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#character. They're human beings with feelings
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"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
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My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
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Also, I would like to add that Malleus’s blatant disregard for the autonomy of others and fits of rage is DELIBERATE on his end. Being one of the top five mages in the entire world, I am sure that he KNOWS there is a large disparity between his power/social and the rest of the peers/subordinates etc. His sheer and utter confidence in his abilities to get what he wants and general disregard for others isn’t only an indicator of his awareness about this disparity, but is also a reflection of the abuses of his power AND social status as a whole.
In light of his age, imagine the amount of times he has repeated these mistakes despite others advice and criticisms against his choices. Only Ace has been able to overcome others general reverence and fear towards Malleus when it came to calling him out. He is not an innocent person who is ignorant about the ways of humanity verses faes, and is certainly not the innocent character the fandom (especially those who are infatuated by him) think he is.
[Referencing this post!]
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***Standard disclaimer: In sharing my thoughts, I do not mean to disparage Malleus fans. Furthermore, me disliking him should not detract from your own enjoyment of the character. If you do not feel comfortable reading about this topic (ie critique of Malleus’s character), then I encourage you to scroll on and to not engage with this post.***
My thoughts below the cut!
I do feel that, to some degree, the disregard for others and inappropriate fits of rage come from blatant ignorance (since Malleus did have a very isolated and sheltered upbringing). However, it's also hard for me to believe that in his 178 years of living that he was NOT told countless times by those around him (mostly Lilia and his grandmother, Maleficia) to wield his power and social status more tactfully than how he has. Did he take none of those lessons to heart??? What about the 2-3 years he spent living among the non-fae at NRC? Nothing from then too?? Regarding self-awareness of his strength and social status, Malleus has made it clear on more than one occasion that he stands above others. Right from his first appearance in the main story (in book 2), it's implied he's well aware of his position--so much so that he deliberately hides his identity from Yuu. He also cannot propose to Eliza in Ghost Marriage because he is the crown prince of a nation. Time and time again, Malleus's status is mentioned and it plays into his importance as the sole heir to Briar Valley. He must also know he is powerful, given that he is one of the top 5 strongest mages in the world and can perform incredible feats (like reassembling a stage and walking through Vil's poisonous miasma in book 5) like they're nothing. His grandmother and Lilia tell him the Draconias are powerful and shouldn’t use their magic to harm, but to help those they rule over. Yet he seems to have surprisingly few qualms when turning these powers against people who are only at a fraction of his power (Rook, his dorm mates, everyone in the Scalding Sands trip group, Ortho, etc.) or have no magic at all (remember when he attacked those civilians in Terror is Trending and the other Diasomnia students had to restrain him?). Malleus may be emotional in these moments, but the fact remains that he's making the deliberate, intentional choice to wield his magic in this way. He has the ability to hold himself back (as we see him refrain from fighting Rook in Malleus's PE Uniform vignette, only because he knows Rook is baiting him), but the vast majority of the time he fails to do this. For someone who is acutely aware of his power, you'd think he would... I don't know, keep a better leash on it? And what about his identity? So Malleus is concerned about Sebek insulting Leona (the prince of another country) but he ISN'T concerned about how his own fits of anger poorly reflect on himself, who is the CROWN PRINCE of a country??? Please make that make sense... Why is Malleus so selective 💀
I'm actually quite shocked at how little Malleus's pride and arrogance is pointed out; it's usually Leona who gets those labels even though Malleus is also just as arrogant, prideful, and confident in his own powers. Most of the time, I feel like I see Malleus being called "innocent". Maybe his negative traits on display get overlooked because TWST tries so hard to present Malleus to us as someone we are supposed to like (especially with how often they use his overpoweredness or loneliness is used as a punchline for jokes). Our interactions with Malleus are also so few and so short, particularly early in the main story, that fan project their own ideas about what he's like onto him and that forms a certain “image” of him that may not be the same as how he actually is. Him being lonely makes it easy for fans to perceive him as desperate for company and even easier for fans insert themselves as his “special” friend or S/O to fill the void.
It's... quite ironic, really? Malleus says in Riddle's Suitor Suit vignettes that he is familiar with the concept of "noblesse oblige", which is the implied duty of the privileged and nobility to act gracefully towards those less privileged. Yet... he is sometimes overstepping "fae playfulness" or "teenage childishness/immaturity" and continuously creating situations which put people around him in danger (all of Endless Halloween Night, not holding back his attacks against the Magicam Monsters, all the times he let his temper get out of control, book 7 OB, etc.) When defending the extremes he took in book 7 by citing his status and his UM, Malleus has this to say, which is very telling of his lucidity: "Monitoring? Meddling? Heh, how silly. It's a king's duty to govern, is it not? I'm watching over you. To ensure no nightmares befall you in the fairy tales you now reside in... To ensure you have happy dreams that last forever!" It's implied that Malleus's grandma has told him since childhood that their line has powerful magic to protect their people's smiles--and here he is, overextending those words to people that aren't even his subjects, and twisting the meaning to justify his own brutal rule.
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What I noticed is... Malleus is often so oriented on seeing the situation from his POV that he fails to consider those from any entity aside from himself. In Endless Halloween Night, he feels sorry for the ghosts who showed up late and were left out of the festivities because he can relate to them, so therefore he wants to make sure they are included. In book 7, Malleus fears his loved ones leaving and projects this fear onto everyone else so he feels right in being the one coming in to be their "hero" and grant them happy endings they never asked for. In his own Dorm Uniform vignettes, Malleus frames the circumstances as, "I wouldn't be mad if you did the same thing to me" instead of listening to his peers' complaints. He centers problems around himself (which admittedly is very frustrating to me), and this is how Malleus tries to understand and navigate the world. This gives me the impression that he has a very particular way of thinking and it's perhaps difficult for him to understand others, even with extensive pointers.
I truly believe Malleus is ignorant about humans and fae. That much matches up with what we know of his history. What I do NOT get is why he continues to remain ignorant when 1) he has spent a few years exposed to non-fae and their ways; even if this pales in comparison to the 175ish other years of his life, he should have some new basis for appropriate social interactions with other races, and 2) most of the major adult figures in his life are exposing to him he should consider others' perspectives and try to learn more about that which he is unfamiliar with. Malleus has so many opportunities to expand his horizons and get to know new people, but he seems to sit around and keep waiting for others take the initiative for him. But he could initiate too, so why doesn't he???? (He has shown he is capable of it, as he approaches Deuce to fix his virtual pet and chatting with Idia about the same pet in the main story; if not by himself, then Lilia can easily assist or invite him into activities such as the Silk City trip.) Even if Malleus fails to socialize in a way that's considered appropriate, at least that's something he can learn from and correct for next time... But why doesn’t he????????? If he did, it would sure help out with his inability to empathize with his peers and could even curb his temper (which would be seen as socially inappropriate). So why exactly does he seem to know so little and make so little effort to try and rectify this???? Why does he keep postulating that his word is above everyone else’s and then get upset when people don’t like him for this very alienating attitude? Aaaaah, it's a sad cycle to witness him devolve into again and again... 😭
P. S. Bless Ace for being the one character who still held it against Malleus for the fucked up “prank” he pulled in Endless Halloween Night (and then convincing everyone the misunderstanding was their faults for “attacking the ghosts first”).
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lovelybrooke · 2 days
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Someone on this post commented "platonic yandere step-dad is underrated" and honestly I haven't been able to get that comment out of my head.
Adam being like a sudo-father to reader is so real and all I can imagine is how mad all the other characters are. Like Alastor, Blitzo, Lucifer, Stola, hell even Ozzie and Fizz try so hard to be seen as parental figures only to be pushed away. Then to learn that Adam is driving reader to school and taking care of reader, they're furious and very, very confused.
Like, as much as reader doesn't like Adam for all that he did, I think reader is closer to Adam simply because he treats them like a person. Like Alastor treats reader like some strange toy, very possessive and doting. Lucifer has so much internalized guilt because of readers past (see post here). Reader feels weird around Blitzo because of their friendship with Luna, same goes for Stolas. So when Adam comes around and treats reader like a person, I think reader really starts to value that. It's even better that Adam can assimilate into human society pretty well and that he's a distraction to readers mother.
Don't get me wrong, Adam is still Adam, he's crude and mean, but he does care, even if he doesn't show it well. He has no desire to be readers father, but it doesn't hate it when you start warming up to him. He doesn't hate the routine and he doesn't find himself missing Heaven. Everyone already assumes he's dead, so it doesn't matter if he stays here with you. And it's not like you're going to complain about having someone to keep you from getting yourself killed.
I don't know I've just been thinking about it a lot.
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flower-boi16 · 2 days
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Interesting thing I noticed about Viv's designs for hazbin lately: the male characters all look at least kinda like the animal/object/thing they're supposed to be. They all read as what they are. Angel is a big spider, husk is a cat, pent is a snake, Lucifer is a ringleader (alastor isn't great but he does still have animal features technically like horns and the ears).
But the women are just. Human women but slightly changed. Like Mimzy is supposed to be a chicken, Nifty is supposed to be a bug, Cherry is supposed to be a hedgehog, V is supposed to be a moth, Charlie is supposed to be a doll. And all of them have MAYBE one feature that would even suggest being non human. Cherri and Nifty have one eye but otherwise? Just women. V and Charlie? Vs hair and maybe Charlie's cheeks but nothing else suggests they aren't just human women. And Mimzy is the worst offender by far. That's just a human woman. She's got both eyes, no feathers, no beak, no plume. she's just a flapper. A human woman flapper in a universe where you're supposed to drastically change into some creature or object when you're sent to hell.
And I feel like this is just another example of Viv being sexist. She saves her energy and creativity for her male characters while putting zero effort into the designs of the women.
That certainly is…interesting. I think it does show how Viv puts more time and care into her male characters while the females tend to get the short end of the stick. There have been a lot of criticisms of Viv’s character designs and well, I do think some of them are valid.
Like they all scream “ We’re deviantart OCs made by someone with little experience in character design!”.
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houseki-no-suffering · 14 hours
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Hey! I found a post of yours (specifically a phos analysis) from a looong while ago. Just curious to hear what your thoughts on the last chapters and the conclusion of the story are!
I recently finished the manga after putting it off for 4 years, and it was an incredible but such a bittersweet read. Maybe it's just me being a sucker for happy endings, but man, it really did not get happier </3
And you probably already know this, but did you know that Ichikawa released the last chapter the same day a comet flew by that looked exactly like the comet from the last chapter? Really cool stuff but I am emotionally destroyed haha
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I suppose it was the only kind of happy ending HnK could have, and I don't think I mind it as much as other things that have happened in the last few chapters. It reads more HnK than anything that has happened in the past 1-2 years of serialization.
I appreciate the bittersweet notes (always have) and Ichikawa's words that this is how she wanted the story to end, it doesn't happen to every mangaka. Also, the comet bit is such a nice touch.
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As for Phos (I suppose this is the post you meant?), I do believe that they got a happy ending.
If you think about it, instead of becoming a lunarian and being prayed away like the others, Phos' journey gave them the power and knowledge to rise above them. Thanks to their flaws (being brittle, having special inclusions, maybe being the most human of all the gems) they became human, the most flawed of creatures, and basically reverted to the purity of a child, a god, sin-less (even if this is a Buddhist story, so idk if I can actually speak of sin) and therefore free of everything that made humanity always dissatisfied, dangerous and unhappy. The others renounced existence, Phos found a way to reach paradise.
Humanity doesn't come out of this looking like a nice bunch of people to hang out with, and neither do the lunarians (gems included at this point). And yet, there's so much compassion in everything Phos does: a kind child, up until the very end.
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I always speculated (and was not alone in this) that Phos' job would become to pray the lunarians/everyone away, find Cinnabar the job to kill them, become a Bodhisattva... in this, I believe, the story remained true to itself. What I believe no one saw coming was how shallow(?) it all seemed in the end.
Everyone came back, making Phos' sacrifices and suffering basically meaningless, everyone started getting along and solving centuries-old problems in seconds. Then, Ichikawa introduced so many new changes abruptly... It felt rushed, lazy and overly simple, when most of us loved HnK for its complexity and depth.
Maybe it was because Ichikawa wanted (or needed to) end the series with ch 108. Usually, when mangaka put a limit to the chapters they want to write, it really damages the story and I wasn't a fan of this even in this situation.
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Aside from these issues, I appreciate how Ichikawa seemed to care about the character of Phos.
Maybe this all happened so that Phos could be happy, maybe this was the only possible way for Phos to be happy? It would be a little bit like in Devilman, where the world basically ends only so that Satan can understand love. Idk, little old Phos didn't seem that desperate a case, they just wanted truth, yes, this did cause some... issues, but other than that they're a sweetheart.
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This is the leitmotif of the series, after all: Phos is a kind, selfless gem who cultivates a deep sense of self-hatred.
They internalize a pressure and a need to feel useful (coming from gem society) and turn them into a necessity for change (unlike in gem society). Initially, they want to find a job. Then, they want to help Cinnabar find a job, then they want to help Ventricosus, then then want to become a fighter, then they want to help sensei, then the gems, then the lunarians...
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Contrary to most of the other gems, Phos loves and loves openly and unconditionally. They start off as a self-less creature who believes that their life isn't worth anything. Therefore, they put it on the line time and time again and, eventually, lose it time and time again as they change form.
It's their journey towards truth and happiness: they change and lose pieces of themselves, forget things, renounce gem-ness in favor of humanity and then humanity for god-hood.
Phos changes until they find the form that makes them happy. Their purest, happiest form. They change so much that they come back to square one almost: they become pure Phosphophyllite, with no inclusions at all. Still fragile, still small, but selfless and cheerful. Carefree.
In a sense, HnK ends with Phos becoming Phos.
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passportclown · 2 days
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heyyy I saw that you write for Transformers.. you didnt say which transformers though so Ill assume all? just ignore this if not.
could you write something for G1 Soundwave and Starscream both liking the same human reader? headcanons pls
Oh hi!! Yes, I write for all Transformers. I haven't watched them all but for any request I'd research the specific characters to write them as accurate as possible.
You didn't specify if you wanted angsty, lighthearted, etc.. so I'll go with G1 goofiness mixed with my own style. Nor did you specify romantic or platonic. But I think it's Romantic? I couldn't tell if the reader was into them both as well.. so I tried my own approach! If this isn't right, re-send an ask (if you want)! o.o Headcanons below!
Warnings: Kidnapping (but it's not taken too seriously) , slight ignorance towards human comfort and physical limitations , slightly forced relationship but it's ambiguous as to whether it's platonic yearning or romantic yearning , maybe slight yandere?? my kofi if you feel like donating
Soundwave:
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Well, you must have done something to get this con's attention. But now you've got it, and you're very much unlikely to lose it.
Soundwave likes to think he's calm and smart.
He's got his cassettes, he's got his position, he's got Lord Megatron.. everything's good.
He never assumed that he'd want a human as well.
And yet, he does.
He treats it as a simple desire to ignore. Like how humans crave chocolate but ignore it and get salad instead.
Well, at least, that's what he thought humans did. He soon found out that it's hard to ignore such cravings.
He couldn't stop thinking of you. So, he'd send out Ravage or Lazerbeak to watch you. Just so he could understand his strange desire further.
It didn't make sense, but he wanted you.
He watched, and admired the little things about you. But then.. one of his Cassettes informed him that Starscream was watching you as well.
He had even taken you in the recent fight..
Soundwave couldn't have that.
Starscream:
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You must be quite the organic for Starscream of all Decepticons to like you.
Of course, he'd ignore his feelings at first. Or assume it's his clearly genius processor formatting some sort of plan involving an organic squishy.
But alas, he truly likes you.
Once he realizes his feelings, he denies them insistently. No way does he like a human! They're small, weak, easily crushed but..
Also cute.
He's a very rash individual. What he wants, he gets.
And he wants you.
He doesn't immediately jump into it, of course.
That'd be desperate.
He ignores the stares he gets from others, particularly Soundwave, convincing himself it was paranoia. He was being very careful!
No, he watches.. and waits..
And at the perfect moment, with you struggling to run in the midst of a Decepticon attack..
Well, who would notice if he just hid you in his cockpit?
Small ficlet:
Starscream got you to stop struggling from his affection.
Now you sat still in one hand as the other roughly pet you. He didn't quite have the hang of it, almost pulling out your hair and tugging at your clothes. His metallic hand would pat your head, then roughly slide down and grip your body. Over and over, in a repetitive motion.
He had a nasty grin, you couldn't quite tell what he was feeling but he was certainly pleased.
It's not that he's unattractive or anything, for a giant alien robot.. he is! But you were trying to avoid getting stepped on and he shoved you in a cramped space, shook you around as he walked, jostled you as he flew, and now he's roughly petting you.
Then.. Starscream jolts as the door opens.
"Starscream: Explain" A more robotic voice speaks, though it sounds as if it's accompanied by some sort of auto-tune. He really does speak like a robot constantly making a report. The Third in Command of the Decepticons, Soundwave. It's impossible to tell with his mask, but you suspect he's displeased.
"Wh- Soundwave! Why didn't you knock!? I am your superior-" Starscream yelps when Soundwave slams his hand against the wall, leaning over Starscream and prying into his mind.
There's a brief moment of absolute tension. Then Soundwave pulls back, and stares down at you. He pries you from Starscream's tight grip, attempting to be as gentle as possible. Starscream grunts, and glares at Soundwave.
"..I presume you'll be reporting this incident to Megatron and getting rid of the fleshy?" Starscream asks with a snarl, trying to pretend you mean much less to him than you actually do.
But Soundwave got enough of a read of his emotions from that peek into his mind.
"Soundwave: Might. Unless.." Soundwave continues, then leans forward once more and dangles you in front of Starscream like bait.
It works.
"Unless what?!" Starscream squawks, unable to keep up his uncaring and confident facade for more than a moment.
Soundwave stares, but not at Starscream this time.
At you.
Even you can tell through his red visor, seeing a brief flicker of light, that he's staring right at you.
"Starscream: Will share human with Soundwave."
-
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That was the start of an odd situation.
Starscream didn't know as much about taking care of humans as he thought he did.
Soundwave got you a more comfortable place to rest, food, water, everything you need.
Of course, neither Decepticon let you leave.
They would routinely swap you between their respective spaces.
Starscream hated it, and Soundwave tolerated it.
But if Soundwave just took you, Starscream would make trouble.
And if Starscream kept you, Soundwave would report him.
So they're at an impasse.
And you're in the middle.
It's not all bad.
You think in some.. weird alien robot way that they both love you?
Maybe not exactly romantically, but close enough that they both want to keep and hold you.
They listen to you well enough, as long as you use honeyed words with Starscream and speak more pragmatically with Soundwave.
It's a decent exchange for them, and a new but tolerable change for you.
You might be a pet, or maybe some odd flavor of partner, maybe just a friend. It's hard to tell. But at least you don't pay rent.
I really hope you liked this. 🥺
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barbwritesstuff · 2 days
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Pls don't feel bad about the time skips! I read ppl complaining on the forum but I think they miss the point of TT.
It's meant to show how much of a curse vampirism actually is. Like no matter how much you try to keep your humanity, you are functioning on a completely different wavelength as humans and one thing that encapsulates it are the time skips. You can't have a non vampire partner or child and expect a happy ending, one distraction or something gone wrong and you lose a decent chunk out of their lives without realizing. It's a story meant to lack agency! Being a vampire in your world is only meant to end three ways: being hunted, starved, or walking into the sun. And most probably utterly alone.
Writing is a learning curve that never stops curvin'. And, to be clear, that's something I really like about writing. I really enjoy trying new things and getting feedback on readers on whether or not those things worked.
I didn't expect the time skips to be contentious, but I can understand why some people don't like them.
They feel like they remove agency in a choice based game. That's a very real critique that I totally understand.
Unfortunately, they've been baked into the narrative from the start. I always planned on Thicker Than to take place over a decade (actually, originally it was 13 years, but I shortened it to a decade to show a tiny wee bit of mercy to the human ROs) and the time skips are the only real way to do that.
The time skips make sense for me because they show how vampires change over time. The player gets to level up their powers and becomes more a part of the undead world.
A just resurrected fledgling is not going to be the same creature as a ten-years-dead vampire. And while you're still very young, it makes the final showdowns a little more probable.
The player's character isn't a total noob by the end of the game.
I've tried to brainstorm some ways to smooth over the transitions, but the truth is, they're already pretty much as good as I can make them. So I hope those that don't like the time skips aren't too put off by them.
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doubleedgemode · 3 days
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Headcanon:
You know how A.B.A's official profile mentions she hates wasteful humans and likes treasuring things she feels it'd be a waste to throw away?
Imagine a scene with the character of your choice, in which they either throw away something and A.B.A makes a fuss out of it and shuns the other character for being a wasteful human (or that they're picking up bad human habits, if they're not human) or instead that the character sees A.B.A pick up an item that an unknown party has thrown away and she's acting in an upset manner, again mentioning her abhorrence of said wasteful humans. The character questions why she even feels THAT weirdly strongly about the topic .
After a back and forth, A.B.A scowls defeatedly, holding the discarded item very closely, and says:
"Humans are wasteful, they even throw away things they made by themselves! ...And maybe, if they didn't do that, my creator wouldn't have abandoned me."
Here we have two options. Either she somehow does not know the military took him away and believes he abandoned her, again, just like other humans once they get tired of their things, OR she knows it wasn't an intentional abandonment but.. She still can't take off that lingering feeling. What if he's okay and didn't care enough to find her again? What if he is not okay (or isn't alive anymore) and she's being callous but the thought keeps lingering in her mind?
Whatever the case, objects being discarded, left alone, when they could still work really irks her. You could say she feels empathy for them.
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Yandere Jin woo brainrot
TW: yandere themes, bit solo leveling spoilers, kidnapping, jerking off mention, possessiveness, muder implication, manipulation mention yall let me know for anything i missed
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Ok wanna join on the yandere potential jin woo has cuz ya'll so right and should say it full with ur chest-
I get it. Making jin woo possessive is hot and yeah! He would definitely he would be a possessive type and I can see him not even flickering a finger when it comes to kidnapping his darling. Probably the easiest kidnapping ngl feel darling would take a sole minute to realize the oh-so-late the situation they're in
or mabey there isn't a need to kidnap them cuz my guy got thousands of eyes around, its impossible to miss darling by a beat and besides feel like he's the type of yandere that doesn't affect darling's life that much other than him being a maniac simp (killing for beloved way i mean)
I can see both scenarios but....
What I don't see is for him being aggressive to darling...even when confronting them I feel like he wouldn't be angry....like if darling's crying or confused on what's happening Jin woo would certainly comfort and coo at them, I can definitely see him being outright screaming ur heart out to anyone else
Ya'll remember that jin woo became who he was for the sake of protecting his family right? That including their happiness as well. Yeah he wanna keep them forever and ever and only make darling look no one else but him-
but seeing darling sad and loosing that shine in their eyes they once had after taking them by force.....i can see that affecting him because even so the system forced him to become a lethal weapon doesn't mean that he becomes immune to sadness or hurt (ya'll remember how he cried as his dad vanished like????? OUCH???? TF??????)
Feel like he would manipulate darling into making them believe that their asshole coworker's probably just on vacation or maybe he quitted and got another job.....yeah that gotta be
pretty sure he gotta have a photo book(?) of u somewhere, most of the pics are u doing normal stuff or u just asleep drooling on a table or something lol.
Would he be like bit of a pervert too? I can defenitely see him having higher horny level, specialy after getting with his darling WITH CONSENT CUZ CONSENT'S HOT U GUYS JIN WOO STILL A GENTELMAN (even tho i can def see him jerking off with his nose on one of ur clothing pieces ANDAOOP-)
lmao like those moments where the character goes "let's fuck" with the most serious face and the other's like "HUH???like right NOW???????" JDUISFPIUAOEUGRBEPIGBARBGPB
He loves darling so much, he wants to see them smile, tease them until their face runs hot, maybe annoy them a bit and see their cute lips turn into a pout have fun and enjoy their lives together as they grow old.....
yandere shadow monarch's scary as fuck to anyone human or not, but to his family and to you he is nothing but their jin woo who worked hard af to get the power to protect those he loves
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sylenth-l · 1 day
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hello! hunter age anon back once moe with another question!!! (sorry ig yhis gets annoying!!!)
i want to ask about Cayde's dynamic with andal!!! like, how to portray their relationship and maybe cayde's general psyche when it comes to people and forming bonds.
Not at all, I love getting questions about my guys!! (I'm just bad at answering them aksdjhflks OTL)
It's… complicated, I'm never sure how to describe characters' relationships with words. I know it sounds incredibly cheesy, but to me Andal and Cayde are two halves of a whole, one feels incomplete without the other. Even if we're talking about them being just friends, they're the type who always show up everywhere together and if for some reason they aren't, they'll be texting each other non-stop still. "We're two halves of a whole idiot" - that's literally them.
You could say that they knew and understood each other perfectly, but I feel like while it's true in general everyday scenarios, on a grander scale Andal always had an upper hand in that. He knew Cayde like the back of his hand, he trusted him and believed in him far more than Cayde ever thought of himself. Cayde however wasn't exactly that sharp when it came to serious things about which Andal avoided speaking head-on - like, Cayde couldn't understand why Andal takes his Vanguard duty so seriously. It was only after he spent years as the Hunter Vanguard himself that he started to get what Andal must've felt. I don't think it's Cayde's fault or something though - Andal most likely barely ever talked about that, and he himself didn't exactly need people talking about their feelings to understand them.
I think it's safe to say, judging by how everyone speak of him and the leadership positions he seemingly effortlessly always ended up in, that Andal just gets people, he understands them extremely well and can find a common language with just about anyone. He was the one who made "significant progress in faction accords". What kind of person you must be to make faction leaders come to an agreement, at that time especially??? Convincing, sharp and charming sounds like an understatement alksdhfkjaks
So, I think it was that quality that helped Andal almost immediately see right through all of Cayde's clowney facades. And his own kindness and honesty pretty much left Cayde totally disarmed. Andal got to know him - the real him - and loved him, thought of him as his best friend. And made damn sure Cayde was aware of that as well. That's actually so, so incredibly important - because with the way Cayde is, he constantly thinks that deep down people surrounding him either dislike him or are disappointed in him. No matter how much time they spend together, it's not something he himself will just get one day because "well it's OBVIOUS" or something. His relationship with Ikora and Zavala are probably the most striking example of that. Ikora says he was one of her closest friends - Cayde says he's not sure if Ikora even likes him. The City is flooded with Cabal, lightless Guardians scattered all over the system, humanity is in shambles - and Cayde is genuinely surprised Zavala is looking for him and needs him. He leaves messages for both of them in case they kill him, making it sound like he wouldn't be surprised at all if they did. That… really shows the abysmal gap of misunderstanding between them, to put it lightly.
But Andal! Cayde never once doubted Andal and Andal's feelings for him. The good old days he speaks so fondly of is the time when he ran around the Solar system with Andal and their pack. Even if he sometimes laments that Andal is too serious and bad with jokes, that seriousness and honesty is actually just another proof that if Andal says so, then he really does like him and is impressed by whatever Cayde wanted to impress him with this time. 
I think it's probably one of, if not the most important part of what made Andal so incredibly special to Cayde - that freedom of being able to be equally honest with him, be real. Goofing off because he simply wants to goof off - not because he prefers to give people lower standards so that they won't be disappointed in him when he fails. Sharing his muddy concerns and fears that he barely even can put into words, knowing it won't be laughed at or brushed off as unimportant. Absolutely everything got better instantly if they were in it together. The mere presence of one of them in close proximity immediately cheered the other up.
I don't know, I can talk about them for hours and still not say what I wanted to say. I always miss the most important stuff somehow, no matter how many words I pour in. Honestly, I think that to better understand what was happening between them, all you have to do is to (re)read "The Man They Call Cayde" - literally half of it is basically Cayde's love letter to Andal.
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sadhornydemons · 9 hours
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Rapid-Spoiler-Season-Speculation: Mastermind/Sinmas
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Mastermind:
After a bout of angst filled episodes, I'm theorizing that this one might be the nice change of pace: fun, filler episode/calm before the storm.
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Not to mention, a nice mixup of two villain groups.
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The Cherubs mention they are waiting for I.M.P. to return to Earth, but the D.H.O.R.K.S. seem to have a portal to get to them faster?
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Robot? Robot with a skull chest emblem? Well, if they already have a Loona Fursuit, I guess they could just be into making freaky shit now. Could they send it through the portal? In which case,
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There's a massive battle going on in the Lust ring.
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Blitz is missing from these scenes until this one where he appears to be at the Pride ring.
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Where the crystal portal is finally shown, see previous example:
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D.H.O.R.K.S. appear defeated (but still alive? Well, it's not like IMP kills humans for a living..oh, wait) and Blitz is grabbing the card off their desk.
End of screen captures/speculation for this one, but I feel like events have to be running gradually in the background of the last few episodes for the doo doo to really hit the fan in the last:
Sinmas:
First, let's talk voice actors. Harvey Guillén came in fairly recently, but has been confirmed to voice Vassago. Now, they can always work around voice work to be added later, but I'm really leaning towards his character not appearing until this last episode.
Jason LaShea voices Andrealphus, assuming this shot is from the finale:
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I think it's likely that Andrealphus, being a minor character, only appears in one or two episodes. With that in mind, let's assume the following scenes, which share the same background images, also take place in Sinmas:
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We see at least one Sin, confirmed members of the Ars Goetia, and several sporting crowns. Aka the higher ups & royalty of Hell. And Stolas is missing. Oh, but Andrealphus states he will summon him.
(Off topic, but does anyone in hell know/care that Stolas's ex wife tried to have him killed? Paparazzi mobbed his hospital when he was hurt, but no one followed up on that news story?)
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Likely the same scene, "You are a disgrace." Unknown character states. Whom? Ozzie? Stolas? The demon who took the last blueberry muffin from the snack table?
"Where is Stolas, anyway?" Well, this is the only image of him that appears to be from the finale:
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1) Is that a blessed weapon sword?) 2) Is that a Gabriella hair stripe or an 'I was frozen today!' Anna-inspired white stripe?)
Which matches up with this:
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And either Stolas left the refrigerator open for 4 solid episodes resulting in his mansion freezing over or his in-laws are relatives of Elsa's and favor home renovations.
Okay, buckle up sluts, MASSIVE SPECULATION TIME:
What would cause Stolas to move out?
Or rather, what would force Stolas to move out?
Andrealphus wants his money and property, Stella just wants him dead, but she has to follow her brother's wishes. Andrealphus tells her, "I say we bid our time. And wait for the chance to gain the upper hand."
And they might had had it all along.
You know, I wanted to say that Blitz fully and unprompted, spelled out, in detailed terms, how he was using Stolas's item to gain access to the mortal world immediately upon meeting Striker, but in watching it again:
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Striker seemed to already know? So, either, Stella knew and told him or he did his research (if the IMP commercial from the pilot is still canon, they basically broadcasted it). But Blitz does go a step further and literally job interviews the guy, likely giving him even more info in the process.
Stolas even states, more than once, that they're not suppose to be using the book and that it's 'less than legal' even in hell.
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So far, Stella has only been attacking Stolas. Striker knows Octavia is Stolas's main weakness, but hearing all the 'Blitzy' mentions during torturing, maybe he'll relay that there's another way they can exploit him. After all, Stella just thinks of him as any interchangeable Imp.
Stolas stated before that he would not leave Octavia, so maybe this was the reason he returns to the palace? But not soon enough, considering...*
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The voice over does not match the scene, but it is as follows:
"You never loved mother and you don't love me, you love HIM!"*
Back to the image, is Via a fast learner or does she have the Grimoire? During the Loo Loo Land flashback, Stolas, having studied the book for a decade at that point, still needed it to travel to other planets.
And IMP seemed to be using the crystal in the last episode..
And if that's not complicated enough, let's get back to the Hell High Council meeting,
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It sounds like they're discussing Stolas, before Vassago asks, "Where is Stolas, anyway?" Before demanding that they summon him, "at once!" Fortunately, this parrot's suppose to be a good guy, since unfortunately it seems like Stolas is in real more trouble.
Is it the illegal spellbook loaning? The (still alive?) D.H.O.R.K.S. having him on film? Satan help him if someone also managed to record him twerking on stage at the Verosika Mayday show.
We'll have to wait and see, but Stolas appears to return to the mansion with Blitz afterwards.
< / End MASSIVE SPECULATION >
Well, that's what I came up with. We've got 6 more months to go, and as the episodes do FINALLY get aired things might become more clear.
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raayllum · 2 days
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After S4, Soren's character was just reduced to a doofus. There isn't any arc going on for me. He is just there. Do you think that there is an arc for him?
blog housekeeping: tags masterpost / dragons rambles / foil tags / in regards to (discussions of race / racism) / fandom history / no discourse or harassment / please don’t send me negativity about the show and/or cast and crew
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Points at "character development is not the be-all end-all provided you're still getting character expansion and a better understanding of their current worldview/characterization" + bonus "seeing how arc 2 Soren is different than arc 1 Soren"
In S4 and S5 we see:
Soren being much happier and outwardly goofier now that he's not trying to get his dad's approval
Soren stepping up to be Ezran's prime defender (4x01, 4x03, 4x09, 5x01-5x04) and good friend *
* While Soren and Ezran are friends, we have every reason to believe Soren is not going to rely on Ezran for emotional support, and there's extra layers here of Soren being Ez's knight / Ez being his true king
Oh no, you mean the character who avoids thinking about how uncomfortable and stressed he really is (s1, s2, s3) is avoiding thinking about how uncomfortable and stressed he really is now that his family's back in the picture (4x07)?
Soren's season long arc of Not Knowing vs Knowing continuing into S4 and S5
Showing anger, love, despair, and resentment towards his family members ("I know you love magic, but I hope you're careful, because it can change people" / "I was worried okay! And I missed you!" / "But it's not too late to change, please, I know you can change!" / "They were a step ahead of us. They're always one step ahead")
Him and Rayla actually having a dynamic / friendship now
"Soren definitely seems like a feelings-y protect-y kind of guy." "Yeah, you're right, that's not really his style." → "I meant with Callum. Look, when you left, you hurt him bad. Real bad. He was miserable."
Him leaping into a fight to defend an innocent dragon whereas before he was decidedly the aggressor
His developing dynamic with Zubeia and taking on more of Ezran's side of things with human-dragon reconciliation
Soren reaffirming his view of his father but also how that's made Soren more knowledgable and compassionate (through Elmer)
Like Soren is coping better bc he naturally fronts with confidence (1x01, 2x02, 2x07, even some of 3x09). I even love the growth we have from "so I picked on you cause I didn't know any better" to "He's cruel, but you don't have to be". Soren has matured in his view of his own actions and of others, even if he still has some room to grow within his own very black-and-white worldview ("It feels good to be one of the good guys this time").
I could talk more about Soren and his arc within s4 and s5 in detail, but I'm not gonna cow to a rule breaking ask so... try again more nicely maybe and we'll see?
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feykrorovaan · 10 months
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"I don't like that character because their actor/VA is a piece of garb-"
Me:"Shhh the character and the actor are not the same person. They haven't done the same things, nor do they hold the same views. Your argument is invalid. Shhh."
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nonamenonamenon · 2 months
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When most demons are asked about Solomon the sorcerer, most will have a remark about how he doesn't feel like he should be a human, but rather a demon instead.
If Solomon is told about this, he merely laughs, and says, "Do I, now?"
However, behind his cunning smile, lies a smidge of uncertainty on whether he truly is a human. At what point does he cross the line of human and demon? Or something else truly inhuman entirely?
He's conflicted. It's an idiotic thing to be worried about. He's human. He's always on the side of mankind, and always acts in the interest of humanity.
Though, at times, in the lonely permanence of the Devildom's night, Solomon wonders if he truly deserves to be called a human. He forgets whoー or what he is, being around so many demons in his time at RAD.
When you arrive at RAD, being a puny, weak, helpless thing compared to the other exchange students, his curiosity is piqued. Why send a normal person here, where they're bound to be mauled to death by a bunch of demons?
However, his expectations were exceeded when he learns of your pact with Mammon, the second born of the seven. He's not all too impressed, seeing how easy it would be for anyone to trick Mammon into forming a pact, but he's surprised nonetheless. He recalls having to wait a few years before he made his first pact. How nostalgic, he thinks.
As the year passed, and as you formed more & more bonds with everyone else, he was intrigued further & further. To have a pact with Lucifer, of all people? The one demon he's been trying to form one with? He laughs to himself, but he sees why, now. You've gotten through Lucifer's walls as well, hm?
When Solomon starts interacting with you, you're a bit scared. They call him a demon, but he looks safe enough. They say he's the strongest sorcerer in all three realms, but he doesn't look all that strong... you think.
You come to grow fond of the feeling of home he gives you. Though most wouldn't consider him one, he reminds you of your humanity.
He feels all too familiarー like home.
To Solomon, with each day he spends with you, a budding seed of love grows inside his chest, bit by bit. It's unnoticeable to him, at first, but comes to realize he's fallen when he dreaded you coming back to the House of Lamentation after a day together.
He notices it when you make him feel something he hasn't felt in decadesー maybe even centuries. He feels something human. He thought he'd shoo'ed away cupid a long time ago, but, it seems that he's been struck by his arrow again.
With this realization came something that, as the strongest sorcerer in the three realms, never thought he'd feel once more.
He felt fear.
Fear that you will be his weakness, and that you'll be put in harm's way, that every enemy he's made will come for you, to exact their revenge on him.
But most of all, fear that he'd outlive you, and he'll be left to mourn at your grave. He's a little too well acquainted with death, having seen all of his loved ones pass away, either of old age, or by something else entirely.
Solomon isn't sure whether he could take seeing you on your deathbed, though.
When he's with you, he rediscovers too many emotions he hasn't felt in years. Love, jealousy, fear... it reminds him that he's still human.
With you, he rediscovers his humanity.
He feelsー no, he is human with you.
And to you, he is a warm reminder of home.
One that you've been longing for, all this time.
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sysig · 4 months
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Two big softies(?) (Patreon)
#Doodles#Handplates#UT#Fellplates#Gaster#Flowey#Flowey is still my favourite UT character so honestly a lot of this was just self-indulgent doodles lol#But then - as always - it did turn into Thinking A Lot about [thing] lol#Starting with the classic tho! Flowey friendly-like coiled around whoever he's talking to ♪ It's too fun hehe#I love Flowey getting just a liiiiittle too close and personal to a discomfort degree ♫ He's just being friendly! It's a hug! A snuggle!#He's your best friend so you don't mind right? :) Why would Fellplates!Gaster mind ♪#He's always posed to stage right when I draw him haha - I'm still fond of the one Gravity Falls/Undertale crossover piece I made with him#Anyhow lol - yet more fluffy wings! It's just fun if they're expressive I want real feathers lol#Gaster's face completely neutral but his wings all puffed up and freaked out hehe#Flowey would definitely be able to tell if those are when he chose to wrap around!#If they were just the decorative version he'd fall right off from his own weight pulling them loose lol#Absolutely thinking of the one of Gaster screaming while being vine-wrapped by Flowey haha - he's totally innocent here! ♥#And then a little idea of how each of them react to humans - UkaGaster talks a lot about his general positive feelings for humans#And Fell!Flowey is.....well I have my own thoughts about how he might react to humans now that he's been...himself for a while#There have been Fallen Humans in the time between being locked in the Underground and [now] even in Underfell hasn't there?#I guess none of them would've made it as far as meeting up with Gaster - bit of a dark thought heh - but Flowey would know#Is it selfish? To wish for humans or to keep them a secret from the rest of the Underground? What might happen?#It's interesting to think about! If there were humans then surely Gaster must be aware of the Souls?#But even if not - even if this could be before all that - Flowey would still know about human Determination to an extent - being what he is#It wouldn't turn out well for anyone :) That's what makes it interesting ♪
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cctinsleybaxter · 1 month
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Artists who admit to not knowing small details about their characters and worldbuilding have inadvertently given better advice than any character design post on social media tbh. as fun as it is to come up with what your guys would order from a restaurant or the contents of their backpack or their favorite color I've run into very few people who can leave that stuff in a story (or even leave it offscreen as paratext) without it being distracting and poorly written because it's rarely in service of the narrative. a lot of that is def just down to personal taste, but it feels more like designing characters for a TTRPG
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