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#elisabeth christine
artschoolglasses · 1 year
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Detail of the tomb of Empress Elisabeth Christine
Imperial Crypt, Vienna
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Unknown artist (c.1770) Friedrich II and Elisabeth Christina of Prussia, Watercolour on ivory
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oldfritz · 2 years
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for the ship bingo: pruhun, fruk, and frederick the great/his own wife
ok first off, dear anon, thank you for including three ships i have Thoughts about. blowing you a little kiss. my thoughts are under the cut to be respectful of everyone else's time
PruHun
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this is my crack, this is my heroin, it's the air i breathe. gun to my head, if you asked me to pick my one supreme OTP it's them. i don't even care about the historical grasping of straws you gotta do to "justify" it - though that is fun! - they're just...so compatible. i could wax poetic on gil + erzsi for hours on end, but i try to let my fanfics do the talking on them and, brothers, their ao3 tag alone proves how much i have to say on them. the worst part about my love of them though and going back so hard into my own fanfic-verse is that...well, i'm picky now. there's a specific version of pruhun i'm looking for and there's been one or two other authors on ao3 (in english!) i found who even came close but my favorite of which deactivated (cuneifire, whoever you were, i miss you </3). thankfully, there are quite a few fanartists here with the same vision but nothing compares to the written word. i'm trying to keep this reasonable since there's three other ships to talk about, but you get the idea. you ever need someone to fangirl over gil and erzsi, i'm your girl
FrUK
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as i've said before, it took me a hot minute to get into them because i was such a USUK fan. but...i'm english, i am a casual enjoyer of english history. shipping them was bound to happen, though it did take me becoming closer to adulthood and engaging with more books, film, and tv with some fucked up psychological themes to 'get it.' i don't like when it's all cute and fluffy for them, i just can't buy into that. you're telling me that these two ancient entities and former superpowers who got into wars against each other on virtually every fucking continent are now, what? snuggling up together in front of the telly while francis reads and arthur knits? what's next, ivan and alfred making sweet tender love in the ISS? ('yes,' i hear you guys say, 'that's what exactly what we're saying you curmudgeon'). keep the frog and the limey's love affair toxic!!
Fritz and....Elisabeth Christine
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kinda have to put my historian hat on for this, but i can't ship this. i know too much. you have to be either homophobic or incredibly ignorant on european monarchy in the 18c. to look at these two and think 'wow! such love and tenderness here!' he was repulsed by her before he even met her. upon seeing her for the first time after the seven year's war, he told her she'd gotten fat. one member of elisabeth christine's staff, who really admired fritz, resented how terribly he treated her! modern historians (myself included) are flummoxed at why even after his death she retained any loyalty to him. as i circled above, it's so bad and atrocious that it becomes almost comical. i wish FW1 had allowed fritz to marry his cousin, not for any 'rule britannia' reasons, but because i wish elisabeth christine had had a chance to marry someone who would've at least tolerated her and not torn her down in every conceivable way with his equally bitchy sister!! modern AU where she divorces him and she works as a translator without having to be chained to shitty men like frederick (and so he can just marry katte, fredersdorf, or some man. some poor man take one for the team. be a feminist)
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Wanna share with you my musical bookmarks project ❤️
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finelythreadedsky · 11 days
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the more i read the more certain i become that elisabeth das musical is the closest modern theatre comes to a greek tragedy. i think it should be performed in masks.
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garadinervi · 2 months
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München, February 22, 1943 / 2024
«Einer muss doch schließlich mal damit anfangen. Was wir sagten und schrieben, denken ja so viele. Nur wagen sie es nicht, es auszusprechen.» – Sophie Scholl, Justizpalastes, München, February 22, 1943
«Die Verurteilte war ruhig und gefasst.» (Protokoll über die Vollstreckung des Todesurteils des Volksgerichtshofes an Sophie Scholl, München, den 22. Februar 1943)
«freiheit» (the reverse side (detail) of a document belonging to the Chief Prosecutors, February 21, 1943, with handwriting «freedom» by Sophie Scholl)
Sophie Scholl (May 9, 1921 – February 22, 1943), student Hans Scholl (September 22, 1918 – February 22, 1943), student Christoph Probst (November 6, 1919 – February 22, 1943), student Alexander Schmorell (September 16, 1917 – July 13, 1943), student Kurt Huber (October 24, 1893 – July 13, 1943), professor Willi Graf (January 2, 1918 – October 12, 1943), student
and
Hans Konrad Leipelt (July 18, 1921 – January 29, 1945), student Margaretha Rothe (June 13, 1919 – April 15, 1945), student Reinhold Meyer (July 18, 1920 – November 12, 1944), student Friedrich Geussenhainer (April 24, 1912 – April 1945), student Katharina Leipelt (May 28, 1893 – January 9, 1944), dr. rer. nat. Elisabeth Lange (July 7, 1900 – January 28, 1944) Margaretha Mrosek (December 25, 1902 – April 24, 1945) Kurt Ledien (June 5, 1893 – April 23, 1945), dr. jur.
«Das wird Wellen schlagen»
«Allen!»
(image: Sophie Scholl, ca. early-1940s, in Christine Hikel, Sophies Schwester. Inge Scholl und die Weiße Rose, Oldenbourg Verlag, München, 2013, p. 94)
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gogmstuff · 11 months
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Early 1730s dresses (from top to bottom) -
1730 Tea Party at Lord Harrington's by C. Phillips detail (Yale Center for British Art, Yale University - New Haven, Connecticut, USA). Probably from Wikimedia; fixed spots with Pshop 1247X1623. There are many caps and veils, square necklines, and laced bodices with revers. But full-blown panniers are not to be seen.
1730 Marquise de Gueydan as Flora by Nicolas de Largillière (Musée Granee - Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte d'Azur, France). From cutlermiles.com/portrait-of-marquise-de-gueydan-as-flora-nicolas-de-largilliere/ 1908X2484. She wears a stout Swiss belt and cleft coiffure that harken back to the late Louis XIV era.
ca. 1730 Empress Elisabeth Christine by Johann Gottfried Auerbach (auctioned, probably by Lempertz). From Wikimedia trimmed 1715X2352. She wears a round skirt and a scoop neckline.
ca. 1730 Polyxena of Hesse-Rotenburg, Queen of Sardinia by Maria Giovanna Clementi (location ?). From tumblr.com/blog/view/jeannepompadour; enlarged by half 1053X1385. Her dress has a deep V neckline filled in by a modesty piece.
ca. 1730 Rhoda Apreece, Mrs Francis Blake Delaval attributed to Enoch Seeman the Younger (Seaton Delaval - Seaton Sluice, Northumberland, UK). From artuk.org; enlarged by half 994X1200. The ruff makes this a Van Dyck revival dress. The laced vest and jaunty hat lend a casual air to the portrait.
ca. 1730 Robe volante (Musée de la Mode - Paris, France). From fripperiesandfobs.tumblr.com-post-139802377452-robe-volante-ca-1730-from-the-palais-galliera 1140X1620. Dresses before the 1750s often had cuffs that could be substantial like these.
1731 Die Liebeserklärung by Jean François de Troy (Sanssouci, Stiftung Preußische Schlösser und Gärten Berlin - Brandenburg, Germany). From artsandculture.google.com/asset/die-liebeserklärung-jean-françois-de-troy/XAFpCyLiWrxHZw?h 3074X24.12. Known in the Anglophone world as “The Declaration of Love. The large patterns mark this as early century. The robe à la française is firmly established in the form it would take until the late Louis XVI period.
1731 Infanta Maria Teresa Antonia de Borbón by Jean Ranc (Museo del Prado - Madrid, Spain). From their Web site; removed spots and streaks with Photoshop 2621X3051. Spain was ruled by Borbóns after the last Habsburg was cleared out in the early 1700s.
1731 Julia Calverley, Lady Trevelyan, by Enoch Seeman the Younger (Wallington Hall - Wallington, Northumberland, UK). From nationaltrustcollections.org.uk/object/584399; erased navigation marks in corners & fixed spots w Pshop 1616X1992. Clasps replace lacing to close this bodice.
1731 Lady by John Vanderbank (location ?). From the Philip Mould Historical Portraits Image Library 920X1214. The dress is Van Dyck revival similar to the one worn by Rhoda Apreece.
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moonlitcomet · 8 months
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Wheelchairs are very annoying to draw. Wheeled things in general honestly. Here's a Sorcerer wheelchair, designed for speed, maneuverability, and comfort. They're heavy duty and can hurt you pretty bad if you get run over by one, so you know not to fuck with somebody riding one of these.
I took reference from both modern-day racing wheelchairs and vintage wooden wheelchairs for the design of this one. It's cool how far wheelchair design has come since its early days, because those old wheelchairs really were just Wheeled Chairs. Check out these images I found while looking!
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tiny-librarian · 1 year
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On April 19th, 1730, Archduchess Maria Amalia of Austria died shortly after her 6th birthday. She was the youngest of four children born to Charles VI and Elisabeth Christine of Brunswick, and was their third daughter. 
She was buried in Tomb 23 in the Imperial Crypt, and the inscription on her final resting place reads (Loosely translated, if anyone’s better at Latin hit me up):
With love and in memory of the most longed-for daughter of Emperor Charles, the Most Serene Maria Amalia, Archduchess of Austria and Infanta of Spain, who was born on April 5, 1724, and completed her short life on April 19, 1730 
It finishes the inscription with a biblical quote from Psalm 37, Verse 18:
The blameless spend their days under the Lord’s care, and their inheritance will endure forever.
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artschoolglasses · 10 months
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The tomb of Empress Elisabeth Christine in the Imperial Crypt
Vienna, Austria
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venicepearl · 6 months
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Elisabeth Christine of Brunswick-Wolfenbüttel (28 August 1691 – 21 December 1750) was Princess of Brunswick-Wolfenbüttel, Holy Roman Empress, German Queen, Queen of Bohemia and Hungary; and Archduchess of Austria by her marriage to Emperor Charles VI. She was renowned for her delicate beauty and also for being the mother of Empress Maria Theresa. She was the longest serving Holy Roman Empress.
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xwpfan · 2 years
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Still not over the fact that there was a Xena statue in Doctor Strange the Multiverse of Madness.
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behindthehandmaids · 2 years
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otfagbenle: Anyone seen episode 5 yet. I gotta shout out the amazing #owenpainter who plays jayden this was his FIRST TV gig and he smashed it. Of course @christine_ko @whododatlikedat and @elisabethmossofficial who are 🔥 #consistentexcellence. Thank you @supervives for such superb directing this is one of my fave episodes🔥🔥🔥
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Check out this fascinating interview with Christine Ko where she talks about her character Lily and working with Elisabeth Moss
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https://www.metacritic.com/news/the-handmaids-tale-christine-ko-mayday-leader/
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gogmstuff · 2 years
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It’s 1765 -
Top:  1765 Louise Elisabeth of France and Parma by Louis-Michel van Loo (Galleria Nazionale - Parma, Emilia Romagna, Italy). From Wikimedia; fixed spots w Pshop & enlarged by half 933X1281 @75 952kj.
Second row left:  1765 Countess of Clanwilliam (Miss Hawkins-Magill), of Gill Hall, Dromore, by Sir Joshua Reynolds (National Museum of Northern Ireland - Belfast, UK). From Wikimedia; enlarged by half 954X1200 @72 221kj.
Second row right:  1765 Isabella, Countess of Hertford by Alexander Roslin (Hunterian Museum and Art Gallery, University of Glasgow - Glasgow, Lanarkshire, UK). From Wikimedia; enlarged by half.
Third row:  1765 Queen Charlotte with her two eldest sons by Johann Zoffany (Royal Collection) From bbs.voc.com.cn/viewthread.php?action=printable&tid=6727916 1800X1566 @72 453kj.
Fourth row left:  1765 Maria Louise of Bourbon-Parma by Giuseppe Baldrighi (auctioned by Sotheby's) From triinochka.ru/post396110573/ 1700X2000 @180 1.4Mj.
Fourth row right:  1765 Lady said to be Mademoiselle Dore, Princess of Liechtenstein by François-Hubert Drouais (location ?) From karoline-von-manderscheid.tumblr.com/post/72790851401/françois-hubert-drouais-1727-1775-portrait-of 667X802 @96 351kj.
Fifth row:  1765 Elisabeth Tscharner, née von Wattenwijl by Johann Nikolaus Grooth (auctioned by Dorotheum). From the-saleroom.com/en-gb/auction-catalogues/dorotheum/catalogue-id-doroth10000/lot-d5360e56-db04-4b46-9a3d-a5db010eb57b 2072X2594 @144 6.8Mp.
Sixth row left:  1765 Elisabeth Christine Ulrike von Braunschweig-Wolfenbüttel, Prinzessin von Preußen by Johann Georg Ziesenis (Stiftung Preußische Schlösser und Gärten - Berlin, Germany). From Wikimedia.
Sixth row right:  1765 Emily, Countess of Kildare by Allan Ramsay (Walker Art Gallery - Liverpool, Lancashire, UK)  photo - Mike Peel. From Wikimedia; increased both contrast and temperature about 10% 2470X3047 @72 2.7Mj.
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craft2eu · 2 months
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Looking for Wonderland: München vom 29.02. bis 28.03.2024
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