The fight scene in chap 27
ITLOF
@ataintedcure
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i lost a friend, i lost a friend, i lost my mind
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Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.
First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.
And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.
And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.
Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.
Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.
TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.
...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.
There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.
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28/01/2024
stars don't twinkle moon doesn't shine
big thanks to @nahrgles for finishing this for me after i hit a wall with colors bg and effects- chromatic aberration blew my fkn mind
pre edit transparent version under cut because i spent too much time cleaning it loll
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if this gets 200 notes i'll shave my head without my mom's approval
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Funny how all it takes is a couple of conversations with a cis straight man about gender to make me go "yup I'm definitely not cis"
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I would actually kind of like the “becomes a doctor and takes over Leslie’s clinic” story…for Damian.
NOT because I think it would be ~ethical~ or idk whatever-the-fuck.
I just really love the concept of Damian having this “I HAVE A BIG IMPORTANT DESTINY” backstory/lineage/bloodline …
…SON OF THE BAT, and all that jazz…
But when he connects with Gotham and the people in it—because Batman should be connected to the people he’s protecting—Damian realizes that he doesn’t actually WANT “his” destiny.
And it’s not about rejecting Batman or his father or his mother or anything like that, but instead about taking what he’s learned and what they’ve given him and shaping it to fit himself.
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I like Shadowheart but I legitimately do not know where the narrative emerges from that Lae'zel is the aggressor because in every single playthrough I've done Shadowheart talks about her like three times more and usually unprompted. Lae'zel's RUDE sure but the worst thing she does to Shadowheart is tell us not to save her in the middle of a burning crashing mind flayer ship (while doing nothing to stop us if we decide to do it). Shadowheart comes out the gate suspicious of Lae'zel and is incredibly hostile and mistrustful of her not because of anything she's actually done. Shadowheart has actually done something to Lae'zel's people and she knows it but when confronted about that immediately jumps to "well it was probably stolen plunder anyways 😒😒😒" ITS NOT. ITS CARVED WITH GITH RUNES AND HAS BEEN WITH THEM FOR GENERATIONS. AND ALSO THAT WOULDNT MAKE IT YOURS.
The weirdest the game gets about this is that fight where Lae'zel challenges her to a duel and Shadowheart instead sneaks up on her in the middle of the night and holds a knife to her throat! And then starts!!! lecturing LAE'ZEL about how they need not be enemies and they could instead direct that hostility at others! This is seconds after "If the others ask, I'll say you were turning. Don't expect to be mourned" btw
To be clear this too is yuri but girl you have problems! Conditions even!
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Hello Internet Stranger looking up G Gundam on Tumblr dot com!
This is an idea for a fic set in an Alternate Universe involving Queer Non-Canon Relationships between the characters of the series.
If you are not looking for this content please scroll on.
If you ARE looking for this content - and you're ok with reading my and other's Headcanons for this Alternate Universe I've haphazardly spun up -
Then go ahead and feel free to:
Check The Tags Of This Post For The Pairings
and click the Read More below!
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Ended up outlining a completely different fic as a Segway for an explanation instead of making progress on the Royal Flush Haunted Honk AU's Clown Motel Fic like I wanted to but uh....
For y'all's review for the AU: A Prequel Outline - Divorce Saga Domon
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Hey real quick - I'm thinking of maybe changing the timeline to 2 years post canon as opposed to 3 years and change post canon.
The reason being: I had a thought that this scene could either be part if the fic or if it's getting to big then it could be a stand alone tie-in prequel fic as part of this AU but - like
Immediately Post Divorce Domon Needs Space and runs off. As one does. And he runs to Earth because he just wants to Get Lost for a while.
He has Argo smuggle him out to avoid detection.
Argo has Andrew help stow Domon in a storage hanger of a Neo Canadian supply ship that's returning to the US - they have trade often enough and share agricultural resources - which leads to Domon ending up in New York when he hits Earthside pavement.
He's privately worked on his English the last couple of months and after being dropped in New York with a different hairstyle, outfit, and accent he's unrecognizable.
He considers making his way west to get some solitude in the wilderness, but something about that initial plan feels off now that he's on the ground.
Chibodee is also Earthside for a special series of prize fights aimed at raising charitable appeal for the US in the eyes of Neo Americans.
Domon decides to hit up Chibodee for a fight on a day between matches hoping it'll clear his head and give him the clarity to decide on a course of action. What ends up happening is an unexpected heart to heart via blows and a breakdown.
Domon is happy for Rain and Kyoji, and he knows it's not true; but he feels like he lost a piece of himself when his relationship with Rain fell apart.
Domon's instinct is to run after that but Chibodee knows this city and Domon doesn't hide out for long before Chibodee drags him back to his place to stay and just "Chill out and breathe. You don't have to be anyone but yourself here. You can take as long as you need to find out what everything changing means for you." Friends and teammates stick together.
So Domon spends a few weeks with Chibodee sparring and hanging out in New York. Chibodee does a frankly awesome job at containing his feelings because he's focusing on Domons feelings and being a good friend first and foremost. Whatever he's feeling can wait until after Domon is done going though it.
There's a bit of a twinge in Domon's heart as he leaves that he can't really place.
After he returns to Neo Japan and gets settled back into life with his family, The Dreams start.
They're mainly set in New York. Small things first like noticing Chibodee's smile and his eyes. Then sparring sessions that begin to turn lurid.
He thought these kinds of dreams would stop after he was married.... he doesn't know what to do about this.
I just figure it gives more clarity and sense of time for the journey from Comphet Marriage Dissolution to Feelings to Confession. Idk.
But I got stuck on a bit and then had this thought and needed to get it down before I lost it and it was so long it made sense to make it its own post as opposed to several replies.
The Maize and Clown Motel will probably still be 3 years and change post canon for clarification.
@thedragonchilde @amplexadversary @youreaclownnow
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What's the opposite of soulmates?
Like when characters where never meant to be, when no matter the universe, no matter the scenario, they can't be anything else than each other antagonist, even when that hurts both of them so much
Because for me that's what Constance and the Visitor are
(like, it's important to note that this is not a "lovers against all hopes" trope, it's very much the opposite, it's "we wish we could be anything else but enemies and yet we can't help it", they are both each other's reason to keep up on opposite tracks)
(I eat their relationship it's so twisted)
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Why do u draw?
oooooooo [rubs hands together] a fun one that probably isn't that deep but i'm going to take way too seriously!
so the short answer is fun, but i can never just say one sentence and be done with it soooo i elaborated and wrote a whole essay below. sorry not sorry
anyway if you didn't want my origin story no shame in that, it's not gonna be on the quiz, just keep scrolling :P
to cover all my bases let me start from the beginning and work my way forward...
i think pretty much all kids draw at least a little just because they can, but the thing that really inspired me to take art seriously was the great abundance of cat animations on youtube in the early 2010s... warrior cats amvs mostly, but also artists like bani the kitty and splashkittyartist! you can really see these inspirations in my early digital art hehehe (see below by attle b. age 8)
from then until about age 14 art was just... my thing? i did it pretty much everyday, probably couldn't have imagined life without it... i think back then my motivations were more inline with your typical social media artist motivations... get better, be seen, and maybe make a career out of it? never made it that far though because ehhhh life has different plans i guess
i fell into an art slump in the middle of high school for a variety of personal reasons i won't get into, and as such i had to give up my dreams of creating art as a job
as sad as that was in the moment, it forced me to change my outlook on the whole ordeal in a way that i think was ultimately healthier for me.
that brought me to where i am now! since i have no goals beyond keeping at it as a hobby, i do it simply because i enjoy the process, the product, and i feel like it lets me connect with my interests in a way i otherwise couldn't.
it's a fun way to express love for the things i care about, and while i still enjoy honing my skills i don't feel the same pressure to be perfect that i used to which is really freeing!!
so in that sense it's intrinsic motivation that makes me draw what i draw... however, the amount of art i put out and the polish i give it is definitely motivated by the eyes i have on me... while i'd still be drawing the same things if no one was watching, i would not be putting nearly as much effort into it, nor would i be doing it as regularly, so i do thank you guys for keeping me on track there <3
that's it i think? i could get into the philosophy of it, but i'll spare you that... okay thank you for letting me yap!!! ^-^
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Bolts upright from my bed
In an AU where Pharma lives the Adaptus thing and comes back on the Lost Light, wouldn't he find out that the crew had to deal with being cornered and nearly killed by the DJD and a bunch of other Decepticons?
And then Pharma could get to be like "oh I see :) you were under threat by the DJD :))) why didn't you just run? Oh you couldn't and had no means of escape? Funny :)))) didn't you call for help? Oh you did right??? And did anyone come???? :)))))) did anyone come in time to save you from the DJD????? DID THEY????? DID YOU JUST CALL FOR HELP AND RUN AWAY AND THE DJD JUST LET YOU GO????? :))))))))))) OH THE DJD BLOCKED COMMUNICATIONS AND HAD YOU SURROUNDED????? OH HOW TRAGIC I GUESS YOU COULDN'T ESCAPE AFTER ALL AND A LOT OF YOUR FRIENDS DIED :)))))))))))))))) AND THE ONLY REASON YOU WON WAS BECAUSE YOU HAD A LOT OF SUPERPOWERFUL FIGHTERS ON YOUR SIDE???? WOW IMAGINE WHAT MIGHT'VE HAPPENED IF YOU HAD NO FRIENDS AND BARELY ANY MILITARY SUPPORT AND THE DJD CAME HUH??? WOW WHAT A RELIEF THAT DIDNT HAPPEN"
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In other words, I'm pretty much convinced that the reason Pharma is remembered as "the evil cowardly doctor that murdered innocents to save his own skin" instead of "the Autobot that got mindbroken by Tarn into thinking that making a plague and killing everyone was his only way to escape" is because he got introduced before the DJD were established as a pants-shittingly evil and sadistic group of freaks, and unlike Rodimus' crew he didn't have the luxury of being a main character whose thoughts and experiences were shown on screen. Pretty much his reputation as "crazy token evil Autobot" was sealed from MTMTE #5 and by the time MTMTE #50-something brought Dying of the Light, Pharma was a footnote in the story and never got to have this new information about the terror of the DJD factored into his own character.
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a fancy guy
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TRAINING ARC: START!! BOTHER YOUR GUARDIAN AND EXHIBIT ISSUES. NOW SOLVE THOSE ISSUES BY BOTHERING GUARDIANS. I HAVE FULL FAITH IN OUR HEROS!
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had to relisten to 2.4 for my last drawing and got compelled to draw the scene of dani point blank shooting her own dead dreams so here we are
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@zaphiregz Phantom Mummy Daddy
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