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#cathy linh che
soracities · 7 months
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Cathy Linh Che, interviewd in "The Rumpus Mini Interview Project #144" [ID'd]
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pikslasrce · 2 years
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[transcript: 1. "I feel it's my anger that has helped keep me alive,"
2. "I've polished this anger and now its a knife."
3. "If only I could sustain my anger
Feel it grow stronger and stronger
It sharpens to a point and sheds my skin
Shakes off the weight of my sins
And takes me to heaven"
4. "TELL ME WHERE TO PUT MY ANGER
TELL ME WHERE TO PUT MY ANGER
TELL ME WHERE TO PUT MY ANGER"
5. "Rage, maybe rage would lift me up, make me stand, make me walk —"
6. "Isn't all that rage so ugly?
And isn't it mine, still? Good God, isn't it mine?"/end transcript]
Audre Lorde, Sister Love: The Letters of Audre Lorde & Pat Parker // Cathy Linh Che, Go Forget Your Father // The Ballad of the Costa Concordia, Car Seat Headrest // @/rbhvleo (x) // Marlon James, Black Leopard, Red Wolf // Ashe Vernon, "Buried", Not a Girl
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ladysansalannister · 2 months
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persephone had it right
“a burning hill,” mitski/“the beatrice letters,” lemony snicket/“cigarettes & saints,” the wonder years/“the beatrice letters,” lemony snicket/“samson,” regina spektor/“the beatrice letters,” lemony snicket/“letters to doc,” cathy linh che
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lillyli-74 · 7 months
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I have polished this anger and now it’s a knife.
~Cathy Linh Che
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thedearidiot · 8 months
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Morning yawns and today, my father has deleted a daughter, today, he’s blessed with two sons who take after his fire and quicksilver. Today he may be haunted by the grip of a friend who died in his arms, but not the scent of a baby girl he held 37 years ago. Women, he says, and spits out a phlegm- colored ghost. There is plasm, he says, and shrugs–– and then, there is ectoplasm. What is a father who has two sons? Happy
- Cathy Linh Che, Becoming Ghost.
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llovelymoonn · 1 year
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favourite poems of december
torrin a. greathouse ekphrasis on nude selfie as portrait of saint sebastian
snehal vadher hello flowers and cigarettes
robert pinsky death and the powers: a robot pageant
wendy barker taking a language
cindy juyoung ok terms and conditions
carl phillips this far in
christian wiman hard night: “the ice storm”
cathy linh che split: “the german word for dream is traume”
linda hogan when the body
david trinidad the late show: “a regret”
omotara james my mother’s nerves are shot--
marie howe the good thief: “death, the last visit”
kaveh akbar portrait of the alcoholic floating in space with severed umbilicus
donald britton in the empire of the air: “italy”
snehal vadher figures in a windswept language
jane wong after preparing the alter, the ghosts feast feverishly
ofelia zepeda ocean power: “deer dance exhibition”
lucille clifton good woman: poems and a memoir, 1969-1980: “the lost baby poem”
emily pérez dworzec
ouyang jianghe mother, kitchen (tr. austin woerner)
cathy linh che i walked through the trees, mourning
sam willets tourist
ed bok lee whorled: “if in america”
dan gerber marriage
matthew rohrer poem written with issa [“a friend emails”]
richard siken crush: “litany in which certain things are crossed out”
april bernard anger
claudia rankine citizen: “you are in the dark, in the car...”
barbara hamby letter to a lost friend
joy harjo everybody has a heartache: a blues
cathy linh che go forget your father
kofi
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mortisha · 3 months
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I’ve polished this anger and now it’s a knife. I’m hardened as a hunter ornamenting his cave with the bones of the dead. I’m so sick of history dragging behind me.
Cathy Linh Che, Go Forget Your Father.
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thoughtportal · 7 months
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Zombie Apocalypse Now: The Making Of
By Cathy Linh Che
Cue soundtrack.
The undead include:
              my grandmother, my older sister,
              my uncle, who was a priest,
              four cousins, still children.
They eat the pomelos we set at the altar,
              all in a circle,
              peeling the membranes,
              dropping the segments into each other’s mouths.
I am the director.
The zombies don’t look like zombies.
Just my grandmother,
              unable to speak,
              the flies reanimating
              her body’s giving up.
Just my older sister, all grown now.
              She was a little VC sacrificed
              to show the depravity of war.
              She died and died and died again.
I yell, Cut!, and they ascend into heaven.
Makeup!  I call across the set.
I ask the artists to bruise the undead.
I provide a mood board, artist sketches
composed by my brother,
happy to paint again. It’s a family
production. My father fiddles
with the Super 8. He shakes his head
at the last reel: Too dark.
My mother in costume design,
her head down at the sewing machine,
a measuring tape hangs from the curtain.
She is burning incense,
pouring holy water into the iron.
She stitches the tatters and hand-hems the silk.
She is careful, but we are running low on time.
The light is starting to dim.
I call down my uncle, my cousins,
their faces at the side of the road—
the red terror, a tableau.
I tell them,
Here is the script. Act natural.
This is just like the story
of your lives.
View this poem online
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theoffingmag · 1 year
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He says: I want it to smell  like the real thing.
The real thing is a landscape
of work and death–– the names of our ancestors
slack in our mouths, just the art of loving
your family line enough to reproduce it.
From “Becoming Ghost” by Cathy Linh Che
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abellinthecupboard · 1 year
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Pomegranate
I open my chest and birds flock out. In my mother’s garden, the roses flare toward the sun, but I am an arrow pointing back. I am Persephone, a virgin abducted. In the Underworld, I starve a season while the world wilts into the ghost of a summer backyard. My hunger open and raw. I lay next to a man who did not love me— my body a performance, his body a single eye— a director watching an actress commanding her to scintillate. I was the clumsy acrobat. When he came, I split open like a pomegranate and ate six of my own ruddy seeds. I was the whipping boy. Thorny, barbed wire wound around a muscular heart.
— Cathy Linh Che
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alinaandalion · 1 year
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What I seek is redemption.  An arrow that joins a split heart.
“Brooklyn Interior” from Split by Cathy Linh Che
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soracities · 7 months
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Cathy Linh Che, interviewed by Raj Chakrapani in "The Rumpus Mini Interview Project #144" [ID'd]
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imaginemirage · 2 years
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"I've polished this anger and now it's a knife."
Cathy Linh Che
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ukdamo · 2 years
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Split
Cathy Linh Che
I see my mother, at thirteen,
in a village so small
it’s never given a name.
Monsoon season drying up—
steam lifting in full-bodied waves.
She chops bắp chuối for the hogs.
Her hair dips to the small of her back
as if smeared in black
and polished to a shine.
She wears a deep side-part
that splits her hair
into two uneven planes.
They come to watch her:
Americans, Marines, just boys,
eighteen or nineteen.
With scissor-fingers,
they snip the air,
point at their helmets
and then at her hair.
All they want is a small lock—
something for a bit of good luck.
Days later, my mother
is sent to the city
for safekeeping.
She will return home once,
only to be given away
to my father.
In the pictures,
the cake is sweet
and round.
My mother’s hair
which spans the length
of her áo dài
is long, washed, and uncut.
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lillyli-74 · 9 months
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I’ve polished this anger and now it’s a knife
~Cathy Linh Che
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julian-winter · 6 months
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Cathy Linh Che - My Mother upon Hearing News of Her Mother's Death
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