So about a year ago, I started this Mewtwo style study, drawing some of the babytwos from members of the amazing commewnity, as well as some other characters from artists I greatly enjoy. Kappa, as a kangaskhan fusion, has natural motherly instincts and attracts children.
I tried to keep the proportions and shapes as accurate as possible to study as many designs and details as possible.
Featuring in approximately left to right order:
Pigment from @xxtc-96xx
Marshmallow from @polteashop
Copper from @absolutedream-art
Nana from @dxzziie
Momo from @loupy-mongoose
Chilli from @penumbramewtwos
Twotwo from @whatifmw
Blu from @mewtwoandme
Dot from @oddestoddish
Novus from @mew-dump
Oddy from @phlurrii
Red from @pokemon-ash-aus
Pip from @blues-sues
Contrast from @paradoxiusblack
Mizuki from @secret-mewtwo
Matcha from @inaris-pokemon-world
Bingo from @askvekpa
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JSTOR Wrapped: top ten JSTOR articles of 2023
Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.
Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.
Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.
Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.
Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.
McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.
Purves, Alex C. “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.
Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.
Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.
Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.
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I know its not canon but I always liked the idea that Flurry Heart grew up to be a normal pony. Never went on any princess-title-earning quest, no grand magical destiny, no real royal responsibilities. Just a normal pony (who happens to be an alicorn) free to enjoy life with her friends and hobbies
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since Ghana passed the anti LGBT bill I keep hearing more and more about how hate crimes are increasing, not just in Ghana but also in places like Kenya too. days after the bill was passed, a Kenyan woman was attacked because some men stated she "dresses like a man" - Kenya was also considering passing a anti-lgbt bill (although the supreme court did rule that doing this would be unconstitutional.) but just as Ghana was considering passing the bill for years and it eventually was, it could still happen in Kenya.
screenshot of the tweet underneath the cut. tw for blood and bruises
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I present to you the work of another painter of fish plates. Y’know how you use ‘scare quotes’ for various purposes, including indicating that you’re not actually sure about The Thing?
Well, this guy was so bad at whatever he was painting that we call him…
The ‘tadpole’ painter:
Here’s another example:
This one was sold as part of the Graham Geddes collection at Bonham’s auction house in 2008 for £2,040.
They describe it as ‘three fish including a wrasse with dorsal spines, an angler-fish, the rounded body with multiple black dots, two large round eyes with pupils, an open mouth with teeth bared, and a ray with pointed face, the body with multiple black dots’.
Which like… bold fucking move missing out the fact that they have legs. Though I can’t say I envy whoever had to write the description.
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