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#omotara james
geryone · 1 year
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Daughter Tongue, Omotara James
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putoutallthestars · 1 year
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🌰🌰 🍓🍓 🍒🍒 red is the colour (or so they say).
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catella-ars · 2 years
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Found this in a poetry book the other day and instantly fell in love.
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generouswindow · 1 year
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My mother’s nerves are shot—
by OMOTARA JAMES
a nerve is a shot. A shot is an arch. My mother is an archer. The archer breaks the dead branch dead. Dead branches rot. Rot from the bark. My mother’s nerves bark: shot through loss. Death peels her nerves. Death is an archer. Death shoots rot: just misses her. I see her tremble. Moss greens her bark. Greens where she trembles. Where there was death, fruit grows. The fruits of death. Fruits moss the branches through the blinds where she trembles still.
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llovelymoonn · 1 year
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favourite poems of december
torrin a. greathouse ekphrasis on nude selfie as portrait of saint sebastian
snehal vadher hello flowers and cigarettes
robert pinsky death and the powers: a robot pageant
wendy barker taking a language
cindy juyoung ok terms and conditions
carl phillips this far in
christian wiman hard night: “the ice storm”
cathy linh che split: “the german word for dream is traume”
linda hogan when the body
david trinidad the late show: “a regret”
omotara james my mother’s nerves are shot--
marie howe the good thief: “death, the last visit”
kaveh akbar portrait of the alcoholic floating in space with severed umbilicus
donald britton in the empire of the air: “italy”
snehal vadher figures in a windswept language
jane wong after preparing the alter, the ghosts feast feverishly
ofelia zepeda ocean power: “deer dance exhibition”
lucille clifton good woman: poems and a memoir, 1969-1980: “the lost baby poem”
emily pérez dworzec
ouyang jianghe mother, kitchen (tr. austin woerner)
cathy linh che i walked through the trees, mourning
sam willets tourist
ed bok lee whorled: “if in america”
dan gerber marriage
matthew rohrer poem written with issa [“a friend emails”]
richard siken crush: “litany in which certain things are crossed out”
april bernard anger
claudia rankine citizen: “you are in the dark, in the car...”
barbara hamby letter to a lost friend
joy harjo everybody has a heartache: a blues
cathy linh che go forget your father
kofi
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capricorn-0mnikorn · 2 months
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One of my favorite poetry teachers, Jericho Brown, says something about shame that I've never forgotten, which is when we engage with shame, we are believing the lies that people tell us about ourselves. And there is nothing more worth the risk of telling your story than to eradicate that shame, to speak back to it and begin to claim radical love.
Omotara James, in an interview with Leila Fadel, 21 February, 2024. NPR's "Morning Edition."
Full transcript now up at the following link:
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"He looks through the wound of my life like it's light. So I let him."
—Omotara James, from "Pier 52"
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bookclub4m · 7 months
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30 Recent Poetry Collections by BIPOC Authors
Every month Book Club for Masochists: A Readers’ Advisory Podcasts chooses a genre at random and we read and discuss books from that genre. We also put together book lists for each episode/genre that feature works by BIPOC (Black, Indigenous, & People of Colour) authors. All of the lists can be found here.
This booklist features books from BIPOC poets published in the past three years.
Chrome Valley by Mahogany L. Browne
Feast by Ina Cariño
Your Emergency Contact Has Experienced an Emergency by Chen Chen
Girls That Never Die: Poems by Safia Elhillo
Content Warning: Everything by Akwaeke Emezi
I Do Everything I'm Told by Megan Fernandes
Living Nations, Living Words: An Anthology of First Peoples Poetry edited by Joy Harjo
Song of my Softening by Omotara James
Spells, Wishes, and the Talking Dead / Mamaht́wisiwin, Pakos̊yimow, Nikihci-́niskot́ṕn : Poems by Wanda John-Kehewin
Burning Like Her Own Planet by Vandana Khanna
Phantom Pain Wings by Kim Hyesoon, translated by Don Mee Choi
Bianca by Eugenia Leigh
Finna by Nate Marshall
Slam Coalkan Performance Poetry: The Condor and the Eagle Meet edited by Jennifer Murrin
God Themselves by Jae Nichelle
You Are Only Just Beginning: Lessons for the Journey Ahead by Morgan Harper Nichols
I’m Always So Serious by Karisma Price
Homie by Danez Smith
Blood Snow by dg nanouk okpik
Promises of Gold/Promesas de Oro by José Olivarez with translation by David Ruano
That Was Now, This is Then by Vijay Seshadri
it was never going to be okay by jaye simpson
Dark Testament by Crystal Simone Smith
Unshuttered: Poems by Patricia Smith
Falling Back in Love with Being Human: Letters to Lost Souls by Kai Cheng Thom
Femme in Public by Alok Vaid-Menon
Time Is a Mother by Ocean Vuong
Find Her. Keep Her. by Renaada Williams
Rupture Tense by Jenny Xie
From From by Monica Youn
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lcthescribe · 2 years
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typewriter-worries · 1 year
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The two collections that come out in the next year that I’m super excited for are Song of My Softening by Omotara James and Promises of Gold by José Olivarez!!
Adding Promises of Gold right now. Citizen Illegal was easily one of my favorite reads last year; can't wait to having something break my heart the way Not-Love is a Season did <3
I haven't read Omotara James yet but I trust your taste so I'm off to fix that.
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geryone · 1 year
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Daughter Tongue, Omotara James
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apollosms4nger · 2 years
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"Sometimes your language reminds you from where and whom you hail. Other times, it confronts you with it."
—Omotara James
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the-healing-words · 5 months
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"He looks through the wound of my life like it's light. So I let him ."
- Omotara James, from "Pier 52"
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poeticpicturism · 6 months
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Halve me like a walnut
Pry the part of me that is hollow
From the part that yields fruit.
- omotara james
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the-enchantedboy · 1 year
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"He looks through the wound of my life like it's light. So I let him"
-Omotara James, from 'Pier 52'
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Autobiography of Thud
By Omotara James
After Donika Kelly
You live in Elmont, New York,
in a small house with a big yard
and gate that doesn’t lock.
Have a best friend
with shiny black hair
called Clarissa, who shares everything
and might be the only person
to smile when she sees you.
You play at her house after school.
She is not as brown or round,
but that doesn’t make her more or less
beautiful than you, just likable.
You take the bus to school Mondays–Fridays,
where you almost always share a seat twice
the width of your womanly hips, unless
someone is sick and no one wants the seat
next to you, where you practice how to leave
your body. You daydream
that your mum doesn’t have to work
and sometimes you’re sure you see her
powder blue car trailing the bus, just out the window.
You don’t wear glasses, but think they look smart.
Can still look people in the eye
when you speak and are spoken to.
Unsupervised adults, busy boys and girls
have things to say about your  figure, which
is the word men are most likely to use
when addressing a growing girl. Trauma
isn’t a word you’ve heard anywhere, including
the playground or the tele. Instead, you pick
up pretty junk, like muddy flower barrettes and strange coins.
Your pockets jangle on the bus home with your private
collection. You strew your loves with abandon
across the kitchen counter. Clarissa shines them,
placing them next to the repurposed tin can
on her dresser. Neither one of you knows the word altar
or wears the fancy barrettes to school.
Your mother works overnight. Your father too.
But his Aramis follows her Opium parfum
like the sun does the moon. In the morning,
the near miss of his body seems easier.
You roam like a buffalo through his possessions.
Spritz his cologne. Finger his ties. You could be anyone.
Mom shouts the warning for the bus. Reality
returns to the tongue like dry cud. You trot
through the kitchen to graze in peace, where
you find a different, familiar island gyal.
Every six months, maybe, dad brings one in need
of work before she travels back home. They
watch you and your brother. Closely. Discern that
Trinidad is not   your home. You awake to girls
in the shape of women towering over you.
They are as mean as square-cut glass. Get up
for school. They remind you how you are American,
which you learn is a slur for fat. They leave.
They return six months later with mangos,
black rum cake and small parcels. They teach you
fatty-fatty boom-boom is the sound you make
when you walk, when you smile or enter
a room:   fatty-fatty boom-boom.
You don’t know how to fight,
but have instincts to protect your brother
against people he won’t remember.
You love him now. Your secret is
that you have usurped his real mother. You play
Candy Land and Monopoly. Your brother
loves money so much that you trade him
pink and blue bills for Halloween candy.
You are aware you like food more
than you’re supposed to. You unwrap the candy
beneath your pillow so the sound doesn’t carry.
It’s summer, finally! You’re officially a second grader.
The first day at camp, your training bra is discovered
by Jessica Rose in the locker room.
Who accuses you of weighing 100 pounds.
Who washes her hair every day,
and smells like flowers before they die.
https://www.poetryfoundation.org/poetrymagazine/poems/159235/autobiography-of-thud
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