Pac: Take care of Ramon, take care of Richas, ok? See you on the other side, big boy.
Fit: [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. [Fit tries to lasso Pac] You're coming with me.
Pac: No, I need to leave!
Fit: You're coming with me. You are not dying today! You are not dying today!
Pac: I need to leave, Fit! I'm sorry, I'm sorry!
Ironmouse: Are you guys like, having sexy time?
Fit: There's homosexual activity going on Mouse, don't worry about us, ok?
Ironmouse: You guys, we don't have time to be gay right now.
[ Full Transcript ↓ ]
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Pac: I'm just here to say goodbye to you, Fit.
Fit: Goodbye? We're not– we're gonna be fine, we're going to get out of here, don't worry.
Aypierre: Yeah, don't worry!
Pac: I know, but like– I will sleep until the end, you know? I will pass through this moment sleeping, man. I won't be able to be awake for the moment.
Fit: [Laughs] You know, it's– I mean, if that's how you wanna go, but– I mean, that- I mean, isn't that bed kind of like.... I don't know, it's–
Pac: No no, I will be staying on the sofa, you know, I will be staying on the sofa.
Fit: Oh the sofa. Ok, that's a nice sofa! Yeah, that is a pretty nice sofa.
Pac: Yeah, it's a nice sofa right? No, yeah– I'm going to stay on the sofa, you know? So, since I will be going Fit... [Pac starts tossing Fit all his items]
Aypierre: [Not paying attention to their conversation] Is that bigger cell? I don't think it's a bigger- biggest one.
Fit: Oh... Thank you Pac, thank you.
Pac: Everything you need to survive, ok?
Fit: Wow.
Aypierre: Wow.
Pac: And if you need this one also, maybe, who knows? [Throws him more items]
Fit: Ohhh, well hey– just take this to remember me by, ok? [Tosses him a photo of himself – the same one Aypierre was carrying all day yesterday]
Pac: [Laughs] Ok, I will sleep holding the picture you know, like this. You know, I will dream about you, Fit. And I hope this is gonna be good dreams. I see you in the other side. Good luck, my friend.
Fit: The other side... Yeah, you know, yeah, we– we– you know? It's been an honor, Pac. It's been an honor, you know?
Pac: Yeah, for me too, you know? Take care of Ramon, take care of Richas, ok?
Fit: Ok.
Pac: See you on the other side, big boy.
Fit: I will sing your praise– Oh yeah, hey– [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. You're coming with me.
Pac: No, I need to leave!
Fit: You're coming with me. You are not dying today! You are not dying today!
Pac: I need to leave, Fit! I'm sorry, I'm sorry!
Fit: Sorry, there's–
Pac: I'm sorry!
Ironmouse: Are you guys like, having sexy time?
Fit: There's homosexual activity going on Mouse, don't worry about us, ok?
Ironmouse: You guys, you guys– we don't have time to be gay right now, come on. There's no time.
Pac: No, there's no time! Oh, goodbye Fit...
Fit: Ok, c'mon, no no no, come on, we got this we got this!
johto’s champion and chronicler for the deity of the ilex shrine, it’s lyra!🌿
this one took me a while due to trying out different techniques (studying a Lot of art nouveau) and making a couple changes to her outfit (the details help), but I’d like to think she’s learned a lot in her journey and wanted to reflect her experience more in her champion fit
her specialty would be in fairy types and her meganium’s divergent evolution is grass/fairy 🧚🪷
and a bonus w/ the johto gang after the photoshoot!
i havent seen anyone talk about this but Arajin and Matakara remind me of Taichi and Touma so much man.
small dark haired guy chasing a girl he likes. major inferiority complex. complicated feelings about his childhood best friend that have to do with those feelings of inferiority, causing him to initially avoid him now that they're in high school.
Said childhood best friend has no parents and only has his big brother left. He idolises his former friend to a fault, and still calls him by a childish and overly familiar version of his name (Tai-chan, Ara-chan). hes tall and fit and seems to be popular / well liked, but all he really cares about is his (former) best friend.
the bigger one has kept a memento of their friendship for years. best friend power. best friend stone.
ao no flag was all about making choices. bucchigiri is about not running away and facing things head on.
with the way things are going for bucchigiri, it's inevitable that Matakara and Arajin will reconcile, just like Taichi and Touma did
henry telling joel the story of how he informed fedra about the leader of the resistance so he could get the medicine he needed to save sam, and seeing joel's entire face and demeanour change as he starts to understand who henry is and how similar they both are. joel initially not trusting henry because he's a rat, but once the full context is given to him, he tells henry it's not fair on him for so many people to want him dead for what he did. joel not questioning why henry would betray so many people for his brother, because he knows he would do exactly the same thing in his place. henry DIRECTLY making joel ask himself the question "what is more important: the world, or the one person you love? your honour, or your family? when it comes down to it, how many people will you hurt to make sure she's safe?", and you can just see that joel immediately knows the answer.
If other people aren’t gonna draw these three together, I’ll do it myself!! The ship name should prolly be plant based, I just haven’t figured it out yet. But like, Luigi is green, Daisy is named Daisy, and Peasley gave Luigi the rose. So like. Nature theme.
Anyways I love this ship and if I have to be the only one to draw them then so be it.
(reblogs with tags/comments are appreciated. Thankyuuu)
ok then here is the whole comic — context under the cut
i love drama and using my favorite characters to talk about gender and sexuality so i have this idea where Lubelle and Carlos had a weird interpersonal relationship during their time together at the uowii that was unhealthy ie. possessive, lacking boundaries, confusing, no proper communication etc. while both of them were using each other to basically figure out their identities — both professionally and personally. like they definitely werent together, but she didnt want him seeing other people and there was a blur between personal and professional dynamics — i wanted to show her disregard for his personal space, and her habit of assuming shes right — and i also wanted to draw an angry cecil haha
so when lubelle finally runs into carlos in night vale she’s shocked to find that he’s fully out, married with a kid, and that he doesnt seem to need her in any capacity and has moved on and grown, because for her, it’s only been about a year and did not think he’d ever squeeze out from beneath her thumb. she also thinks carlos has been manipulated into staying / has gone off the deep end — maybe even thinks cecil is a bad influence
A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.
I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.
If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.
So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.
The outcome was not what I expected. As you can see, out of 83 votes:
THE RESULTS
South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?
Then I thought about the layout of the poll: Title, Options, Context.
Title: "Tell us who you want to see…"
Options: North, Northeast, Central, East, West, South
Context: I want to make art of the boy again
At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.
Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.
But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:
Where did Spider-Man India come from?
FROM A CULTURALLY DIVERSE INDIA
As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.
But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.
We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!
I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.
So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.
BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?
Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.
It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.
Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.
This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.
So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.
BUT THAT'S THE THING — HE'S FICTIONAL
I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.
I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.
I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it.
You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.
It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.
AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA
He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!
“But his surname originates from ______” okay but does that matter?
“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?
“But his skin colour is darker so he must be ______” okay but does that matter?
“But he lives in Mumbai so he must be ______” okay but does that matter?
I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.
Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:
Are you trying to convince me on who Pavitr Prabhakar should be?
...
but why shouldn't i?
I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.
It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.
SPIDER-MAN (INDIA) IS JUST A MASK
“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”
Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?
Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.
But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.
There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).
And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.
Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.
What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.
Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:
It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first three are written in Hindi. The fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Tamil there, much less any other South Indian language. Seeing this for the first time, you know what went through my head?
Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!
I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.
It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.
It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!
Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!
And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer.
So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.
We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.
THE POLL: REINTERPRETED
This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.
Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this.
So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”
(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)
regarding common tropes about ganon's writing in fics, I am kind of always taken aback a little anytime ganondorf uses degrading sexist terms in fics and such. Because to me, even his most evil interpretations would probably have no reason to have negative associations with women who have sex a lot, unless he picked it up from elsewhere (like there's some room for it to be interesting psychologically speaking if that's directly addressed, but it never is). I'm not sure why the gerudos would ever cultivate these kind of misogynistic ideas in their own culture, or why Ganondorf would spontaneously decide to form any essentialist ideas he may potentially develop on the basis of promiscuity, of all things. And, if he would pick that up from Hyrule... why would he, why this, and how does that map out with him remaining proudly gerudo in most iterations if he sees any non-married woman getting funky in a negative way?
it's kind of a very small thing, but it does kind of beckons a lot of questions regarding worldbuilding and psychology and it tends to take me out of fics a little, because it's always kind of assumed and never investigated
say hi to me
i don't know, i just remembered being so much
brighter, i guess
cigarette ash like wildfire
burning holes in the nighttime
open scars feel like barbed wire
white lies flying high like a ceasefire
dropping flags on the shoreline
this is as far as i can feel right
'cause what you don't know can haunt you
and all we ever wanted was sunlight and honesty
highlights to want to repeat
let's get away from here and
live like the movies do
i won't mind when it's over
at least i didn't think for a while
don't drag it out
living like that doesn't mean a thing
so let's, make a great escape
and i'll be waiting outside for the getaway
it doesn't matter who we are
we'll keep running through the dark
and all we'll ever need is another day
we can slow down 'cause tomorrow is a mile away
and live like shooting stars
'cause happy endings hardest to fake
and i wanna let you know
i wanna let you go
but i just can't bring myself to speak
but this is how it goes
the end credits, they roll
this bridge was built over kerosene
but we can watch it
and all i ever wanted was sunlight and honesty
highlights to want to repeat
let's get away from here and
live like the movies do
i won't mind when it's over
at least i didn't think
so let's run, make a great escape
and i'll be waiting outside for the getaway
it doesn't matter who we are
we'll keep running through the dark
and all we'll ever need is another day
we can slow down 'cause tomorrow is a mile away
and live like shooting stars
you can wish away forever
but you'll never find a thing like today
Hey! I love the gg rivals au, it has been rolling around in my brain for a while (<-that’s positive). I was wondering what the relationship other characters have with the ranchers / the role they have.
Thank you and have a nice rest of your day/night! :D
Hello!
Jimmy is friends with Scott and knew him when they were both children, as mentioned in this post. Despite his relationship with Scott, he doesn't really have much of a relationship with either Impulse or Gem. He's met both of them maybe once or twice in his whole life.
He had actually never met Grian until the year that he and Tango joined the resistance. He and Grian don't get along very well, mostly because Grian finds it funny to mess with him and Jimmy finds it frustrating/annoying. However, Jimmy also finds the teasing endearing in a way, and he would most likely miss it if it ever stopped. Not that he would ever admit this, though.
He and Tango supply Bigb with flour and other products for his bakery, so they are pretty good friends with him; which was actually how Grian got into contact with Bigb as well.
Tango used to be friends with Skizz and Impulse. He grew up in the capital with them and trained alongside Skizz to be a medic, but they have grown apart over the years; mostly as a result of Tango disagreeing with their choice to work in the royal army and a lack of any time to hang out with each other. He hasn't spoken to them in years, despite the opportunity to do so due to Scott's connection with them.
Tango has sensed that there was something rotten within Wintertide since he was young. A dark aura that surrounded the kingdom and the castle which only brought suffering. He fully disagreed with the war and the constant fighting and was never silent about his distaste for either. In fact, he was quite vocal about it to the point that he almost got himself in trouble several times. That was how Grian found him. He was causing a ruckus in the town square, having a very loud argument with a Wintertide solider.
Grian pulled him away from the fight and told him all about the resistance and about how well he would fit in. It was only natural that he jumped at the opportunity to help when Grian offered him a place in the resistance.
I have said in the past that the ranchers mostly only help out with supplying food and the occasional intel, but that's only really true for Jimmy, to be entirely honest. Jimmy is a bit clumsy and easily injured, so he voluntarily chooses to stay away from active fighting and missions as much as possible. For Tango it is a bit different.
He's hot headed and quick to get himself in trouble, so Grian doesn't really let him participate in most things, despite heavy protest from Tango (this will cause problems). However, if they need another person for whatever reason, or need intel from somewhere they wouldn't be able to get it otherwise without being suspicious (say, from a shopkeeper who would know and talk to Tango but not them) then Tango is their go to.
Jimmy is happy with this arrangement. Tango is not.
Scott and Tango have a bit of an odd relationship. Tango doesn't like him very much by virtue of him being a Wintertide knight, but he knows that Scott is an important person to Jimmy so he keeps his mouth shut whenever Scott comes around for Jim's sake. Scott knows Tango dislikes him, but he also tries his best to keep the peace. They mostly sit in an awkward, slightly hostile, silence around each other.
Tango used to not like Etho and was very suspicious of his intentions, but they very slowly grew close over the years and bonded over a hate for the Wintertide army and its corruption, as well as a love for creation. Tango invents as a hobby and occasionally helps Etho and Mumbo out in their workshop.