I posted 858 times in 2022
187 posts created (22%)
671 posts reblogged (78%)
Blogs I reblogged the most:
@insomnia-productions
@stormstressed
@bookish-bi-mormon
@sabertoothwalrus
@radiantmists
I tagged 735 of my posts in 2022
Only 14% of my posts had no tags
#ntn spoilers - 53 posts
#murderbot diaries - 47 posts
#tlt spoilers - 41 posts
#the locked tomb - 37 posts
#murderbot liveblog - 35 posts
#nona liveblog - 34 posts
#bnha - 33 posts
#tma - 30 posts
#dc - 26 posts
#wheel of time - 23 posts
Longest Tag: 140 characters
#bc like. the girls mostly share info with each other (that weekly tar meetup is the besst communication in the series) but not with the guys
My Top Posts in 2022:
#5
Genuinely would not be surprised if someone in the room when they suggested the checkmarks stack was like "wont that break shit if they buy too many" and someone else was like "even better, these idiots like it when shit breaks"
65 notes - Posted November 10, 2022
#4
so semi-related to this other post i made, i’ve been thinking about the conversation ed has with jack when he realizes that stede’s been lured into a trap, because it’s just such a good example of the mindset and culture Ed has been trying to break out of over the course of this season.
At the end of the conversation, Ed gets fed up, breaks the oar, and then jumps into the water to head back to the ship. Just before he leaves, he yells that Stede’s his friend, and Jack yells back:
“What do you mean he’s your friend? What kind of pirate has a friend? We’re all just in various states of fucking each other over!”
Now, as Ed is swimming away at this point I don’t think he hears, but I imagine if he had this would have been an extra kick in the teeth, because he’s spent the whole episode catering to and entertaining Jack, trying to cheer up his friend who’s been (allegedly) mutinied against. And clearly, Jack sees his ‘betrayal’ as no big deal, cheerfully musing on where they should head next and surprised when Ed is actually upset about it.
He doesn’t think Ed should expect any better than betrayal, because Ed has absolutely been on the other side of this mentality. At the end of episode 4, I think it’s fair to say that he’s at least charmed by Stede even if he doesn’t consider them ‘friends’, and yet his plan is to use Stede for gentleman lessons, then brutally murder him and steal his identity. Ed is friendly to him over the next couple episodes, but he hasn’t yet resolved that this is someone he’s actually going to value and stick by. Their relationship is transactional (teach me to gentleman, i’ll teach you to pirate) and comes with an expectation of inevitable betrayal.
The shift only comes after Ed’s confession about the Kraken in episode 6, the moment when he’s fully confronted by the kind of person he believes himself to be and the moment where he starts to reject that personality. But even in episode 7, we see that Ed struggles with the idea of an equal friendship; he’s planning to leave now that his plan isn’t going to happen, and is just. so baffled by the whole treasure-hunt outing. Specifically, he’s constantly grumbling about the pointlessness of the whole thing-- it’s only after Lucius sets him straight that he notices that he can enjoy just spending time with Stede, even though he knows there’s no other benefit to the whole thing.
For the ‘real pirates’ Jack talks about, other people are just tools to get stuff you want-- maybe they’re tools you like, but at the end of the day if you need to screw them over to get something you want more or to save your own skin, you will.
But on the Revenge, Ed has slowly been exposed to a different way. Stede can talk a bunch of aristocrats into sinking their own ship just because they made Ed sad. Stede can see him having basically a panic attack about the Kraken and comfort him instead of think less of him for being weak. He and Stede can co-captain, just because they’d both like to spend time together, rather than parting ways when neither of them needs the other for some practical reason. And when Ed does leave Stede, we get Lucius dumping his stuff on him, very clearly communicating that he expected better.
And so the moment that Ed chooses to go back to the Revenge, to die for Stede-- and later to give up piracy, which is very lucrative for him, in order to just peacefully retire with Stede and be happy with him-- is him starting to branch out from an extraordinarily self-centered culture where no one is valued for themselves. His excitement builds when Stede seems to return this sentiment, first refusing to let Ed die for him and then agreeing that Ed makes him happy and that he’ll run away with him.
But then Stede runs home instead. Now, there are a lot of ways to interpret why Stede actually does that, but from Ed’s perspective Stede is rejecting him utterly: not only does he not want to be with Ed, he doesn’t even want what Ed can give him.
So understandably Ed is moping about being rejected, and he gets these two voices trying to ‘comfort’ him and get him back on his feet. One is Lucius, very patiently telling him the way he feels is valid and encouraging him to continue to reach out with those soft feelings, to do fun things like a talent show with the crew just because they’d all enjoy it-- all of the new lessons he’s been learning with Stede.
And this is lovely, but Ed has just had his first real foray into that type of trust brutally stomped on by Stede. It doesn’t help that, as this post brilliantly highlights, Ed is very used to being laughed at when he tries to be himself, and is primed to see the crew’s amazement at his reaction as mocking (which it kinda is, even if they’re probably not judging him too harshly for it). From that perspective, Lucius’ concern seems insincere; when you’re used to people fucking you over at the slightest moment of vulnerability, and have been accustomed to people fronting that they like you when they’re actually trying to expose more vulnerability for them to take advantage of or mock, Lucius’ attempts to draw him out start to look actively threatening.
The other voice is Izzy, who tells him to go back to being that closed-off person who uses other people and never lets himself be vulnerable. Which brings me to the other bits of the conversation with Calico Jack that I think about a lot. When Ed first notices something is wrong, Jack points out that the ‘old blackbeard’, the one Izzy wants back, would have seen the betrayal coming a mile away-- because he wouldn’t have given Jack the benefit of the doubt about Blind Man’s cove, and would instead have been on the alert for tricks like this. And then, when Jack mentions Izzy and Ed expresses surprise that Izzy would betray him, Jack says:
“No, he sold Stede out. Sentimental bastard wanted me to get you out of there before the English arrived.”
Now I don’t know about you but ‘sentimental’ is not one of the first words I would use to describe Israel Hands. But in this world, Izzy’s brand of loyalty-- conditional and vicious though it may be-- is just about the most sentimental people get: the thing Ed can give him, the person Ed can be for him, is so valuable to Izzy that he’ll team up with Spanish Jackie and the English Navy to get it back, and he’ll send Jack to try and make sure Ed isn’t destroyed in the process. That’s nuts.
Izzy doesn’t seem to really care about Ed’s happiness, and he doesn’t make Ed happy to spend time with; in fact even in more casual moments like the ep6 opening (where Izzy’s trying to get him down from the rigging) they seem to annoy each other more than anything else. But for Ed, Izzy is utterly predictable: as long as Ed performs Blackbeard, keeps giving Izzy victories and validating his macho pirate fantasies, Izzy will stick by him. He’ll even go a bit further and give Ed warning and an extra chance when he wobbles in that, so long as there’s a reasonable chance that Blackbeard will come back.
The issue with caring about people is that they might leave you; the issue with being vulnerable is you might get hurt. But if you’re paying someone, even in the nebulous way that Ed ‘pays’ Izzy, they’ll never leave you, and if you scare them enough they won’t dare to betray you. Being Blackbeard is awful, but safe.
It’s a guarantee where the other option is a risk, and while Ed’s been taking risks this whole season (and that is a Whole other post) he’s finally experienced the consequences of a risk gone bad, and it’s awful. So Ed throws Lucius overboard, rejecting the idea he represents-- that being vulnerable can be worth it, that people can be valuable in and of themselves and because you enjoy their company-- in favor of the stability that Izzy personifies, transactional though it is.
So for me, the big tragedy of the ending (beyond Lucius being dead because he’s not shut up) is that Ed has accepted... not necessarily that he doesn’t deserve to be happy, but that happiness isn’t possible for him, that this kind of relationship is the best he could hope for. He was introduced as someone looking for something better, something to break out of the pattern he hated, and instead he had it reinforced.
And hopefully, someone will come back and convince him that he can have friends and nice things-- but it’s gonna be rough, because I think the lesson he’s learned here is that nice things are just a trap so the people claiming to be your friends can fuck you over worse.
68 notes - Posted April 25, 2022
#3
God the moment where Ed picks up the ‘rather exquisite cashmere’ and gently brushes it against his cheek...
113 notes - Posted April 25, 2022
#2
so at the end of episode 8, i think, ed arrives back on the revenge with the english closing in and tells stede to fly a white flag. and maybe it’s because i’d seen gifsets of the moment where ed starts yelling about the act of grace, or maybe i was just buying into the blackbeard persona, but I really thought he had a plan, that there was some clever fuckery in the works that would make everything turn out alright.
and then it turns out that there was... sort of: ed’s ‘grand plan’ was to sacrifice himself, trade on the blackbeard reputation and take responsibility for all of stede’s crimes. presumably, he would then have been executed.
it turned out that, just like with the spanish in episode 4, there were factors that ed had missed-- a combination of badminton’s personal vendetta, stede’s log, but most of all stede’s personality: the plan relied on stede confirming or at least not denying that yes, it was that awful blackbeard who did those horrible crimes. but stede didn’t take that opportunity.
and of course, as with the lighthouse, they come up with something at the last moment to save their skins, but that moment of failure is intriguing. ed has gotten so used to the rhythm of things-- keeping track of the date by counting days, expecting other pirates to grab any chance to save their own skins-- that he’s utterly blindsided when something-- a leap year, stede’s concern for him and his sense of responsibility-- breaks out of that rhythm.
he’s clever, but he’s been coasting on the fact that he knows the world he lives in better than almost anyone else, so all he has to do is take advantage of pieces of it-- the weather, his reputation-- to get what he wants basically handed to him. it’s only once something disrupts that landscape that ed starts thinking outside of the box and changing the landscape, creating a circumstance that his opponents would have believed impossible and thus never would have prepared for.
there can’t possibly be a lighthouse there, and blackbeard would never give up piracy; but break him out of his rhythm and ed remembers that he can do whatever the hell he wants. and stede is so alluring because he breaks that rhythm effortlessly, just by being who he is-- and, in the case of Act of Grace, by caring about ed.
250 notes - Posted April 18, 2022
My #1 post of 2022
the funny thing about htn is like. it's so obvious that gideon is narrating the second person parts. she makes it about five sentences into her description of harrow waking up before she starts complaining about harrow not taking care of the sword, and her reaction to harrow kissing ianthe is so obvious. the audiobook accentuates this even more because the delivery of parts like this are so clearly in moira quirk's gideon voice.
and yet there's so much nonsense going on that by the middle of the book you're genuinely starting to doubt everything that happened in the previous one.
477 notes - Posted August 5, 2022
Get your Tumblr 2022 Year in Review →
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🔥 anything about sirius because i am being a little hater towards some characterisations too
i've already talked your ears off about this on discord but i'm happy to talk to about it again bc i fucking HATE new sirius black with a burning passion. i hate him as much as i love my sirius black that marauderstok can pry from my cold dead hands bc i'm not letting him go. i don't know when it happened and why but marauders fans are particularly persistent on taking away any interesting traits sirius had and leaving behind a whimpering pathetic twink that cries when someone looks at him the wrong way. sirius has been scrubbed clean of any morally grey traits he might've had (he's not allowed to care for his family (unless it's regulus) or long for them bc they are bad, he's not allowed to have any prejudices even though he was literally raised with pureblood mentality and taught he was superior to everyone else from the day he was born, he's not allowed to be an asshole bc he's not like his family guys!! and when he is an asshole it's always used to victimize the character he's being an asshole to and sirius is painted as the villain with mommy issues that can only be fixed by getting dicked down apparently)
i cannot stress this enough: LET THIS MAN BE A COMPLEX CHARACTER!! and no, giving him mental illnesses that miraculously disappear when he gets together with remus and making him attempt to kill himself post prank because he feels bad is NOT making him complex! you're just weird. you're just romanticizing mental illnesses and i can't believe you don't see anything wrong with it. giving him bipolar to justify his actions is?? not??? representation??? it's offensive to people who actually have to deal with these issues in their day to day lives and yet here you are using something that will impact their life forever as a plot device for your uwu sadboy mlm fanfic.
and that's what new sirius boils down to. he's a plot device, an accessory to everyone else's story that's never given much depth other than "oh his mom used the cruciatus on him and now he's traumatized". no hate to jegulus but hate to specific jegulus fics that turn sirius into an overdramatic caricature of his former self for the sake of drama and angst.
also, some of these wolfstar shippers... wtf are you guys on?? idk when and why (that's a lie i do but i'm not gonna say it) remus became sirius black in a werewolf costume but here we are. oh sirius was cool and effortlessly smart and handsome and girls wanted him? well guess what? snatches all of those character traits and throws them onto remus they're his character traits now. ignore how it doesn't make any sense for the werewolf child who was isolated from the rest of the world to be a smooth talking alpha casanova who plays basketball actually. while we're at it, ignore how unrealistic it is for a boy who was raised in a family that believed they were superior to everyone else based on blood status, who was raised to be the perfect heir and checked off all the traits needed to be one to be insecure?? and unsure of himself?? and stupid??? and a loser??? i don't understand what the point of flipping the wolfstar dynamic was when you're left with a shallow copy of the original but ok. you do you ig.
to summarize, my sirius is cool and effortlessly smart and egotistical and a complete asshole who thinks he's the best thing ever. is it an act to cover up how damaged he thinks he is because of his family? possibly. but i also fully believe sirius thought he was a god amongst men and everyone should be glad to be in his presence. he talked down to other people because he considered himself smarter, he rolled his eyes when students asked stupid questions and made fun of them when they got an answer wrong. he's a teenage boy let him be a dick with no excuses.
(also i find it funny when people write about sirius getting into a fight with james or remus and crying because they said something mean. as if sirius wouldn't throw hands the moment someone started criticizing him. he's toxic and that's what makes him interesting. that's his purpose! characters exist to make stories interesting, to start drama, not to be your moral guide on how to act. stories become so much more fun once you let go of the need to make every character a good person. also liking a character doesn't equal liking them as a person. i love sirius but i would hate his guts irl)
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