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#critical role salt
widobravely · 1 year
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cr2 ending like it did really fucked a lot of us up huh
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hanatsuki-esperanza · 2 years
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Unpopular Critical Role Opinion: The Group Should Have TPK-ed in Episode 34.
Instead, we got Imogen becoming even more of a Main Character and unlocking stupid OP Anime-Protagonist Level powers in addition to her already OP Plot Armor. Otohan could have easily killed Bell’s Hells and she would have in any other campaign.
TPKs were extremely common in older editions where the mentality of DM-vs-PCs was more prevalent, and while that mentality has lessened, TPKs still happen all the time in DnD campaigns. 5e and the new edition make it even harder to kill PCs, but TPKs aren’t always a bad thing. It gives the players and DM a chance to restart the plot from a new angle. Sure, you lose the characters you’re attached to, but that’s just how the dice roll sometimes. While you can tell stories in DnD, at it’s core, DnD is a game of strategy and chance. You roll dice to determine outcomes and the potential for failure exists at the heart of the game. Yes, the characters are comforting to people, and we want them to succeed through it all, but it’s exciting and real when you don’t know if a character will survive, versus if you know they’ll survive to the end of the campaign.
We’ll never see a TPK on Critical Role, which is unfortunate. In Critical Role, the characters here are too important to lose, especially the Imogen ex Machina. (Also, from the way the fandom reacted when possible 3/7 PCs were in danger of not being revived, if a TPK actually did happen, the fandom would implode).
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puwumats · 1 year
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salting the post below with rocks. if you even care.
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vethbrenatto · 2 years
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500 Fucks, Freely Given
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jnoll · 2 years
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// cw: blood, injury, laudna trauma
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reilora-borealis · 9 months
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We’re all familiar with Liam’s love of Shakespearean tragedy so here’s a thing I just thought of
Vax as Macbeth: man encounters a dark witch who tells him he’s fated to become an incredibly powerful harbinger of death, and even though he doesn’t really want it and doesn’t know what he’s doing, he has no choice but to march toward that fate, losing everything he holds dear in the process
Caleb as Hamlet: man begins to uncover the corruption under which he lives and spends the rest of his life scheming to get revenge on the people who killed his family, but he questions his own mind so much that he retreats into self-doubt and cowardice (bonus points if Astrid and Eadwulf are both Rosencrantz and Gildenstern AND Ophelia and Laertes)
Orym as Othello (?): man trained to be a loyal soldier slowly descends into madness and cruelty, turning against those he loves as his humanity is stripped away and he becomes nothing but a pawn in a villain’s game (this is making me wonder if/when Dorian comes back, Orym might be so broken by betrayal and distrust that he’s gone completely cold or lashes out at him)
Obviously Orym’s story arc is incomplete so this is purely conjecture, and ofc there’s a lil flavor of many different influences in all these characters. But I woke up at 7am on a Sunday bolt upright with this in my head and I needed to write it down
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people who infantilize or woobify hordak are just as bad as people who do the same thing with catra.
there i said it.
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lvl2druid · 6 months
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I am now shopping Callowmoore simply because I like the idea of the goat lady using rock them as a salt lick
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yashley · 11 months
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honestly i love that robbie is playing a dick like i literally hope howard just never. changes. never softens. he is just a crank the whole way cos robbie’s killing it
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jout--jout · 1 year
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since yall liked the sam 🏳️‍🌈? meme so much here have some more
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stardustedknuckles · 1 year
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The alternative to "either the campaign ends or the world does" is very simply "there is a third scenario in which the world doesn't end because that wasn't actually the intent and our heroes have just been confirmed to be missing something very big." it's not all or nothing. Ludinus doesn't KNOW what setting Predathos free will do. Folks are ASSUMING it can just jump out and gobble up divinity immediately and nobody can fight it, which clearly isn't true since it's been locked away before. Nothing is ending, certainly not all at once. There's something else going on.
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distant--shadow · 1 year
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hanatsuki-esperanza · 2 years
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I actually agree with you about Imogen. I just don't mesh with her and I think it's because she carries herself like a main character and D&D shouldn't have a main character over the other PC. Unfortunately, I think much like how C2 BBEG was tied heavily to Molly/Lucien from the start, C3 plot/BBEG is going to be heavily tied to Imogen which means her story will be center of everything. Which, for me, kind of makes it more of a campaign issue than just a character issue at this point. I don't care about the story because I don't care about the character leading it. Hopefully I'm wrong and Laudna or Ashton will have more pull in the plot because those two and their deals are more compelling.
The thing about D&D is there is no one main character; it is a group game and Chapter 1 of the PHB (page 15, section 6. Come Together) says as much. Characters who have "main character syndrome" naturally do not mesh in a game where each character is part of a unique group, because they see themselves as more important than everyone else. At that point, it's not D&D, it's an anime or similar show, where the main character has their own adventure while everyone else is along for the ride.
Tying a character's backstory to an arc boss is perfectly fine, it encourages a player to develop a fun backstory and encourages the dungeon master to integrate backstories. However, when a dungeon master allows one character's backstory to become more important than others', then it becomes a problem. Without the central character who is tied to the BBEG, it falls flat. It forces the dungeon master to give them plot armor to keep the BBEG relevant.
Vecna being the BBEG in C1 worked because no one character could claim him. It was built up slowly but couldn't stop, much like an avalanche. When Molly died, Matt was probably thrown for how to bring the party back to the Lucien and the Tombtakers.
So Imogen being made into the main character with the moon being the BBEG isn't necessarily Laura's fault. Instead, it falls on Matt to balance things out. Which given how things happened in C2, there's precedence for a repeat performance of C2, but it's too early to say either way.
That being said, Imogen isn't wholly innocent. It's one thing to be pulled into the main character spotlight, but it's another to carry yourself as a main character and disregard the others. There are tons of horror stories on r/rpghorrorstories, YouTube, and similar sites about characters who think themselves the main character and make it a problem for everyone at the table. High-profile games such as Critical Role are not exempt from this.
I would have to agree that Laudna (Delilah) and Ashton (Hexum) have more interesting backstories than Imogen, with the potential to shape C3 and the boss fights. Also, given the FCG Lore Bombdrop in Episode 26, there’s potential as well. That being said, given the precedence of C2, I doubt Matt will make them anything more than arc villains. I would love to be proven wrong, but...
If Matt takes one of the backstory enemies and makes them a throwaway, afterthought boss like he did with Trent Ikithon at the end of C2, then that’s going to be a problem. And yes, I am still incredibly disappointed by that. The Mighty Nein could have gone to Level 20 and then taken on Ickything, but no, Matt had him show up like an afterthought after the Lucien fight, because otherwise he would have been a loose thread at the campaign end. Matt could have even had a oneshot devoted to the Mighty Nein vs Trent, similar to the Search for Grog, but nooo, the Ikithon fight came out of left field the moment they took their amulets off...
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utilitycaster · 2 years
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Dear party member,
By the time you read this, I'll be dead. This is how I think it's going to happen. The shadow assassins will attack me, then I'll attack Otohan, then Laudna will enter and get attacked by Otohan, then you'll come in and get attacked by the shadow assassins and Otohan multiple times. Love, your party member, Orym.
P. S. Then two members of the Gajakhandas will read this letter and attack each other.
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they-call-me-haiku · 4 months
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you know, i think huntlow could have worked if they weren't forced into the whole girlboss x malewife dynamic.
if we just had hunter being sassy and sardonic as always, but with a soft spot for willow and willow being chill and mature, acting as hunter's common sense when he needed it, i think it could have been a cute ship. not necessarily the best or most well-written ship, but it wouldn't have been as unbearably awkward and forced as the huntlow we have now.
it's not like the show has a deficiency in physically strong female characters anyway. almost all the female characters in toh were headstrong women and great fighters.
and you know, willow could still be a skilled witch, since she was introduced as one. she just doesn't need to be rescuing hunter all the time, because it doesn't make sense for her to be stronger than the literal child soldier who was put through torturous training.
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foundfamilynonsense · 2 months
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I like how the party was like “yo could we buy horses?” And Matt was like “well you’re in Xhorhas! So the only mounts you find are these terrifying monsters that are expensive and hard to feed and might kill you”
And when they buy the monsters literally Everyone they meet is like “why do you have monsters, that’s so weird.” And three episodes later they notably run into a guy riding a horse like it’s normal.
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