OK, this common refrain:
Just move on! You OFMD fans are so annoying!
Ridiculous.
What is happening with OFMD right now is UNPRECEDENTED. This isn't a cute little cult show: this is a juggernaut for Max. It's its #1 original show right now (using the metrics available right now since Max hides numbers). It's 30x in demand than the average streaming show. It was Peabody nominated. Max spent significant money on a FYC campaign for it. Its audience grew between S1 and S2, and S1 was already beating off Marvel and Star Wars shows on the charts. It can pull thousands of fans into conventions. It had a Times Square billboard just in October. Most of Max' social media interaction is from OFMD. If reports are to be believed, the S3 scripts were readied and they were already scheduling time for filming, releasing announcements, and interviews. It has succeeded in every metric a show can be measured in, and passed these expectations beyond any studio's dreams.
But it was derailed last minute by a tantruming CEO, a CEO whose incompetence is bleeding hundreds of millions out of the company and is destroying the reputation of and industry confidence in the company. The company stock has fallen over 6% since the OFMD announcement two days ago (not the sole factor but one of the biggest factors). If a show like OFMD cannot succeed at Max, no show can succeed at Max. If Max cannot support this show, it cannot support being a streaming service at all.
Is there a show cancellation that has ever compared to this?
This announcement is not because a fringe minority in and outside the fandom thought S2 was "bad", or that some people didn't like certain plot points of S2 (no hiding it here that I'm not a fan of certain fanons, though I enjoy all characters). Taika Waititi was excited and onboard; he wasn't "bored" and decided to move on. They didn't cram the original ending into S2 just in case. There is still story to be told, and this series earned the right to be able to finish that story. Ed and Stede are still in the shaky beginnings of their relationship! They need to dance, have domestic moments, have affectionate moments, get married (what was the point of David Jenkins hyping matelotage at every step?)! How does our pirate community actually move on with their lives past the English encroachment (personified in Ricky)? This isn't a video game, and the story didn't end because they reached a "Get to The Revenge" checkpoint. What personal paths are our beloved crew members going to go on? There is still so much story, and we didn't have a clean break.
We're telling ourselves that fan campaigns have worked before. These examples, the shows were all deserving, but they were not the juggernauts that OFMD is. Firefly, for example, was 98th in Nielson ratings, and it was nowhere near the biggest audience for FOX shows. Imagine if FOX had randomly decided to cancel its top rated scripted show for the lulz. Would FOX have ever recovered or been able to court new talent? (ETA: 2002 FOX. 2024 FOX already can't court talent. A rather expensive spectacle show like 911 smoothly and immediately transitioning to another, more stable network is not why I'm here.)
The streaming competition is tight right now, and Max had a miracle in OFMD, all without even bothering to promote it. OFMD has a passionate audience. It has deeply resonated with thousands and thousands of people, and it is not silly to have emotions about creative projects because that is the entire point of creative projects. We have invested real time and money into this. We've created a community. We believe in David Jenkins and all involved, and these are real people we want to support because they brought joy into our lives. The respect and comradery this crew has with the fanbase is refreshing and rare. They revel in the fans' returned creativity and passion where most others have chosen to mock instead.
I am not going to just accept the whim of some random guy in a suit. I'm not just going to shrug and say "Got me there!" I'm not going to be ashamed of having passion, any excitement, any thrill at a unique work that is unapologetically sweet, joyful, and sincere and gives us the beautiful diversity we see in our lives. If this can happen to THIS SHOW, this juggernaut, there is no point in ever being invested in a new creative project again, and that is not a world that I'm willing to accept.
I am going to fight and keep fighting for as long as it takes. If this annoys you, learn how to use mute and block functions and don't expect me to change because it's your first day on the Internet. Why shouldn't we expect excellence in media we invest in? Why shouldn't we be angry that studios are trying to collapse into one with mergers and reduce all output to five IPs with cookie cutter releases? Why shouldn't we expect that a show that has met all expectations to be rewarded by the studio for the value it added? Why should we be expected to just shrug at every cruel decision like this (a decision that doesn't even make financial sense) and hand over our money to some passionless, generic alternative? Why should we just consume whatever terrible product the studios spit out at us instead of fighting for ones that deserve to thrive?
It is not hyperbole that this is a turning point in the industry. We just spent the summer with studios demanding AI be able to replace all pieces of the creative process unchecked, and now we have an absolutely unprecedented strike down of a creative and unique show at the top of the industry because there were a few more (entirely imaginary) pennies to be had. This is inexcusable.
This is a long haul situation. Zaslav blindsided us, so alternative streamers wouldn't have even been on the radar at the beginning of this week. David Jenkins and company also can't make comments on any possibilities we have since they have to keep working relationships in this industry and they need contracts finalized first.
There is always hope, no matter how slim.
Don't give up, and don't give in.
Remember to @renewasacrew
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I’M EXCITED!
I’m gonna jump into the boat of choosing to believe in the writer’s vision. I do want these characters to get out alive and well and have this family be restored, but a story without struggle isn’t nearly as fulfilling. I want to believe that this squad of soldiers, constantly pulled together and apart, will end up where they always should have been - at their family’s side.
I feel a lot of us are under this storm cloud thats about to release all hell, and I cannot blame anyone. This is dark season, I thought season 2 with Crosshair’s torture was terrible but s3 has put on the pressure.
But I have prediction :D
I’m on the team that Emerie will make the leap: hand over a giant red button and thundering music behind her. There’s something different about her, that unquestionable obedience and restraint gone. Her red lenses at her feet. The looming vat of blue in front of her, a monstrous shadow stretching over her. The button beeps, an alarm booming to life as the liquid in the tank lowers, a long arm twitching to life. Cuts to a poisonous green eye snapping open.
The scene cut to black as glass cracks, a monumental growl echoing into the dark.
That’s how episode 14 will leave and where the final will leave off.
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Willow (2022) is just a really good story. I don’t even mean that it’s a good show (although I think it is), but just that the core story is so satisfying. You have these classic character archetypes like the princess who doesn't want to be a princess, the chosen one whose identity was hidden for her own safety, a prince laboring under the expectations of his (maybe) evil father, among others. Nothing about these characters’ stories is unexpected; we’ve seen narratives like this in fantasy time and again. But the characters themselves feel fresh and multifaceted enough that it isn’t stale.
Episode 4 is so great because it is mostly an exploration through hallucinations of these characters’ internal worlds and what they’re struggling with emotionally. None of what they’re dealing with is particularly novel or drastically advances the plot, but it resonates so deeply, and we feel for these characters because these struggles are, in essence, very relatable to most of the audience in some way or another.
I guess I’m just tired of shows sacrificing story and character cohesiveness in favor of being “unexpected” (*ahem, ahem* Game of Thrones). What you end up with are these disjointed narratives where nothing that is set up pays off satisfactorily, characters do nonsensical out-of-character things, nothing feels like it means anything.
Willow (2022) is the exact opposite of that. I’ve seen people theorizing everywhere about where the show is going and I suspect many, many of those people will be right because simple, good stories have foreshadowing and set-up and familiar characters that we can relate to because we recognize their emotional struggles in ourselves.
I guess, I’m just really excited to have a story that, like mythology, like a fairytale, I will return to again and again because it will greet me like an old friend.
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Kawi imo is one of the most realistic characters. Imagine you blame all of your life problems on one guy. He used Pisaeng Existence as a reason why his life wasn’t shit
In his mind he was lonely And didn’t have friends when in fact he wasn’t making a effort to keep the friend (Max) he had or make new quality ones. He was the one running out of class and no one got a chance to get to know him
He feels that it’s Pisaeng fault Pear doesn’t like him. Well slowly but surely in all the timelines he gonna realize she will probably NEVER see him that way. The clue to that is how they all become best friends but she somehow still ends up engaged to Pisaeng.
Pisaeng In his mind is the reason all of this is happening and it is but what kawi doesn’t realize romantic or not everyone needs that type of friend where you are being 100% yourself the type of friend to push you out your comfort zone . THAT IMO is what he was missing in the present tense not Pear
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adventure time lore is insane. it starts off just being a goofy kids show that has magic for no reason, but then you learn that all magic users are manic and/or depressed (what betty calls sadness and madness). because it turns out magic is actually a cosmic force beyond mortal comprehension, that itself was learned from cosmic entities that predated the existence of time itself inside a sea of monsters. and "magic" really is just understanding more about the nature of the universe than most people. that, in a way, reality isnt "real" and understanding that allows you to mold it. and thats magic. but that drives you to insanity and/or apathy. and there are beings who hold significant cosmic importance who are more prone to magic. and the reason magic became prevalent on earth is because of a nuclear war a thousand years ago, which released the entity that represents the destruction of all life onto the world. and after a nuclear apocalypse this gave way to a new earth, where magic could thrive. but a lot of the beings we see arent even magical, theyre just mutants from what happened 1000 years ago. and humanity as we know it has been all but wiped out. but everything stays the same because cycles of war and violence continue. and it doesnt matter if its nukes or magic. everything stays the same, but still changes.
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