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#feeling the writer within
gayofthefae · 1 month
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We don't envision season 5 right when we talk because what is that actually gonna be like? This isn't a romcom. Mike finds out about the painting but Will is like throwing up blood and slugs in the corner.
edit: to clarify I wasn't saying "no time for romance" I was saying "it's horror show with raises stakes and angst. Mike will have to figure out how to bring up this truth bomb he discovered when more important things are clearly going on and there aren't the most conversational opportunities". I mean MORE juice, not less.
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lunarharp · 5 months
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hehe. almost christmas!
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mortysmith · 5 months
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In theory i like the idea that rick is growing and developing as a person. In practice it ends up falling short though, because no one balances him out. rick is getting better while no one else is getting worse, and it causes the whole thing to end up feeling a bit stale. The biggest draw, at least for me, has always been rick and morty's shitty dynamic, but it barely exists anymore because rick has been so watered down.
The ideal solution is literally just to make morty into a bigger asshole. Essentially flipping the main characters' personalities would offer a wide variety of conflict into the show, and would also help keep it "fresh".
Instead it feels the writers are pretending that they can't possibly do anything with morty's character, that they have to keep him the same anxious idiot he was in season one. I've said this before, but it's incredibly frustrating to watch the show have no problem with expanding rick's character while struggling with keeping morty's heavily stagnated characterization consistent. Where rick has space to develop between multiple seasons, morty is constantly forced into one of two boxes (smart/stupid) depending on the episode.
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raineandsky · 3 months
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#95
The villain appears around the corner at a run, their hair still wet and their coat ridiculously crumpled. The hero raises an eyebrow at them as they practically skid to a halt in front of them.
“Sorry I’m late,” they say between ragged breaths.
“You’re fifteen minutes late,” the hero points out with a pointed check of their watch, “to your own crime.”
“To my crime?” the villain echoes indignantly. “Why would you invite me to my own crime?”
That barely makes sense to the hero. They root through their pocket and shove a tiny piece of paper in the villain’s face.
The villain’s eyes scan over the paper with an increasingly confused frown. “You told me to meet you here, and I have—even though you were, y’know, fifteen minutes late.”
“[Hero],” the villain says slowly. “This isn’t my writing.”
All accusations lining up in the hero’s mind grind to a halt. “Excuse me?”
“This– This isn’t my writing,” they repeat a little more intensely. They rummage through their coat for a moment, slapping a scrap of paper against the hero’s chest. “Did you write that?”
The hero pries the little piece of paper open.
meet me at the back of the bank at 6:30pm. not a fight. - Hero
“I didn’t write that,” the hero says automatically.
“What the hell is going on?” the villain demands. It seems to be aimed more at the air than the hero, but they feel inclined to answer regardless.
“I don’t know,” they say uselessly. “Someone wanted to bring us together. They knew we’d answer each other.”
They gesture with the note for emphasis. “Jesus Christ,” the villain says flatly. “It’s a two-for-one deal. We’re going to die.”
“We’re not going to die, [Villain],” the hero snaps, but the way the villain is glancing over their shoulder is making them want to do the same. 
The villain’s face twitches into some kind of horrible acceptance of fate for a moment. They open their mouth, their breath misting in the evening air as they gear up to probably say something stupid, but a voice cuts them off.
“Isn’t this a nice little gathering?” the henchman says brightly. “I’m glad you both came.”
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lotus-pear · 5 months
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made the worst decision of my life and decided to swap creative outputs w my dearest friend (a writer) for funsies and long story short she is making me write a bsd skk fic
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soulinkpoetry · 2 months
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That’s why we’re not at peace. Because we don’t listen to our soul’s needs.
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[Stumbles out of YouTube covered in blood] Don't look at Tazercraft's shorts section
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I think my new favorite hack to find a watsonian solution (explainable within the canon of the media) to a doylist urge (this happens because I, the author, want/need this to happen) is to just. assign your doylist desires to another character.
You need your characters to be sitting next to each other in the backseat, despite the fact that it's social norm to leave the middle seat empty? Oh, the driver of the car says, the seatbelt on that side's not working, you'll have to sit in the middle seat. Why's that seatbelt just happen to be broken? Oh, it's not. The driver just wants to see these characters together as much as you do.
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craycraybluejay · 4 months
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writing is torture but unfortunately i am a writer and will legitimately die if i do not do it
#writerblr#writer memes#reading your own work trying to decide if anything is publishable is like taking repetitive psychic damage#however.#there are people who use a.i. to 'write' (disgusting)#and talentless editorless people who have migraine-worthy books on the shelves#so while self criticism is a feature of artistry that does not miss me#i feel slightly less worried knowing for a fact that i am both a human person who wrote something and that i carefully edit most of my work#and make sure not to make amateurish mistakes like Buttery Butter (smiled happily)#or like using the same uncommon word too often within a small space#unless its intentional for prose or rhyme purposes#you can reuse common words like said or the or and mostly as you like but usually dont use words like miasma a bunch of times in the same#same paragraph#flow. pacing. word choice. grammar. writing past a certain level is both creative and formulaic#past that certain level it takes no longer only talent or skill but a trained eye and a willingness to edit#it takes a lot of reminders and witty catchphrases for common mistakes and reading and rereading your own work#and most artists start disliking their work at a certain stage of this but#you have to push on#this is your calling. you must learn to banish self doubt and put in the hard work and time it takes to make something truly amazing#learning discipline is hard for me-- i ride on talent and inspiration a lot#but discipline is necessary because a lot of the writing process is tedious backreading editing research etc#obviously you dont have to do most of your editing on the first draft like i do#but you do have to get it done eventually if you want to truly get on the next level past just hobby writing#not that theres anything wrong with doing it just for fun and casually
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bisexualamy · 7 months
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I see people talk about fanfiction and novels being different mediums a lot, and while I don’t necessarily disagree, I don’t feel like I understand either. In your opinion, what makes them different mediums from each other? What decides that two things are separate mediums like in general? It’s totally cool if you don’t wanna answer this btw, I know it’s kind of a lot
No worries I think that's an interesting question! With any categories, the boundaries on this are going to be fuzzy, but the reason I believe they're different mediums is that fundamentally, on a metatextual level, the languages are different. What do I mean by this? Let's use film as an example, a medium that I'd argue is very obviously a different medium than novels, even if we may not be able to articulate all the reasons why.
What are some attributes of film that differentiate it from novels (another storytelling medium) or paintings (another visual medium)? Films and novels are both storytelling mediums, but films have visual and auditory components. They also mainly consist of storytelling through visual cues and dialogue. Exposition is given visually or in media res by characters speaking. In a novel, your omniscient narrator giving you a few paragraphs of background on your main characters is common, and so expected it probably flies over the reader's head. In a film, a narrator doing the exact same thing for all the main characters often comes off clumsy. It takes you out of the story in a film, where it doesn't in a novel.
Film is also a time-based medium. A film unfolds over time, and you cannot experience the entire film in one moment or glance. That's not true of a painting (at least traditionally). With a painting, you can view the whole painting in one look. Now, you can sit with a painting, pick out details, analyze the craft or ponder it for a long time and watch as new aspects jump out at you. Fundamentally, however, if you wanted to view a whole painting in one look, you can, and it would still make sense. You cannot do that with a film. On the other hand, a painting is typically not an auditory experience. To do so would be an experimental use of the form. In modern film-making, the exact opposite is true. Music, dialogue, and environmental sound, all of these things are essential to how a film tells a story. To not use them would be considered experimental or odd.
These are three different mediums with three different "languages" in how they interact with their audience. They may share parts of their languages, like I said above, but they don't speak the same language. What works well for one medium can come off clumsy or strange in another.
I believe fanfic and novels have sufficiently different languages that they should be considered different mediums. Both of them are short or long form written mediums telling some sort of story. But fanfic's relationship to its source material is such an inherent trait that novels do not have. The relationship doesn't have to be positive (it's often, in fact, argumentative or strained or dismissive), but the relationship exists. Even in AU fanfiction. Even in fics full of OCs.
In canon compliant and even canon divergent fics, this relationship is more obvious. These fics are both conversations with the source material as much as they are stories. They're playing in the author's sandbox, or they're wrecking their sandcastle and building something else. They're saying "I like/dislike what you did with this specific story, and I'm going to show you that by rewriting or expanding it." They take large aspects of the author's story whole cloth: the characters, the setting, the magic system, the tech, etc.
These fanfics often have little exposition at the top because they presume a familiarity with the characters, the world, or both. This alone makes them really different from novels. Creatively and seamlessly integrating exposition, immersing your audience in a new world and convincing them to stay, is a really important aspect of a novel that these fics don't have to contend with. This alone fundamentally changes how you'd structure a story.
For AU fics, both fics in AU settings and AU fics full of OCs, the above still applies. These fics are still a conversation with the source material. Something about the source material compelled an author to flip it and remix it and change it around. That conversation might be "in the source material, these characters suffered, and I don't want them to suffer any longer" or it could be "I felt the story had a vacancy that this OC fills" or it could be "if these characters had the time/awareness/ability to grow closer, they would've fallen in love." These are all direct commentaries on the original work.
An exercise that I believe illustrates this point the best is to try and adapt an AU fanfic to an original work. Try to file the serial numbers off. I've done this with some of my fic, and it just doesn't work. You don't realize how much you presume the audience knows until you have to cater to an audience who knows nothing of the source material. That hilarious joke you wrote? Turns out it's only funny because it's a nod to this character's original characterization. This awesome climatic plot point that ties the whole story together? Turns out in relies on a specific bit of lore, a quirk of the magic system, or an aspect of the character's past history or personality. Now that this is a novel, you have to back-fill all of that exposition. And you can try to do that, but watch how your story gets clunky and bloated. You will have to start viciously killing your darlings, as you realize that your favorite scene is beautiful in a fic, but sounds awkward and out of place in a novel. Soon, you're basically just rewriting the whole thing to fit a different medium.
Many fanfic writers are extremely talented. And much of that talent, that wit, that perfect line that you can't get out of your head, is integrally informed by your knowledge of the source material. The irony falls flat without having read the source books. The relationships suddenly feel shallow when you don't have seasons of backstory to deepen them. You do not realize how much of fanfic writing consists of this back and forth until you go looking for it.
And here's the thing: if your fanfic has a totally AU setting and it consists of completely original characters, I'd argue that's just a novel posted to AO3. If all you need to do is change the names to make it work, that's a novel. This is why Clueless is inspired by Jane Austen's Emma and not an AU fanfic of it. If you've never read Emma, if you went into Clueless not knowing that Emma was the inspiration for it, you'd perfectly understand the movie.
In fanfic, the source material is always present. It can be obviously present with canon compliant fic. It can be antagonistically present with canon divergent or AU fic. And it is still present, floating in the background, with totally AU fic. Ultimately, the changes a fanfic author makes to the source material are, themselves, as integral to the fanfic as the words on the page. It is a dialogue with the source material: what it did well, what it could've done better, what this author believes is the essence of the story, or the world pushed to its limit, that even though we're in space or in a coffee shop or 1920s New York, we're still, on some level talking about the source material.
This is an aspect of fanfic I love that novels do not have. Novels have a lot of other great stuff! I love novels! But while novels are often engaged in a dialogue with their present society or their predecessors in a genre, that conversation is much more nebulous than it is with fanfic. You can read Slaughterhouse-Five or Gravity's Rainbow, and while knowing their contexts helps you understand them on a deeper level, that is unnecessary to their enjoyment. They are fundamentally more standalone works than fanfic will ever be.
This is ultimately why I think comparing fanfic and novels is comparing apples to oranges. They're different mediums. They use different languages. They require different skills and they fill different artistic niches. You might as well be comparing a film to a painting just because they're both visual art.
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mashkara45 · 6 months
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theorderofthetriad · 6 months
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the thing about the ofmd season finale killing izzy is that it's interesting and has a lot of potential as the midpoint to the story, but as the end of the story it fucking sucks.
the season 2 ending chickened out by presenting itself like it could be a full series finale when all it's done is set up a foundation of fucked-up for the next season to build itself on. but it presented itself like there would be no next season and that this was just the happy ending for the characters, while everything is still clearly in the fucked up mid-point emotionally to set up for season 3 but it's simultaneously saying "no it's not emotionally fucked up. it's all emotionally wrapped up into a happy little bow, you see?"
like, pick ONE, you can either make fucked up things happen, leave the character development in a tenuous mid point to set up for the third season OR you can wrap the characters up with a happy ending but you cannot actually do both. if it's meant to be the midpoint they needed to say "this is the midpoint of our story, the story is not over" with their WHOLE pussy.
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skitskatdacat63 · 8 months
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Ah finally hit 100 fics on ao3 very nice 🥺
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the nancy boy thing is just so fucking insane because like. they broke from the spelling of this name to do it but also incorporated it into the spelling of his name with n for nancy (possibly showing how he associates it with himself). but the license plate could have been any letter and that letter could have been any word and they chose b for boy. they could have cut to the license plate from any letter in dennis and they chose n for nancy. and we already know the way dennis spells out his name/words in this scene is very important metaphorically they showed us with that alternate D.E.N.N.I.S. system he gives us so.....they did that on purpose and drew attention to it
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beastologist · 3 days
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To support each other in curating our experience as a fandom who all share a love for 9-1-1 at least, could we just collectively agree to tag either "Evan "Buck" Buckley/Eddie Diaz" OR "Evan "Buck" Buckley/Tommy Kinard" on AO³, according to the endgame of a fictional work, and never both (unless you are writing a polyamory relationship or parallel universes within your work)? Of course, there are filters to exclude tags, but I believe we'd curate a much less tense experience for all of us if we kept in mind that most readers are trying to look specifically for either a Buddie or a BuckTommy endgame.
Plus, you can also tag the less important relationship in a story with the "&" tag. (However, as correctly advised: the & tags are for platonic relationships.)
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ardentpoop · 2 months
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they literally had no clue what a special and one-of-a-kind character they had on their hands
leagues above the rest of this show’s characters in terms of emotional depth
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