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#comic page 48
ftwkcomic · 6 months
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The Oni Origins pt2 pg48
Finally back from hiatus, we now continue the story. Up next, Oni VS Kitsune! Hope you guys enjoy. c: Portfolio: https://ftwkcomicbooks.myportfolio.com
Socials and comms info https://ftwkcomic.carrd.co/
Posted using PostyBirb
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drawnfamiliarfaces · 8 months
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Heroes of Millennium (HoM) AU
Act 1: What was left behind. - Part 1 (page 1-5) -here- -> Part 2
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barbarous · 1 year
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by the way if you ever wanted to pick up that mysterious “unofficial” barbarous zine, you can now become a late backer to the Barbarous chapter 5 kickstarter and pick it up as an add-on 👀
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Page 48
I'm gonna miss drawing these two together.
Next
Previous
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tatck · 1 year
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If anyone's wandering why i'm not posting doodles it's because i've been drafting out a comic and i keep making it longer, like a fool would
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rc-collision-of-time · 2 months
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Klunk surprised when people get pissed off and attack him, after he intentionally tries to piss them them off.
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rune-chaser · 1 year
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And just like that we’ve finished Beginnings! So you know what that means for the tumblr crew! Cover Time!
Chapter 1 Chapter 2 Chapter 3  Chapter 4
Chapter 5:
Part1 Part2 Part3 Part4 Part5 Part6 Part7 Part8 Part9 Part10  Part11 Part12 Part13 Part14 Part15 Part16 Part17  Part18 Part19 Part20 Part21 Part22 Part23 Part24  Part25 Part26 Part27 Part28 Part29 Part30  Part31 Part32  Part33 Part34 Part35  Part36 Part37 Part38 Part39  Part40 Part41  Part42  Part43  Part44 Part45  Part46 Part47 Part48
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Page 48
Lowkey don't like how Ness's hair looks don't b surprised if it looks different in the next one lol
Page 46/Page 47/Page 49
Buy me a coffee?
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dogtheories · 1 year
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i really want to redraw that whole comic i made for comics class uh in 2021. i could make it better . or at least look different
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theidiotcomic · 1 year
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noneorother · 2 days
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I bought Aziraphale's Bible so you don't have to.
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Am I insane? Yes. Was it worth it? Maybe. In most* of both season 1 and season 2 of GO, there's a very specific Bible on a bookstand next to Aziraphale's desk. It's a vintage illustrated plate book by Harold Copping, known as the Harold Copping Bible, published by the religious tract society in London in 1910. It features some of the most well known Old Testament stories, summarized and annotated by the Bishop of Durham at the time, and illustrated by Copping, who was freshly returned from a sojourn in the middle east. Ironically, It was meant as a lay-person's version of a comic book, short, exciting by use of exotic illustrations, and easy to read.
But my (expensive) gain is now your gain! As I've collected here every visible page in both seasons for your reading and viewing pleasure.
Season 1: All episodes Adam & Eve Genesis iii (1:3) / HCB page 10
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Season 2: Episode 1 Joseph known to his brethren Genesis xlv (1:45) / HCB Page 28
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S2E1 14:21, S2E1 17:41, S2E1 39:45
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Season 2: Episode 2 Jacob's vow Genesis xxviii (1:28) / HCB Page 22
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S2E2 5:49
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Season 2: Episode 2 Joseph known to his brethren Genesis xlv (1:45) / HCB Page 28
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S2E2 13:38 (see S2E1 above)
Season 2: Episode 2 The Brazen Serpent Numbers xxi (4:21) / HCB page 36
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S2E2 16:12, 43:40
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Season 2: Episode 2* Bible on the desk, Magazine on the stand Annuel L'art Pour Tous, Cover (1861-1880 most likely)
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S2E2 22:10
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The French L'art pour tous industrial design periodical will have to be a story for another post. For now, just enjoy this 1880 edition copperplate of cherubs discovering a microscope...
Season 2: Episode 2 Imaginary page from HCB, Job KJV Job (18:1) / HCB N/A
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S2E2 22:29, S2E2 40:05 Obviously, the plate illustrations and text look different here than in the real bible, because they were created for the show. But there are a few more particularities here. For one, this layout with the thin grid around the text, as well as the paragraph symbol next to the first title, indicate that this would have been a printer's proof copy, not a finished book. It shows you the layout grid and can be annotated for changes. Second, there seems to be a war going on between fonts. Where the "chapter" of Job begins, we get a font and a style similar to the original bible, which gets rudely interrupted by a dropped capital (from the real book) and a Gothic-style font/verse numbers like in the original King James version of the printed Bible.
Season 2: Episode 3 The Brazen Serpent NUMBERS xxi (4:21) / HCB page 36
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S2E3 1:18 (see episode 2)
Season 2: Episode 5 By the Rivers of Babylon Pslam cxxxvii (19:137) / HCB page 52
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S2E5 21:20
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Season 2: Episode 6 Bible missing, L'art pour Tous on the stand Annuel L'art Pour Tous, Cover (1861-1880 most likely)
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S2E6 10:21, 17:21, 18:15, 34:28 (see episode 2)
Season 2: Episode 6 Closed HCB, L'art pour Tous on the stand behind HCB page 0
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S2E6 37:58, 44:20, 48:08
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trikaranos · 3 months
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TRIKARANOS CHAPTER I: S·T·T·L
TRIKARANOS is a dramatized narrative based on ancient events following Crassus (and Pompey and Caesar) through the years 87-48 BCE. Intended for an adult audience.
⭐ Trikaranos will always be free to read. In the near future, you’ll have the option to support this comic & my ability to spend time making it (I Am Extremely Fucking Broke And Have Bills To Pay etc etc) through Patreon! currently, I have a tip jar!
⭐ There is no set update schedule (chapters vary in length and will be posted as I finish working on them)
⭐ alternative places to read it (coming soon!)
CREDITS all additional art used are in the public domain, and the specific images used are open access, etc
🍊the first collage panel is combination of: Plate 113: Greeks Battling the Trojans (from Ovid's Metamorphoses), Antonio Tempesta / The Trojans pulling the wooden horse into the city, Giulio Bonasone (after Francesco Primaticcio) / Terracotta hydria displaying Achilles waiting to ambush Triolos and Polyxena 🍊the second collage panel is: The Lictors bringing Brutus the bodies of his Sons, Jacques Louis David / the paint over of Brutus executing is own sons is my own work based on the composition of this relief of Brutus and condemning his sons to death. 🍊I also used my own art: a panel from the Prologue, and my own illustration of Brutus with the bodies of his sons
📖 PREVIOUS CHAPTER | START HERE | ToC (under construction!)
UNDER THE CUT creator’s commentary, ancient citations, whatever else seems relevant. ideally, this is optional! you shouldn’t need the citations for it to make sense as it unfolds since it’s a comic and a story first and foremost, but it’s here if you’re curious about something or want to see where the inspiration is coming from!
I'm so fucking normal about Crassus and his family (<<< this is a lie)
Marcus Crassus was the son of a man who had been censor and had enjoyed a triumph; but he was reared in a small house with two brothers. His brothers were married while their parents were still alive, and all shared the same table, which seems to have been the chief reason why Crassus was temperate and moderate in his manner of life. When one of his brothers died, Crassus took the widow to wife, and had his children by her, and in these relations also he lived as well-ordered a life as any Roman.
Plutarch, Crassus
like, it actively fucks me up that this is something that's survived about him for over 2,000 years. they all ate together at the same table. Jesus Christ.
so! Crassus' dad! Publius Licinius Crassus (consul 97) fought on the side of Cn. Octavius (consul 87) in the Bellum Octavianum, and it didn't go great for him.
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Crassus: A Political Biography, B.A. Marshall
also. currently, if you look Publius Licinius Crassus up on wikipedia for an overview, his page lists his son (and also my main character for this comic) with the cognomen Dives, which is in-fucking-correct.
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Marcus Crassus and the Late Roman Republic, Allen Mason Ward
and to circle back to houses and meals shared with family, some citations that made me feel some kind of way when I read them
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Marcus Crassus and the Late Roman Republic, Allen Mason Ward
finally, there is discourse or whatever on the placement of the sons of Publius Licinius Crassus. Crassus is the baby brother here simply because I'm writing this story and I get to pick the themes, but also because no one has provided a solid enough argument for him being the second eldest son that I'm willing to buy into with enthusiasm, and I'm more inclined towards G. Sampson's conclusion on the matter.
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Defeat of Rome: Crassus, Carrhae, and the Invasion of the East, Gareth C. Sampson
and while I'm just kind of talking about stuff that I read that I enjoyed, this article by Martin Stone lives in my head rent free
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A Year of One's Own: Dating the Praetorship of Marcus Crassus, Martin Stone
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tamberella · 2 months
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Congratulations on your author debut, I'm so excited for your book!! 😇💕
Would you consider talking about the whole process of becoming a book illustrator /children's book author?
Thank you so much, I really appreciate it!! And I'd be happy to share the process!
It all started for me with my 3dTotal artbook. 3dTotal is a small publisher in the UK, and they mainly focus on collections of artists' work. They use Kickstarter to fund each book, and my agent (the amazing Seth Fishman at Gernert) discovered me through the Kickstarter for my artbook Windows to Worlds!
He asked if I had any interest in working on graphic novels or picture books, and I had already been thinking about picture books! He found me my first picture book project with Penguin Workshop, Mother of Sharks, written by the awesome Melissa Cristina Márquez, which came out last year!
While I was working on Mother of Sharks, I was also talking with him about developing The Bakery Dragon, based of course on this painting, which was (and is) one of my proudest artistic moments.
For a little background on the painting, I painted it right after a really challenging couple of months medically - I was dealing with medical complications from my chronic illness for about 6 months, and I wasn't able to finish a single painting the whole time, I was just too exhausted from hospital visits and being in pain. That painting was the first piece I was able to actually complete (both emotionally and literally) in about half a year. So it always held a really special place in my heart, and I really wanted to keep living in that little world. I think there's something in it that is very special to me, about being outside in the cold, seeing warmth and love through a glass barrier, and wanting desperately to reach it.
With Seth's guidance, over a couple months, I developed a pitch for it. The script developed slowly alongside the designs for characters, locations, etc.
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(Early version of Ember above! He has changed a bit!)
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I thought I had already read a lot of picture books, I've always loved them, but I read hundreds and hundreds during this process. There is something uniquely fun and challenging about telling a complete narrative in 48 pages (which is already a long picture book, many are 32!) My book also pulls some elements from comics, such as speech bubbles, which I found to be incredible assets for humor and character development.
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My pitch included designs, some early example spreads, and a rough script with story beats and jokes! My agent took it out into the world, and the publisher we ended up going forward with was Knopf, an imprint of Penguin Random House! I absolutely love the Knopf team and the beautiful books they put out! My editor, Katherine Harrison, really understood what I wanted to accomplish and has been so incredibly helpful in her guidance!
And from there... through rewrites, dialog adjustments, and lots and lots of drawings, it became a book! I'm happy to answer questions about the process! I'll leave you guys with a little preview from the interior of the book! (And of course you can pre-order it here, gotta learn the author skill of always including that link haha!)
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softgrungeprophet · 2 years
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me: i should work on that sci-fi spideytorch fic idea
me a few minutes later: what if i just watch futurama for 12 hours instead
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