’s worth on his usefulness rather than his inherent value as the winchesters’ family and even just as a person, rlly speaks so much to the way he’s essentially narratively doomed to be dehumanized as a tool/weapon/device.
and the fact that this is all eventually preceded by Cas saying “you never needed absolution from sam or dean or me. we don’t care about you because you’re useful or because you fit into some grand design. we care about you because you’re you,” (which in turn is preceded by jack fitting into a grand design and fucking off to the raindrops forever), makes it seem either a painful inconsistency or some weird twisted inside joke between the writers (cough season 16 cough cough puke).
I haven’t posted about it a lot but I truly think there’s some vast trapped-in-the-narrative horror working around jack constantly being dehumanized both within the show as a living weapon and by the writers themselves as a plot device.
shits wack I guess
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oh hey today is the day sam and dean would've died as vamps in a world overrun by monsters if they'd have actually gone through with the spell to seal chuck away
or so chuck claims. because the thing about the trap is that it's literally a trap. remember when amara was locked up for eons and the ~balance between light and darkness~ was just fine? EXACTLY
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no doubt endings are hard. but then again, nothing ever really ends, does it?
we are the rest - corey taylor
inspired by @butch--dean's chuck won video (which you need to go watch)
tag list, lmk if you wanna be added or removed <3
@disabled-dean @butch--dean @shineforthee @ladymalchav @bloodydeanwinchester @denimshortsdean @nostalgicbones @matxhstixkers
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