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#even more guns
fandomsandfeminism · 1 year
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On Saturday, in New York, a group of friends pulled into a strangers driveway to turn their car around. The homeowner came outside, shot at them, and killed one of the 20 year old women in the car.
Last Thursday, in Kansas City, a 16 year old boy ended up at the wrong address by mistake trying to pick up his younger siblings. He rang the doorbell. The homeowner shot him in the head. He is, miraculously, alive and recovering.
Yesterday, in Texas, a group of high school cheerleaders stopped at a grocery store on their way home. One of them opened the door to the wrong car by mistake, realized her mistake, and quickly retreated and found her friends car nearby. The man in the car followed her and shot at the group. 2 were shot. One remains hospitalized.
In less than a week- 3 people, doing normal, nonmalicious, nonthreatening, everyday things. Turning around in a driveway, ringing the wrong doorbell, going up to the wrong car by mistake. And with no escalation, no warning, it turns to gun fire.
It's a terrible intersection of easy access to firearms and an entitlement to use violence against others. All 3 of these recent incidents were so unprovoked and unjustifiable, and the core thread remains the same.
A man who felt entitled to use violence and had the means to do so with a firearm.
I don't even know what to say.
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wormy-worm · 10 months
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.......buddy?
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treasureplcnet · 6 months
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inverness here they come!!!!
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dramaism · 1 year
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simon loving wille’s bad bitch era
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puppetmaster13u · 4 months
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Meme Prompt 2
Thinkin of feral halfa Jason again. No surprise there.
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clopinasworld · 3 months
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BEANIE CONNOR APPRECIATION POST
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somnimagus · 7 months
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-blonde horror protagonist's abrupt and incorrect assumptions about blonde people
[id in alt]
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Halloween prompts year 2 day 15
Hood remained silent, even as he clenched the gun tightly in his hand. He hadn't even seen a hint of green portals or blond elfs but 200 witnesses couldn't all be wrong.
All of them had stated that a white haired meta with a gas mask was working with a blond elf with a leaf mask and that they had been the ones kidnapping the kids and teens of Gotham.
Jason had heard stories of fairies snatching kids and infants, sometimes swapping them out with a sickly one of thier own. But there were no trades that Jason knew of. Only missing kids.
Hell, all of the biggest child gangs around Crime Alley and the Narrows were gone.
As in gone gone. Not a single member was left nor any trace of where they could have been taken to. As much as he hated to admit it, he might need to ask for help from the Justice League Dark...
---
Link stared down at the kids from his rooftop perch.
They looked...cleaner. Happier. They had gained a healthy amount of weight, no longer stick thin and weak looking. They had season appropriate clothing without holes and others hidden away in chests and armours for the coming seasons far off from now.
His spirit friend, Phantom, had panicked a bit after he realized what they were doing was trafficking, but calmed down once he pointed out that these kids would have a much better life in Hyrule than they would have had in the rotting trashpit that was Gotham.
If they would have lived much longer at all
Still, thier presence here was mutually beneficial. Hyrule had lost over 80% of its population in the Great Calamity and they were no where close to regaining the population they once had. All of thier forts, training areas, ect were specifically targeted and destroyed in the attacks and gardians and monsters were left in the ruins to ensure they could not rebuild what was lost
Which led to the bigger issues at hand. All the empty occupations.
The castle, and thus castle town, were ground zero for the disaster that wiped out the Hylian peoples. With it many businesses and trades were lost. Hyrule had few soldiers and those they did have desperately needed armor, weapons and training.
That wasn't all. Hudson construction had attempted to repair Castle town and eventually the castle, but they were wood workers, not stone masons. They knew little of the craft that was needed.
There were lessons and information in the castle archives covering most of the jobs and trades, as well as how to proform them, but the princess didn't see it as a priority. They didn't have the people necessary to teach these crafts and the castle and town surrounding wasn't really a priority anyway. Not with all the people who still needed help around the kingdom.
Phantom helped a lot too. Other than helping them build towns for the kids (the child gangs actually really liked having a town all to themselves) he did a lot of other random jobs around the kingdom, much like Link himself.
Unfortunately, his next trip to Gotham lead to a run in with the "Red Hood" and the phrase, "Was that a fucking fruit grenade?!" Link did not know what the word "Fucking" meant but the Hood man would not tell him. He is learning a lot of new words from this guy, words that Phantom appearently didn't like cause he loudly scolded Red Hood like a naughty child the first time they met. It was hilarious to see this tiny 15 year old tell off a giant tank of a man.
Link couldn't see the mans expression due to the odd red helm the man wore, but he could tell he was cowed, even if just a bit. Then he began speaking to someone who wasn't there while pressing his finger to the side of his helm where his ear should be. Is Red Hood ill? Does he have a mind sickness like the ones Phantom told him of when describing his parents? Or is this something Link doesn't yet understand...either way he doesn't think he's getting more children for Hyrules future in this trip...or anytime soon if those ominous masked people landing on the rooftops around them had any say in the matter.
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angelsfuzzyslippers · 17 days
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Some fan art for the fanfic "At the End of Extinction" (by The_Bad_Samaritan (98tuffluv))! It's a zombie apocalypse human AU that I absolutely adore! Husk and Angel whisking a little Charlie across a post-apocalyptic US to reunite her with her parents - with threats lurking around every corner >:3 (I know the designs I went with don't align with the author doodles in the most recent chapter shhhhhhhhh I don't have time to redraw this)
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ba1laur · 1 year
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we are just normal men
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teaableu · 1 year
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Hrmmm art style
Last four are post season 1 for the family bonding arc
- “I am not your brother”
- “I diagnose you with emo” (/j)
- “I diagnose you with emo” (/j)
- “I diagnose you with emo” (/j)
- “One. I fear I have been disarmed”
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sdrose93 · 1 month
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TG 1986 and TGM 2022
The same look and everything ❤
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marley-manson · 2 months
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Hawkeye and Frank are the two most diametrically opposed characters on Mash. They clash politically, ideologically, emotionally, intellectually, and even physically on more than one occasion. There is virtually nothing they agree on. But they do have one significant similarity: both Hawkeye and Frank are notably, pointedly effeminate.
Hawkeye is the central protagonist, so he's written to be likeable, even admirable, especially in the first five seasons of the show when satire dominated rather than character drama. He's the character who makes the correct political points and voices the show's ideology, and male audience members are encouraged to identify with him and aspire to be like him. He's witty, he's smart, he's charismatic, he dodges consequences a lot, he's highly skilled in his work, and he has a strong personality and natural leadership qualities.
Frank is the main antagonist up until the end of season five. He's written for audiences to hate him, mock him, and occasionally be horrified by him. He's dull-witted, incompetent, awkward, easily led and manipulated, and always gets his comeuppance. Few audience members are likely to aspire to be more like Frank Burns.
And yet, while most likeable protagonist/detestable antagonist duos in American popular media would also be differentiated in terms of gender performance as a matter of course - the effeminate villain being a standard stock character, always set against a ruggedly masculine hero - Mash takes a different approach.
From his core personality as a sniveling, weak-willed follower, to the way other characters, including Hawkeye, routinely make fun of him by comparing him to a woman or insinuating that he's gay, Frank Burns certainly fits the part of weak, emasculated villain. What's more interesting, and much less commonly seen in Hollywood media, is that Hawkeye is portrayed as just as unmanly, and just as, if not more prone to having it pointed out in the show.
Often Hawkeye's jokes at Frank's expense include the implication that Hawkeye is attracted to him himself, and not necessarily as "the man." He jokes, "Guess it's a marriage, Frank. I know I can do better, but at my age, can I wait?" in Hawkeye, Get Your Gun; he switches from calling Frank one of his vampire brides to taking the feminine part in post-coital pillow talk after siphoning his blood in Germ Warfare; he kisses or tells Frank to kiss him in Major Fred C. Dobbs, For the Good of the Outfit, and Bulletin Board, etc.
Other times, the jokes Hawkeye makes about himself are virtually identical to the jokes made at Frank's expense - their respective attractions to Margaret as a potentially dominant sexual partner, eg, with both Frank and Hawkeye portrayed as eagerly submissive. For instance, in 5 O'Clock Charlie Hawkeye jokes about tying Frank to Margaret's tent, then dismisses the thought with, "He'd probably love it. I know I would." And Hawkeye/Trapper and Frank/Margaret are sometimes paralleled as dual couples, Hawkeye and Frank usually being framed as the more feminine partner in each.
And of course, unconnected to Frank, there are many, many more examples of Hawkeye's effeminacy, both in jokes and in personality traits.
Hawkeye is a self-professed coward who is loud and proud about how terrified he is to be stuck in a war zone. He's emotionally open and highly empathetic, always willing to listen to others' problems and discuss (or scream about) his own. He abhors institutional violence and faces every enemy combatant with his hands firmly in the air. When authority is thrust upon him he strives to relinquish it, and uses it as little as possible.
More shallowly, he has little interest in sports and exercise, derides masculine hobby magazines like Field and Stream and Popular Mechanics, is incapable of performing mechanical tasks to the exasperation of others at least four times (Comrades in Arms which explicitly frames this emasculating, In Love and War, Patent 4077, and Hey, Look Me Over), mocks traditional masculinity in many ways, and enjoys musical theatre and Hollywood gossip. And he makes and takes literally hundreds of jokes about being unmanly and having sex with men himself, many more than he makes at Frank's expense.
But while the jokes are at Frank's expense and meant to belittle him, they're rarely made at Hawkeye's expense, especially in the first five seasons. Hawkeye doesn't make the jokes out of self-deprecation, he makes them out of pride and a desire to differentiate himself from the army men he's surrounded by. He's almost always in on the jokes others make about him, rather than offended - Potter telling him to file a paternity suit against his rival in Hepatitis makes him laugh delightedly, and Trapper's remarks on his effeminacy, such as Miz Hawkeye in Hot Lips and Empty Arms, are sometimes lightly teasing but always a regular aspect of their dynamic that Hawkeye enjoys playing up. Frank doesn't make any jokes directly mocking Hawkeye's masculinity that I can recall, beyond vague "pervert" and "degenerate" remarks, which, while often historically homophobic, in the show's context tend to be treated as a reference to his heterosexual endeavours.
Frank's effeminacy is a point of mockery and derision, but Hawkeye's is a point of pride, and not intended to make him any less likeable to an audience. Antagonists don't get to score points off of Hawkeye by mocking his feminine traits, but Hawkeye makes fun of Frank regularly by mocking his feminine traits.
This difference in framing can partially be explained by the nature of their respective gender performances.
While Hawkeye and Frank are both effeminate, they're effeminate in many opposite ways. Frank is weak-willed while Hawkeye is strong-willed. Frank is unappealing to most women, while Hawkeye is something of a lady's man. Frank cannot face his fears to rise to a challenge, but Hawkeye can. But on the flipside, Frank refuses to admit to fear while Hawkeye openly proclaims it. Frank strives to attain authority while Hawkeye refuses it or takes it on only begrudgingly. Frank is obsessed with guns to a freudian extent while one of Hawkeye's most famous monologues of the show is a speech about refusing to carry one. Frank worships the concept of traditional masculinity even while he can't perform it himself, while Hawkeye mocks the concept and would refuse to perform it even if he could.
The Sniper is an excellent case study of these contrasts. In this episode, Hawkeye is effeminate and at ease with it, while Frank is desperate to prove himself masculine. Frank and Margaret flirt with strong Freudian overtones while Frank shoots a gun while nearby Hawkeye flirts with with a nurse with a line about "tasting" her. Hawkeye connects with the nurse he's wooing by relating to how scared she is and huddling in fear with her, while Margaret demands that Frank prove his masculinity by going out and taking down the sniper himself. Frank carries a gun while trying to approach the sniper, while Hawkeye carries a white flag. Frank tries to make fun of Hawkeye for wanting to surrender, but he can't bring himself to approach the sniper while Hawkeye does.
This contrast of gender performance is a consistent aspect of Hawkeye and Frank's dynamic throughout the show, but The Sniper makes it a central theme so it's a useful example to show how their relationships to masculinity are a deliberate aspect of their dynamic.
And while Hawkeye makes fun of Frank's femininity, it's significant that he also regularly makes fun of Frank's masculinity - his love of guns (eg The Sniper), his sexual affairs (eg the exchange about Frank as a "fantastic performer" in Yankee Doodle Doctor), his numerous attempts to exert authority (eg Welcome to Korea), his desire for socially approved success (eg Hot Lips and Empty Arms), etc.
Both masculine and feminine sides of Frank are comprised of negative character traits, while Hawkeye embodies the best of both - emotional expression and healthy ways of coping by talking about his feelings; bravery but not machismo; intelligence and skill as a doctor rather than an officer; empathy and a willingness to listen; sexual prowess but largely through his love of foreplay rather than his dick game (which, in the context of the early 70s, is a somewhat feminine attribute that distinguishes him from a typical traditionally masculine man); etc.
Hawkeye demonstrates some of the most appealing and healthy qualities of both masculinity and femininity while Frank demonstrates, or strives to demonstrate, the more toxic qualities of both. Through including a few positive masculine traits in the mix, the narrative is able to depict Hawkeye as likeable, admirable, and desirable in his effeminacy while Frank is depicted as loathesome in his. Hawkeye gets one of many, many women in The Sniper by showing vulnerability, while Frank only appeals to Margaret, and Margaret is portrayed as borderline pathological in her sexual attraction to violent masculinity (the scene where Frank excites her with his gun, for example, also includes an electra complex joke, and there's a running rape kink gag in this episode as well).
Another aspect to consider when it comes to differentiating Hawkeye and Frank's respective femininities is hypocrisy. Similar to how Frank and Margaret's affair is mocked because they can't admit to it while Hawkeye and Trapper's affairs are glorified, part of what makes Frank's effeminacy so mock-worthy, while Hawkeye's feminine qualities are a source of pride and rebellion, is that Frank refuses to admit to them.
Frank desperately wants to be the ideal heroic army man and often play-acts the part, poorly. When Hawkeye mocks him by calling him a woman, for example, he's drawing attention to Frank's failure to live up to his own ideals. And when Hawkeye calls himself a woman, he's mocking those same ideals. The message is that Frank is pathetic not so much for failing to be traditionally masculine, but for wanting to be traditionally masculine at all.
Ultimately the ways Hawkeye and Frank perform masculinity and femininity are pointedly in opposition, from which masc and fem traits they embody, to how proudly they embody them. The show itself draws attention to these gendered similarities and differences between Frank and Hawkeye through a constant barrage of jokes, and even whole scenes and episodes. In this way the show portrays Frank as a hypocritical loser who wants to be masculine but fails to embody all but the worst traits, and Hawkeye as a cool, admirable guy who disdains the traditional pillars of masculinity and embraces his own effeminacy.
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anonymouspuzzler · 9 days
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A Very Special @heartbreakgulch x @villain-coded-comic : Bulkhead & Black-Eyes Origins
(separating this out from my other crossover comics cause I kinda wanna keep adding to it over time i got Ideas please enjoy Part One for now)
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poorly-drawn-mdzs · 9 months
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Peeped the horrors
[First] Prev <–-> Next
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y0imiy9 · 4 months
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HOLD ON since mizu is entering london without her katana, we're most likely gonna see her wield an english style sword in the london arc!!! using an english style sword requires (i assume) a different set of skills so she may need to train a different style of fighting in order to be able to defend herself while navigating through london since it's very unlikely (personally) that she would want to use a gun.
since mizu is more accustomed to wielding a sword, it's easy for me to assume she'd get the hang of weilding an english sword fairly quickly since her end goal is to kill the last 3 white men as soon as she possibly can. but her learning how to use a firearm and having a pistol strapped to her hip as a precaution is doing some things to me ouuuuuh 🤒 like.. just imagining her pulling out a pistol in the last minute and the white men not expecting that is sooooo 🧎
thank you to this tiktok account that gave me the idea!!
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