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#commercial artist
the-cricket-chirps · 3 months
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Alphonse Mucha, Waterlily, 1898
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sassafrasmoonshine · 3 months
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J.C. Leyendecker (American/born Germany, 1874-1951) • Original cover for F. Scott Fizgerald’s The Beautiful and the Damned • 1922
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funlabsdesignstudio · 9 months
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Another Round 🥃 By Popular Demand! 😎🤙🏼 Thanks Folks! But now you will all have to wait until it is finished to see the Full Movie Poster Design! 😁👍🏼 Don't forget to Like and Subscribe to get to see it when it's Done! I will be making a Great Video to showcase the Poster in Full so Stay Tuned! Thanks Again for Watching! Keep Creatin' & Stay Classy! 🙌🏼🙏🏼♥️
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streetsofdublin · 10 months
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THE BEST NIGHT EVER BY BOB QUINN
THE BOTANIC GARDEN COPY OF THIS SCULPTURE I have photographed this sculpture many times as it is a favourite of mine. It should be noted that I have encountered another copy of this sculpture in City West. Unfortunately, the last time I tried to photograph the one in City West I was informed by security, who shadowed me for about fifteen minutes, that I was on private property and that…
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martyrbat · 5 months
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theyre trying to dehydrate our beautiful bears and make them have a six pack.... i feel sick.
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theminecraftbee · 7 months
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-slamming bolt upright in a cold sweat- what do you mean verbal contracts cleo. what do you MEAN verbal contracts cleo. artists if you're doing commercial work you're A) charging much higher rates and B) making them SIGN A CONTRACT, right? right? you understand why that's VITAL, right? why having a written contract is VITAL for commercial work? you understand? you make them sign a written contract? please if you go looking in proper artist/graphic design circles i'm sure you can find a basic form that's legal in your locality and doesn't require you talk to a lawyer but if you're doing commercial work you're MAKING THEM SIGN A CONTRACT RIGHT--
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gleafer · 5 months
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Hi, I’m Gleafer, Nice to meetcher!
I like long walks on the beach, some occasional howling at the moon and making people GUFFAW at my illustrations.
I post here, there and everywhere. Along with a Patreon where I allow things to get a tad…spicy in my art collections.
Smash the follow button if you like and enjoy the view I provide of angst, humor, nonsense and absurdity.
I plan on PUHLENTY of new comics, OC art and fandom love in 2024. So stay tuned!
ciao, my saucy pigeons!
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gelatina-destroyer · 1 month
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Welcome Home | Wally's Crayon Set
got inspired from the commercials from the latest update and thought I do a fake one for fun
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snackugaki · 10 days
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one orrrr
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two?
#not a perfect return to posting art#but fuck if my pettiness isn't a great driving force#lol about what snack??#some ole bullshit i saw on the whassit... insta or twitter#one of those two where “FaNs” go to pretend they got no fucking manners#oOoOh you're a this that whatever artist because look you draw like this one OoOoh#fuck outa here#literally I'm gonna post going through my whole goddamn style rolodex#also?#personal art style is not as big a deal as some of these new/young artists think it is#like maybe in commercial or children's book illustration#since they look for a specific vibe#and you're doing yourself an artistic disservice by focusing so much on “creating a personal style”#and this weird fucking self-imposed boundary of like appreciating how an artist renders this or that aspect of their drawing#because they think the plagiarism police are gonna SWAT them#like... it's pretty and you like it bcoz it speaks to you so#fucking just#try it out#try out that type of line weight#try out that color palette#try out that way of lighting a person or a scene#try it#listen everyone is out here being an aesthetic frankenstein's monster#the minute you try out xyz in your art it becomes “your style” because how you interpret it replicate it will be#influenced (altered you could say) by how you draw#unless your ass getting paid to draw on model or your art lead's style or you wanna get on a show/game so you're cobbling a quick portfolio#but that's not this#also lol next mutation still got fans#my childhood nostalgia says hello#tw eyestrain
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thebrainrotsreal · 7 months
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Saw the s2 trailer for Invincible. Lost my mind. As one does.
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the-cricket-chirps · 3 months
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Alphonse Mucha, Au Quartier Latin, 1898
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thefugitivesaint · 2 months
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Kumamoto Yoshie, ''Toyo Musical Instruments Co., Ltd.', ''The Complete Commercial Artist'', Vol. 20, 1930
Source
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pandagyoza · 1 year
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stackslip · 28 days
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actually i do have something to say about this chapter and it's quite critical of it but also i'm tired tonight and i've been talking about it long and hard on discord already and putting it all together in a coherent post feels like too much of a task tonight. all i'm gonna say is that part 2 was very obviously going in a certain direction from the start, and i loved that direction, and to an extent it is still going in that direction but now very obviously missing a huge chunk of what stirred it in that direction. and i'm hesitant to simply say it's fujimoto that's dropped the ball on this (though it might the idealization, who's to say) because from the actual shape of the writing + slump in paneling/art + recent bitter interview by fujimoto + japanese audience is apparently vocally not a fan of asa + my own cursed knowledge of shounen jump and shueisha editors and how they react to a fall in sales = i think the lack of focus on asa has really hurt the themes of part 2 when she was an integral part of it + i think this wasn't entirely fujimoto's doing and it's very likely because she is apparently strongly disliked in japan and there's good reason to believe that fujimoto was told to not focus on her nearly as much bc sales slump and people complain as soon as she shows up. which sucks. becaue what made part 2 work as well as it did was the synergy and parallel between the two protagonists' paths, and the absence of asa's path in the past few months (both in universe and by real time in the comic) feels like a genuine writing and thematic and emotional hole in the comic that to me shows that she WAS supposed to be there. fujimoto had fully intended to write her in there bc there's a hole in the shape of her where she is very obviously supposed to fit. it isn't simply a question of "author forgets his female character" it's a question of "this crucial part of the manga is missing and the author is painfully aware of it and bitter about it too"
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blinkpen · 8 months
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been kind of fucking killing it this past month? if i do say so myself. medical situation has caused my cognition to deteriorate a bit and it's been causing some struggles in that regard, but my emotional state is improving, i'm having SO much fun drawing and writing again and that makes me very happy
i should have used the pixel look as my default sooner damn its so much faster/efficient and again, just, fun, art is fun, wAhoo
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uroboros-if · 8 months
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When you don't know what other character to use as your poster boy: a chronicle (L->R)
LenokaArt | Zargreeves | yeovvr | jennyh_illust | nuavanxi on Twitter 🌿
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