Speaking from a bad place, so bear with me. Has anyone thought about how being important or special to other people is based just on the people closest to you?
We regard strangers as people who are fairly irrelevant to us, because they have little to no impact to our life, and their lives and struggles won't generally touch us. In contrast, lives of people directly around us have a great impact on us, and they decide our relevancy. We give them roles in our lives, like friends, mentors, partners, lovers, caretakers, and in that regard they're special to us, irreplaceable. We also want to have an equally strong meaning in their life, to have a warm place in their heart and respect in their minds, as they do for us.
When people around us who hold great relevancy for us, also give us that same relevancy back, we feel important, we know we're special to them. That our role in their life shapes their experience, gives them gratitude and they've accepted us as someone they want and need around.
In contrast to that, when people in our life refuse to give us that same respect, warmth and relevancy, then we wonder what is wrong with us. What is missing so we can't be appreciated and regarded with the same love and respect that we show to them. Lack of mutuality makes us sink down with insecurity, self doubt and deep feeling that we're not enough, that we've done something wrong, not to deserve the same that we give to others.
And it also works out the same in isolation, if you have no one close to you, no one who has your well being in mind or cares for what becomes of you, it feels like you're important to no one, like you are not special whatsoever, even like you could be disposable if nobody cares at all.
But none of that is based on what's inside of us, who we are or how much love and good we are capable of giving and showing. It's nothing even related to our behaviour and actions, you could put anyone in these situations and results would be generally similar; person who is not experiencing reciprocity, or is left to fend for themselves alone, will lose the feeling that they're important or special in any way.
Isn't that weird? That we can end up judging our own worth based on nothing we did, or nothing we are, just based on how people around us are treating us, or whether we have anyone around us at all. In our essence we didn't change at all, it's just who is or isn't around, that determines our worth.
If we're put in a group of people who want to create bonds based on good things they see in us, we'll become able of seeing that good in ourselves. If we're surrounded by people who all feel the same as we do, act on the same moral code, readily reciprocate respect and warmth that we show to them, we won't feel like anything is wrong with us. We'll feel at home.
And since this is so intrinsic to being a person, to long for this and only feel relevant, safe and cared for in these circumstances, isn't it natural that we all deserve that? To be surrounded by people who make us feel like nothing is wrong with us, and like we're at home? Who help us focus on everything good in us, and give us no reasons to believe that we should be rejected or banished at all? Since abuse did the absolute opposite, and forced us to believe there's only reasons for abandonment, hatred and contempt, I believe being in the environment where people see many reasons to want us in their lives, would heal us.
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ANALYSIS OF THE PORTRAYAL OF DEPRESSION THROUGH MICHAEL BEARZATTO
Why does this character mean so much to me as someone who was once suicidal
tw underneath: talks about self-arming/self-deprecating thoughts and substance abuse, particularly the last section that also will repeat the tw.
Disclaimer: This is about how I think Michael is one of the most helpful portrayals of depression I have seen and how I think it would have helped me, even though he died. The show is about healing from losing someone in this tragic way, but for me and my friends, the part that explores this character also means a lot.
A little about the importance of depiction of suicide and depression in media. You can skip this if it came from the character analysis; this is just to illustrate the characters that helped when I was going through it. See you at part 1.
When I was in my late teens, I entered a dark period in my life, with insomnia, depression, and memory lapses. It was primarily due to the emotional dread and trauma I got from having a narcissistic parent, being an autistic girl (not diagnosed back then), and the impending quarter-life crisis. I had no support group or emotional intelligence to deal with it all; I only got into therapy years before it all passed. That was until I met the girls that are, to this day, my two best friends, probably the only family I have ever known: V and E. V was going through a hardcore case of harassment in her school, and E had been neglected by her mother her whole life, only to definitely being abandoned by her recently at the time. We didn't know it by the time we met, but we would all hit the suicidal stages in our struggles with depression, even after we became friends.
We met in a Christian youth group we didn't want to be in. But in this space, we formed a friendship that will become our refuge from the world, our support, and the place to share our common interest in becoming writers. In the end, more than in the church we were attending, we found the courage to fight our demons in the pieces of fiction we were consuming. Because we could relate to those characters and their struggles. They seemed real to us. When I introduced them to the Bear last year, we discussed the things that the show got right when talking about Mickey.
Part 1: The portrayal of his loneliness
The inciting incident of the show is Michaeel's death. Still, there is a lot of discussion on how he was isolating himself long before that, and you could say the story of Carmy that we know today officially begins the day Michael cast him out of the restaurant. Which makes you think about why he did that.
Things that Michael was afraid of, that made him isolate himself:
For Carmy to see him act recklessly: now, we know Carmy saw Michael's explosive behavior before ("Fishes" and multiple family/staff anecdotes), but maybe he was starting to be afraid of not controlling his reactions or being aware of them. Was he having memory lapses? Was he afraid of losing his temper and hurting Carmy? The drugs could have dragged him to the point of not even recognizing himself.
Was Michael afraid of not being able to carry on the dream they had as kids? Was he buying on the idea that he was a failure and would never amount to anything good?
In addition to the previous reasons, I think Carmy's admiration was what he was the most afraid to lose. Most people have speculated that Carmy and Michael have an age difference of 10-12 years, and their father abandoned them, so Michael was the closest thing Carmy ever had to a father. This is one of the reasons Carmy idolized Miachel so much. Michael cannot even give Carmy a concrete answer in 'Fishes' about the restaurant's future and has emotional breakdowns afterward at the thought of disappointing him. It is even implied (by Richies look when Michael wraps himself in the blanket), that after that conversation, Michael may have consumed drugs. His behavior also becomes more erratic after this moment, losing track of stories he has told before and erupting in violence at the dinner table.
Part 2: The portrayal of hiding
The reason Carmy never found out about Michael's drug problem is a result of the actions of both brothers. I can only speak of this thinking of my own family and the families of my friends who were depressed/suicidal like me.
Michael was already doing everything he could to hide his depression, but I think Carmy was afraid of seeing the signs. Understandably so. People already mentioned that Michael was using, but Carmy never believed them. He was not thinking of Michael as his brother but as his parent. Because Michael was the only "parent" he could emotionally rely on. We can all have clouded vision by fear. Particularly if we are struggling and deeply emotionally wounded. There is no mention of someone else doing anything about it. Even his best friend, Richie, never confronted Michael about his addiction. Michael was the pillar of emotional security to everyone around him. They may even be afraid that confronting him will make things worse. God, after seeing "Fishes," I kinda understood why Michael didn't bring up anything to that environment; not only was everyone fucked up in their own way, but as Carmy said it "When you don't know what are you feeling, asking somebody else how they are feeling seems insane." I wonder how much Michael cared about his own feelings. That is something messed up to say, but is also true.
Part 3: The portrayal of Michael's responsibility.
Thoughts on the "what could have you done" scene. tw of suicidal thoughts particularly apply here.
I love that , when Richie said
"I wish I had done more," Carmy instantly replies 'What could you have done?"
It is essential to talk about suicide prevention while also understanding that nobody has control over your life or your life except yourself. A whole team of supporting, emotionally intelligent people may not have been enough to save Michael. The family is the environment when other genetic factors built it up, but nobody else pulled the trigger.
It is not like people cared more about their happiness than Michael's life; that is never the case. They all wanted to see, but no one is responsible for Mickey's death except himself. The thoughts of "what could I have done" to help him will just prolong a guilt that has no solution. When I was suicidal, I wouldn't have blamed anybody. There were people involved in my unhappiness, even aggressors, but I was the one who would have given up. Even Carmy tried to blame people for Michael’s death, Nat even blamed the restaurant.
I knew it was my responsibility to seek help or not. Finding ways to help my friends was difficult even if I knew them well and their situations. It is difficult to talk about, even if you want help. When my mom found out, years after the worst of it had passed, she would swear that she didn't see signs, but that is such a complicated topic. In the end, my friends and I just kept going. We all want to be the heroes of our own stories, but depending on the stories we tell ourselves, we may end our own chance to fight for ourselves.
Saying "they were afraid to see," is not the same as assigning blame, and I am sure the show will come to a point of having this conversation. It is probable that people tried to help Mickey or that he sought help himself at some point; it is very difficult to actually comprehend suicidal thoughts, more so if the person struggling with them is someone you love. Most of the people surrounding Mickey never would have imagined that he would die the way he did. Probably because that is the way Michael wanted it, even if he also wanted help, even if he dreamed about someone noticing. Because I dreamed of people noticing.
Part 4: The importance of a mirror
In the end, maybe he was more afraid of being found (ashamed, lost) than how much he wanted to be found (saved). He may have thought that all of his desperation/demons were more powerful than him. I once thought similarly, so I can relate to it. Adding the element of addiction makes it all more difficult. The show is about people dealing with the lost of Mickey, but this character made me revise a part of myself that I once wanted to keep in the past, afraid of looking at that darkness, which will prevent me from healing from it, even if the desperate thoughts that once made me suicidal are lone gone. Moreover I think Storer has chosen to show us so much flashbacks of Michael so we also can see the elements that broke him, in the context of knowing his tragic ending.
We get to know of much he meant to people, how much he shaped Carmy for better or worse. I was particularly touched by the fact that even when Nat found love in Pete and Carmy found purpose in cooking, Michael was likely never able to find fulfillment, or worse, if he ever found things that made him happy, he left them behind to keep the restaurant out of family responsibility, he may have thought that was the only thing valuable about himself.
We don’t know what things pushed him to the edge, but we know, as people that value the lives of our loved ones, that those things were based on lies, the lies he had learned about himself. The show made an effort of showing us those lies, the “you are not worth anything” and “you have no future” statements, the implied abuse, the addiction, the beliefs that all those lies could overpower him. We can see the good person that was hidden under that pile shit. The love he felt, the dreams he had. We get to imagine the future he could have.
We know, has people that have dreams of their own, that can feel love for this fictional character and can relate to him in some way, or just out of simple empathy, we wanted him to live too.
That is the most helpful way to depict suicide/depression, at least is the type of portrayal that has helped me the most. Don’t paint over it with thoughts and prayers, let me see it, in someone else struggling with it, I can see clues of the lies I once believed too, let me put myself in the shoes of this person that may be as broken as I am, and because I see the good and value in him, I can start to see the value and good of myself that my depression was forcing me to ignore.
I don’t know how a person that is currently going through depression will think of Mickey, but I think it at least will validate the things that break us in the context of what came to break him. Even if he died, because we wanted him to live, it may give us courage to fight our own demos.
About the future of Carmy.
There is abuse, addiction, emotional neglect, and many other things that caused the trauma they all carry in different ways, but since Carmy is probably gonna struggle with depression, self-deprecating, and even suicidal thoughts next season, I wonder if the characters are gonna reflect more on the ways they can support him, instead of latching to their damaging ways of thinking, that have hurt them all. This show is about healing, so I am happy to think Carmy will find solace in his support system.
Edit: I edited this post, changing actually the whole approach, because I wanted to choose my words carefully, maybe provide other writers on why characters like this are important. Thank you for reading.
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alright you’ve been extremely extremely kind and indulgent to me about my oc and i cannot possibly thank you enough <333333 so MY turn now to ask YOU about YOURS. please tell me about maglor’s distant granddaughter who is also your bbeg?? .w. or about the chatty hobbits i would very VERY much love to hear about both!!!
~ @nelyoslegalteam, reporting from main <3
(long post, sorry for the random people stumbling upon this lol)
so I'm the dm for the chatty hobbits campaign and essentially it's set in a beleriand-adjacent continent, but with a few extra races and stuff. of the founders of the original settlements, the king of elende (the elf kingdom) is Gil-galad's (invented for the campaign) twin brother Finellach/Finwain. originally he was inspired by the fact that gil galad has a ton of names but only uses ereinion/gil, so I just invented a new character and gave him half the names. I headcanon gil galad as maglor's son, so finwain is in universe maglor's son (left at the havens with gil bc his wife divorced him for kinslaying and his kingdom, being next door neighbors with morgoth, is far too dangerous for small children).
Anyways, his descendant Elinyel (also known as aramire or elinnor) is the current queen of Elende! she's an evil fire-themed bard who is extremely feanorian in all the worst ways - her actual kingdom prospered under her reign, but she just does not care about everyone else as long as she's protecting her people. There were some tensions with one of the major kingdoms to the north (conflict over unclaimed territory between the kingdoms and some tariff stuff), so instead of risking the other kingdom starting a war and hurting her people, she just preemptively invaded it and started burned all the border territories to the ground.
her actual coronation was pretty weird- so she's the second child, but her older sister was born in wartime and there's a general belief in elende that children of peacetime make better rulers, so Elinyel was chosen as her family's heir. her grandfather (the crown prince of his generation) died defending Elende in one of the major wars, but his younger brother and two young kids survived. there's a whole feud between their houses because the brother chose to retain the kingship even after the kids were old enough to take the throne. anyways, two generations later Elinyel killed her cousin Arendil (the previous king of Elende) over a dispute about the legitimacy of his house (and what she believed to be a dishonoring of her grandparents' sacrifice) and took the throne.
obviously she has many Issues. arendil also has two surviving kids who are now essentially trying to stop her from murdering all their neighbors in proactive defense of her people.
however, when she first ascended she recruited her friend group as her elite guard/vassals of the kingdom. (aka the other bosses in the storyline). so it escalated to a war between her forces and the children of arendil, which ultimately culminated in her beloved sister being killed by one of arendil's children. this in turn led to her having basically a massive mental breakdown and feeling like she failed to protect her loved ones (exacerbated by some of her other friends being killed in battles she led). a normal person might decide this is was kind of her fault for starting a war and putting her friends in charge of the army. instead she decided she needed to destroy everyone who could ever potentially pose a threat. which is, in her eyes, literally everyone on the continent (except for her kingdom, of course).
so now she is at war with absolutely everyone of all factions! She is also somehow winning by virtue of Song almost on the level of maglor himself, and ten (now six) also incredibly powerful friends. Anyways, she has decided that the best way to wipe out the continent (except her kingdom) and start fresh is to literally find an ancient lost stone that can break the Doors of Night, summon Morgoth himself, and start the Dagorath. obviously this will Not go well for anyone at all if she succeeds, but she is on a full-on rampage and genuinely believes she (plus friends) can protect her kingdom from Morgoth's army while he wipes out everyone else.
Here's some old art of her btw!
And some slightly more recent unfinished art of her and the Evil Friend Group from when they were younger:
and here's (L-R) her cousin who is the 3rd boss, Elinyel, and her sister from before the war!
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