im actually really surprised how polarizing and controversial saltburn has been?? because it seems like the reason a lot of people really hate it is that it's a shallow, pretentious analysis of class and wealth and like. i agree. but i also don't think that the POINT of saltburn was class or social mobility or anything. i think the point of saltburn was an unflinchingly sincere portrayal of obsessive all-consuming desire and, rather than analyzing the movie through a strict lens of class relations or "eat the rich" aspirations, we should be analyzing it through a lens of toxic devotion (especially when it's queer). like saltburn is about the relationships it presents. i'm a little shocked that everyone thinks the main takeaway was what it said about class
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We need to talk about Oliver and the grave scene. (spoilers)
Barry Keoghan's improvisation in that scene completely changed Oliver's character and the film as a whole. It encapsulates a critical moment of emotional catharsis for Oliver, marking the first and only time in the film where he completely lets down his guard.
Throughout the film, Oliver maintains a distance from Felix, constantly holding back parts of himself, standing in front of the bathroom door but not allowing himself to enter. At first glance, it appears almost masochistic, but it's critical to understand that Oliver's feelings for Felix go beyond love. He's obsessed. It's as if he fears that getting too close to Felix could expose his true, empty self. And deeper than that, Oliver perceives Felix as something ethereal, akin to a living god. How could you even begin to approach such a being?
His confession in one of the last scenes with Felix where he admits that everything he did was to meet Felix's desires, underscores this guarded nature. Even in this moment of apparent honesty, Oliver is totally incapable of being fully vulnerable with Felix, as evidenced by his backup plan involving the drink.
In stark contrast, the grave scene is where Oliver's walls finally come crashing down. His open weeping, undressing, and act of penetration with the grave soil are profoundly powerful symbols of his extreme vulnerability and his unfiltered emotional state, now finally free of all societal pressures. As disturbing as this act may be, it symbolizes his intense longing for a deep, unfulfilled connection with Felix. In death, where Felix can no longer see or judge him, Oliver finally finds the freedom to express his true self and desires.
The act of penetration can be seen as a desperate, symbolic attempt to maintain a bond with Felix, a way to bridge the unbridgeable gap between life and death. It's a poignant and tragic manifestation of his grief, the complex emotions of longing and obsession he silently harbors throughout the film.
The grave scene is a turning point in Oliver's character arc, perfectly complimented by the finality of the grave beneath him.
Oliver loved Felix in the only way Oliver knew how to love Felix.
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While Felix had his first day at school, Eddie, Elvira and Fortunia all got their grades up to A, B and B respectively.
Dahlia sold two outfits on Trendi and is feeling very confident about further success. After selling more outfits she amassed 3948 followers.
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