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#i have a lot of Feelings about s5 that's all
flightfoot · 1 day
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Any feligami fic recommendations?
Felix is Fine by SortaArtsy
Felix wakes up sick, but is determined to keep it under wraps. Kagami refuses to be fooled. Feligami fluff. Implied past trauma/ abuse, though nothing explicit. Set post S5 so there are SOME SPOILERS!
If you want a Felix sick fic, this story’s the fic for you! I like how Felix and Kagami actually talk about why Felix is so determined to keep the extent of his illness hidden, what caused him to feel like he needs to do that, and Kagami’s understanding about it. Colt sucks.
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to assess the equation of you by ThisKwamiNeeds-aNap
“I’m not a wanted fugitive,” she said, dryly. “You could change that.” She wasn’t sure if he was joking. Wasn’t sure if she wanted him to be joking. She stared for a long second, as if she could read more into his intent in the pupils of his eyes. They stayed there for a long second, unblinking. OR: Félix and Kagami try to talk about that after credits scene in Pretension
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the awful felix saga by chivalrousamour
It should be noted that Félix was not exactly the most normal of people. He was idolized by others and popular, yet never had many friends. His social skills mostly amounted to knowledge of how to smile and speak politely enough that people let their guard down around him. As a result of his tendency to ignore or hate most people, he only had the few loved ones, and he'd commit murder for them. Like literally commit murder for them. Several murders, even. He did not have good knowledge of boundaries or restraint. So it should really say something that Félix, of all people, looked at Adrien's phone, and immediately said "oh, what's wrong with this guy." Because, like, dude. Why did Adrien have so many pictures of a girl he wasn't even dating? Even Félix knew that cropping group pics to be just the two of them was a weird thing to do.
So this is part of a series. I put that series on my top ten completed fics of 2023 list. I think you can mostly understand what's going on here without reading the other fics in the series, but I highly recommend you do read them, because they're hilarious! But this fic should at least give a taste of the tone of the rest of the series and give an idea whether you'd like to read the rest.
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The Peacock and the Dragon by TheVioletThread
kagami reflects on love, past and present, lost and won. felix destroys everything he has ever loved.
This is a three-chapter story, with the chapters being mostly independent, rather than naturally leading into each other.
The first chapter is from Kagami's POV, delving into the mindset she's grown up with due to Tomoe's parenting.
The second chapter, on the other hand, is from Felix's POV and mostly follows his horrific backstory, the abuse he suffered at Colt's hands, and his mindset even after Colt died.
The third chapter goes over Amelie's life, how she thinks of being the one left behind to deal with her parents' expectations, how she does, in fact, abide by them, basically being sold away to the highest bidder, and the despair as she's unable to do what she was "purchased" to do: provide an heir to Colt.
There's some beautiful prose here and exploration for Felix, Kagami, and Amelie, I highly recommend giving it a look!
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one does not love breathing by @wackus-bonkus-maximus
All of Paris watched as Hawkmoth murdered Chat Noir, taking the Black Cat Miraculous for himself. Ladybug swears revenge, but her enemy—and every miraculous in his possession—disappear without a trace.
Six years later, a new team of villains launches an attack for the last remaining Miraculous: Volpina, armed with new powers; Queen Bee, with questionable loyalty; Argos, the new holder of the Peacock Miraculous; and Cat Walker, who Ladybug hates the most.
Takes place after S4 - Strike Back.
So this is mostly a Lovesquare fic, but there's lots of different perspectives here, including Felix's and Kagami's. They may not be the main couple, but they still have more focus and development here than you're likely to find in most other fics.
Which is especially impressive since Feligami was one of the major pairings in this fic even BEFORE the Miraculous season 5 bible got leaked. Wackus was clairvoyant on that front.
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chirpsythismorning · 6 days
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Fun fact: In the original pitch for Stranger Things, El had a little brother.
After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.
This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.
But the thing about this moment, is that it might not have been scrapped entirely...
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Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.
Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.
But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.
One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.
The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.
Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.
Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.
Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.
What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.
While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.
Which means she has likely seen him within the last 24 hours regardless.
This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.
Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.
Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.
Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.
We know Will is not younger than El, so how could this apply to him?
Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…
Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.
It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.
And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.
If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.
This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.
I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.
And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?
I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.
The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!
And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.
While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.
Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.
On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.
And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.
Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.
This leads to several moments where El is being compared to as not only a boy, but Will as well.
Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.
And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.
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The changes don't stop there.
Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.
Another thing that changed from the first script, was Scott Clarke's introduction:
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And so you might be thinking, who cares? What does that have to do with anything?
Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:
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Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?
Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...
I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.
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And the changes go on, as they obviously would.
Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.
And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...
If you've made it this far, congratulations.
If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘
#byler#stranger things#willel twins#twelvegate#montauk#as you can see#i am out of my mind#and i'm okay with that#i've spent the last couple months trying to make a video going over all the willel twin evidence#and i can't decide if it's even possible to do without going over an hour#like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans#i hope to have it done soon#trying to make it less than 20 minutes#but it's probably going to end up being closer to an hour#especially with this stuff from the montauk pitch being added to the mix now#anyways#willel and byler are the curtain behind the curtain#if you are open to one of them#you are bound to stumble across the other#and they don't want that to happen#stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal#bc it's arguably the most consistent thing about this damn show#and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me#them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball#and jonathan saying he shouldn't like things just bc people telll him he's supposed to#how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el#with the bullies showing up and literally being homophobic seconds later#the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on#only for them to scrap that and just make it about her having a crush on will...#never once introducing this idea of mike liking her...
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paintingformike · 11 months
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me trying to explain why i think mike is gay and is aware that he’s not in love with el cause he has feelings for someone else since atleast the end of season 3, but he also doesn’t know the feelings attached to the painting are will’s yet and he was consciously lying in the monologue by trying to follow what will told him in the van (giving el the courage to fight on by emphasizing her abilities as a superhero, something that makes her different and “better” apparently!) cause he thinks that’s the only way to save el...so the painting is a plot device for byler to get together (and mlvn bones cause it made mike misunderstand what el truly needed, leading to his words not being enough for el to win and save max in time) but not in the sense that mike fell in love with will’s feelings for him or the person behind the painting, just that it was used to show who’s always been the right person for mike based on compatibility and understanding and true unconditional love, and for him to realize that things aren’t hopeless and his feelings are requited once he finds out the full truth behind the painting cause without it he would’ve continued forcibly conforming due to societal expectations and pressure, and trapping himself in a loveless relationship because of his fear of losing el and hurting her
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hawkinslibrary · 7 months
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there's a new article out about the play. i think it's paywalled for people outside of the us, so here's a twitter thread with screenshots. i've also typed it all out under the cut here:
LONDON – Next month, the Upside Down extends its tentacles into London’s West End with “Stranger Things: The First Shadow,” a prequel stage production that expands the world of Netflix’s sci-fi/horror blockbuster. 
And the creative team behind it hopes the play will be as groundbreaking as the series itself.  
“We’re about to bring the actors, who’ve just been in this cocoon of a rehearsal room for seven weeks, into [the theater],” producer Sonia Friedman says of “The First Shadow,” which is set to open Noc. 17 at the Phoenix Theatre. “We’ve been making sure it can stand alone without the special effects, because it’s all about story. We are going to blow people’s minds. We are going to terrify with some of the most startling, extraordinary things with the physical production.” 
The project originated with director Stephen Daldry, who approached Netflix’s then-content chief Cindy Holland after the show’s first season aired.  
“One of the conversations Stephen and I had been having was, ‘What theater have we ever seen where you get genuinely scared?’” Daldry’s co-director Justin Martin says. “It was an interesting challenge and provocation. We talked about other [Netflix] titles, but this one felt like the most imaginative and the most challenging to try and find a stage language for.” 
“The goal was to figure out, what does a mega episode of ‘Stranger Things’ look like on stage?” adds Matt Duffer, who created the series with brother Ross. “It was a very long, multi-year process to figure that out. But where they’ve landed is incredibly exciting.” 
For the Duffers, the idea of expanding the “Stranger Things” universe in new forms was an exciting prospect. They're currently working on several spinoff shows, including a children’s animated series and an anime series. The play exists on its own, but it also informs the narrative and characters fans know.  
“The idea was to explore Henry Creel and his backstory and fill in a gap that we don’t explore in Season 4,” Ross Duffer says of the villain also known as Vecna. “The play was being developed simultaneously with us writing Season 4 so we were adjusting as we went. It was an interesting way to develop a story, but to do it concurrently like that made sure everything locks in mythology-wise.” 
Development on “The First Shadow” began during Season 2. Daldry approached Friedman after seeing the magic and spectacle in her company’s production of “Harry Potter and the Cursed Child” at London’s Palace Theatre. The creative team spent time brainstorming the story during the early months of the pandemic with screenwriter Jack Thorne, but eventually decided they needed someone who knew the series intimately. 
Kate Trefry, a writer on “Stranger Things” since Season 2, was an obvious choice for Daldry, despite the fact that she’d never written a play before.  
“Season 2 is really when we started to expand this world and mythology,” Ross Duffer says. “So Kate knows that as well as us. She's been with us in the trenches for so many years that we were so happy that she had this opportunity to do this.” 
From early on, no one wanted to simply remake the first season. Daldry wanted the story to be what Martin calls “in the center of the conversation,” rather than a secondary narrative, so a prequel made the most sense. 
“When we met with Stephen we had just cracked this Henry Creel stuff in the writers room,” Ross Duffer says. “We said, ‘Well there might be an opening here.’ And Stephen really fell in love with it.” 
“There are questions of ‘Why Hawkins?’ and ‘How did all this stuff happen?’” Martin adds, referring to the show’s fictional Indiana town, which becomes a hotbed of supernatural activity. “This felt like a good way to address that.”  
“The First Shadow,” set in Hawkins in 1959, is told over two chapters. Several familiar characters appear, including Bob Newby, Joyce Maldonado and Jim Hopper, who are in their last year of high school when a new student named Henry Creel arrives. Nearby, Dr. Brenner is getting his start in his lab. There are also new characters, like Bob’s sister Patty Newby. Trefry calls it an ensemble play with Henry Creel as the “spine” of the story. Beyond that, everyone involved is as tight-lipped about the plot as they are about the forthcoming grand finale of the Netflix original. 
“It’s about outsider kids who come together to solve a mystery,” Martin says. “And in doing so find themselves and each other. That's really ultimately what ‘Stranger Things’” does so well and why so many people connect with it.” 
Trefry adds that it’s also “about the loss of innocence and coming of age and how you are changed and ruined and saved by these formative events that happened in high school.” 
“So, hopefully, you’ll see that Hopper and Joyce and Bob are all presenting echoes of the trauma that is at the center of this play,” she says. 
In the first season of “Stranger Things,” Joyce, Bob and Hopper seem surprised by what’s going on in Hawkins. But Trefry confirms there’s an explanation for why they don’t immediately connect it to their high school years.  
“The climactic events that happen within these two stage episodes had to be something that could be written off as not magical or science fiction,” she says. “It had to be spectacular and make sense, but we had to go forward in honesty with our characters.” 
As a TV series, “Stranger Things” has a recognizable aesthetic. The Upside Down and its monsters are familiar to viewers, so a stage version needed to incorporates similar visuals.  
Because Trefry had never written a play, she didn’t worry about whether certain effects or scenes would be possible, which upped the ante for everyone included.  
“She cross-cut scenes as she would in the show and wrote crazy visual effects sequences as she would in the show,” Matt Duffer says. “She wasn’t limited by that because it then just presented a challenge for Stephen to solve, which is fun. The opening sequence of the play -- I don’t think anyone even knew if it was possible. I'm still not sure how they’re doing it.” 
Friedman and Daldry put together a notably skilled creative team. Friedman set the bar high from the outset, telling them, “I need to be taken to a new dimension of what is possible with theater.” 
That team includes illusions design and visual effects artists Jamie Harrison and Chris Fisher, who are responsible for the onstage magic in “Harry Potter and the Cursed Child.” Harrison and Fisher spent nearly a year coming up with the effects in “The First Shadow” and have continues perfecting things during rehearsals. 
“It’s very pressurized because there is nothing worse than a bad effect because the audience knows straight away,” Harrison says. “We have to go through quite a lot of watching our work be quite bumpy before it gets smooth. And we have to bring the actors from zero magic skill to being very expert in a condensed period of time.” 
“When you have the world of ‘Stranger Things,’ people know it,” Fisher adds. “They have those big sequences, so we naturally are creating big sequences. We’ve pushed it and I think by us pushing, the directors and Kate have pushed us even more and said, ‘Now we know you can do that, we want this.’” 
As a series “Stranger Things” relies on CGI alongside practical effects, but onstage everything has to be done for real. 59 Productions are creating the video design and visual effects for the play, which will work in tandem with the illusions and Miriam Buether’s set design. Harrison says that “anything that can be achieved in film can be achieved in theater.” 
“In film, people want absolute reality,” Harrison says. “For the effects to be visually real. In the theater, we have a level of imagination that we can use as well. For example, in the piece we’re creating there are a lot more blood and guts.” 
Trefry adds that the stage show is genuinely terrifying. “It’s scary like ‘Stranger Things’ is scary,” she says. “There’s a little bit of like guts and gore, and then there’s also real trauma – people dealing with real stuff.” 
Other elements of the production will hint at the series as well. For instance, Harrison and Fisher met with the creature designer from the series during their design process to ensure “visual continuity,” although they won’t say which creatures appear in the play. And D.J. Walde’s original music recreates the familiar synth theme song with a theremin that matches the late 1950s setting.  
For the Duffers, bringing the “Stranger Things” universe to life on stage satisfies their love of practical effects.  
“The downside of CGI is that the audience is conditioned to the fact that we can basically do anything,” Matt Duffer says. “But there’s something about seeing it actually done. When I saw ‘Cursed Child,’ my jaw was dropping in a way it rarely does now with these big movies. We want to do the same here.” 
Because Trefry wrote the play while Season 4 was in development, the series’ writers were able to retrofit elements of that season to reflect the stage show. The events of the play will also help to “enrich” Season 5, Matt Duffer says.  
“There’s a ton of conversation and dialogue between this play and the events that happen in Season 5,” Trefry says of the final season, which is over halfway written. “It was about trying to create something that is canon, but where you don’t have to see it to see Season 5. But if you do see it, it’ll make Season 5 better.” 
“There are hints of where [the show] is going to go,” Ross Duffer adds. “I think when [Season] 5 comes together, all of those pieces will hopefully click.” 
“The First Shadow” tickets are currently on sale through Aug. 25, 2024, although Friedman confirms the case signed one-year contracts and the production is open-ended. The plan is to bring the play to Broadway and the rest of the U.S. as soon as possible.  
“Hopefully it can get to as many places as it can so as many fans as possible can experience it,” Matt Duffer says. “That’s one thing we’re trying to figure out: How do we make sure people are able to see it before Season 5 releases?” 
“The First Shadow” marks the beginning of a broader universe for “Stranger Things.” The Duffers say they can’t “focus on the spinoffs until we’re landed the plan with Season 5,” but so far they’ve enjoyed letting other artists re-imagine their ideas. 
“This was originally pitched as a standalone story and so to be here now is surreal,” Ross Duffer says. “But this has been the most rewarding experience for us creatively." 
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Things I’m excited to see in s5
- Azure Lion finding out who was pulling the strings the whole time (his eyes glowed ink green when he achieved his goal and I think that that’s something)
- The reveal of who stole the scroll and presumably gave it to Jin & Yin or AL (I firmly believe it wasn’t Azure because the person in the cloak had human proportions)
- Azure getting stuck with leaderly responsibilities (this could very well be played for comedy)
- Everyone learns why exactly the Jade Emperor being absorbed(?) is such a bad thing for the universe
- Peng insulting more people down to their core (I am firmly on the side of the fandom that likes that bird and I think he’s got an interesting role in the group dynamic)
- Yellow Tusk being wise in a significant way (like maybe a line where he’s like “Hey Azure, something’s up with you, maybe calm down a little?”
- Nezha being taught that he has value beyond what post he can take up and maybe having a cute moment where he at least smiles
- More content regarding Princess Iron Fan’s days as a celestial (this one I’m fine with because that shot with her and DBK’s first meeting is everything to me)
- More DBK angst (dude clearly has an issue with being called “weak” and I want to see another adorable shot with him and his wife saving each other from the ink)
- Red Son confronting his own issues + maybe even his parental abuse (maybe we could get flashbacks if we’re lucky)
- MK OR MEI RESCUING RED SON (if the show ends up leaving the fam in the scroll because they’re villains and it gets them out of the way I will be PISSED)
- MK, Macaque and the audience finally seeing what mind games Wukong was being put through (because we didn’t actually get to see that in s4 and since he never got out I bet we’re being set up to finally see him and Mac’s fallout in s5)
- More monkey form MK (hopefully him eventually coming to “embrace it” without “accepting his destiny”)
- MK finding out what exactly Subodhi meant by the stone being remade to make another celestial / demon monkey, but MK not actually being born from the stone (maybe getting to meet that goddess in the artwork who potentially shaped him (Quanyin?))
- Finding out what happened to the Samadhi Fire (we haven’t seen Mei use it since LBD and the only time it was mentioned since was Subodhi talking about it in past tense, and honestly if the writers nerfed her simply because they had trouble write conflict while Mei had that universe-destroying power I’m kinda chill with that)
- Sandy’s being “too nice for [his] own good” becoming a character flaw that he has to get past in order to save his friends (someone on tumblr came up with the theory that Sandy’s hiding something and being super nice on purpose and I haven’t been able to stop thinking of it)
- Seeing WTF happened to the Mayor after LBD’s defeat (did he shrivel up and die because his source of immortal power was destroyed? did he actually get arrested by the Megapolis law enforcement that we’ve never seen because everyone saw their mayor hanging behind the demon freezing and destroying the city + he’s more closely connected to human society than any of the other villains so he deserves a human punishment? Or did he actually get away and is currently plotting revenge while having an identity crisis? (please writers even if he anticlimactically died off-screen I WANT TO KNOW))
#wow ok this was a lot of stuff#but I wanted to cover all of my thoughts#I might actually think of more later so I might ykow add part 2.5#lego monkie kid#lego monkie kid season 5#lmk#lmk s5#lmk season 5#longpost#I'm so invested in this 2 part season#they really left episodic format behind since season 3#Lily Orchard is gonna hate this#but Ink MK is right#now that they've experienced all that they have it's impossible to go back#the show is clearly disregarding that old rule of episodic superhero shows not developing their protagonists or acknowledging their trauma#LMK is becoming darker and I have mixed feelings about it#also I did not expect MK to actually be surprised that his name could also be an acronym for his title#I guess he really wasn't lying when he said his name was so long he went by MK#his mind was BLOWN#love that identity realization for him#at first I was sceptical of monkey mk being canonized#because I thought it was fine that mk was just a normal teenager who inexplicably had easy access to the monkey king's powers#it is a kid's show after all#but Tang pointing it out actually proved the show had more thought put into it than I'd realized#of course that's not to say that the show isn't clever or doesn't have meaning#I just thought lmk was going to be more like a thoughtless kid's show with a bit of heart#but honestly#considering my child self#I would've been so grateful for this plot twist#because I was a kid who analyzed the heck out of any show I watched
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fluffypotatey · 1 year
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This is random but how do you think the knights would react to finding out about Will?
Like, Will is supposedly a sorcerer who died for Arthur yet Arthur still calls people like him evil to Merlin's face.
I feel like a couple of them would be very salty about that. What are your thoughts?
hmmmm
well firstly, i think Lancelot would find a way to speak to Merlin in private and actually help the dude mourn for his friend.
Gwaine, i think, would probably do something similar, like be Merlin's shoulder to cry on whenever it's Will's anniversary or birthday. his own thoughts on magic (as far as i'm aware) is very vague, like sure, he'll fight magical creatures and evil sorcerers but idk if he's someone who believes all magic is evil. so, if questioned on why he would honor a "sorcerer" like Will, he'd probably reply "so? he was Merlin's friend, and Merlin's never been one to befriend enemies"
Leon could feel pretty conflicted because camelot's ideals are all he's known. he was born in Uther's court and is the only one who was a knight for Uther and Arthur. if anything, i think Leon chooses to stay far away whenever Will is brought up in conversation.
Percival is actually the most neutral, i think, when it comes to this. one, he never knew Will. two, he wasn't raised in camelot. and three, most of his information comes from his friends about Will. tbh, he's probably the mediator when the topic comes up.
idk about Elyan tho. he left home to make his mark on the world and who knows the kind of people he ran into (magical or not, good or bad, morally gray or black and white). then he comes back home and learns that his father was executed for treason because he housed a man who wielded magic without his knowledge, leaving his dear sister alone and heartbroken.
who is he mad at? is he upset at the sorcerer who took advantage of his father's kindness? is he upset at uther, blinded by anger and paranoia, who didn't even bother to listen to his father's side of the story?
i think out of all the knights, it is Elyan who understands that Will was a man who cared for his friend and his home and despite the consequences, was willing to risk it all to help defeat the bandits terrorizing his home. Elyan looks at Merlin and how his face goes slack at the thought of his childhood friend, and understands that in the grand scheme of things, Will's life was a victim to this decade long trist against an intangible enemy.
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ghostlyheart · 9 months
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Every episode this season I've been like "wow this might be my new favorite episode" and then they just keep topping it!! "Urgent Care" is so much silly fun, two really strong plots that parallel each other well, ALL of the characters playing to their strengths, lots of action while not losing the comedy. I feel like wwdits really is at it's best when arcs revolve around developing the characters rather than trying to be super plotty. I think season 5 really returned to the sitcom roots of putting them in interesting situations and letting the public react to their weirdness, definitely a return to form (as so many people have said) after season 3 (because of covid weirdness) and season 4 (which maybe got a little too ambitious)
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majestic-kestrel · 4 months
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oh dear.
from what I've seen (on my dash) I feel like I'm the only one who was okay with that ending?
BBC ghosts spoilers in the tags
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sateurn · 7 months
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😵‍💫😵‍💫😵‍💫
These sobs really limited my tags?????
I have so many more thoughts this is so so much less than 1/2. Broski. Big dislike
#its ‘i watched a tv show and i need to talk about it in the tags of this site im not on anymore’ time#ty to the void for always accepting my thoughts <3#so honestly its just me thinking about the andromeda tv show. i just finished it and it left me destitute bc i clung onto the first 2 season#s as a basis and had ten thousand questions i *assumed* would be resolved. spoiler alert: they were nto#not*. and the coda addition helps but like. not enough. it explains some of the#oh fyi if anyone is reading or cared there will be spoilers#anyways it explained some of them ex for the cosmic engine bit. seemed pretty relevant and then was never mentioned again#i also MUCH prefer that version of trance — i had speculation she was a sun avatar which i took as confirmation when i finally noticed her#tattoo when harper used it to remind himself he put that data in the sun etc etc but i much prefer the sun-as-consciousness-astral-poject-#ing-slash-dreamjng-itself-a-body / being a little devil. i think that feels much more true to what we got in worldbuilding early on and tbh#the bar is on the floor bc any explanation would be better than what we got. also im sorry but s5 i trusted SO hard that that whole virgil#vox bit in the finale was insulting. couldnt even tie up the loose end you invented at the last minute????? MY god. i understand getting you#r budget halved but like. broski. it would have been better to ignore it at that point imo.#anywhoodle. i also have just ISSUES w the lack of resolution & not doing justice to literally any character#listen. why would you sink SO much effort into tyr just to have honestly what i feel is a disrespectful end to that character. like#tyr required me to do a LOT of thinking bc i sympathized with his position in exile etc while thinking also bro thats real fucked up. bro#stop thats fuckinng e*genics again dude. tbh with the entire species (im not looking up how to spell that rn) bc like the foundation of#their entire race is e*ugenics. (sorry censoring bc im in the tags just venting about tv) which obviously is a terrible idea but i think the#so it was like i am fundamentally against the concept but in show universe theg obviously did it etc but for me provided such a huge like#context to the universe. i fundamentally am not on board with all the commonwealth stuff like yeah i get it the magog are bad and scary but#like the neitzcheans (sp??? idc) are also Right There bein scary. then theres the ‘enhanced’ debate re dylan beka etc that like. is the same#but ‘’different’’ i guess. 🙄 anyways that is just to point out like. the level of thinking this show put me through just to blindside me w/#no resolution. i had SO much hope. tyr selling iut to the abyss is disrespectful to all of the established work the actor did for him and#to the character as well even if i think the ideology is icky. he was shown to be even less and less self-centric survival guy as it went on#and also tbh i didnt understand the him stealing his kids dna thing. i really thought that was gonna gi in a different less bs direction#okay also while im here can i just say. that tyr and dylan had THE most romantic tension to me. everyone else felt very friendshipy and i am#NOT one to usually fall into a ‘they obviously should be together’ pipeline that the writers dont make themselves. but the back and forth (#and intense eye contact) had me sitting there like. it was made in 2000 i know they wont do it but for not doing it they sure did! not that#i think they’d make a good couple (they would not) but that there was definitely something there on the dl you know? something more than#‘mutual respect’ you feel? and tbh! they also ruined the tyr beka thing by making her the matriarch. big ew huge ick.
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ihatebnha · 2 years
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hey pretty, I just wanted to tell you that it's not your fics that makes this your blog, it's you!! so don't feel like to be here you have to be "working" or "posting". you're you and I love u for that. really, I love it when you answer asks, you're so polite, gentle and funny, it actually makes us wanna talk to you. but!! if one day this whole thing ever overwhelms you it's okay baby. just wanted to let you know that you alredy give us so much <33 you are amazing in indulging our thoughts, you give us tiktok content and amazing dad headcanons for all the characters!! know you're doing great, you really are active here and we love you 💗❤❤
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#cries for literally 100 years#thank you so incredibly much for this anon :(((( truly truly truly#hardly know how to express what i wanna so i have to stay in the tags so i don't end up blubbering all over u adslfjkjasnd#no one has ever ............... said anything like this to me before#at least about ... my content and how active i am and stuff#i always feel like im never doing enough. ALWAYS. even when i post a lot i just wish i could post more#and maybe its just cuz im comparing myself to my old self#but it makes me sad bc i just feel like u all deserve more than whats happening now#and usually im reassured by the fact that like... something IS better than nothing... esp w/ quality over quantity#but at the same time... idk. all my content seems so. rudimentary#so it's like. when i cant produce a lot of it... what am i even doing?#and honestly i think my burnout mostly comes from the fact that im sick of doing homework and the prospects of relaxing this summer#are just too good to give up (making even focusing on this blog hard) BUT IDK#it triggers my performance anxiety... like what if ppl hate me if i do bad... or am not the way i used to be... you know?#anyway thats just mostly to say... I REALLY APPRECIATE THIS. TRULY. i don't think ive ever been complimented this way#and i appreciate it beyond. words.#not sure how im gonna feel in 2-3 weeks after i settle myself for the summer but. as long as u dont mind the fact that im slow...#that's enough for me <3 just need to find my spark again (which is funny cuz im watching bnha s5 rn and its really got me like... HUH)#ajfdjalsjdfj sorry to talk ur ear off tho bc what u said is really so reassuring... i just AHHHH and want u to know i love u lots#forever and ever and ever#ask#anon#caitie chats#fave
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this-doesnt-endd · 2 years
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why is everybody taking mike saying his life began when he found el to mean that he just straight up hates will like? its like all im seeing but like idk i just dont think thats what he meant like he was trying to get el to fight also this like whole thing were people are like mike is the fucking worst person alive he just shoulda died cause his character is gone like idk i feel like this is mike and the way him and will are these days doesnt seem that like abnormal to me like they have been best friends since they were young and theres never a time where theyre like we arent friends anymore, idk mike just has never seemed the person to pour his heart out, also like theyre in the worst growing pains of friendship. highschool, one has a girlfriend, one is figuring out who they are, one moved away, like i dont think mike doesnt care about will, will cares more outwardly cause thats just how he's been, also like personally i feel like its setting up for season 5 like this all started with will and i think in some sense its gonna end with will and theyre gonna be able to bridge them back together to be as close as they were in season one, like theres always been this thread of friendship and love being what save them and i feel like theyre working towards that and are gonna bring it full circle in the end
#also like i get why people are upset about will not coming out#cause they did say it would be addressed and it kinda was kinda wasnt#but i feel like s5 will very much be about will and i think they want to unfold everything with will slowly#but i saw no point where byler was happening#like i did not ever see it happening that will comes out to mike and mike is like i feel completely the same i love you and theyre a thing#like i think theyre going to have the situation of will coming out and like telling mike that but i think its going to be about will#learning that his family and friends still love him completely and like unconditionally#like i see them having mike make a speech about how will is friend always and forever like after everything#they will always be friends nothing will ever change that and he will always be there for them#i want them to bring them back to this s1 level of friendship#and i think thats like another thing that will worries about cause throughout the season we see will fixated on the idea#of him and all his friends staying how they were playing dnd and just being kids cause like after every trauma will went through#he knew thats what he was coming back to his friends and they're games and them just having this simple happy time together#and theyre still friends but lots has changed so quickly and like it makes total sense for will to want to stay where he his but he cant#and i think all of that ontop of how he feels and worrying about if thats okay and if he can truly be who he is and this fear#or losing that losing his friends completely for being himself is just horrific to him and eats him alive#and theres going to need to be this big changing like make or break moment where will know without a shadown of a doubt#his friends are here for him and love him and will fight for him and go looking for him#and thats obvi gotta come from mike cause theyve been together and been best friends since day one
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chirpsythismorning · 11 months
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Realistically do you still think Milvn will breakup in the first couple of episodes? I feel like the fabdom is focusing on fanon so much at this point that they are missing canon and actual narrative on the show. It seems very unlikely to me for Mvln's breakup taking place in first couple of episodes. But the fandom are still stuk in their previous thoughts and cannot seem to think differently at all and never even consider the possibility of mlvn breakup happening way later on in the next season. Most of the Byler's analyses about El's character has turned out to be wrong. El doesnt seem to be done with the relationship. She still loves Mike (or thinks she does) and she drew strength from his monologue. A mildvn breakup right into S5 does not make any sense canon narrative wise. We can argue that the show was different that the script, while i agree with it to an extent i reaaaly think people are trying way too hard to discredit the writers intention and the script here. El was not angry at Mike. She was sad about Max and Hawkins' situation. 🤷‍♀️
What i am saying is that i feel like most Bylers are misinterpetating what is happening with the narrative here and it leads to unrealistic and baseless expectations for the characters and S5 regarding how Mlvn vs Byler will take place. And i am greatly sorry but i dont think Mike lied in his monologue, like at all. And the situation reads like "Mike loved el romantically but they wont be together bc of incompitability". El is not even still over Mike. And people expect her to be like "i breakup with you bye" right into S5. Mike still has underlining feelings for El. Like... all i am saying is people shouldnt base their expectations on headcanons and fanon misinterpretations.
Lastly, while i really would like a more detailed gay coming of age and sexuality storyline for Mike, realistically going by canon i dont think its happening. Sorry. They will mostly focus on Will's sexuality and coming of age it seems like and Mike will mostly have a "realization" arc where he realizes El and him are not fit for each other and then he decides to be with Will.
Based on the show’s trend of doing break-ups (or at least implied break-ups) early in the season, yes I do think it’s likely that the audience will at least have the impression that Mike and El are broken up early in s5.
That’s based on a technique they have done repeatedly, whereas the assumption that they will break-up midseason is based on what exactly? The Duffers saying that s5 is jumping right back into the action?
I mean, if anything shouldn’t that be an indication that the arcs heavily built up in s4, that were left deliberately unresolved, are going to be dealt with in a timely manner, as opposed to being put on pause and then squished into mid s5, when we’re arguably going to have even more stuff the characters are dealing with? Like, them literally fighting for their lives?
When it comes to Mike’s monologue giving El strength according to the script, this is actually really easy to explain and so I will! 
For starters, they did not disclose El's feelings about the monologue in the Piggyback script, bc they released it knowing it would go public, at least two years before s5 is set to actually come out. They would not just throw in a huge spoiler like that, seeing as it was intentionally left unaddressed in s4, with the intention to be addressed in early s5. That’s the whole thing about s4 kind of leaving things so shaky and uncertain, with s5 jumping us right back into that, bc there was just so much set up for all of those dominos to inevitably fall.
To understand Mike’s monologue and its impact on El better, it might help to recall the memory of El’s birth and how her mother’s love is what gave her the strength to defeat Henry the first time in 79’.
I mean look at the lighting of that scene, it’s probably the brightest fucking lighting we’ve ever seen in the entire series (you know what light means... pure, genuine, true love…). And it’s because strength from love is much more powerful than strength from anger. That’s something she is literally throwing back in Henry’s face that day of the massacre, going against what he told her to do and instead using the memory of her mother’s love to beat him. 
During Mike’s monologue, we see El using anger to give her strength to finally break free and stop Vecna, all orchestrated by events that Henry has had a role in impacting, meaning he was actively going up against her this second time, all while knowing that in order to actually beat her, she needed to be vulnerable and unable to use love as strength, with her only option being anger. And so what we see is anger about Mike still woefully misunderstanding what she had tried to explain to him earlier in the season, along with watching her best friend be murdered in front of her. And look at the lighting of that scene, she's literally seeing red. The atmosphere is eerily uncertain at best.
This monologue was SOOO necessary for the narrative in order to keep the public away from considering Byler. Because they already don’t want to consider it as it is, and that monologue gives them an excuse not to. You saw how they reacted to the piggyback script? Like it was this huge sigh of relief for them? Meaning that they were having doubts…
The thing is, I have considered the possibility of a mid-season Milkvan break-up. I’ve talked about how waiting until mid-season, something that would be unprecedented bc they’ve never done it before, would be odd considering we will be dealing with vastly different concerns and conflicts by that point. 
For them to hold off settling a break-up, that was built up all of s4 (arguably since s3), until mid-s5, would fall flat. If anything jumping right into the action means all the major stuff built-up, but left unaddressed in s4, is what we’re jumping back into.
They need to address those things so that they can move on to the aftermath of all of that and then beyond that. 5 episodes of ignoring that, and then 4 episodes of it happening and processing all of it AND dealing with endgame right as the finale is coming to a close, would be hard to juggle and make satisfying.
The reason they like this approach so much, is because it allows the audience to root for the other option in the love triangle. And with Will getting home-wrecker allegations as it is, a milkvan break-up is extremely necessary this time around as well, especially with byler being endgame and them really wanting us to root for them finally. 
How can we do that if the Duffer’s break their own trend of early break-ups and in turn make it difficult for us to root for byler, all while leading on milkvan’s unnecessarily even longer (with no intention of going that route), making it even more unlikely for viewers to accept Byler endgame?
They’ve been building up to this inevitable break-up since s3, with s4 ending in a way that made it sort of obvious El is not happy with Mike and with Mike clearly struggling with something.
Are we just going ignore the implications of the inevitable painting reveal or the fact that Mike called El ‘his’ superhero (the most insulting thing he could do honestly, least of all during a love confession) at the end of s4, and have that confrontation be stretched out? For what? El hasn’t even responded to it or told us her side at all? She told Mike she missed him and that’s it… That’s all we’ve got. Like, let her speak and actually say how she feels about their fight in her room and the events at Surfer Boy and everything leading up to this inevitable moment for them.
While Mike and El didn’t outright break up in s4, there was heavy implications of it, and that was for a reason. They wanted us to watch those Will and Mike scenes throughout the season and see something more. Even though it didn’t end with a kiss between them, nor them officially getting together, they still did it because they wanted us to interpret those scenes as romantic comfortably. That's also why they kept Mike and El seperate at the end of s4, because they wanted us to look at Mike and Will in a way that made us go 🫣🫣🫣 at the very least.
Now, if s5 is leading to Byler endgame, just imagine how much more important it is to make it really clear that Mike and El aren’t happening?
Another even more important reason to have break-ups early in a season in general, is to allow the overall season to have a vibe that is cohesive as it’s own entity. Major stuff happens at the beginning and major stuff happens at the end, with the middle making up the overall vibe and feeling they want us to subscribe to the whole time, with certain pairings being constant that time more than the end/beginning. It makes more sense for us to root for byler most of the season, the whole middle, and for the first time at the end now as well, while letting go of El and Mike early on, even if it’s ambiguous like it was in the previous season. Personally I think the prospects of a dump your ass parallel are high… (can we do something interesting and fun like speculate how the break up would go down? Will it be angsty? Will it be lighthearted? Like I want to see all of those hot takes bc that's actually something that is more fun to think about than the 'when').
I know some people are here because they love romances or love queer romances and just enjoy shipping in general, but I’m genuinely here bc Byler makes sense based on all that stuff you would probably consider to be reaching. That stuff is the best part to me. So, if you don’t like others doing that, then consider muting those that you deem as people ‘misinterpreting the narrative’, again, according to you. 
At the end of the day you can believe whatever you want to believe. 
This idea that it’s okay to tell other people they are wrong and have baseless claims, all while ignoring the actual evidence they are presenting… Like I mean this just comes off like Milkvan’s telling Bylers they’re delusional for considering Mike and Will as being a possibility at all. If you have to constantly use, it’s not that deep as your core argument after being presented with evidence, while only yourself giving maybe one or two reasons at most for why your interpretation makes the most sense, then you’re probably not actually open to considering things based on evidence. You want to believe what you want to believe and you're projecting onto others for not following along with it.
Especially when it comes to the whole Mike having a coming of age story or whatever, where some fans have tried to make the argument that there is nothing to support that, when that actually couldn’t be further from the truth. Bylers have provided heaps of evidence. If all of that is not enough for you, that’s something that you have to contend with at this time. Just like us believing what we believe based on evidence we’ve gathered is our concern and something we have to deal with, not you. No need to apologize! Just try to worry about your own interpretation of things and feeling confident in that, but without having to tear down others' because they don’t subscribe to yours interpretation of things.
Because I feel like it would honestly be a lot more humiliating to insist other peoples theories are wrong and they’re only going to embarrass themselves in the end, only for that person saying that to end up being wrong… Everyone is making theories and everyone is bound to be wrong about some or even most. That's okay. That's natural. That's sort of an unwritten part in the agreement we all agree to by participating in this theorizing in fandom experience.
When it comes to Mike again and his arc, I always say this, but it really comes down to this more than anything.
Finn is 2nd top billed among the kids. He used to be THE top billed among the kids for s1-3, but then he got bumped down behind Millie in s4. There is a major possibility, that Noah is going to be ranked up, with him going from being paired up with Sadie, under Gaten and Caleb, to be bumped up under Finn with them sharing a title card. Though it’s unlikely they would rank Finn down under Noah, who was not even in the opening credits of s1, while he was the first name that season and the following two, meaning Finn's character Mike needs to live up to that top billed spot right behind Millie. He needs to have an arc on his own that is equally as substantial as Will and El's arcs, and separate from them just like theirs will have aspects that are separate from Mike as well.
Because Mike was the protagonist of the first season, he HAS to be important again in a similar vein in the end for the show to work as an overall five part story. When people go back to rewatch after s5, they are going to be met with Mike front and center. That will only be satisfying if we get genuine insight into his character in the final season, beyond the surface level.
Quite honestly, ALL of the kids deserve something deeper than what you are implying for Mike, and so applying that to him, the og protagonist, is just so absurd to me. If anyone is going to come out with a surprising arc we’re not expecting, it’s Mike. The audience is already not expecting Will to actually get the boy, that's the aspect that they aren't prepared for for Will, and so what about Mike's unexpected reveal?
Literally most of the audience doesn’t even think there is the slightest possibility Mike could be queer. You don’t think that warrants some addressing and unpacking…? You know… because he never really unpacked…?
I feel like people hear me say Mike is going to be important in s5 and go oh so you don’t think Will is the main character?? And it’s like?? Honestly my answer is yes and no. I think Will is literally the spine, the heart, or whatever you want to call it. In Finn's own words, he is the reason that everything happens and he is the most important character arguably, because of how important he is in terms of all of these events taking place throughout the series.
However, Mike is at the forefront from the very beginning and we arguably see everything from his eyes in s1 and 2 more than anyone else. But that goes away in s3-4. And that felt extremely intentional based on what is about to go down (byler endgame). You can tell that by doing this, they are trying to lead up to a reveal that brings him back to his original place in the story for the audience to see him as his most authentic self again, and with answers for why we lost that insight in between.
I could count up at least 20 Easter eggs hinting at Mike being in danger/targeted, which goes all the way back to the first episode of the series. 
This isn't even considering, that another trend they’re likely to bring back in s5, bc if they don’t they’d be breaking a series long trend, is Mike being late. He starts every season late. And so, what is Mike going to be late for this time? Could it have something to do with all of the unknowns about him that are yet to be addressed?
I think that sometimes we say that something isn’t going to happen because we don’t want it to. A lot of this stuff I’m saying happening isn’t based on feelings, it’s based on actual evidence.
If you don’t want certain things to happen because of x, y, z, you can just say that is the case instead of making arguments that there is nothing supporting it, when that’s not actually true?
Like nothing? Nothing at all? Baseless? Like, be serious rn.
ST5 is very likely going to give off s1-2 vibes. While Mike is going to be less in the background compared to s3-4, Will AND El are still going to have equal, if not more attention than him, bc I do believe that their bond is what is going to also be a part of saving Hawkins.
The ending is going to be surprising bc those primary color-coded bitches are the answer to it all. If me saying that upsets anyone because it goes against their interpretation of things, I'm sorry too I guess!
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halforcdad · 1 year
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I watched POI when it already finished airing so whenever I see someone said they watched it when it was still airing I went
Oh honey
Oh dear
Oh sweetie
You watched it live?? You watched 5x10 live?? Not knowing whats going to happen??? *Give you a hug*
I already know what was coming and still that episode left me heart broken just shattered emotionally (which is to say, also, that good writing can still make an impact even when the audience knows what's going to happen so take notes Marvel)
On another note, the 4x11 self-sacrifice lives in my head rent-free. "If you die die for something that you love" and "i'm a sociopath i dont have feelings" then she goes and kisses Root and saves them all I am on the floor bawling
the funny part is i saw bts photos from the finale that showed root and reese together and i naively thought, 'ok cool they still might die, but at least they survive until the end' and the writers really said Lol. but considering the type of show it was (and what happened to carter) and how dire things were going in s4-s5 i kinda prepared for character deaths leading up to the season. it left me numb and sad for a while, but i dont remember being extremely devastated about it. all the stuff we got with shaw dealing with it afterwards, however, that shit hurt bad. and unfortunately i love angst a lot (the writers were very good at writing sad stuff!)
my main complaint is that the death was so sudden and kinda anticlimatic (but i guess there has to be one of those to further stress how much their backs were against the wall). everyone else in the show gets a poetic death/sacrifice scene and in carter's case, at least she was killed by a significant villain in her arc and we're allowed to really feel the pain and consequences of her death, root gets taken out by a guy who started the job like two weeks ago and no time to mourn bc we're in a war Lol (and they had to rub salt in the wounds by showing us her for-sure dead body and telling us samaritan dug it up to get her implant, which while realistic, was brutal).
i feel like a lot of people talk about it as one of the worst writing decisions, but i can see why they chose to keep root's fate the same. yes, it sucked to losing a wlw character (especially when that was so close to clexa, if im not getting my times wrong), but i don't believe lgbt media should only be happy, soft stuff and that lgbt characters should be plot armor protected always. i still found a lot of meaning and emotion in the ending we got with shaw carrying on the work her team left behind with the machine and having some small piece of root to hold on to (and shaw being the only one next to fusco who never really had a lot of direct contact with the machine, getting the chance now to work closely with it and understand root more maybe that way). the show was always dealing with death/loss and grief and emphasizing how people still leave significant legacies behind and stay with us even if it's just the influence and impact they left on their surviving loved ones. i would still prefer if it had ended differently, but at least I could understand the message they were going for.
ill never stop loving 4x11 it's genuinely one of my favorite tv episodes ever. poi was very good at normalising shaw's apd and everything they did with shaw and especially what they did in the aftermath of that episode ripped me to shreds (her telling simulation root that she was her safe place and then telling real root she'd rather die than get them all killed, that made me totally normal). shaw getting the big emotional, meaningful moments in 4x11 (in the machine's simulation when she shows root one last act of kindness with 'maybe someday', the subway scene with the bomber, and of course the ending scene) was so important and well done. and root's slow-moed reactions at the end were gut-wrenching i must have rewatched that scene maybe 1000 times.
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maddy-ferguson · 1 year
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me when ppl acting to be shocked when it gets revealed in the next season that will recognized brenner at that desert scene, and we get a flashback with will, brenner and lonnie.
you and me both friend
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avis-writeshq · 2 months
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heyyy omg I love your writings so much! congrats on your latest milestone, it's DESERVED 👏 can I pls request track one with spencer reid where he gets an epiphany and decides that he wants to propose to his girlfriend? just superrrr cute and fluffy 😍 thanks a lot!!
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glue song – spencer reid
summary: “but you’re here, and so i love you.” in which spencer realises that he wants to spend the rest of his life with you. pairing: s5!spencer reid x fem!reader genre: established relationship, fluff warnings: spencer in a knee brace (tell me why that’s attractive. why does he look good at his worst. face card never declines), he’s genuinely obsessed with you, not proof read oops a/n: thank you so much anon !!!! i’m so sorry it took so long to post; i kept changing and editing it hahaha i hope you enjoy it !! wc: 1.05k
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“Careful watch your– no, pivot a little, pivot–” 
“I am pivoting! There’s nowhere to pivot to! Why is it so messy?”
You suppress a grimace as you manage to somehow squeeze your way through Spencer’s tiny doorway and into his apartment, the shoe rack on the side dangerously close to his damaged knee. You stumble a little as Spencer grips your shoulders tightly for support, his other hand holding onto a crutch. 
“Maybe we should move into a bigger apartment,” you muse, helping him to the couch. Your gaze shifts to his injured knee, your face falling. “Does it hurt?”
“Only when I think about it. Which is pretty much all the time,” Spencer says, wincing as he finally collapses against the cool leather cushions. “Thank you for doing this.”
You look almost offended at his words as you brush his hair out of his face and into a makeshift ponytail. “Did you think that I wouldn’t?”
He hums as he feels the way your fingers pull lightly at his hair, your nails scraping against his scalp. “Thought you’d get tired of me. After, you know, everything.”
“None of that was your fault,” you remind him swiftly. “This–” you gesture to his knee– “isn’t either.”
He softens, leaning his cheek on your shoulder. You’ve been there for him through everything and he knows what specifically it is you’re referring to. He could see it from the moment his doctors informed you that he wouldn’t take the vicodin they had prescribed to him to soothe his discomfort. His thought process makes sense; he didn’t want to risk it. Regardless, he was left with a growing pain in his leg that didn’t shake even after taking toradol. 
“I’d never get tired of you,” you clarify, squeezing his hands. “You’re too pretty to get tired of.”
He lets out a proper laugh as he squeezes back. “You’re funny.”
“I’m being serious!”
He laughs again, shaking his head adamantly. “Liar.”
“When have I ever lied to you?”
Spencer beams in your direction, pressing kisses against the soft of your jaw. “You’re right.”
A triumphant smile spreads across your face at his words. “Exactly.”
*** 
From his spot on the couch, Spencer watches guiltily as you hustle and bustle about in the kitchen, grabbing plates and filling them to the brim with the food you ordered from the Chinese place he loves. He feels bad seeing you work so hard looking after him; especially when you have your own workload to take care of. He doesn’t even notice that you’ve already placed his portion of food in front of him until you whack him lightly on his head with some napkins. 
“Stop it. I know what you’re thinking.” You shoot him a half-hearted glare as you snap open your chopsticks. “I want to do this. I truly don’t mind.”
“You’re already doing so much,” he insists, “I’m okay, angel, I swear.”
You are not easily convinced and you point to the list of things the doctor suggested you to do in order to ensure Spencer’s speedy recovery. “I have a responsibility, Walter. What will your team do without you?”
“They’ll live,” he assures, reaching a hand out to massage the muscles by your shoulders. “I think you’ve seen me naked more the past two weeks than you have our entire relationship.”
“Well it’s not my fault that you need to bathe,” you argue, stabbing at your noodles. “You love it really.”
His cheeks burn with embarrassment at the accusation. “I do not! It’s humiliating.”
“It’s nothing I haven’t seen before,” you soothe, smiling at him. “Besides, it’ll only be like this for a little while longer.”
“If you consider five months to be ‘a little while longer’,” he quips as he shovels food into his mouth.
You let out a laugh, not finding offence is his sarcastic blow. He thinks you’re a blessing and he figures that you definitely are. Who else can deal with the problems of him being, well, him aside from you? Spencer doesn’t know what he would do without you. How could he when you manage to push all the darkness and negativity away?
“I’m lucky to have you,” he says finally, his gaze on your face. “You’re so good to me.”
You hum in response, wiping your mouth and curling into his good side, draping an arm over his middle. “That’s true. You’re good to me, too.”
He brings his hand over your waist and kisses the side of your face in an act of reciprocation. “You’re beautiful.”
Heat crawls up your neck to your ears at the sudden compliment and you can’t help the silly bashful smile that pulls at your lips. Your mouth opens and closes, deciding on what to respond with before you settle with a simple, “Thank you.”
It’s the honest truth. There’s a look about you that tells him that you don’t believe it, but he doesn’t say anything more to try and convince you. He tells it to you everyday; he’s sure that you’ll end up accepting the compliments more readily. Your being beautiful might have been what had drawn him to you in the first place. Although he isn’t entirely sure. He recalls a certain folktale about invisible stings and how it was tying him to you. There’s something pretty about that thought, the mere idea that you were made for him and he was lucky enough to actually hold you in his arms. 
You’ve turned the television on now, a romance movie playing on the screen with familiar actors. It’s supposed to be a comedy, at least that was what the description on the DVD said, about the main male lead reminiscing about his year that he spent with some manic pixie dream girl. Spencer doesn’t understand how that could be comedic but you seem to enjoy it. 
Spencer has tuned out the movie now, finding entertainment in the reactions you have. Your face morphs into different emotions with each dramatic scene and in that moment Spencer realises one very important thing. 
“I’m gonna marry you one day,” he whispers, his breath tickling the shell of your ear. 
“What was that?” you ask obliviously and you lift your eyes to look up at him. 
“Nothing,” he dismisses, pressing his lips to your forehead. “Just keep watching the movie, angel.”
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reblogs are always appreciated!
events page
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asukiess · 6 months
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I think ml is best enjoyed when we all agree we watch an extremely flawed show and yet realize that most everyone just. deeply loves these characters. so many people have been watch for 5+ years—that’s a lot of emotional and life investment.
I think ppl who are overjoyed about the setup or feel at least alright with the s5 ending should talk about it; I think ppl who feel extremely let down, confused, or all around disappointed should talk about it. honestly the whole conversation has been pretty stunted the last few months which surprised me; I expected these conversations to be had july 2nd lol. and yet I think everyone has been pretty respectful to each other. I love seeing everyone’s opinion!! if someone asks for discussion or wants to see a different POV, then I think that’s great!! sometimes people just want to rant or rave though. some people will post to start an intentional discussion; some people won’t (and that’s ok!)
and if you’re someone who tries to intentionally knock someone else’s happiness with the ending, you’re lame. if you try and engage with someone who isn’t happy with it and only try and convince them as a way to “win” or you somehow feel they “don’t get it” in a very derogatory way, you’re lame. go read a fic and take a nap. there’s a lot of fun to be had in fandom so no reason to create grief lol.
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