The medical insurance i get because my moms husband is a military vet is supposed to cover hrt, so ya boi is probably gonna be able to afford to go on t this summer <2
Thinking about Weird Barbie and how she's the very obviously queer outsider of the Barbie world, she straddles the lines between Barbie and the Real World. She's the most aware of the performative nature of it all. She supports Barbie while also gently mocking her panic at losing the hyperfeminine perfection. Her weird house is also home to the discontinued reject weird Barbies, the outcasts (including very gay earring Ken) who never fell into either the original matriarchy or the Kentriarchy brainwashing.
The other more classically heteronormative and beautiful Barbies both pity and fear her, and at first the narrative pities her as well. She's the vessel of girls going weird and crazy and feral on their dolls and that's amazing. Weird Barbie is aware of who she is and how the world sees her and she loves it. She's Weird Barbie and She Owns It.
"Joel is obsessed with Etho" "Etho is obsessed with Joel" Yes, but- I wanna talk about Iskall. This man bought SIXTY-FOUR. A FULL. STACK. Of Joel stamps. And sent him not one, not two, not three, but four packages, with messages that all end with "x", aka "kisses", to Joel the same episode he got his mailbox. He also sent a ghast tear named "My tear of happiness" with a piece of paper that said "For you x"
Pearls reaction to it too:
Transcript:
Pearl: "(Sixteen) -diamonds? I think that's correct."
Iskall: (Overlapped) "That is correct."
Iskall: "Yup"
Pearl: "I believe so, unless I'm completely wrong."
Iskall: "Here you go!"
Pearl: "Oh my gosh, look at that! Ohh, beautiful sixteen diamonds!"
Iskall: "Yeah!"
Pearl: "Did you just-? Hang on, did you just buy six- Oh my gosh, Iskall!"
Iskall: "Okay, well I'm off!"
Pearl: "Not gonna say anything, you enjoy your newfound obsession!"
THEY ARE SO INSUFFERABLE AND HORRIFIC AND AWFUL BUT SO AMAZING AND DORKY AND THIS PART IS SO UNFAIRLY FUNNY AND CUTE AND WHOLESOME-- PLEASE, PLEASE HAVE MORE SCREENTIME IN S2. PLEASE LET THEM TAKE OVER THE SHOW. I KNOW THEY'RE HORRIBLE PEOPLE BUT I NEED MORE OF THE VEES.
And the most important scene of them all (to me):
First of all, how is Vox doing that. Second, you just know that these two douchebags are going to bang so hard with Alastor getting his ass kicked replaying in the background after this. I hate them so much.
supernatural s2 is SO GOOD because every decision has more weight because the after life is still unknown to us. we know there is something after death but we don't know quite what that is. the season starts with tessa the reaper begging dean to come with her. to where? she cannot say. when john dies it’s devastating to the brothers that he’s no longer here but elsewhere. but it’s even more devastating as they come to the slow realization that elsewhere is probably hell, whatever that looks like. sam and dean don't know anything more than the audience does about hell.
there is an effort to exorcise the possessed and save them instead of letting them die because there is no promise of heaven to be made. the ghost in roadkill wants to know what happens when she crosses over and sam and dean just don’t know. where do the monsters go when they die? are there angels? is there a god? sam and dean don’t know. sam more than anything wants to believe. and secretly dean does too. but they just don’t know.
when sam dies where does he go? dean doesn’t know. we never get to see it. and more than that. does dean truly believe that he would be sent to the same hereafter as his brother after everything he has done? all dean knows is that there is a way to damn your eternal soul to hell and there is a way to bring his brother back from the unknown and he will choose that path without hesitation over and over and over again.
the second the angels are introduced we lose that sense of unknown. while the stakes are higher in seasons 4-5 the second we can see behind the curtain it’s over. yes you can damn the world and start the apocalypse but at least you KNOW. you know there is an afterlife. a heaven. a hell. a hereafter. and all the people who die will end up will end up where they belong so how guilty can you feel using a demon knife to kill an innocent? how wrong is it to drain the host for blood? they’ll end up in heaven after all. no more pain. and that is how only the winchester family drama becomes important to the brothers, because they KNOW the end is not the end. there’s more than just ghosts and demons and reapers. there is a heaven. and if there is a heaven every wrong bad thing in the narrative can be brushed away by the characters or the audience as “well at least they are at peace in heaven now.” they do this to jimmy novak and ash and pamela and lord knows who else.
season 2 sam and dean don’t have this opt out. every choice they make is so much heavier because they just. don’t. know.