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#grandstand
80sheaven · 9 months
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Grandstand Pocket Pac-Man, Pocket Scramble and Krazy Kong LCD electronic games (1983).
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Grandstand on the horserace field in Saigon, modern-day Ho Chi Minh City, Vietnam
French vintage postcard
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gurumog · 11 months
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Convertors by Grandstand UK TV Advert 1985
Nick Brimble as the Convertor Man
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1980sactionfigures · 2 years
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Omegatron - Convertors (Grandstand)
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Gallery: The Backseat Lovers @ Orpheum - Vancouver, BC Date: April 18, 2023 Photographed by: Zachary Vague
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faradaysketches · 4 months
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Südtribune at Hockenheim Ring, Baden-Württemberg. October 2023
Classic racing has fewer spectators compared to formula one!
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ransomhughes · 2 years
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Milne Bay Aquatic Centre, Toowoomba
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celebgames · 1 year
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dcfairwi · 2 years
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Aug 20th Live music lineup – includes Smash Mouth
Aug 20th Live music lineup – includes Smash Mouth
If you are craving live music and a night out, the Dodge County Fairgrounds has a diverse lineup for you on Saturday of the Dodge County Fair. Beaver Dam will welcome a variety of live acts and familiar sounds, including the American rock band, Smash Mouth. Dodge County Fair admission prices on August 20th and throughout the fair include all live entertainment and concerts, including…
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skrubu · 2 months
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A Hint of Blue
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A Hint of Blue by Pekka Nikrus
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archoptical · 2 months
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80sheaven · 9 months
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Grandstand Invader From Space (1980)
View more Grandstand Mini Arcade Games
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textual-deviant-blog · 7 months
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Haven't seen anyone talk about the heat death of the universe, lately.
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- Ai-generated piece by user 'Darwhim.ai', "Mortal Redemption"
I'm hoping to eventually study the science behind that theory, get some knowledge that will help me in my writing, but for now I just want to provoke the idea some more.
When you give it some thought, it's possibly, at once, one of the most terrifying and trite things in existence. We'll never live long enough to ever have it affect us in any way, but the fear behind it is the inexorable quality it has; the inevitable erasure of everything we've built up, as a species, as a society, as an individual.
It is the Alpha and Omega of science fiction, one of the greatest existential crises people experience, and... again, none of us will ever live long enough that it matters.
As I sit here at my desk, pondering consciousness and all manner of things, the thought that people have gone mad over this, the thought that people have let their lives be destroyed by this notion? It's ridiculous, in the same manner that people still crying over the towers collapsing, every year, on that fateful date, feels ridiculous.
Everyone who more easily disconnects from the thoughts that bring them pain views these sorry individuals with pity. It's funny, because everyone barring the most sociopathic at least felt a passing terror over them. It's a universal experience, and something we universally ignore.
Some may, instead, have optimistic theories of their own, the Big Crunch being the most well known. We want to feel optimistic about a future we'll never see, the matter of how realistic or supported that future is by what we know... being somewhat irrelevant.
This isn't a psychological analysis. The conclusion I've been dancing around is that, does it matter? If it matters to you, the reader, on an emotional level, shouldn't you do something about it? Can't? Then, why? Is it because you feel a moral obligation? Or, it's just a sad reality to live in? Sir, madam, or gentleperson who lies in between, should it matter if your life remains unaffected in everything but the cognition of it alone? Because you think it's terrible that such a cosmic thing lies beyond your control?
Sometimes things just happen. For no reason at all. In a world with control, a man wouldn't die after hitting his head on a sidewalk. The one-in-a-billion prion wouldn't just kill you after living a long, prosperous life. A pulsar wouldn't have any chance, no matter how small, to accidentally blast us from across the universe. A meteor couldn't escape the grasp of Jupiter and instead aim for our civilization of everything.
...there's a sort of beauty to it, however. One of the greatest paradoxes, greatest pieces of dichotomy our existence has to offer. In a world with control, a man tripping wouldn't have that tiny, tiny chance to result in meeting the woman who would eventually become your mother. A scientist wouldn't get to study one of the most deadly organisms on the planet, and gush about how silly the series of coincidences in our physiology are to even let this poor thing have a tiny, tiny chance to kill us. We couldn't learn about things like pulsars; couldn't awe at how terribly energetic and magnificent they are, elements the size of mountains radiating beams trillions of miles long.
Nobody would ever write a novel about a meteor hitting Earth, the protagonist either saving the planet or having mere hours- perhaps even less- to face the totality of existence. It might be written well, it may be written terribly; but it would be written nonetheless. If there was no meteor, no great crisis, no great existential dread, no great confrontation, so much of the human experience would just be living, existing, perhaps not even breathing.
Would we dream of death, then? Would we think of the thrills that would result from just being mortal? Would we think about all the things we wouldn't do, for fear of death? In a world where mortality is the standard, we'll never have these thoughts- not truly. Perhaps in another universe, but that's a line of dialogue unto it's own.
Ultimately, without mortality, what would we mortals be?
What do you think?
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Sometimes I fancy age advancing upon me. One gray hair I have found. Fool! do I lament? Yes, the fear of age and death often creeps coldly into my heart; and the more I live, the more I dread death, even while I abhor life. Such an enigma is man -- born to perish -- when he wars, as I do, against the established laws of his nature.
- Mary Wollstonecraft Shelley, 1833: The Mortal Immortal.
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zippocreed501 · 1 year
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From little acorns...
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blomblusstoo · 1 year
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Our eyes met across a Saturday afternoon line-up of quality sport…
A reworking of an old romance comic strip that's fallen into the public domain, and is now all about the old BBC Saturday afternoon sports programme, Grandstand! :D
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CONCERT REVIEW: MAGDALENA BAY AT FORTUNE SOUND CLUB - SEPTEMBER 28TH, 2022
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Synth-pop duo Mica Tenenbaum (lead singer and songwriter) and Matthew Lewin (producer) dazzled the stage at Vancouver’s Fortune Sound Club on September 28. Working together since their high school’s music program, the pair formed Magdalena Bay. Although they’ve been making music for quite some time, this is the first tour to celebrate their debut studio album, Mercurial World. On their opening night of tour, they performed a beautifully curated show and performance.
Fortune Sound Club is an intimate venue; small and known for hosting more ‘underground’ artists. They may have underestimated Magdalena Bay’s cult following though, especially after the rise of their song “Killshot.” The song reached viral success — more on that later. A packed club held space for Negative Gemini to open with an energetic performance, drawing influences from early 2000’s punk rock, glitch-core, and hyperpop. Her high-pitched voice and engaged stage presence had the crowd going long before Magdalena Bay even came out, which was great.
The entire show was a highlight. Magdalena Bay is known for their ironic self-awareness and kitschy visuals, but I was not expecting such a complete show. They did not come here just to perform, they came to give us a concert. I feel like this is something a lot of artists lose on their music journey. However, Magdalena Bay started with “Secrets (Your Fire)” and did not hold back on taking us on a vapourwave / future funk nostalgia trip in sound and stage.
Mica’s voice is breathy and delightful, perfectly matching the whimsical airiness of the band’s sound. Her flowery, “dancing freely in your room” stage presence was also charming and fun to watch (and mimic). The entire crowd swayed with her, especially during the cutesy-pop song “Hysterical Us” and funky “U Wanna Dance?” She – and the band’s overall live demeanor – reminded me of Kero Kero Bonito’s Sarah, or even Charli XCX, and I consider these singers to be experts in riling up a crowd.
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After the first few songs, the band took a pause to introduce what made the show so special — Chaeri! Chaeri, as represented by a floating holographic head, is an AI that is learning how to become more human. Mica primarily interacted with Chaeri by giving the AI a few poignant yes or no questions, followed by the conclusion that the AI could become more human by learning other people’s secrets (and thus, their emotions). Chaeri’s motivation became the narrative for the entire show, with each song relating human experience and emotion.
This storyline was so intentional that they played pre-recorded ‘secrets’ — shown as tracks on their album — throughout the show for Chaeri to react to, letting Mica and Chaeri banter further. I felt that this gave the concert meaning, like an arc. By the time the dreamy “Halfway” came on, I was invested in Chaeri’s storyline. A secret about having a crush came on, and the band performed “You Lose!,” which not only showcased Mica’s vocal range but also Lewin’s instrumental prowess in production. The way each instrument gave a new layer of texture to contrast Mica’s reverbed voice was a joy to experience live.
Toward the end of the concert, Chaeri commented on the crowd’s “bodies moving rhythmically,” to which Mica explained was dancing. This was after “How to Get Physical,” a groovy disco-inspired number. During the instrumental interlude of the song, Chaeri commented on wanting to join, and in order to do that, Mica said she needed a body. After encouraging the crowd — “Body! Body! Body!” — Mica pulled off a cloaked robot body with Chaeri’s head now attached to a screen “head.” It was incredible. Like, the way the crowd went ballistic for this fictional AI becoming human was amazing.
The band encored with their most famous hit, “Killshot.” As if I wasn’t impressed by the story they just gave us, part way through the song, they paid homage to the ‘reason’ for their sudden increase in popularity: anime fancam edits. Mica said, “here's some sexy anime!” and suddenly, a bunch of TikTok edits using the “slowed + reverb” version of “Killshot” appeared on the screen. I recognized a handful and it just felt so personal and sweet, much like the rest of the concert.
I hope that Magdalena Bay keeps their charm, artistic vision, and unique sound. I also hope that they stay closely informed about their audience, as well as music trends! I am so excited for them to come back.
Written by: Alexa Tarrayo
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