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sclitvde · 1 month

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CLOSED STARTER

Group therapy is the worst fucking part of his incarceration so far but he couldn't complain too much, not after his brutal stint in solitary confinement for beating one of those ' jackbooted fucks ' to an inch of his life. It honestly was that guard's fault for just getting a little too close for comfort. Well, note taken, the price for displaying his discomfort is solitary. Won't make THAT mistake again, he thinks to himself, pale hues dancing around the circle of murderous, criminally - insane (mostly human) men, chained to where they sat.

"Well, uh, everyone " the meek therapist, a fuzzy - faced kid of twenty - four years, makes an attempt to gather everyone's attention before one rather obnoxious inmate pipes up.

"SHEE-IT," begins Richard Collins, who sits opposite the group therapist and close to one of the group's new attendees, "didn't know we had a Clip-Clopper 'round here." That gets a strangled chuckle out of Eddie, which, unfortunately, spurs Collins on further:

"Yeah, yeah, and, uh " Eddie's smile drops into a tight line; Collins tows a thin line of gaining Eddie's favor or earning his displeasure with each passing stutter. The broad - shouldered man doesn't cast his gaze on the subject of ridicule, but he does lean forward, the ringing of his chains hidden under the maniacal laughter of the group.

"Fuck, look at this demonspawn! Yeah, yeah Bet your daddy used those handlebars " And something in Eddie snaps, the perverse thought, a distinct memory, melting any amusement he held for this relentless game of insults.

No, Collins hit something a little too close to Eddie's psyche.

"Dickie," he interrupts lowly in his carefully curated vintage timbre, through gritted teeth barred in a wide, false smile. "If you don't shut the fuck up," large frame leans as close to the other as iron chains may allow, "I'm goin' to rip your tongue out and shove it down your stupid fucking gullet, you Old Fuck."

"Mr. Gluskin," the group therapist's voice cuts through Eddie's commanded silence over the group and, before he can continue, Eddie mutters the therapist's stupid perceived reminder.

"Ten deep breaths." Which he sits back in his seat and reluctantly endeavors to complete, giving himself a moment to observe the subject of Collins's insulting crusade while the session awkwardly continues. The tieflings he'd seen kept to themselves mostly, weren't real troublemakers why was this one here?

plotted-ish starter of eddie being eddie

for @musezieren's sirius :3

#tw eddie #eddie.the bachelor #eddie.sirius #eddie.threads #eddie.thread #sorry for the length on this one boss

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brockachu · 2 years

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You are like my source for sports news, so who do we have confirmed returning to the Canucks for the fall?

omg hey!! it is an honor to be your source, esp since i have been inconsistent af this off-season.

so, from trade deadline onward: we traded motte & hamonic. in free agency, we let go halak (nyr), justin bailey (unsigned), chiasson (unsigned), madison bowey (mtl), lammikko, highmore (stl 😭 my boi my funky boi), brad richardson (unsigned), petan (min), & rempal (vgk). [to be fair, bailey, bowey, petan, & rempal were all mostly ahl]

who we still have: (the following include the upcoming season in the how many seasons we have left of them. when i say ‘to ufa’ that means the contract takes them from being a rfa/entry contract through their ufa qualifying. any not marked ‘rfa’ or ‘to ufa’, the contract ends as ufa)

forwards: petey (2yr, bridge contract, so we’ll have rfa signing rights), brock (3yr to ufa), bo (1yr, ie he’s on a contract season & to ufa), jt (8yr, including his new extension), garland (4yr to ufa), pearson (2yr), dicky (2yr), pod (2yr, entry level, so we’ll have rfa signing rights), dowling (1yr), hoglander (1yr, rfa)

defense: huggy (5yr to ufa), oel (5yr), tymy (2yr), schenn (1yr), dermott (1 yr to rfa, so we get signing rights), burroughs (1yr to ufa), poolman (3yr), brady keeper (1yr to ufa)

goal: demmer (4yr to ufa) & spencer martin (2yr to ufa)

new signings:

ilya mikheyev (4yr, obtained in free agency), andrei kuzmenko (1yr, rfa, signed out of khl); both are forwards & noted they came over at podkolzin’s suggestion, so that may indicate a long-term commitment to pod as well

some ahl guys that we are likely to see called up:

arshdeep bains (3yr, signed out of the whl at the end of this past season, leading whl scorer for 21-22), danila klimovich (3yr, canucks 2nd round pick 2021), sheldon dries (2yr to ufa), will lockwood (1yr, rfa), jack rathbone (2yr, rfa. so help me god if he isn’t called up & doesn’t catch some injury luck this season 😭)

we also currently have 3 goalies in the ahl. god forbid we have to call them up like we did last year, but the likeliest 3rd goalie is collin delia (new signing, 1yr) bc he has the most pro experience (ahl veteran + some backup time in the nhl). the canucks & dipietro’s agents announced a month ago that dipietro is seeking a trade, he’s an rfa at the end of this season & has taken issue with his development path. silovs is still ‘could be an nhl back-up, def can handle ahl starting’, but not experienced enough + would be bad for his development to be the 3rd for call-ups. i’d put money down that unless spencer martin regresses badly, we’ll have both martin & silovs play through their contracts, see which is more affordable w/ consideration for their stats, then keep the cheaper option, but that’s 2 years down the line

and that Should be it. but lmao watch allvin & rutherford pull some joker card i couldn’t imagine 😂

#aily talks #canucks lb #long post #analysis #asks #thrakaboom #vancouver canucks #*composed on mobile. apologies for any typoes

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denimbex1986 · 27 days

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'Netflix is about to release a television series where the protagonist will find himself trapped in a web of violence and betrayal that he never expected, as the marketing campaign for Ripley picks up the pace before the show's debut on April. The streaming platform has released new character posters for the upcoming project (via Rotten Tomatoes), giving audiences a new look at the main cast of the series created by Steve Zaillian. During a complicated time in the world, no one can be trusted, but Tom Ripley (Andrew Scott) still has a mission to follow, and he'll stop at nothing to get what he wants.

The premise of Ripley is based on Patricia Highsmith's successful novel, "The Talented Mr. Ripley", which follows the titular character as he is sent to convince an important figure's son, Dickie Greenleaf (Johnny Flynn), to return home. However, upon arriving at Dickie's home, Ripley realizes that he feels jealous about the people who live there, becoming fascinated with Marge Sherwood (Dakota Fanning), a close friend of Dickie's. Without finding a better solution to his problem, Ripley begins to meticulously imitate Dickie, scaring the people he was supposed to protect.

Taking into account how lucky they were to get an impressive cast for their Ripley adaptation, Netflix began to heavily promote the series based on the star power it will bring to the screen. The first trailer for the series made it explicitly clear that Marge doesn't trust the new visitor, setting the stage for the conflict that has entertained audiences for more than half a century. Besides creating the television series, Zaillian wrote the screenplays for it, and he also directed every episode of the story. The filmmaker previously worked as a writer on The Irishman, Martin Scorsese's acclaimed film about a criminal network with plenty of ambition.

The Talented Cast of 'Ripley'

Adapting a story as powerful as the one told in the pages of "The Talented Mr. Ripley" always requires an immense amount of talent, which is why Zillian and Netflix decided to cast Andrew Scott, Johnny Flynn and Dakota Fanning. Scott was recently praised for his performance as Adam in All of Us Strangers, a haunting love story between two men where nothing is as it seems. On the other hand, Fanning recently appeared as Emma Collins in The Equalizer 3, the final installment of Robert McCall's (Denzel Washington) journey as a dangerous vigilante...'

#Netflix #Ripley #Andrew Scott #The Talented Mr Ripley #Patricia Highsmith #Johnny Flynn #Dickie Greenleaf #Marge Sherwood #Dakota Fanning #Steven Zaillian #All of Us Strangers

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exitinertianovella · 5 months

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vimeo

Too Cool for School

kevin phillips

Teen Angst

Director - Kevin Phillips Writers - Ben Collins + Luke Piotrowski Producers - Richard Peete + Jett Steiger Performers - Tristan Leabu + Esther Zyskind Executive Producer - Lana Kim Cinematographer - Eli Born Production Designer - Evan Schafer Editor - Ed Yonaitis Casting Director - Lauren Grey Sound Design - Colin Alexander Sound Mix - Colin Alexander + Ryan Billa Production Manager - Abby Horton 1st AC - Ryan Dickie Gaffer / Key Grip - Gabe Elder Grip - Leon Izsak Art Dept - Patrick Parker Props - Rob Yapkowitz Colorist - Derek Hansen Color Grade Producer - Summer McCloskey

#Vimeo

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hudgensnews · 7 years

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We love Ellen ❤️ @vanessahudgens @theellenshow @nataliesaidi @karanmitchellmua @britreece @coreypalent @bhavehair @traceymattinglyllc

#Vanessa Hudgens #Dicky Collins #Gallery

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vanessahudgensuniverse · 7 years

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#vanessa hudgens #natalie saidi #dicky collins

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the-brambled-way · 3 years

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Magic in the Ancient Greek World Recommended Reading List

Disclaimer: This is a list of books and essays recommended for reading and learning about how magic was practiced and perceived in Ancient Greek society. This is not a list about how to practice modern witchcraft. Please use your common sense and critical reading skills when researching any topic. I cannot be held accountable for anything you do with this knowledge.

Books:

Arcana Mundi by Georg Luck

Magika Hiera edited by Christopher A Faraone/Dirk Obbink

Ancient Greek Love Magic by Christopher A Faraone

Magic in the Ancient World by Fritz Graf

Magic in the Ancient Greek World by Derek Collins

Drawing Down the Moon Magic in the Ancient Greco-Roman World by Radcliffe G. Edmonds III

Greek and Roman Necromancy by Daniel Ogden

Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds by Daniel Ogden

Greek Magic: Ancient, Medieval, and Modern edited by J.C.B. Petropoulos

Oracles, Curses, and Risk Among the Ancient Greeks by Esther Eidinow

Curse Tablets and Binding Spells from the Ancient World by John G. Gager

The Greek Qabalah: Alphabetic Mysticism and Numerology in the Ancient World by Kieren Barry

Witchcraft and Magic in Europe, the Ancient Greece and Rome edition, edited by Bengt Ankarloo and Stuart Clark

The Greek Magical Papyri in Translation edited by Hans Dieter Betz

Techniques of Graeco-Egyptian Magic by Stephen Skinner

Magic and Ritual in the Ancient World. Religions in the Graeco-Roman World edited by Paul Allan Mirecki and Marvin W. Meyer

Magic and Magicians in the Greco-Roman World by Matthew W. Dickie

Ancient Magic and Ritual Power edited by Marvin W. Meyer and Paul Allan Mirecki

Daughters of Hecate : women and magic in the ancient world by Kimberly B. Stratton

Inquiry into Plants by Theophrastus of Eresus (The loeb classical library books are public domain. See them all here.)

Articles/Essays/etc:

Greek Magic, Greek Religion by Robert L. Fowler

Magic in the Ancient Greek World by Werner Riess

Nature, Cause, and Agency in Greek Magic by Derek Collins

Untimely Death, Witchcraft, and Divine Vengeance. A Reasoned Epigraphical Catalog by Fritz Graf

Who Practised Love-Magic in Classical Antiquity and in the Late Roman World? by Matthew W. Dickie

Binding and Burying the Forces of Evil: The Defensive Use of "Voodoo Dolls" in Ancient Greece by Christopher A. Faraone

Molten Wax, Spilt Wine and Mutilated Animals: Sympathetic Magic in near Eastern and Early Greek Oath Ceremonies by Christopher A. Faraone

Vanishing Acts on Ancient Greek Amulets: From Oral Performance to Visual Design by Christopher A. Faraone

Magic, Religion, and Science: Divine and Human in the Hippocratic Corpus by R. J. Hankinson

Magical Amulets by Campbell Bonner

#witchcraft #ancient greek magic #hellenic polytheism #recommended reading list

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dweemeister · 3 years

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The 5,000 Fingers of Dr. T (1953)

Theodore Geisel, better known as Dr. Seuss, remains best-known for his children’s books. The Cat in the Hat; Green Eggs and Ham; and Oh, the Places You’ll Go! are household names in English-language literature. Seuss’ bibliography overshadows his work in films, beginning with the adapted screenplay of his own book, The 500 Hats of Bartholomew Cubbins (1943) – directed by George Pal as part of the Puppetoons series. During WWII, Seuss was heavily involved in propaganda films and the Private Snafu (1943-1946) military training films. After the war’s end, Seuss returned to writing children’s books, but also continued to write for movies. The Academy Award-winning animated short film Gerald McBoing-Boing (1950) benefitted from Seuss’ story work, and Seuss’ success there inspired him to write a screenplay for a live-action fantasy film. That screenplay – the unwieldy rough draft coming in at over 1,200 pages – was The 5,000 Fingers of Dr. T. The eventual movie, produced by Stanley Kramer (1960’s Inherit the Wind, 1961’s Judgment at Nuremberg) and directed by Roy Rowland (1945’s Our Vines Have Tender Grapes, 1956’s Meet Me in Las Vegas) for Columbia Pictures, would be Seuss’ only involvement in a non-documentary feature film.

Like many who speak English as their first language, Dr. Seuss’ books graced my early childhood. So integral to numerous children’s youth is Seuss that his whimsy, wordplay, and authorial stamps are easily recognizable. In that spirit, the cinematic record of live-action Seuss adaptations consists of the scatological Jim Carrey in How the Grinch Stole Christmas (2000) and the visual nightmare that is Mike Myers as The Cat in the Hat (2003). Compared to the original works, both films are ungainly, casually cruel, and overcomplicated. Not promising company for Dr. T. But even taking into account the three animated feature adaptations of Seuss – Horton Hears a Who! (2008), The Lorax (2012), and The Grinch (2018) – and the fact that Columbia forced wholesale deletions from the rough draft script of Dr. T to achieve a feasible runtime, The 5,000 Fingers of Dr. T is arguably the most faithful feature adaptation to Dr. Seuss’ authorial intent and signature aesthetic.

In other words, this is one of the strangest films you may ever encounter. No synopsis I could write in one paragraph will ever capture the film’s bizarreries.

Little Bart Collins (Tommy Rettig) is asleep during piano practice and his teacher, Dr. Terwilliker (Hans Conried), is furious. His overworked, widowed mother Heloise (Mary Healey) intuits Terwilliker’s unrealistic expectations (Terwilliker wants to teach the next Paderewski) towards Bart’s piano skills and inability to concentrate. Heloise also appears to be quietly eyeing the plumber August Zabladowski (Peter Lind Hayes) and his wrench. With the lesson done for the day, Bart falls asleep again. This time, he dreams that Terwilliker is now the leader of the Terwilliker Institute, a pianist supremacy mini-state which is built upon five hundred young pianist slave boys (hence, 5,000 fingers) forcibly playing Terwilliker’s latest compositions. His mother is Terwilliker’s unwilling, hypnotized assistant and plumber August Zabladowski (Hayes is essentially playing the same character, but in a different world) is Bart’s only ally around. Together, Bart and Mr. Zabladowski must evade the Institute’s guards as they attempt to undermine Terwilliker’s plans for his next concert.

In its final form, The 5,000 Fingers of Dr. T is a muddled mess of a story. The analogues between Bart’s reality and his dreams are inconsistent, several would-be subplots never resolve (or at the very least develop beyond a basic idea), and the film’s initial lightness is subject to rapid mood swings that make this picture feel disjointed. Indeed, Seuss’ sprawling social commentary in his first draft – including allegories and themes of post-WWII totalitarianism, anti-communism, and atomic annihilation – is in tatters in this final product. The viewer will witness brief fragments of those ideas, remaining in this movie as the barest of hints of the contents of the original screenplay’s rough draft. Even now, Dr. T inspires psychiatric analyses and accusations that Bart’s relationship with his mother reveals signs of an Oedipal complex (to yours truly, the latter is too much of a reach). The grim nature of Terwilliker Institute renders Dr. T unsuitable for the youngest children. For older children and adults, try going into this movie without expectations of narrative logic and embrace the grotesque aspects that only Seuss could imagine.

If my attempts to describe this movie’s preposterousness through its narrative and screenwriting approach have failed, perhaps I can capture that for you by writing on its technical features.

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For its sheer narrative inventiveness – inconsistencies, abrupt tonal shifts, nonsense, and Rowland’s uninspired direction aside – The 5,000 Fingers of Dr. T is nevertheless an ambitious film, and Columbia bequeathed a hefty budget to match that ambition. Much of that budget went to the film’s visuals. This is an extravagantly-staged motion picture, as nothing could do Dr. Seuss’ illustrations justice without fully committing to his geometric impossibilities: skyward ladders and improbable connections between rooms, an eschewal of right angles and straight lines, and architecture bound to raise the ire of physics teachers. One could compare this to German Expressionism, but Dr. T’s sets tend not to dictate the film’s mood nor are they subject to high-contrast lighting. Seuss went uncredited as the concept artist on Dr. T, and it was up to Clem Beauchamp (1935’s The Lives of a Bengal Lancer, 1952’s High Noon) and the uncredited matte artists to commit those visuals to the real world. Outside of animated film, Beauchamp and the matte artists succeed in creating twisted sets that seem to leap off the pages of Seuss’ most artistically interesting books. Some of the sets appear too stagebound, but the production design accomplishes its need to resemble a world borne from a fever dream (or, at least, a young pianist’s nightmare).

This movie’s outrageous costume design (other than Jean Louis’ gowns for Mary Healey, the costume designer/s for this film are uncredited) comprises absurd uniforms and two of the most ludicrous hats – the “happy fingers” cap (see photo at the top of this write-up) and whatever the hell Terwilliker dons in the film’s climax – one might ever see in a film. Most of the costumes are laughably impractical and ridiculous to even those without fashion sense. In what might be the tamest example, while working under Terwilliker, Bart’s mother wears a suit that is all business formal on the left-hand side and bare-shouldered, sleeveless, and nightclub-y on the right. The delineation of real life – which barely features in the film’s eighty-nine minutes – and this world of Bart’s dreams could not be any more unambiguous thanks to the combination of the production and costume design work.

The disappointing musical score by Fredrich Hollaender (1930’s The Blue Angel, 1948’s A Foreign Affair) and song lyrics by Seuss rarely connects to the larger narrative unfolding. Seven songs make the final print, with nine (yikes!) Hollaender-Seuss songs ending up on the cutting room floor. Seuss’ wordplay is evident, as are Hollaender’s melodic flourishes. Columbia, a studio not known for its musicals, assembled a 98-piece orchestra – the largest musical ensemble to work on a Columbia film at the time – for The 5,000 Fingers of Dr. T alone. That lush sound is apparent throughout for the numerous nonsense songs that color the score in addition to the incidental score. It is unusual to listen to a collection of novelty songs orchestrated so fully. Listen to “Dressing Song: Do-Mi-Do Duds” and its complicated, seeming unsingable lines:

Come on and dress me, dress me, dress me In my peek-a-boo blouse With the lovely inner lining made of Chesapeake mouse! I want my polka-dotted dickie with the crinoline fringe For I'm going doe-me-doe-ing on a doe-me-doe binge!

The rich orchestration seems to hail from a more lavish film. But too many of these songs are scene-specific, and rarely does Hollaender utilize musical quotations from these songs into his score. “Get Together Weather” is delightful, but it seems so isolated from the rest of the film; elsewhere, “The Dungeon Song” exemplifies a macabre side to Seuss seldom appearing in his books. Nevertheless, Hollaender is able to demonstrate his playfulness across the entire film, none moreso during any scene with the bearded, roller-skating twins and the “Dungeon Ballet”, in which the music complements stunning choreography and fascinating props that recall the jingtinglers, floofloovers, tartookas, whohoopers, slooslunkas, and whowonkas from the Christmas television special How the Grinch Stole Christmas! (1966). Yet, Hollaender’s film score and the soundtrack with Seuss seems to demand something – anything – to tie the entire compositional effort together. Perhaps a song or some cue like that was cut from the film, which is ultimately to its detriment.

Hans Conried (who starred as Captain Hook in Disney’s Peter Pan several months prior to Dr. T’s release) stands out from a decidedly average Peter Lind Hayes and Mary Healey – Hayes and Healey, in a sort of in-joke, were married. Conried’s performance as the sadistic, torture- and imprisonment-happy music teacher can be considered camp, but this is anything but “bad” camp. He throws himself completely into this cartoonish role, sans shame, complete with mid-Atlantic accent, and topped off with exaggerated facial and physical acting that fits this fantasy. As Bart, child actor Tommy Rettig (best known as Jeff Miller on the CBS television series Lassie) seems more assured in his performance than most child performers his age during the 1950s. His fourth wall-breaking asides seem more appropriate in a Bugs Bunny cartoon, but Rettig makes it work, and inhabits Bart’s flaws wonderfully.

Columbia demanded numerous reworkings of Seuss’ script, leading to several reshoots – most notably the opening scene (Seuss opposed the conceit of Bart’s dream framing the film) – and a ballooning budget. Upon its release in the summer of 1953, The 5,000 Fingers of Dr. T bombed at the box office and was assailed by critics. A crestfallen Seuss, who could not stand the production difficulties that beset the film from the start of shooting, would never work in feature films again. He would dedicate himself almost entirely to writing and illustrating children’s books, with many of his most popular titles (including The Cat in the Hat, One Fish Two Fish Red Fish Blue Fish, and Green Eggs and Ham) published within a decade of Dr. T’s critical and commercial failure. His hesitance to participate in filmmaking informed his reluctance to allow Chuck Jones to adapt How the Grinch Stole Christmas! thirteen years later. Animation suited his books, Seuss thought, and he would never again pay any consideration to live-action filmmaking.

The reevaluation of The 5,000 Fingers of Dr. T has seen a rehabilitation of the film’s image in recent decades. Home media releases and television showings have introduced the film to viewers not influenced by the hyperbolic negativity of the film critics working in 1953. This is not a sterling example of Old Hollywood fantasy filmmaking, due to a heavily gutted screenplay, scattershot thematic development, and incongruent musical score. Yet, the movie’s surrealistic charms and Seussian chaos know no peers, even in the present day.

My rating: 7/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

#The 5000 Fingers of Dr. T #The 5000 Fingers of Dr. T.#Dr. Seuss #Roy Rowland #Peter Lind Hayes #Mary Healy #Hans Conried #Tommy Rettig #Allan Scott #Stanley Kramer #Frederick Hollander #Rudolph Sternad #Cary Odell #William Kiernan #TCM #My Movie Odyssey

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gijoe-forever · 2 years

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Stalker originally joined the army seeking a chance to escape from the mean streets of Detroit where he was the warlord of a large urban street gang prior to enlistment. He graduated top of class-Basic Combat Training. Advanced Infantry Training (Top of Class). Special Training: U.S. Army Language School; Intelligence School. His training made him fluent in Spanish, Arabic, French and Swahili.

With the Vietnam War raging he didn't want to worry his mother, so with the help of a cousin stationed in Germany, he pretended to be working there and had his mail rerouted. Others in this Long Range Recon Patrol (L.R.R.P.) team would help him make up stories for his letters home.

He served with both Snake-Eyes and Storm Shadow and their experience made them the best of friends. The others in the six-man team were Wade Collins, Dickie Saperstein and Ramon Escobedo. Saperstein and Escobedo were killed in action and the others believed Collins had also perished. After their tour, only Stalker stayed in the military, while Snake-Eyes and Storm Shadow went on a long sabbatical training in the art of the ninja. Years later, Stalker, along with Hawk, would be responsible for selecting the members that would comprise the original Joe team. He was, in effect, serving as second in command to Hawk until Duke came on board. He suggested Snake-Eyes for the team and the two went to the High Sierras where they found him and convinced him to join.

#gijoe #stalker #the originals

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krispyweiss · 3 years

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Sound Bites Suggests: Top 10 Songs for the Trump Era

The Donald Trump era has been a shit show wrapped in a clusterfuck populated by assholes. There aren’t enough goddam words in the English language to adequately express the amount of bullshit that cock-sucking mother fucker has put this country through.

But we do have songs - some old, some new - that help to put this turd bucket in some kind of context. Here, then, are Sound Bites’ top-10 songs for the Trump Abomination (not a typo).

No. 10 - “Vote that Fucker Out” by Wreckless Eric & Amy Rigby (2020)

Nearly four years of this shit/there isn’t any doubt/the only way to end this misery/we gotta vote that fucker out, the duo sing on this punky rant.

And guess what? We fucking did it.

No. 9 - “Send in the Clowns” by Judy Collins (1975)

And guess what? He fucking did it.

Rudy. Huckabee. Spicer. Pompeo. Jared. The daughter he wants to plook. Pence. A goddam clown car.

No. 8 - “Death on Two Legs” (Dedicated to ...)” by Queen (1975)

... Donald Trump - you’re a sewer rat decaying in a cesspool - or swamp, if you will - of pride.

No. 7 - “Jesse” by Todd Rundgren (1991)

Recorded, bootlegged and played live, but never officially released, this song is Rundgren saying a spirited Fuck you to Jesse Helms, Tipper Gore and the pope. He recently recorded the anti-Trump anthem “Tin Foil Hat” with Donald Fagen, but “Jesse” is due for an update.

No. 6 - “Brown Shirts” by John Gorka (1992)

Brown shirts here in the White House/brown shirts up on top of the hill/brown shirts can you hear them marching/I swear they are marching still/brown shirts for the good of the country/brown shirts pride all over the land/brown shirts give us law and order/you’ll know when you raise your hands

Gorka’s a fucking clairvoyant.

No. 5 - “Conservative Christian, Right Wing Republican, Straight, White, American Males” by Todd Snider (2004)

The title says it all, expect for the part about how many of these dudes have had a penis in their mouth or asshole recently.

And there’s nothing wrong with choosing to have a penis in your mouth or asshole.

It’s the fucking hypocrisy that pisses off Sound Bites.

No. 4 - “Let’s Impeach the President” by Neil Young (2006)

And you know what? We fucking did it.

Fucking twice.

No. 3 - “Gimme Some Truth” by John Lennon (1971)

Lennon speaks for 84 million Americans when he says:

I’m sick and tired of hearing things/from uptight, short-sighted, narrow-minded hypocritics/all I want is the truth/just gimme some truth/I had enough of reading things/about neurotic, psychotic, pig-headed politicians/all I want is the truth/just give us the truth

We’re counting on you, Joe.

No. 2 - “The Things We Do to Each Other” by Cowboy Junkies (2018)

Fear is not so far from hate/so if you get the folks to fear/it only takes one small twist/to kick up a gear/and you can control hate/but only for so long/and when you lose control/oh man, Margo Timmins sings, proving the Junkies are fucking clairvoyants just like fucking Gorka.

No. 1 - “Dickie’s Such an Asshole” by Frank Zappa (Multiple Versions)

Originally written for Richard Nixon and updated for Ronald Reagan, this bitter Fuck off is perfectly suited for the Orange Menace with lines such as, One and one is 11, two and two is 22; and, I just wanna lie about one more thing right now.

And if Zappa was still here, it’d end thusly:

They’re all the same so sing right along/Donald’s such an ass-hole!

Sincerely Don, we mean it.

1/14/21

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sparklesandsonicrainbooms · 3 years

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This is a starter call post for all of my characters in this RPG. Please specify which character you want, and please tell me which character of yours my character will be talking to. Thank you. My characters in this RPG are the following : Rainbow Dash from My Little Pony: Equestria Girls, Angelica Pickles from Rugrats and All Grown Up!, Wallflower Blush from My Little Pony: Equestria Girls, Cheryl Blossom from Riverdale, Vicky from The Fairly OddParents, Princess Audrey Rose from Descendants, Helga G. Pataki from Hey, Arnold!, Cozy Glow from My Little Pony: Friendship is Magic, Starlight Glimmer from My Little Pony: Friendship is Magic, Lynn, Jr., Loud from The Loud House, Natalie Page from Smart Boys & Fast Girls / Geeks Can Be Hot, Chloe Carmichael from The Fairly OddParents, Katara from Avatar: The Last Airbender, Pacifica Northwest from Gravity Falls, Tempest Shadow from My Little Pony: Friendship is Magic, Marinette Dupain-Cheng from Miraculous: Tales Of Ladybug & Cat Noir, Lily Evans from Harry Potter, Bubbles Utonium from The Powerpuff Girls, Ronnie Anne Santiago from The Casagrandes, and The Loud House, Annie James from The Parent Trap, Amanda Killman from Bunsen Is A Beast!, Jenny Humphrey from Gossip Girl, Nola James from IN or OUT, Katie from Animal Crossing, Sheldon J. Plankton from SpongeBob SquarePants, Vanellope Von Schweetz from Wreck-It Ralph, Rose Granger-Weasley from Harry Potter, Riley Matthews from Girl Meets World, Adagio Dazzle from My Little Pony: Equestria Girls, Juniper Montage from My Little Pony: Equestria Girls, Olivia from Paper Mario: The Origami King, Whittany Biskit from Littlest Pet Shop, Cindy Vortex from The Adventures Of Jimmy Neutron: Boy Genius, Princess Anna of Arendelle from Frozen, Pansy Parkinson from Harry Potter, Jackie Lynn Thomas from Star Vs. The Forces Of Evil, Milly from Phineas And Ferb, Daphne Blake from Scooby Doo, Josephine ‘Jo’ March from Little Women, Diamond Tiara from My Little Pony: Friendship is Magic, Indigo Zap from My Little Pony: Equestria Girls, Ginevra ‘Ginny’ Weasley from Harry Potter, Joesette ‘Josie’ Saltzman from Legacies, Bloom from The Winx Club, Princess Ariel Triton from The Little Mermaid, Andromeda Black from Harry Potter, Cristina from The Loud House, Bonnie Rockwaller from Kim Possible, Hanna Marin from Pretty Little Liars, Sabrina Spellman from Chilling Adventures Of Sabrina, Stella Zhau from The Loud House, Cho Chang from Harry Potter, Clare Edwards from Degrassi: The Next Generation, Ocellus from My Little Pony: Friendship is Magic, Candace Flynn from Phineas And Ferb, Renee from The Loud House, Annabeth Chase from Percy Jackson & The Olympians, Lucy Pevensie from The Chronicles Of Narnia, Mary ‘Boo’ Gibbs from Monsters, Inc., Katie Bell from Harry Potter, Danielle ‘Dani’ Dennison from Hocus Pocus, Megan Parker from Drake & Josh, Sharpay Evans from High School Musical, Gabrielle Delacour from Harry Potter, Zoey Brooks from Zoey 101, Sutton Mercer from The Lying Game, Susan Bones from Harry Potter, Cheyenne Martin from the Private novel series by Kate Brian, Maya Matlin from Degrassi: The Next Generation / Degrassi: The Next Class, Taylor Bell from the Private novel series by Kate Brian, Lilo Pelekai from Lilo & Stitch, Ellie from Up!, Sam Sharp from The Loud House, Emma from The Loud House, Jackie from The Loud House, Sophie Piper from Halloweentown, Carol Pingrey from The Loud House, Lacey St. Clair from The Loud House, Luz Noceda from The Owl House, Webbigail ‘Webby’ Vanderquack from DuckTales, Lilly Truscott/Lola Luftnagle from Hannah Montana, Claire Lyons from The Clique, Meli Ramos from The Loud House, Emma Ross from Jessie / Bunk’d, Lexi Reed from A.N.T. Farm, Dylan Schoenfield from Geek Charming, Kimi Cheng from The Fairly OddParents ( she is my O.C. ), Hedley from Rugrats, Rachel Wyatt-Alcroft from All Grown Up!, Kitty Cheshire from Ever After High, Courtney Gripling from As Told By Ginger, Alexandra Margarita ‘Alex’ Russo from Wizards Of Waverly Place, Princess Aurora from Maleficent, Fa Mulan from Mulan, Brittany Miller from ALVINNN!!! And The Chipmunks, Bessie Higgenbottom from The Mighty B!, Amelia Collins from All Grown Up!, Camille Le Haut from Leap! / Ballerina, Nicole Boscarelli from All Grown Up!, Rose/Huntsgirl from American Dragon: Jake Long, Wally Ramone from All Grown Up!, Olivia from All Grown Up!, Yo from Fanboy & Chum Chum, Molly from The Fairly OddParents, Maddie Van Pelt from Every Witch Way, Dawn Harper from Nicky, Ricky, Dicky, & Dawn, Maddie Fitzpatrick from The Suite Life Of Zack & Cody, Trina Vega from Victorious, Charlene McKinnon from Harry Potter, and Blueberry Muffin from Strawberry Shortcake’s Berry Bitty Adventures.

#f.f.:starterscalls

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tfc2211 · 3 years

Audio

01 - Nat Couty And The Braves - Woodpecker Rock (1958) 02 - Dickie Goodman - Charlie's Devils (1977) 03 - Grant And Wilson - Keep Your Hands Off My Mojo (1932) 04 - Duke Mitchell - 'Deed I Do from Bela Lugosi Meets a Brooklyn Gorilla, 1950 05 - The Epics - Humpty Dumpty (1967) 06 - Buddy Meredith ‎- Flat Top Beer (1971) 07 - Morgus With The Daringers - Werewolf 08 - Joey Warren - Goatee (1959) 09 - Henry Morgan - Hey, Bud from LP Here's Morgan!, 1954 10 - Jim Adams - Ho Ho Ho (1966) 11 - Kelly Rogers - Topless Bathing Suit (1964) 12 - Laura Ulmer - Amoureux D'Une Affiche (1967) 13 - Louis Jordan And His Tympany Five ‎– Baby's Gonna Go Bye Bye (1950) 14 - Alfred E. Neuman - It's A Gas (Disco Version) flexi-disc inside MAD Disco, 1980 15 - Trailer: Mondo Kiezen/Wild Woman With a Whip 16 - Anonymous - Newspaper Headlines 17 - Plas Johnson And His Orchestra ‎– Downstairs (1959) 18 - Wynonie Harris ‎– Wasn't That Good (1953) 19 - Trailer: The Secret Miracle of Birth/The Wages of Sin 20 - Gloria Becker, Don Ralke Quintet- Sixteen Pounds (Housewife's Lament) (1956) 21 - The Surfsiders - Little Deuce Coupe from LP The Surfsiders Sing The Beach Boys Songbook, 1965 22 - Unknown Artist - The Laughing Record (Okeh Record label) 23 - The Collins Kids (Larry & Lorrie) ‎– Hoy Hoy (1958) 24 - Uncredited- The Lady In Red from The Lady In Red, 1935 (Music: Allie Wrubel, Lyrics: Mort Dixon) 25 - The Seventh Day Adventist Church - Sexually Transmitted Diseases 26 - Tiny Tony With The Statics - Hey Mrs. Jones (1962) 27 - If I Didn't Care - Connie Francis (?)

#Compilation #Comedy #Surf #Bad Covers #Jazz #Rock & Roll #novelty songs

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littlejeanniebean · 4 years

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KIWI // KIWI // KIWI

A/N: Any resemblance that these completely fictional characters (boo)bear to real people is entirely coincidental and also I’m kind of a liar.

These incredibly aesthetic cacti are by @bennetdraws <3

~600 words of fluff with 0.5 seconds angst then more fluff. More Harry in my masterlist :) Enjoy!

- J xx. TPWK.

i. it’s none of your business

Puppy smoked. A lot. You could smell it in his bomber jackets and in his soft brown hair. And you could taste it in his mouth.

Kiwi drank. More than he should. You could see it when his eyes went wild and his large hands knew no inhibitions.

They were both like this on a particular Friday night - Puppy’s sarcastic wit flying like darts and Kiwi quoting poems he hadn’t read in years. And they were both undeniably, uncontrollably drawn together.

"I just wanna be your baby," Kiwi sang into the shell of Puppy's ear as they swayed to the music, "I just wanna be your baby tonight…"

They could feel eyes on them. It was a very rugged pub in a small, traditional town.

One patron slurred, "Take that faggot shit outta here."

"Oi! It's none of your business, now is it?" Puppy snapped back, balling his hands into tight fists.

"Shh, baby," whispered his partner and they kept on dancing.

ii. i’m gonna pay for this

Kiwi's flat had these three prints of New York landmarks - Times Square, Empire State, and Lady Liberty. He'd been there once. He'd always been restless, searching. But after too many nights of sitting alone in a hotel room - not because there was nobody around, just that there was nobody around he really wanted to be with - he came home for good.

That's when he met Puppy and his shelf of cactuses. Each one had a name. Alice, Barbara, Collin, Dicky… He was trying to get up to the letter Z. He had the terrible habit of spending his money as soon as he earned it, so if he couldn't afford to buy a cactus that month, he knew he was fucked.

"Why cactuses?" Kiwi asked, unbuttoning the black dress he'd worn just because he felt like it.

"I get called a prick a lot," Puppy smiled up at him with zero remorse.

Kiwi pouted, "Noooo, I don't like that. You're like the sun. That's why all the cacti love you."

"That's the dumbest shit I ever heard," Puppy kissed him hard.

"My parents want to meet you," said Kiwi breathlessly, having only his fishnet stockings left on.

"Aaaand you had to go ruin the moment."

"What?"

"You told them I'm just your friend! I'm not putting a fucking mask on around you -"

"Well, if you'd just talk to your parents there'd be no risk of them finding out through mine -"

"No," Puppy slammed the door to the bathroom and stayed there until he heard Kiwi leave.

He’d left a note that said, "I just wanna be your baby xx."

Puppy sighed and pulled out his phone, finding Baby in his contacts, "I'm gonna pay for this…" he said to the ringtone.

"Having second thoughts, baby?"

"No need to sound so smug, I'll do it. Now get back here so we can get down to business."

"Yes, sir."

iii. i’m having your baby

Puppy was convinced he was going crazy. He knew he liked boys, he'd had relationships with boys, but he'd never been serious with a boy. Serious enough to have the talk with his parents.

Luckily, Kiwi could smile the pants off anyone.

"I can't believe they were actually… supportive," Puppy shook his head, unable to stop his mouth from stretching into his cheeks.

"Of course, they were, baby," Kiwi kissed the top of his head, "They raised you. The most nurturing person I know."

"I literally have eighteen cacti, how do you justify that statement?"

"I'm wearing multi-colored nail polish and a dress. I couldn't do that before I met you."

Puppy smiled, "I just love having you, baby. The real you."

Kiwi was always up for a good cry. So as soon as those words left his lover's lips, the waterworks started and Puppy vowed from then on to always say nonsensical things instead of anything remotely resembling, "I love you." Kiwi's favourite quickly became, "I'm having your baby."

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nurmayafebiurbaini124 · 4 years

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NAMA : Nurmaya Febiurbaini

KELAS : X BROADCASTING 3

UDAH PUTUSIN AJA

Film Udah Putusin Aja merupakan sebuah karya film yang bergendre drama dan religi yang diangkat dari novel karya FELIX SIAUW dengan judul yang sama. Film ini tayang perdana di bioskop pada tanggal 6 September 2018.

• DIRECTOR : Rolly Subhandhani

• PRODUCER : Ody Mulya Hidayat

• SONG :

1. "Karena Wanita Ingin Dimengerti" Song by : Ada Band

2. "Sang Penyelamat" Song by : The Fly

3. "Resahku Tentangmu" Song by : Ammier

• WRITTER : Lintang Pramudya

• EDITED : Ilham Adhinata

• DOP : Turpin Sihombing

• ART DIRECTOR : Ibanes Nasution

• COSTUME & MUA : Yani

• CASTING : Butet Herlina

• ACTING COACH : Nday

• SOUND RECORDIST & DESIGN

MUSIC : Malik Deva, Hadrianus Eko

• PROMOTION : MAX PICTURES TEAM

• POST PRODUCTION MANAGER : Rifky Firmansyah

• AND INTRODUCING : Mega Hartiwijaya, Neng Ninis

• SUPPORTING CAST : Eva Permata, Lydia Siyntya

• ASSISTANT DIRECTOR : Bewok

• ASSISTANT CAMERA : Aryo Piningit

• SCRIPT CONTINUITY : Aceng

• ASSISTANT SCRIPT CONTINUITY : Dedy Wardhani

• BOOMER : Pudin

• LIGHTING : Abun

• ASSISTANT EDITOR : Wildan Bumbum, Siye MR, Dicky Song, Ipet Ipeto

• PRODUCTION SUPPORT MANAGER : Ery Mahdi, Ibnu Sapto Agus, Ardiansyah Jombat

• OFFICE ASSISTANT : Aulia, Andi

• MEDIA PARTNER : Liputan6.com, UZONE.id, bintang.com, SUARA.com

• RADIO PARTNER : Dahlia 101.5 FM Bandung, Ardan 105.9 FM Bandung, Paranti 105.6 FM, Most 99.1 FM, Kiss 105 FM, Kardopa 99.5 FM, Pilar Radio 88.6 FM Cirebon, Nirwana 99.2 FM Banjarmasin, Sushi 99.1 FM Padang, Polaris 101 FM Magelang, Serang 89.8 FM, Sas 104.3 FM, Zora 90.1 FM, Zoo 101.6 FM, Anita 106.6 FM, Sai 100 FM, J 91.7 FM Banjarmasin, Sriwijaya Radio 84.3 FM, Sky 89.3 FM Banjarmasin , Elpas 101.2 FM Bogor

TANGGAL RILIS : 8 SEPTEMBER 2018 (INDONESIA)

PEMAIN

• Audi Marissa (Amanda)

• Arie Untung (Ayah)

• Billy Davidson (Randy)

• Rizky Mocil (Kino)

• Elyzia Mulachela (Faraz)

• Vita Anggraini (Kinan)

• Stuart Collin (Teguh)

• Aty Fathyah (Ibu Jasmine)

• Aa Argo (Akang Guru)

ANGLE & SHOT

- High Angle : Saat Amanda, Randy, dan Kino berada di dalam mobil pick up sayur.

- Long Shot : Saat Kinan dan Amanda sedang makan dan berbincang di restaurant.

- Low Angle : Saat rombongan berada di depan gerbang sekolah, ingin berangkat ke pesantren kilat.

- Close Up : Saat Faraz, Amanda, Randy, dan Kino sedang mengobrol saat menuju ke masjid untuk shalat magrib.

- Low Angle : Saat Amanda, Randy, dan Kino mengobrol saat menuju masjid untuk shalat magrib.

- Long Shot : Saat Amanda, Randy dan Kino keluar dari masjid.

- High Angle : Saat Amanda bangun tidur untuk kabur.

- Medium Long Shot : Saat Amanda mencari Randy dan Kino di depan gerbang pesantren.

- Bird Angle : Saat mobil pick up menuju pesantren di kawasan puncak.

SINOPSIS

Amanda (Audi Marissa) gadis yang ingin sekali pacaran namun di larang oleh ayahnya (Arie Untung)

Bahkan karna pacaranlah sahabatnya Kinan (Fita Anggriani) dapat masuk ke jurang perzinahan, yang membuat Kinan hamil di luar nikah, dan membuat Kinan meninggal dunia, lantaran tidak kuatnya saat melahirkan karna usianya yang belum cukup

Sampai akhirnya ayah Amanda menyuruh Amanda untuk ikut acara pesantren kilat di sekolahnya. Amanda, Randy (Billy Davidson), dan Kino (Rizky Mocil) di pesantren lah mereka mendapat pengajaran mengenai pacaran.

Dan dari situlah Amanda sadar bahwa yang namanya pacaran akan mengundang para setan untuk mengganggu manusia sehingga dapat berbuat maksiat. Baik dari pacaran sehat maupun tidak, yang namanya pacaran itu dosa.

Dari kisah itu Amanda tidak ingin seperti Kinan yang meninggal dengan tragis, juga tidak ingin seperti Faraz (Elyzia Mulachela) yang menikah muda

PROFIL PEMAIN

• Audi Marissa sebagai Amanda

Rana Audi Marissa adalah pembawa acara dan pemain film yang berkebangsaan Indonesia dan berdarah Minangkabau.

Lahir : 24 Mei 1995 (Usia 24 tahun) Jakarta

Pendidikan : Universitas Katolik Indonesia Atma Jaya

• Arie Untung sebagai Ayah

Arie Kuncoro Untung adalah mantan VJ MTV yang kemudia menggeluti hiburan sebagai pembawa acara dan pemain film. (VJ MTV / MTV VJ adalah ajang pencarian VJ atau pembawa acara MTV)

Lahir : 15 Januari 1976 (Usia 44 tahun) Jakarta

Pendidikan : Institut Sains dan Teknologi Nasional

• Billy Davidson sebagai Randy

Billy Davidson Alffaero atau Billy Davidson merupakan seorang aktor berkebangsaan Indonesia. Aktor berdarah Tionghoa ini pertama kali terjun di dunia entertaint bermain dalam sinetron berjudul Pak De.

Lahir : 15 November 1991 (Usia 28 tahun) Jakarta

• Elyzia Mulachela sebagai Faraz

Elyzia Mulachela atau biasa di panggil Cipy merupakan seorang aktris berdarah Arab - Indonesia.

Lahir : 14 September 1995 (Usia 25 tahun) Jakarta.

• Rizky Mocil sebagai Kino

M. Miftahur Rizky atau Rizky Mocil adalah aktor berkebangsaan Indonesia.

Lahir : 1 April 1986 (Usia 33 tahun) Maumere

• Fita Anggriani sebagai Kinan

Fita Anggriani Ilham atau Fita Anggriani adalah seorang aktris dan model asal Indonesia.

Lahir : 11 Mei 1995 (Usia 24 tahun) Bandung

• Stuart Collin sebagai Teguh

Stuart Collin adalah aktor dan model berkebangsaan Indonesia yang namanya mulai terkenal saat berperan dalam sinetron Namaku Mentari.

Lahir : 28 September 1990 (Usia 29 tahun) Shrewsbury, Britania Raya

• Aa Argo sebagai Akang Guru

Heriyanto atau dikenal dengan Argo Jimmy adalah aktor asal Indonesia.

Lahir : 15 Januari 1983 (Usia 37 tahun) Cibubur

Wafat : 22 Desember 2018, Tanjung Lesung

Dimakamkan : 25 Desember 2018

• Aty Fathyah sebagai Bu guru Jasmine

Aty Fathyah Fachruddin atau Fathyah Fachruddin adalah seorang aktris berkebangsaan Indonesia.

Lahir : 17 Juni 1973 (Usia 46 tahun)

RUMAH PRODUKSI

MAX PICTURES

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