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#i want to exist in this world so badly. i want to feel it. i want to be real. but there's too much horror and grief and it consumes me
Just finished reading Pez Dispenser Debris (I don’t even go there but I am fueled by Wiki articles and a love for your storytelling) and first of all—amazing!!! 10/10, I think I need to watch this series now. 
Second, I  noticed that (while very much distinct) Yuuta & Izuku have a lot of similarities in the voice you gave them—maybe it’s the constant panic attacks or perhaps both of  them placing blame for everything squarely on their own shoulders, but ough it makes for the perfect blend of gut-punching angst. I’d love to hear any ramblings you currently have about either of them. I am currently obsessed with both of them now and am placing the blame on you <3
I’m gonna pretty heavily discuss some spoilers for my hero academia in this. I figured that was okay since you’d already read my fanfic and the wiki so the cat is out of the metaphorical bag. That being said, maybe wait to read this answer if you want to not be spoiled for more details in my hero.
Yuuta and Izuku absolutely have the most similar voices out of all of my narrators and it is 90% because they are both completely insane and in violent need of a Xanax and a nice soothing cup of chamomile tea. God I love them both so much. They should each be heavily medicated.
My hero academia is a pretty great watch through the Shie Hassaikai arc. The concept is entertaining, the characters are GREAT, and the world building is really cool.
Then the story sort of. Went to shit.
I tried for a while after that, but eventually had to stop watching. My friends and I have a group chat named “horikoshi just call us” because we got so despondent at the writing decisions after that arc.
Horikoshi. If you’re out there. If you’re reading this. Just call us. We just want to help.
That being said, my love for the characters maintains its death grip on me. I simply adore them. They’re delights.
Yuuta and Izuku, on their face, have a lot of similarities as protagonists. The aforementioned insanity and need of Xanax, of course, but the skeleton of the stories has a lot of common touchstones and themes, like:
Both characters have some kind of history with suicidal ideation or tendencies. In the second scene of JJK0, it’s established that Yuuta canonically tried to kill himself. In the first episode of BNHA, Izuku is told to kill himself by his bullies, in an act which appears to be common to izuku’s life, and the only reason Izuku comes up with to not do it is “then you’d get in trouble for telling me to do it.”
Both characters have severe self worth issues. Yuuta’s looking for a reason to be alive at the start of JJK0. He’s looking for a right to be alive. In a way, Izuku is too at the start of BNHA. At the open of action, he is told by everyone in his life that he is useless. His nickname is “Deku,” which uses some of the same kanji as “Dekunobo,” meaning blockhead. The most direct translation were given is that this is a way of calling him useless. He’s the powerless member of a society choked with superpower, and he’s been told his entire life that he can do nothing, that his dreams are pointless, and that he’s a burden who would be better off dead.
They’re both saddled with power they can’t fully control. Yuuta with Rika, and Izuku with One for All, a transferable power that’s too strong to be contained in his body.
They both have a close relationship with an impossibly strong mentor that they are implied to be the successor of. Yuuta with Gojo, as he’s second only to Gojo in the modern age, and Izuku with All Might (aka Toshinori Yaga), who he is more literally taking on the mantle of One for All from.
They both are chugging that Loving Their Friends Juice and have tried to kill grown men with their bare hands as a result
That all being said, they could not be more different characters and honestly aren’t all that similar.
I have this sort of lasting grievance with literary analysis when people take a list of common plot points or events and use them to make the argument that characters are similar or parallel one another. Like, that’s all facial. The real question is how do they substantively handle those events. How do their story arcs treat those things? How does their character react to them?
Yuuta and Izuku’s actual substantive characters don’t really react to those events in the same way at all. The analysis could go on all day in this respect, really, but the biggest difference is how their respective story arcs treat the cornerstone of their original conflicts.
Yuuta opens action with Rika as the cornerstone of his conflict. She’s who he wants to free, she’s who he’s chained to, and it’s her protection of him that makes him think he deserves to die. Izuku’s cornerstone, meanwhile, is his own Quirklessness. He desperately wants to be a hero, and everyone in his life tells him he can’t be because he is Quirkless. He’s useless because he’s Quirkless. He should kill himself because he’s Quirkless. He’s a burden and always will be because he’s Quirkless.
And while Yuuta’s arc reconciles him with his cornerstone, Izuku’s forgoes it entirely.
The story just. Forgets. That he’s Quirkless. They stop talking about it. It never comes up again. It doesn’t make any real big impact on his character or decisions. It’s one of my biggest axes to grind with how the story developed, and it’s actually one of the biggest reasons why I wrote pez dispenser debris.
Pez dispenser debris was actually inspired by this one piece of my hero academia art where Izuku is hugging his younger self. I don’t know if it was official art or fan art, and I have no idea where it is or where to find it because by god have I tried so I can find it and link it for credit/to boost it. I saw it literally years ago, thought “oh that’s cool,” wrote the original first scene of the fic (where Midoriya stops the bus and is hit by the Quirk), wasn’t feeling it, got distracted by other projects, went to law school, graduated law school, signed up to take the bar exam, and was suddenly electrified in the last fucking month of studying with this fugue state of feverish artistic inspiration. I have never written so easily or so compulsively in my life. I’d write for eight unbroken hours and it would be fucking magic every time. It was like an addiction. I was writhing with a need to create and had so much fucking anxiety about the test I was not studying for instead. The words could not be restrained.
Anyway I taught myself three subjects on the plane ride to the state I was taking it in and passed anyway so it’s fine we’re fine
The moral of the story is that this story has been cooking long enough for me to get two more diplomas than I had when I started it and I have no idea where to find that fucking piece of art that inspired it, but if I find it, I’ll reblog it so y’all can see it too.
The thing is, the narrative sort of forcibly excluding Izuku’s past as Quirkless would make total sense to me if it was used as something Izuku himself was doing.
Izuku necessarily had to hide the truth of his former Quirkless status at the start of action—he needed to keep the secret of One for All. Like, he could not let people find out that a Quirk was transferrable, but you know, just the most powerful one, and also he had it, please come torture it out of him.
But as the narrative goes on, that rationale becomes less important. He has people he can trust with it. And yeah, eventually One for All becomes more known, but the discussion is all about him being all might’s successor. Him being Quirkless and how that affected him and still affects him isn’t really discussed or treated as important. And Izuku doesn’t act like it’s important to him either. He never really thinks about it.
And I just hated that. Like. He spent almost his entire life as a member of society who was spit on. He’s had a Quirk for less than a year. How are his experiences with Quirklessness not important to how he interacts with the world?
The other point of contention I had was Mirio.
Mirio is this superstar of a senpai who takes Izuku under his wing. He has an extremely powerful quirk that’s only as effective as it is because he put in the work and learned how to handle it. He’s a perfect, eternally smiling paragon of heroism. He’s flagged early as the one out of everyone, including heroes with established careers, who is most likely to replace All Might.
He’s also the one who was supposed to get One for All.
His mentor had found him and trained him to be All Might’s successor. Before All Might could meet him, however, he found this feral raccoon child in a sewer and said “oh my god I can’t not offer him incomprehensible power within the first three hours of meeting him” and tripped face first into fatherhood.
During a rescue mission, Mirio loses his Quirk in a way that’s borderline irreversible. There’s no known cure, and the only possible one is dependent on a little girl learning how to control an extremely volatile and dangerous quirk and using it in a way she never has before.
So surely, they’re going to commit to that writing decision, right? He’s Quirkless. We’re bringing back having Quirkless characters. It’s going to be this sick as hell juxtaposition between Izuku and Mirio. We are at least going to force Izuku to reflect on his own times as Quirkless or have some kind of discussion about how Mirio is treated differently now that he is Quirkless.
But no. He gets his Quirk back by the next season. We don’t talk about it much. It’s more of a minor inconvenience than anything.
It’s almost as if the show accepted as an actual rule that you couldn’t be a hero without a Quirk. And then just. Forgot. Everything it had to do with its literal protagonist.
Anyway, I hated it.
In contrast, I fucking loved how yuuta’s storyline with Rika ends. That scene where Yuuta’s turning back to Rika, thanking her for loving him, telling him they can die together? I’m obsessed with it. I recently moved across the country and listened to that theme song on loop during the drive.
Yuuta and Rika’s love was unhealthy. They hurt each other. But it wasn’t malicious.
They just didn’t know how to love each other in a way that didn’t hurt.
They were in shit circumstances. But the love was there.
Yuuta felt guilty for Rika’s love for him and his for her almost the entire narrative. He thought he cursed her with his love. He wanted to kill himself because of how she hurt people out of love for him. It’s why I have moments in sea glass gardens where Yuuta talks about begging Rika to stop loving him—he didn’t know why love had to hurt so goddamn bad, and he’s sorry for that, he really is. He wishes he was better at it than he was.
At the end of JJK0, Yuuta truly is the last person who remembers Rika as she was and still loves her for who she is. He’s faced with Geto, who wants to use her as a weapon. Everyone treats her as a threat or a tool, except for Yuuta.
Like. Just that moment. Of loving someone so genuinely, and being the last one who does, and knowing that everyone else will just use them. I’m obsessed with it.
Yuuta reconciles with his love for Rika and her love for him, and they’re both finally freed. It’s this perfect moment of acceptance that I adore. He comes to terms with his past. It doesn’t hurt him so much anymore.
I wrote pez dispenser debris to sort of force Izuku to have that kind of reconciliation. As it is, he hasn’t reconciled with his own Quirklessness and how that affected him. I wanted to give him something he couldn’t physically escape and had to face.
#tw canon typical discussion of suicide#tw suicide#tw suicide baiting#pez dispenser debris#sea glass gardens#from a narrative voice perspective you are so so right#I tend to change my writing style a bit depending on who I’m writing#and Yuuta and Izuku I use VERY SIMILAR STYLES WITH#to the point where I reuse a lot of sentences between the two stories#I do shift my writing a bit#with Yuuta I tend to use shorter simpler sentences and have a lot of ‘distance’ in the sentences#I use a lot of ‘Yuuta thinks’ and ‘Yuuta feels’ when normally I would just cut to what he actually thinks and feels#like those are a lot of fucking words that aren’t the point. they’re dead weight in the sentence. most of the time they’re unnecessary#but I /want/ there to be that distance between the start of the sentence and the point because it gives more of a detached feel to the#writing and I think of Yuuta as a very detached narrator. he spent most of his life isolated and traumatised. the distance protects him.#he’s got space between him and the rest of the world.#I go off on way more asides with Izuku but that’s less because of a mindset I’m trying to build and more because it’s my silly fun story. I#wanted to write it ‘badly’ and break rules. I wanted the silly asides that have no affect on the story but existed in my head. I don’t let#myself do the same in sea glass gardens.#pez dispenser debris isn’t abandoned by the way I’m just burning myself out on sea glass gardens before I go back to it. I have to take#periodic breaks with stories and I’m trying to get through this one arc before I take one with sgg. that arcs the entire reason why I wrote#sgg to begin with actually. I have a LOT of stories that I /love/ that I never post because I know I only have so much time and there won’t#enough to finish them all. a story has to have something I really want to do for me to actually post it. sgg wouldn’t have made the cut if#it weren’t for this one arc that I found so damn funny that I decided to write the entire thing for the sake of one scene in it. it’s not#that I don’t like sgg to be clear. I love it. it’s just one of my much softer stories?#it doesn’t have a big climactic or intricate narrative. it’s softer and about healing.#its less narratively dynamic and more introspective and probably wouldnt have made the cut were it not for one scene ngl#ill probably finish toy rosaries next once i do that arc like im so close
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paigemathews · 1 year
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There’s always gonna be something about the inevitable tragedy in Chris’s story that gets to me. No matter what happens, there will be a devastating loss that cannot be altered, cannot be changed, cannot be fixed. If he doesn’t remember, it’s the erasure of a fiercely loyal and determined witch who sacrificed more than his life but his very existence to save a world he never saw. If he does remember, he’s of two different worlds that cannot exist together at their core, costing him an entire world of people he can never get back. There is no uncomplicated happily ever after for him and it will always be a bittersweet ending at its happiest. In the end, success encases a profound amount of loss that even magic can’t touch.
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cainware · 2 years
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Okay I might get devoured for this, but I'm gonna post it anyway, so please bare with me:
I feel like Bruce has this belief that Jason never understood why he can't kill right, but also I feel like Bruce also doesn't understand why Jason can. Like he looks at it as a moral failing in so many different iterations from writer to writer but like? Bruce, understanding is a two-way street.
Bruce thinks he'd never be able to come back from taking a life, but then you look down the line at Jason, and Jason can and does. He's not lesser because he kills when he thinks it's the right thing to do, he doesn't lose himself in the bloodbath like Bruce thinks he himself would. Jason doesn't go mad with power, he doesn't go around just murdering any random thug just because.
And I think that damages Bruce a little bit, because he doesn't want to admit that Jason's killing isn't as much of a moral failing as he thinks it should be. I think that Bruce, somewhere in his mind, wanted to believe that if he couldn't do it without losing himself, then nobody could. And I think he can't bring himself to admit to himself that in that regard, Jason has always had a better understanding of the world and his own person than Bruce ever will.
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n4rval · 2 months
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ough. toriel my beloved
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suncaptor · 8 months
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no there really was something about riding back from the volta region to accra in africa and like having hundreds of white-winged flying bugs flocking to the headlights of the van and shedding wings across the ground in the flickering dark and reflective rain. by the time we got back to accra the rain had lifted and there's a part up the hill where you can see the city sitting on rocks in front of you and how it stretches. it was beautiful.
#incoherents#i dont think i could feel a thing then or now i am always so scared. i spent that night. it was easter. at the hospital.#i landed badly paragliding and was hypothermic in high high heat. i was my wound cleaned i was scared I'd die#for no reason. i was having ocd issues. kept imagine getting infected. it was kind of nonsense#but i couldn't get any creams and i had to shower#(had to shower so methodically. in sevens. make sure no part of me could have covid covid covid)#i must have seemed insane. i didnt eat anything but a tiny bit of jollof and my friend helped me get some plantain chips but the night#market was nearly closed#its funny. how me now me then me at 19 how everything is a different lense#I'm through so much glass#i can't imagine being who i was a year ago I'm all hollowed out I'm dead I'm not real#there's a perspective shift. there's things if only i could not drown and be real that i could make so much out of#i want to exist in this world so badly. i want to feel it. i want to be real. but there's too much horror and grief and it consumes me#the beat of their wings was so empty whit#the best psychiatrist i ever had was the boss of the guy i saw that week cause i was scaring myself. but who referred me to him got me so#scared bc he thought i was manic and i freaked out and started crying and asked everyone including half a dozen professionals#if they thought i was because i was scared I'd end up paralysed (again. ocd.)#they took me to the hospital because they were afraid#god i was so much better then yet#and the surgeon guy was not appropriate enough but he liked me. he knew i wasn't a risk. it was all so useless. but you know.#another person to say I'm not manic. god i was so neurotic. well.#okay I'm rambling. it's just. nothing feels real nothing ever feels real#i want to exist have i really not existed this whole time?#i feel like there's so much i missed i grieve everything but not as much as i.#i got better on this med but maybe it wasnt the med. i was . talking to her more again wrapped up#and#hhhhh#nothing is real. i love her
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13eyond13 · 2 years
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#half watched the stranger things s4 finale while my roomie was watching it this week#and from the pov of somebody who hasn't rly kept up with it since the first season it was just like#screaming crying teenagers and sentimental speeches and hollywood tearful love confessions and death scenes#and goofy black and white villainy and idk dhdjsksks#every character was on my nerves the entire time basically and idk if its just me being cranky or too old for it or what#like im too young for 80s nostalgia and too old to care about teen love triangles so im just sitting there like...#i just am impatiently awaiting more details about the new show because i have nothing new to say about DN otherwise#and im glad something new is coming but i just get the bad sense the duffer brothers priorities and tastes will not at all line up#with what makes DN good#the vibes are almost opposite and they also seem really corny in a way too#i like sincerity and heart in shows too but idk almost none of the stranger things cast actually feels real to me#and there are far too many of them by now#theyre right saying it isnt game of thrones... like that many characters should only exist in a world that vast#and with that many moving plot points#there is not enough going on in hawkins to warrant populating it with 2 dozen separate guys i have to get to know and also care about#ANYWAY im sorry to be so grumpy im honestly just bored and badly want something new to discuss#duff note#stranger things spoilers#p
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1980ssunflower · 1 year
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I miss them both so much,,,,
#ot3: ❤rhyme💛easy💙#tape entry circa 1980#i keep thinking and thinking of them#they feel so close to me#almost as if i could run into their arms and have them hold me close rn if i wanted#my world feels like its making less and less sense and tbh i feel really lost and sad#and i just keep thinking about how badly i want to be home w them both#i want to run up to my min-gi and squeeze him tight and squish his face in my hands and pepper his face in kisses#and of course plant a kiss on his nose 💙#and i want to crash into ryan and for us to fall on the ground laughing as he snuggles into me and starts to kiss me and tickles me#and im screaming for him to stop but he doesnt fucking care and keeps going hgfdjks#i want us to go out for dinner together at a nice diner and walk around late at night down the empty streets#singing together and chatting abt whatever#i just need moments like that w them#i want this personal intimacy w them both were the world is quiet and we're all that exists to eachother#all that exists is us. right now. us and our love. and theres nothing to interrupt that#i want to breathe them in i want to take in their everything i want to be a part of them as if we were one person almost i just need them#i want to study their faces and take in how perfect they are... and feel my love for them overwhelm my heart and body and mind#as i sweetly plant kisses over every inch of their bodies to worship them to show them how loved they are#i dont want them to ever doubt it. id scream it to the world. id trade my own life for theirs in a heartbeat#theyre my world. and id do anything to protect and forever cherish my world
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dragqueenpentheus · 2 years
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snarling biting gnawing etcetera
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that is to say I am so full of feelings about meteion !
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piplupod · 1 year
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the urge to change my name and make a new account to have a fresh clean slate is so big off and on lately djfjkl idk why
i would miss friends and mutuals though and followers i see in my activity feed so i won't do that but like. i kind of wish i could like. not be held down so much by how i feel ppl perceive me, i want to say things or do things that would be considered "out of character" bc i have a lot of shifts going on in brain rn (like things are shuffling around and being re-organized almost?) and i just want to be able to let myself exist without feeling like i need to be consistent fdsfjkl
idk if that makes sense. i probably won't be posting anything to do with that here until its more concrete and i can slowly shift towards that instead of the current state of being, but also i really wish i could share the cool things i'm realizing or piecing together or thinking about, but i just feel like it would be weird or cringe or whatever. but god i feel like this might be really healthy finally and i might be able to like,,, not be literally constantly running shame and suicide in the background of my brain, those might be able to shut down for a bit which would be so nice
#idk fhsdgjkl this doesnt make sense probably but im just#things are changing in brain finally i think and im able to explore it a bit better and learn to work with it#this brain is definitely not anywhere near normal or average which. makes sense. traumatized child setting things up for life and-#-then add dissociative disorder on top of that and all the egostates or whatever not coming together like theyre supposed to and now#you've got scattered pieces all across the board#also i think there IS an inner world more than what i've realized but i've been unable to see it properly or access it bc of my-#frankly insane amounts of shame. like it would've been extremely distressing for me to realize i had that before now#it is still a little scary and distressing which is why i can't like. access it still but i have been feeling glimpses of it#maybe im making this all up idk but... it doesnt feel like when i make things up fdsjkl it feels like when theres smth true that-#-i dont want to acknowledge is true. like im trying to shove it away and pretend it doesnt exist bc im ashamed and feel cringe#but it isn't going away so. i would like to try to work with it#and just let myself be curious instead of ashamed#maybe i'll post on our system sideblog about things idk fsgjkl it feels too public here but i DO want to share bc its interesting-#-and god knows i can't journal for the life of me (there is... trauma around that) so dsgjkl maybe that would work best#okay cool i'll stop rambling about DID and brain stuff bc ppl will think im being weird probably fshdfjkl thats why i never talk about it-#-here bc i know its seen as ''cringe'' to have this disorder and its weird and strange and not normal#which yknow. it isn't normal. it is a bit strange. but thats trauma babeyyy lmao#but i just . dont want ppl to think badly of me. unfortunately the others in system dont think that way and dont care so they post here LOL#SO much more than i post about things which is totally fair and i'm not going to get upset at them bc i DO need to work thru this shame#its unhealthy for me and also it can be harmful for OTHER pwDID/systems if im being embarrassed about having this disorder#okay im done now for real HDHGJKL sorry abt the ramble#pippen needs 2nd breakfast#delete later probably
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angelicstalker · 2 months
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She is so fucking perfect
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blondwhowrites · 16 days
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ꨄ Mattheo with a shy girlfriend is literally the best thing to ever exist AND I WILL DIE UPON THAT FUCKING HILL 🗣️🗣️🗣️🗣️
ꨄ He's walking to his class one day when you accidentally stumble into him. Of course, you're just so embarrassed. I mean, this was THE Mattheo Riddle, son of the dark lord and one of the most attractive boys in the school. While you're busy apologizing and scrambling to get your things, he's just staring at you absolutely stricken by your beauty and presence. He almost wants to cry when you run away from him because—HOLY SHIT HOW DID HE NOT KNOW YOU EXISTED UP UNTIL THAT MOMENT?!
ꨄ He is instantly going to Pansy and asking about you after that incident. Literally is so pressed when she doesn't know anything about you. Now he has to do all the work and by that, he means stalking you and learning everything about you 🙄
ꨄ Congratulations you now have a stalker 🎉
ꨄ But seriously he has a few uhh... interesting ways of getting to know you 😃 It's a bit creepy and obsessive but he means well.
ꨄ The more he learns about you, the more he falls for you. He notes all your little, mindless habits. He makes a list of things he knows you like to spoil you in the future. He threatens anyone who treats you badly. He also makes sure no boys try to steal you away from him because there's no way he's gonna lose to some pathetic Ravenclaw. (Caw caw motherfuckers)
ꨄ He knows you're shy, so he takes his time when it comes to actually interacting with you. At first, it's just little interactions, like smiling and waving at you or holding the door for you. Then he's starting conversations with you, and interacting with the very few friends you have. He wiggles his way into your life like a little worm. HE'S IN IT FOR THE LONG GAME GIRLS
ꨄ He would literally condition you into being comfortable with his touch, like touching your shoulder and hands a little when he's talking to you, or subtly wrapping his arm around you when you two are walking. This motherfucker is so subtle—it's not even funny
ꨄ Praises you whenever he can, and he loves the way you get so shy and giddy whenever he does. He knows you are giggling and kicking your feet 🤭
ꨄ He tells Theo and Draco about you, and it gets to the point where the two boys know more about you than your friends. They just want you to get with him already because they are so sick of Mattheo gushing about you whenever he can. They both secretly are happy that Mattheo trusts them enough to be so open to them about his feelings for you
ꨄ When you do get together, Mattheo feels like he is on top of the world. All that hard work paid off, and now he has you in his arms—AND HE AIN'T EVER GONNA LET YOU GO 😤
ꨄ Well, congratulations on becoming Mrs. Riddle!!!
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halemerry · 9 months
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So there's a lot to unpack here but I want to start by talking about the ending and specifically about the Metatron and the calculating moves made at the end of episode 6.
Every single piece of what happened there was a manipulation technique being employed against Aziraphale to an almost brilliant degree and I'm honestly a little obsessed with what this says about the Metatron in particular.
Let's go in order.
First of all. We see him order coffee. In a human body. Something sweet and sugary. He talks to Nina and asks her about her shop name. Does anyone ever ask for death? And when she tells him no they don't his response is to say "so predictable". Our introduction to him here even when everything about him reads like a sweet old man is presented to show us someone who reads the world in terms of being predictable to him.
He then shows up in the middle of Aziraphale's existence being threatened. He immediately cuts down the threat's authority (using outdated language like Az himself would favor) and reemphasizes his own connection to Heaven. When Michael doesn't recognize him and he puts her down and then directly engages Crowley. Crowley who, to Aziraphale, has for centuries at a minimum been someone he thinks is smarter, better, more Good than these other archangels. The Metatron validates these beliefs. Crowley is more Heavenly than these archangels who couldn't even recognize the voice of God when he was standing right in front of them.
The Metatron draws attention to the fact he's in a human body. The kind of body Aziraphale has been in and loved for nearly 6000 years. He then banishes the archangels, implying their morality is in a gray space, and validates Muriel someone we have seen Aziraphale react positively to and someone outside the current power structure. Look at me, he's saying. I see and validate the little guy.
He then tries to talk to Aziraphale. Aziraphale says "I've made my position quite clear." And then the Metatron offers Aziraphale the coffee. This bartering chip, consuming sustenance, is a thing that Aziraphale and Crowley have used as their connective tissue for centuries. It's an olive branch for them. It's giving Aziraphale bodily pleasure and the Metatron implies that he himself has partaken also - a thing we know that Aziraphale has struggled historically with moralizing. He is seen by the closest thing he has left to his parent and he is having old fears validated as safe and old habits being played upon to make him feel secure
He then REMOVES Aziraphale from his home turf. Not only does he remove Crowley from the equation but he takes Aziraphale from the place that has stood as a place of sanctuary throughout the entirety of the season. The shop is Safe and Aziraphale is leaving it and he is leaving the one person who might be able to smell the bullshit coming from the Metatron. The music notably turns absolutely dire here.
The next time we see them the Metatron tells Aziraphale that he doesn't need to answer instantly. He can take his time, if he likes. All the time he needs. And then tells him to go tell Crowley. Once again bringing Crowley in as a valid part of this while manufacturing a scenario where he can't possibly be.
Az ends up in a place where he's overwhelmed and confused and he wants so badly to believe what he's being told. It's an appealing thing from his perspective! He feels off kilter like he's made a mistake in judging the Metatron. He can't even fully articulate what happened to Crowley at first and he's had absolutely no real time to actually think it through. He's running on sheer reactive energy.
The Metatron starts their conversation by asking Aziraphale's opinion. Who should rule Heaven? This is once again playing into making Az feel validated and like he's a part of this decision making process. The Metatron corrects him, complimenting Aziraphale and making him feel capable and in control. He reassures Aziraphale's bafflement. And draws attention to some traits that, while true of Aziraphale around Crowley, are not his defining traits in the eyes of Heaven. You don't just tell people what they want to hear I find particularly notable in this regard given Aziraphale spent most of his time on earth actively lying to Heaven and doing just that. But it fits into the narrative Aziraphale has built around himself, especially post Apocalypse. The Metatron then says I need you (a phrase Az will use much more painfully here in a minute).
And even after all this Aziraphale says no. He says flat out he doesn't want to go back to Heaven. He says this!!! And then the Metatron sweetens the pot. He swaps tactics. Not once has this come up until Aziraphale pushes back against the idea. If the Metatron could've gotten him without using it I have no doubt he wouldn't have bothered with it. Come to Heaven and we can save Crowley. Aziraphale loves Crowley. Aziraphale thinks Crowley is better than any of the angels he's interacted with. Crowley is Good and Nice and Kind and always saving him and now he's being presented with a way to return that. He can Forgive Crowley - a thing Crowley has always presented to Aziraphale as something he struggles with. All of these things Aziraphale has watched Crowley react to in a way that belittles himself or distances them from one another. Of course he wouldn't consider that maybe what he was actually saying is "I'm unforgivable and I don't want that forgiveness."
The Metatron offers Aziraphale a Dream Offer for the pre Armageddon Aziraphale. You can keep your Crowley. You can heal him like you have always thought he deserved. You can have power and control the people who for your whole existence has beaten you down. It can go back to how it was but BETTER.
When Aziraphale leaves he still hasn't answered. He goes and has the conversation they have. It's intense and emotional and the Metatron comes in after the Moment all casual and asks how it goes, knowing fully well the shitstorm he had just set up to get created. And then he turns around and says "always did want to go his own way" which is not only true of Crowley but framed as a bad thing despite the fact that he has just spent twenty minutes or so telling Aziraphale that he's done his own thing and that is Good. He is playing both sides of this perspective as it suits him. And then he cuts down Crowley asking questions, pressuring Aziraphale to avoid doing the same. He then proceeds to ask Aziraphale not if he's made up his mind but if he's ready to get started. He is one by one closing off exit routes to this thing as Aziraphale starts to look more and more panicked and indecisive. He makes sure the bookshop is in good hands and asks Aziraphale if there's anything he needs to take with him. Letting Aziraphale have the illusion of choice while cutting down "I don't want to" as an option altogether.
And Az, as soon as the Metatron is out of shot, tries to express this. And then he falls back right on old coping methods. The Metatron pats him on the head. Reassures that he's the right one for this. That he is Good. That his particular skillset is needed here.
It is a masterstroke of manipulation. A very dark twist on what we see Crowley do time and time again with Aziraphale throughout the millennia. Familiar in a way that makes Aziraphale feel safe. Except this time this is being used to put him back in line. It's brilliant and painful and it fucking hurt and I need a season 3 to see the Metatron get what's coming to him stat.
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peachsayshi · 2 months
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✧⋄⋆⋅⋆⋄ blessings ⋄⋆⋅⋆⋄✧
↬ summary: nanami kento tries to be the perfect husband and father but when a tough night fighting curses ends badly it results in nanami snapping at his daughter. 
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ˏˋ°•*⁀➷ minors / ageless / blank blogs (dni) ↬・tags: nanami x female reader; hurt/comfort; nanami has a daughter; domestic drama; being a jujutsu sorcerer is hard; momotarō is a famous Japanese folk tale :c ↬・ wc: 3,383
↬ notes: hi, everyone! I'm currently not really active at the moment so please don't feel disheartened if I haven't been responding to your messages or tagged posts. I'm taking a small break and only coming online for a bit to catch up on some messages, read fics or queue posts. I'll be back to properly posting and interacting soon but in the meantime I wanted to share that I finished up this draft over the weekend. I was actually debating if I should post this but then just decided to go for it! sending all my love xx
nanami’s head is heavy, completely clouded with despair, and it tints his brown eyes a shade of murky gray. the walls of his beautiful home feel narrow, almost claustrophobic, which explains why he’s struggling to catch his breath right now. stepping into the hallway, he instinctively peeks into the dining area to find you and his daughter eating dinner together. she’s sitting on the chair, her legs far too short to even touch the ground, holding a half eaten onigiri between her small hands. you are by her side, sneakily tidying up after her as you brush away the stray beads of rice trickling onto the table. 
a little glow blooms in nanami’s heart at the sight of you both but there is a vicious creature residing in the pit of his stomach that veils the bright light away. 
he quietly takes off his jacket, his bruised fingers loosening the tie around his neck. he clears his throat before announcing with exhaustion to you both that he’s finally home. 
your eyes meet his, the muscles on your face falling immediately. he can practically feel the blood rushing through your veins as worry washes over you. the reaction makes his chest uncomfortably tight, but he knows that he can’t hide his expressions around you like he used to. 
you both move together so fluidly now, like a single body of water that ebbs and flows to its own natural current. 
he escaped the night’s fight with a few cuts and a couple of bad bruises, but there is currently a student on shoko’s table who barely made it through. the young man arrived at jujutsu tech only a couple of weeks ago, but his naive and charismatic qualities turned into fatal flaws in the world of sorcery.
he bit off more than he could chew by trying to take on a special grade curse.  
shoko promised nanami that she would heal the boy, but admitted there was only so much she can do in regards to the aftermath of his injuries. the sorcerer couldn’t bare to leave him behind, but gojo refused that he stay and insisted that he return back home to his pretty wife and adorable daughter immediately. 
“I’ll handle things from here,” is what his superior said, while nanami’s guilt climbed up his throat. 
that student was his responsibility... 
...and he failed him entirely. 
“papa’s home!” his daughter chirps. the pitch of her voice ringing in nanami’s ears to pull him back to the present and far away from the scene where life and death were dancing together in a tango.  “papa, look, look...mama and I made onigiri!” 
her feet bounces up and down, and there’s a touch of a pink against her cheeks when her mouth stretches into a beaming grin. the innocence in her eyes makes nanami falter and he can feel himself falling deeper into the abyss. for a minute he resents himself for selfishly bringing such a beautiful thing into this world, only to gamble with the fact that she may potentially be in his shoes one day. 
he begs for that outcome to never happen, beseeches whatever higher power above him that exists to spare her from this life. she should never have to go through this, never have to experience these heartbreaks that only wither a person down. 
“I can see that,” nanami replies in a low voice before shifting his attention to his feet. 
right now, he can’t stomach an ounce of her purity, and it radiates around her like a halo. she's so unbothered by his presence, so completely unaware of the sudden change in the atmosphere around her... 
“we made tuna, salmon, and veggies...” she babbles on. 
“how nice...” nanami curtly interrupts, before anxiously running his fingers through the strands of his messy blonde hair. 
“which one do you want, papa?” she questions eagerly, pointing her sticky hands at the plate to show off the selection of triangles. 
“sweets,” you interject just as nanami turns on his heel to walk in the other direction, “how about we finish up eating our dinner, and we can save some for your daddy tomorrow...”
“nooo!” she whines far too loudly, which forces nanami to stop dead in his tracks. he glances over his shoulder to see her puffing out her bottom lip with disappointment, “you said...you said we make it so we eat together!” 
she’s only six. 
she can’t perceive that her father is struggling to hold himself together. deep down inside nanami knows that, but it isn’t enough to keep his cool. he doesn’t know why his daughter’s insistence causes him to pinch the front of his brows with annoyance or why he shoots a frustrated look in her direction. 
he doesn’t know why he’s suddenly picturing shoko calling the student’s parents to deliver the news that the man who was supposed to protect their child was unsuccessful in his duty. 
he doesn’t know why he feels at fault for everything that happened, even though the circumstances of the events were completely out of his control.  
he doesn’t know why he’s imagining himself on the receiving end of a very similar call, or why he can’t stop picturing his precious daughter on that table instead…
all of this pummels into him, and the monster emerges out from it’s cave.  
“be quiet and stop making such a fuss.” 
his voice comes out sharper than expected, and the expulsion of his frustration allows him to see the crystal clear picture before him. 
the room is dead silent. 
your face is in full shock at the hissing tone of your sweet husband snapping at his darling baby girl who he only ever speaks to with a gentle voice. 
what truly unravels nanami is the look that his daughter is giving him - her angelic features are sullen, but her eyes remain wide with surprise. her bottom lip is slack, and the only sound he can hear is her uneasy breathing. her eyes, the most beautiful gems in existence, twinkle as tears begin to form and she tries to quickly blink them away before turning her attention back to her plate.  
nanami doesn’t know he managed to stop time itself but the three of you remain frozen in place. 
he regrets his words immediately. 
he wants nothing more than to pull his precious girl close into his chest and smother her with apologies. the part of him with sense tells him to follow through and make things right with her, but instead he begrudgingly continues to wallow in his own self pity as he walks over to his room. 
・゚ ・゚·:。・゚゚・・゚ ・゚·:。・゚゚・
the house is unusually quiet now, the music of domestic joy morphing into hushed murmurs and whispers outside your room door. you settle your crestfallen daughter into her bedroom before moving to check on your husband next. 
fresh out of the shower, nanami is seated on the edge of the bed with his exhausted eyes pressed firmly into the palms of his hands. he exhales a heavy breath, his dirty work clothes still piled just outside the bathroom, and your heart nearly collapses seeing him in such a state of disarray.
you kneel before him, two hands sliding across the soft material of his sweats as you brush them along his thighs before carefully bringing them up to circle around his wrists. 
“kento?” 
he allows you to pull his palms away but your throat constricts when a band forms tightly around your neck. you swallow the lump with an upturn of your brows as you are greeted with red, exhausted eyes. you cup that handsome face in your hands, your thumbs sweetly motioning back and forth across his cheeks as you try to soothe the tension away. 
after all this time together, it hurts you to see that he still tries to hide his tears. nanami constantly holds himself to the highest standard, always ensuring that he can solidify himself as the rock for you and your daughter to depend on through thick and thin. it’s so rare for you to see him crack, to watch him crumble under the overbearing weight of the things that he is burdened to carry. 
“you had a rough night,” you point out in a low, sympathetic voice and he simply just nods his head in acknowledgement. 
his eyes flutter close again when you lean forward to press a tender, reassuring kiss on his brow. “you want a talk about it?” 
the way his voice shakes makes you shiver, but you tentatively listen as he relays the events of the night before finally concluding that satoru called him only a few minutes ago to reassure him that the student in question is alright. 
“he lost an eye, but at least he’s alive...” he concludes somberly, the warble in his final statement prompting you to wrap your arms around his neck as you pull him in for a protective hug. 
nanami receives it with gratitude, strong arms circling around your waist as he buries his nose into the crook of your shoulder and breathes in.
your scent is a reminder of his permanent sanctuary.
a safety, a reassurance of home.
you stroke his blonde locks between your fingers until he exhales, "i'm so sorry," he breathes, "I...I didn't mean to snap like that..."
a tiny smile tugs at the corners of your lips, and you unravel yourself to cup his jaw into your palms once again. "I appreciate the apology, but I don't think I should be on the receiving end of it..." you hint sweetly.
nanami closes his eyes guiltily. "I'm a horrible father."
you click your tongue with disappointment, your face falling as your disapproval pinches between the space of your brows.
"you're just human," you remind him defensively, "you're a wonderful father, the best man that our daughter can look up to"
"did you see the look on her face?" he replies, his voice unnaturally small. the tender expression he gives you is filled with regret, and it's enough to make your heart ache all over again.
"kento," you contend, "don't do this to yourself. we're both going to have days where we mess up, but that doesn't mean that the problem can't be fixed."
you thread his hair between your fingers, like your brushing through rays sunlight. "she's waiting for me to read her a bedtime story," you explain, "but I'm sure she would rather be with you instead..."
"I doubt that," your husband replies as he reaches for your hand to kiss the inside of your palm.
"we will always love you, kento," you answer back, "unconditionally. on your good days and your bad ones"
he didn't even know how desperately he needed to hear that, for your certainty to remedy away all his sorrows, until they actually left your lips.
your husband's throat tightens, tears pricking his eyes once more but he hides them away when he leans in to seek out a kiss from the woman whose heart he deeply adores.
・゚ ・゚·:。・゚゚・・゚ ・゚·:。・゚゚・
nanami leans his shoulder against the frame of his daughter's room. his heart patters lightly, making him realize that he might actually be nervous. it's strange, he thinks, that he would feel hesitant to approach his own child considering that he was her guardian but nanami had never allowed his professional life to fracture into his personal one like this before.
she's seated on the floor next to a pile of books and her stuffed rabbit secured tightly underneath her arm. there's a warmth in his chest when when he makes note of the soft toy, because he purchased that himself the day she was born and the pair have been inseparable ever since.
he clears his throat, bringing his scuffed knuckles to gently knock on the door.
"my love?" he calls out to her.
his daughter perks up, her breathing changing slightly as it rises and falls with a hint of apprehension. she glances over her shoulder to see him.
"where's mama?" she asks, her question shattering the man into a million pieces at her subtle dismissal.
"taking a shower," he answers cooly, "but I'm here to get you ready for bed..."
her lovely eyes refuse to lock into his own, and she simply tucks her lip between her bottom teeth to avoid giving nanami a reply.
she looks so much like him when he was a child. he remembered when his parents used to scold him too, and how he would also hide away in his room. the only difference is that nanami's parents were far more traditional - a time where elders were never submissive to young hearts.
"may I come in?" he requests politely, ensuring that his daughter knew she had a choice if she wanted to speak to him.
her nostrils flare slightly while she considers him, but to his relief she nods her head eagerly.
nanami steps into her room, always feeling largely out of place amongst her things. "did you find a story for bed?" he asks.
she again quietly nods her head and picks up her favorite book; a compilation of japanese folktales with beautiful illustrations. you both have been reading one for her each night ever since she got it it as a present from her grandparents.
he crouches on his knees to meet her at eye level. "you've really been enjoying this one, haven't you?" he carries on, hoping to coax more words out of her.
“yeah,” she replies in the same mousy voice of uncertainty. she shifts her attention away when she stands on her feet, clutching onto the stuffed bunny tightly while her other hand swings the book by her side.
“and what tale are we reading tonight?”
she shrugs her shoulders with indifference, a hint of pink blushing her cheek. “I dunno. I…I can just until mama is ready…”
nanami visibly slumps. her rejection an entirely new painful experience that he's never endured before. he scratches the back of his head anxiously, finding himself at a loss for words. the seconds pass, an awkward bubble surrounding both father and daughter. it’s only broken when nanami exhales a sigh, and reaches his hands towards her waist to draw her into his frame.
“darling,” he addresses tenderly, “can you look at me?”
“no, you were mean…” she blurts out, her bottom lip trembling slightly.
nanami’s heart sinks.
that’s the first time he’s ever heard those words from her lips.
“I know,” he murmurs shamefully.
her mouth forms into a tiny button of a pout but she meets his eyes for the first time as he acknowledges his behavior.
nanami arches forward to kiss her forehead, “I shouldn’t have yelled at you like that, sweetheart. I’m so sorry if I upset or scared you”
she fidgets with the book in her hand. “did you not want onigiri?” she asks, her innocence tugging the corners of her father’s lips into a small grin.
“it wasn’t the onigiri, my love,” he reassures, “daddy just…had a bad day at work…”
“why was it bad?”
nanami sighs once again.
she still doesn’t know that he’s a sorcerer. you’ve both reduced his position to her by simply explaining that nanami “helps and protects people".
thankfully your daughter doesn’t pry too hard to ask any further questions.
“someone I know got hurt. so, daddy was a little shaken up when he came home…”
"shaken up?"
"scared, my love"
his daughter shakes her head in disbelief, “nu-uh, you never get scared, papa” she rebuts.
nanami huffs out a laugh, flashing her a full grin now as he brings his fingers to his chin to to ponder her sweet statement. he quirks his brow and cheekily replies, "we can't all be brave like you," in an attempt to lighten the mood.
his daughter narrows her eyes towards his hand, her mind instantly distracted with other things already. "you got hurt too papa!" she gasps, dropping the bunny by her side to point at his knuckles.
nanami glances at his fingers covered in red marks.
"wait!" she exclaims as she places the book by his side. "I have something!"
she spins on her heel and rushes towards one of her drawers. meanwhile, nanami just takes her in with his love soaked eyes, watching as she rummages through her stuff with determination until she scurries back his way.
"got it!" she squeaks with a smile, and to his surprise she jumps right into his arms with such nonchalance it nearly make him crumble on the spot.
your voice echoes in the back of his mind: "we will always love you, kento. unconditionally. on your good days and your bad ones"
"mama bought it for me," she explains, regaining her father's attention once more.
nanami rests his cheek on her shoulder, and inhales her powdery scent as he keeps one arm warmly secured around her waist. he watches her peel off the plaster of the band aid, lbefore grabbing his hand and placing it unevenly over his knuckles.
"now a kiss!" she adds, as she brings his hand to her mouth and exaggerates a loud "mwah" sound for emphasis. "mama says the kiss is what makes it all better"
nanami instantly feels significantly better from this remedy of love. he extends his digits out, and looks at the hot pink "hello kitty" band aid that now rests comfortably on his knuckles.
"thank you, my darling," he coos and peppers her cheek with a few kisses before turning her to face him once again. "you made me feel a lot better"
she flashes him an equally large smile in return, showing off her missing teeth.
"I did?"
nanami chuckles as he scoops her up in his arms to give her a well deserved bear hug. she laughs as he stands on his two feet, and sheds away any lingering thoughts of apprehension that may have stuck.
"you always do," he reassures, his soul vibrating back to life when he feels her return his embrace. “you think you can forgive me for how I spoke earlier?”
“yeah,” she confirms and squeezes him just a little tighter. "I love you lots, papa"
"oh, my angel," he hums, "you have no idea just how much I love you too..."
・゚ ・゚·:。・゚゚・・゚ ・゚·:。・゚゚・
after winding down from your evening pampering session, you decide to pass by your daughter's room to check on your little family. you peer through the cracked door to find nanami spread out on your daughter’s bed, with your daughter curled into side and her head resting on his chest.
“did I come from a peach too like momotarō?” you hear her ask, but your heart flutters at the sight of your husband’s pearly whites.
you’ll never get over how much you love seeing him smile with such genuine emotion.
“no,” you hear nanami reply calmly, his finger lightly holding the page open. “you remember your mother explaining how you used to live in her stomach first?”
“oh yeah,” your daughter replies with a hint of disappointment over the fact that she was not birthed from a piece of fruit as mentioned in one of her favorite folk tales.
“shall I carry on?”
“uh-huh,” she answers and she readjusts her position to get even more comfortable. "I think if we look hard enough we might find momotarō..."
"you think so?" your husband wonders with honest curiosity.
"I know so, papa!"
"how many peaches do you think we need to check?"
"hmmm," she mumbles, "maybe a million?"
"a million?" your husband dramatically replies, "that's a lot of peaches don't you think,"
"I mean, it's less than a billion..." she responds quite matter of factly.
you catch his gaze from between the door that’s ajar. his expression fully relaxes, and you smile knowingly in his direction at the sight of father and daughter making up.
“papa?” his daughter questions upon his sudden silence, but your husband keeps his focus on you as he hums in acknowledgement before replying, "you're not wrong, but it'll still be quite a challenge to cut through a million peaches..."
"we might need some help," your daughter adds on.
you blow him a secret kiss as to not interrupt further, and quietly close the door before heading back to your bedroom.
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irndad · 1 month
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Hi, I’m so sorry, I searched for request guidelines and must be missing them so if this isn’t something you write I apologize-
Flower prompt heliotrope with Spencer where reader sacrifices herself/or gets shot to save Maeve so Spencer can be happy, even though she’s hopelessly in love with him. 🥹
Little angst, little fluff. You can decide if reader fully sacrifices or just gets really badly hurt and how Spencer reacts.
my dear!! there are no rules yet- i have things i won't fill but thus far the onus has been on me to clarify. i had so much fun writing this- thank you for requesting it!!! requests r open :^) wc: 1.1k
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“Is Maeve okay?”
It’s the first thing she says when she wakes up from her hospital bed. Spencer’s shaking, a little woozy too. It turns out that they have the same blood type, and she lost a whole fucking lot of it. He’d been happy to give it to her, although ‘happy’feels like the wrong word to use in this situation. 
She had internal bleeding, and collapsed harshly from the gunshot, scuffing her forehead so badly she needed stitches. Comparatively, it’s the least of her worries, but still- Spencer can’t stop staring at it. She’s literally marred by the choice she made to protect him. 
Maeve is okay. She’s in the same hospital, but Spencer’s spent about ten minutes with her- the rest of the last 12 hours of his life were spent oscillating between donating blood and praying to a deity he’s not sure exists. 
She’d survived. They’d both survived. He should feel relieved- why doesn’t he feel relieved?
It’s a stupid question that he keeps asking himself. Two of the most important people in his life are alive, but still in the moment, her blood spilling over him- the gasp of her breath when the bullet hit her- He’s going to remember the sound of it forever, what it sounded like for her to almost die for someone else. He hates that she’s the type of person to do it. To jump in front of a loaded gun for a woman she’s never met before. 
He’s mad at her. He has no right to be- he gets a chance with Maeve now, and that’s all due to the choice she made. And yet- he’s so, so angry at her. Because she could be dead right now. He could never, ever talk to her again. She made a choice that meant that he might have never been able to hear her voice, do a magic trick for her, ever, ever be near her again. How the fuck could she do that to him?
“Yes,” he replies, “she’s okay.”
She nods agreeably, before wincing at what appeared to be an intense ache at her temples. 
“My head hurts,” she says, her voice low and endearing, and his heart roars with protectiveness. “Do you think I could have a juice box?”
She’s so sweet- he wants to laugh, in a sad desperate kind of way. This is his favorite person in the world, sitting up shakily and asking for juice, clearly groggy and so endearing. He almost lost her. 
“You’re okay too,” he says, “If you’re wondering. You scared us. You had internal bleeding and a concussion. You lost a lot of blood.”
It’s only then she frowns. 
“I didn’t mean to scare you,” she pouts, trying to sit up and speak to him. “But it all worked out, Spence. She’s okay.”
“It didn’t all work out!” Her eyes widen at his outburst, and he feels like scum. Yelling at her when she’s in a hospital bed, taking a bullet so he’d have a chance at romance. 
“You said she’s okay,” she says back, slowly. “I don’t understand.”
“You lost blood. You almost died. That is not it working out. You have to tell me you understand that.” He doesn’t know why he’s being so harsh, but he also doesn’t know why he has to explain this to her. 
“I know,” she sighs, “I know. But this is the job, and I didn’t have time to get a vest on!”
“Then you wait. You wait. You don’t just burst in-“
“And you would’ve lost the love of your life!”
“What makes you think she’s the love of my life?”
A nurse shuffles by the room and Spencer takes a deep breath. He doesn’t want to be kicked out of her room, and on some level he knows how crazy it is to be yelling at a gunshot victim. He pinches his nose, eyes winced in frustration. 
She’s been his favorite person by a wide margin for an incredibly long time. She joined the team as a consultant and he remembers the first time he did a card trick for her- the first time he’d fallen asleep on her shoulder. He was so grateful to know her. Still is. In this moment, knowing feels like time slipping out from an hourglass- like it was almost numbered. Their time was almost finished. 
Maeve was lovely. Maeve listened and she was kind and Spencer really did like her. He’s glad she’s safe, now. But his best friend, his coworker and favorite person- Spencer thought everyone could tell that he’s been in love with the team consultant since the first week he knew her. 
Everything he liked about Maeve reminded him of her. 
And she’d jumped in front of a bullet for someone she thought he was in love with. And fuck, maybe he did love her in some way- but whatever ‘in love’ meant with Maeve, this sorrow, the pain of knowing she’d almost been someone he’d have to remember was far, far deeper. 
“You’ve never mentioned anyone to me romantically. I’ve known you for years, Spencer. She’s important to you.”
Maeve is. She was. It’s all so confusing now. He has liked someone for years, though. He couldn’t tell her, though. Maeve was a welcome distraction from a love he thought was wholly impractical and impossible to love him back— a love that now he has to witness languish in a hospital bed. 
Morgan knew. Morgan would tease him every time Spencer drew a smiley face in purple marker on her coffee cup. He would tell him to just ask her out, and it had always felt so improbable. She’d never go for someone as lanky and uncharismatic as him. 
“You’re important to me.” 
She has no idea how much. 
Her eyes soften at that, and not for the first time, he wants to curl into her arms. He wants to lay next to her in the hospital bed, and feel her pulse beat against bare skin. Feel her pulse and with every beat know that she is alive. 
“I know that, Spence,” she breathes out.
Even though it’s not kosher, not necessarily the right thing to do when your not-girlfriend/girl you went on one date with is in the same hospital, but when his best friend opens up her arms for a hug, he ends up doing exactly what he wanted. 
The team finds her asleep in her hospital bed, with Spencer asleep in her arms. It feels voyeuristic to look at, but Spencer really, really couldn’t care. 
He resolved to tell her that he loves her as soon as she’s healed. With the way Morgan side eyes him every time he ‘helps’ her walk across a room by holding her waist, he’s not sure he’ll last that long. 
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comicaurora · 3 months
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I'm sorry that the terfs made their way onto your blog but it does feel good to see you support trans people. Thank you for that
Always.
I think, charitably, that the discourse going down on that post is an extrapolation and over-focus on one element of the point I was making: that for me, determining with certainty that I was cis was a rather fraught process. I was presented with many alternatives, but underlying their imposition on me was the oddly regressive idea that the things I liked, the principles I valued, the parts of myself I was proud of were not permitted of women. My whole life I got smacked with the background radiation that I couldn't like being strong because women aren't allowed to be stronger than men. I couldn't like being loud and boistrous because women aren't allowed to take up space. I couldn't be a math geek because women aren't smart. It was all deeply regressive misogyny from day one, but I started getting hit with it slathered in a fresh coat of paint - all those assumptions still held to be true, but now there was the out that I could do all those things if I just wasn't a woman.
Concluding that the underlying bioessentialist premise was wrong was very important. Absolutely none of those statements were true, and were only ever maintained by cultural saturation, goalpost-readjustment when they were actively disproven, and the occasional bout of lying with statistics to pretend they weren't just Shit All The Way Down. The core premise that certain things were only permitted of or possible for men was bullshit, and I didn't need to surrender the gender I liked best in order to play in the spaces I wanted to. I could simply exist the way I was already existing. I didn't need anything else.
The misinterpretation is the assumption that this being true of me means this is everybody's relationship with gender. I turned out to be cis, so for me, feeling that holding onto my assigned gender wasn't allowed was distressing - just another invocation of the same bioessentialist bullshit I'd been dealing with since the preschool playground. This is because misgendering is fundamentally denying that a person has the right to express themself the way they want. When aimed at me, it says I'm not performing traditional femininity well enough to deserve my pronouns. The same disrespect is the root of misgendering when aimed at trans people. "Perform your gender to my satisfaction or I will confiscate it."
The problem is, bioessentialism is 100% ingrained into the terf playbook, which is why, for instance, all their shitty talking points about trans athletes eventually boil down to "no woman can ever defeat a man in any contest because we are simply naturally weak and stupid and there is nothing we can do about it" and quite frankly nothing disgusts me more than the defeatist acceptance of the very lie that feminism is dedicated to overcoming. Instead of accepting that the paradigm of bioessentialism is a false dichotomy right from the jump, they embrace and weaponize it against the people whose existence proves the dichotomy is a lie. If gender essentialism is fundamentally false, then it is nobody's fucking business what anybody does with their gender. If the lines don't exist, nobody needs to enforce them. And yet there the terfs go, hunting down people whose lives are none of their business and trying to argue that they represent some great and terrible evil, some downfall of society made flesh, something that makes it totally correct and normal for them to spend so much time thinking about strangers' genitalia. They want this to be a noble crusade so badly they won't even examine what flag they're flying.
I love and support the trans people in my life and will always, always stand on the side of your right to exist, but alongside that, terf rhetoric especially disgusts and infuriates me because it is, at its heart, utter cowardice. The world told them they were weak and stupid and inferior and they fucking believed it. And now they think Fighting The Good Fight For Women means turning around and using the same paradigmatic weapon that hurt them to hurt the people whose existence outside the binary proves the weapon is a lie. They're the same shithead schoolyard bullies who made me believe my entire existence was foundationally wrong for years of my life and I will never, ever side with them or the shitty, cowardly rhetoric that contributed to the loneliest years of my life.
Figure out who you are and do it on purpose. Find the real source of the misery in your life and try fighting that instead of the other crabs in the bucket. Trans rights.
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