Tumgik
#i will almost certainly be taking legal action
queermania · 5 months
Text
.
28 notes · View notes
moonjxsung · 6 months
Text
Visions of You in Solitude
Tumblr media Tumblr media Tumblr media
Copyright Ⓒ 2023 by Moonjxsung
All rights reserved. No part of this book may be reproduced or used in any manner. Doing so will result in a legal takedown per the Digital Millennium Copyright Act and is subject to legal action.
Pairing: Hwang Hyunjin x fem reader
W/c: 26.5k
Warnings: erotic painting, mentions of masturbation, sex in a semi-public place (no one is around), breast/nipple play, dry humping, unprotected sex, creampie, oral sex (fem receiving), cum eating, use of pet names, drinking
Synopsis: You were hired to paint him- not fall for him. But intentions quickly shift when Hyunjin finds himself infatuated with you and learns the secrets you harbor.
18+. Mdni!
There’s something to be said about the loneliness that comes with being an artist. The repetitive cycle of translating tangibility to canvas or paper in whichever chosen medium. Fleeting muses you draw inspiration from, which quickly become burdensome as you’re faced with them every waking second of your day. Obsession with perfecting your craft, the anxieties that come with criticism of your life’s work and sometimes even succumbing to changing it entirely at the hands of someone else’s advice.
It’s very seldom even your craft at a certain point, only existing to satisfy the visual demands of others and turn a profit when displayed at a show. And it’s certainly not for everyone, not when it’s this lonely and rooted in the discomfort of personal solitude.
*
From this proximity, the blinding white walls that span the perimeter of the waiting room feel like that of a prison’s- coupled with the glossy laminate flooring and glaring white lights, you feel completely entrapped.
“They’re almost ready for you,” your boss says abruptly as he enters the room and occupies the gray folding chair next to you. “You have everything you need?”
Headcount- your black leather briefcase of oil paints, brushes, charcoal, pencils, paint thinner, old rags and your painting palette.
“The canvas is already set up,” your boss chimes in as if he can read your mind. “And there’s a seat for you. Just relax, and don’t push yourself.”
You take a deep breath, doing your best to follow his advice- but a part of you wants to get up and leave, to run away from all of this. Painting is your passion, it’s your forte and it’s been your life’s work for as long as you can remember. But being commissioned like this, for men much richer than money you’ll ever see, it feels suffocating.
They don’t tell you their names these days, nor the name of whatever organization they’re from. Last month it was an elite group of stock investors, the month before, it was a famous violinist from Japan. And today, it’s a male group, eight members with net worths that look like telephone numbers, or so you’ve been told. And it’s not that you’re intimidated, but you do get self-conscious at the prospect of people watching you while you paint. At some point, it’s like you become the model, their eyes boring into your flesh as you paint long strokes across the canvas and order them to hold still.
“Five minutes,” your boss now says, checking the time on his silver watch and adjusting it so that it sits a little higher up on his wrist.
You wish he wouldn’t count the minutes. You wish he’d stay quiet, allow you to sit with your thoughts and ruminate the day ahead of you. And yet he taps his heel in syncopation with the second hand on the clock above you, the echoing click of both driving you up the wall.
“I need a breather,” you state suddenly, sitting up from your chair and smoothing down your smock. “I need to go outside.”
“Three minutes,” he responds sterly, tapping at the glass lens of his watch and motioning to the door.
You shove your way past the double doors, past the white tiled hallway and just in front of the double doors that lead to freedom again. Two minutes.
It’s like your body is giving out on you involuntarily, your knees buckling as you grip the stair railing and steady your breathing. A quick glance around to ensure no one’s caught you heaving so nervously- and you’re too late. A man saunters down the hallway past you, his hands shoved casually in his pockets as he cocks his head to stare at you, his long black hair falling loosely around his shoulders as he does. He’s tall, and slim, with an elongated torso hugged by an expensive denim coat, his slender legs on display in black slacks and complemented by a sharp pair of boots. You don’t catch a very good look at his face, his figure blurring by as you check your watch, to the second now- you’re supposed to be inside.
You waste no more time jogging down the hallway past the figure and back into the waiting room, where your boss is angrily tapping his heel and scanning the room for you.
“There you are,” he says frustratedly. “No more breaks if you can’t manage your time. They’re waiting for us.”
And with a deep breath, he helps you gather your art supplies, motioning in front of you to the brightly lit room. You take one breath, and then two, as you finally begin into the painting room, eight men already seated and ready for you.
*
The crowd is nothing like the stock investors, or the violinists you’re used to. They’re rowdy, and loud. They very seldom sit still, cracking jokes amongst themselves and shoving each other off the wooden stools every other minute. You do your best to keep your gaze away from them when you don’t need to look at them, trying to memorize their features in intervals so you can focus on just the canvas in front of you as you paint. But it’s nearly impossible, their melodic voices pressing you for answers and insights into your artist career.
“What’s the hardest painting you’ve ever done?” One asks, his baritone voice sounding almost startling in contrast to his bright appearance.
“There’s lots,” you reply quietly. “I’m not sure I can pick one.”
You give him a small smile, trying to memorize the freckles on his face before turning back to the canvas, hoping you won’t have to glance back over at him for the next minute or so.
“Let’s take five,” your boss says as he enters the room again, two iced coffees balanced in his hands. “Thanks, guys.”
And the men scatter to their break room, where neat trays of food are already set out for them to choose from. As the doors swing closed behind them, you watch them select from a variety of pre-cooked noodles, assorted fruits and vegetables, packs of chips and trays upon trays of desserts. They’re fed as though they’re the ones doing all the painting.
“Coffee,” Q says, setting down a plastic cup in front of you, the straw already conveniently placed for you.
“Thanks, Quinton.”
Your boss, Quinton, or Q, is a brutally honest man when he wants to be, quick to comment on your work and keep you in your place. He runs your calendar like the military, never missing an important appointment and opting you in for every profitable painting session possible. He’s another thing you find suffocating at the worst of times, always somewhere breathing commands down your neck and dragging you to every private event under the sun.
“Let me see,” Q states plainly, gesturing to the canvas with his cup of coffee. You shyly angle the canvas toward him, hoping he won’t scrutinize anything about your pacing- you’re trying to get out of here as quickly as possible, and you silently pray the art doesn’t reflect that sentiment.
But to your surprise, he doesn’t, swiping a few stray eraser shavings off the canvas and giving you a nod.
“Looks good. Remember, we just need the skin tones and facial features. The clothes and all that can be filled in later with our reference pictures.”
You nod in response, taking a generous sip of your coffee, realizing this is probably the worst beverage you could’ve picked to calm your nerves. The caffeine pulsates through you, making your heart flutter even more than it already is, and the bitter taste leaves little to salivate over.
“How much longer, do you think?” You inquire, chewing on the tip of your straw nervously.
“No more than an hour, if you keep up this pace,” Q responds. “I’m going to the bathroom real quick, have everything ready again for when I get back. Don’t make me wait.”
You watch as he gets up from his own wooden stool, placing his cup of coffee where he sits, and exits the room to the corridor once again.
You’re alone in the painting room, the white sheets that line the floors staring back at you with little eyes in the form of paint splotches. From behind the door, you can still hear the eight men shuffling about, laughing loudly and downing their snacks. And you want to leave again, the feeling instilling another sense of foreignness inside of you. Like you don’t belong here, even though you’re the painter. You feel small, cramped, even useless, as you stare down the painted flesh outlines across from you.
A click of the door closing beside you garners your attention, and you look up expecting Q to return and resume the session. But it’s not Q- it’s the same figure from earlier in the hallway, slowly making his way inside and hoisting himself back up on the wooden stool. He keeps his head down as he gets comfortable again, two hands running through his black hair and slicking it back out of his forehead.
And then he looks at you- or stares, rather, two hands resting on the exposed wood in front of him as his legs balance on the wooden beams below. You can feel his eyes burning into your figure, and you do everything in your power to avert his gaze and keep your eyes locked on the canvas in front of you. But he remains like that, staring, for several minutes, until you nervously tilt your head to catch his gaze.
You feel your heart race as you do, catching a glimpse of his flawless features as he furrows his brows in concentration. His silky black hair isn’t the only striking thing about him- he has piercing brown eyes, which narrow with such intensity as he remains seated there, unmoving and confident in his stance. His plump lips contrast beautifully against his chiseled jawline, and his lanky figure makes him look like the contemporary art statues you’re so acquainted with, like he’s formed from wire and positioned to slouch so artistically in his spot.
You say nothing to the man, opting to give him a little nod, before focusing back on the beverage in your hands. And despite his clear fascination with you, he doesn’t reciprocate, instead pulling a cell phone out of his back pocket and preoccupying himself again.
You can’t quite tell if he’s rude, or strange, or even just unaware that his presence is so uncomfortable when he’s choosing to speak through cold stares instead of words. As you watch him through your peripheral vision, you hear the familiar sound of Q’s boots click through the doorway, gesturing rapidly at you and at the canvas.
“Let’s continue,” he orders, clasping his hands together with such purpose. “Where are they?” Q then questions, his eyes darting over the quiet man’s indifferent posture. And the strange man finally gets up from his stool, making his way through the break room door to usher the others inside once again.
They follow like a row of ducks, back to their respective seats, some of them with drinks in hand as they share whispered laughter amongst themselves and make little effort to sit still. You have no trouble picking up right where you left off, the innate talent to mirror figures in front of you coming in handy as you race the clock to complete their flesh-colored outlines.
Most of them converse lightly amongst each other, holding your gaze with a more serious expression when they catch you looking over at them.
Except for the strange man.
He’s relentless in his ways, continuing to stare so impolitely at you, his eyes piercing daggers right through your soul as he cocks his head to the left, and then the right, studying your face as you study all eight of theirs. What his intentions are exactly, you have no clue, simply opting to avert his gaze when you can and keep busy with your painting.
One hour later, the canvas illustrates all eight outlines of flesh and distinctive features, highlighting the beige freckles on one man’s, the toned biceps of another, and all other features that set them apart from each other. True to Q’s reminder, their clothes are traced in outlines, but color is void of their stencils, as you still have to bring the canvas home to complete the finishing touches. When they’re dismissed for the day, the gentlemen are all led by a sculpted man with a big smile who introduces himself as the leader, orchestrating the bows and applause that are held for you.
And as he ushers them out one by one, the strange man who’s been watching you all day is the last to leave, lingering a little bit too long with his hands shoved in his pockets like he wants to say something. He loiters by the canvas for several minutes, but you make no move to angle the painting at him, usually maintaining a certain extent of confidentiality in your work to keep the surprise.
He seems to take the hint, almost nodding indirectly at you and more toward the wall, as he finally saunters out of the room with his hands still in his pockets, his strides painfully slow as he disappears from your sight.
And when you look back to the painting, you cock your head at his outline, trying to gauge whether your art properly captures the sheer sense of unnerve he instills in you with his features alone.
*
Painting sessions are burdensome. They require a lot of planning ahead of time, stocking up on supplies, scheduling around the hours-long timeframe and of course, the mental preparation of having to be stared at by rich men for several hours.
But perhaps critique sessions are even worse these days.
Your paintings are typically set in stone after the initial outlines, considering there are usually a few important figures who review your work and give you the go ahead to take it home and finish it.
Yet sometimes, you still have people complaining, pointing out unimportant features like the color of their sneakers which aren’t to their liking. It’s normally Q who fights these battles for you, refusing to allow you to make any changes since the payments are made upfront, too. But sometimes, even he caves, ordering you to pull out your briefcase and mix a darker shade of green or add more volume to the subject’s hair.
It’s the worst with investors, who put their audacity at the same level as their incomes. But with boy groups like this, you’re unsure, having never done a painting for a band prior to this one.
The finished canvas is transported in a nylon zip-up bag, held by yourself and Q as you fit it inside the truck and secure it with metal prongs. While the drive there is just an hour long, it feels much longer than the last time you traveled there, perhaps because you’re much more nervous.
And perhaps also, it’s because of the same strange man as last time, who you already know is going to have a mouthful to say. The way he lingered by your work station a little too long, wouldn’t stop staring and even excused himself from his own break early to resume his insufferable task of making you uncomfortable. You reckon it’ll be a comment about his hair, asking for a longer length or more volume. Maybe something about the stage outfit you were presented with and how it doesn’t make his legs look long enough. Or knowing his douchebag tendencies, maybe he won’t hesitate to ask for a fucking bulge in his pants at this point.
When you arrive, Q calls over the building staff to help transport the collosal work of art, while you wait awkwardly on the side with your hands shoved in your pockets. You take a moment to crane your neck and look up at the building, a tall glass monument with blue-tinted windows and cobalt text that displays the company name. It’s just as intimidating as you remembered it, instilling the same unnerving feeling that a hospital might.
When the building staff are finally making their way inside, you follow reluctantly, making yourself as small as possible behind them while they navigate the long blinding corridors. It’s an unusual feeling to be at the top floor of the building that you were just looking up at from the street below, and as you pass the windows that line the hallways, you can make out the rows of cars and people that now resemble ants from this high up. It’s as though you were never down there to begin with, like the world is different from up here, much more secluded and shut-in.
And seeing the pin boards that line the walls, with photos of successful artists and flyers for company events, it very well might be, this haunting building where dreams either go to flourish or decay.
Into the last door on the right, eight chairs lined up for eight artists who definitely seem to have flourished. The building staff set up the canvas at the front of the room, securing it into its wooden easel, and Q occupies himself setting up a recording camera which points directly at the painting and captures all eight chairs in the frame. It’s common protocol for events like these to be filmed, not always for public consumption, but for the staff to archive important commemorative moments in the artist’s name. Once the camera is rolling, Q gives you a thumbs up, gesturing to the staff to permit their exit as you make your way to the front with him.
“Ready?” He asks, clasping his hands together as he eyes the camera nervously. You say nothing in response, giving him a small nod, before taking your spot on the other side of the canvas and folding your hands behind your back.
For a few moments of complete silence, the two of you keep your gazes fixed on the clock that lives on the wall across you, the hands ticking with the passing seconds as you await the arrival of the band. Q turns to say something, seemingly disregarding it as he turns back to the wall and shifts his eyes to the door every few moments.
You wish he wouldn’t be so… anticipatory. You wish he’d just stand there, like a rock, indicating nothing of importance, so that you could put less weight into this and unveil the painting to them without any reservations.
Here’s the painting, you want to say. It took me forever, so don’t criticize it. You guys are shorter than my usual subjects. Except for the weirdo- and he stares too much.
You smile to yourself at the thought of being so candid with them, before an abrupt push of the door startles you, and you instantly straighten your posture at the sounds of boots clicking along the floor, leading the eight men who live on the canvas behind you.
One by one they take their seats, dressed to the nines this time in black slacks and collared button ups. They even flaunt ties, mirroring the businessmen you’re used to painting, and the fancy attire quickly makes you nervous as they fold their hands in their laps and fail to joke around like they did the last time.
“Welcome,” a booming voice says, as other important looking figures stand around the room and eye the covered canvas. “It’s a pleasure to have you here, and we’re eager to see what you’ve come up with.”
Applause fills the room, inclusive of the members of the band, which you finally allow yourself to look at. They sit properly, hands folded in their laps and serious expressions painted on their chiseled faces.
Except for the strange one, again, whose gaze is locked on yours. He cocks an eyebrow curiously, as though you’re the one doing the staring. And you quickly turn your attention back to Q, hoping that disregarding the men will calm your nerves a little.
“… she’s paid particular attention to detail,” Q continues, and you realize you’ve missed half his speech already.
“And we are so excited to hang her work in this renowned building as a commemorative piece for the members. Without further ado, please let’s unveil the artwork.”
As he finishes, two members of the staff tug on the beige cloth, letting it fall to the tiled floor beneath it and expose the giant portrait.
Their faces light up instantly, little “woah’s” filling the room as they rise from their seats to take a better look. They laugh at their own figures, they point out each other's and most of them even pull out their cellphones to snap photos of your art. It’s always a gratifying feeling, having a crowd admire the fruits of your labor this way, especially when you aren’t immediately met with verbal protest against your creative choices.
You take a few steps back to give some room to them, the staff talking amongst themselves and gesturing to the building where you presume they speak about where the painting will live.
“It’s a hit,” Q says, coming around to tap you lightly on the arm. “You should be very proud of yourself.”
“Thanks, Quinton,” you respond. “I’m glad everyone enjoys it.”
And the staff applaud you once more, bowing to you and lining up to shake your hand as they begin to file out of the room again.
The members stick around for a good while, unable to take their eyes off the painting as they point out each other's features and admire their own. And as they begin to leave, several of them thank you personally on the way out, giving you a bow and shaking your hand.
“Thank you, really,” the man you remember being the group leader says to you. “We are so honored to have worked on this with you.”
Another clasps your hand in his, bowing several times before speaking. “Seungmin,” he states his name politely. “Thank you, I think you really did our old group leader justice.”
“Hey!” The leader calls, and you can’t help but laugh a little in response.
The others share similar sentiments, bowing and shaking your hand as they exit, chatting excitedly amongst themselves as they make their way down the hall for their next schedule.
And when you turn to face Q, you’re met with the last member, who folds his arms in front of him coldly and eyes the painting with raised eyebrows.
Like clockwork. He doesn’t like it, he’s going to request a change be made to it and he’s going to berate you in front of your own boss.
“It’s nice,” he chimes in casually from where he’s standing.
“Thanks,” you reply, Q gathering the cover from the floor and zipping it up again.
“Just one thing,” he says now, turning to face you.
“Oh, we normally don’t make changes after-”
“I have a freckle under my eye,” he finishes. “The left eye. You didn’t catch it.”
Your eyes scan the painting, where his chiseled face and long hair stare back at you, a serious expression in his eyes like he wears in person. And then you glance at him standing in front of you again, a small brown mole under his left eye, just like he speaks of.
“Go ahead and add it,” Q says, as he zips up the cover. “That should be on there already.”
And you nod your head at both of them, unzipping your briefcase again to retrieve your paints. He’s watching you like a hawk again, towering over your bent figure as you pull out a thin tube of brown paint and squeeze just a miniscule dollop onto the back of your hand. You retrieve your thinnest paint brush, dipping it into the paint and swiping it across your skin to rid the excess from the fine hairs.
It feels as though you have to paint it with his permission, as you bring the brush to his face and glance over at him for instruction. He gestures to his eye, motioning for you to start, as you bring the brush to his canvas flesh and tap on a tiny, single dot.
He stares at it for a moment, cocking his head as though a brown dot somehow won’t be to his liking. And even Q holds his breath while he waits for a comment from the man. You begin to say something, your lips parting silently, stuck on what to remark as you await his feedback. And then with bated breath, he finally speaks, giving a small nod as he does.
“Good,” he says simply. “It’s me now.”
Q nods at him, nods at you, and then gathers your belongings as you cap the loose tube of paint.
“Do you have a card?” The man asks suddenly, and Q pauses his shuffling about to retrieve one from his coat pocket.
“Here’s her card,” he says, against your silent protests. “She’s available for commission any time. Payments are up front and scheduling is through me only.”
The man nods, thumbing the gold foil cardstock in his slender fingers, and then shoves it into the pocket of his slacks.
“Hyunjin,” he says curtly, reaching his hand out to yours. “I’m the main dancer.”
And you just nod, placing your hand in his reluctantly as you shake once.
“Y/n.”
His hands are cold to the touch, the metal of his rings feeling like blocks of ice in your grasp. He holds it there for a moment, his narrowed eyes shooting daggers into yours, before he finally pulls away and pivots to leave with the rest of the band.
And you can only catch a glimpse of the back of his head when he’s halfway out, before Q turns to speak to you.
“Looks like we may be back very soon,” he remarks, latching your briefcase once more. “I’d hold on to that brown paint if I were you.”
*
Exactly four days pass before you hear from Hyunjin again. In fact, you’ve all but forgotten about the little run-in, until Q barges into your studio while you add the finishing touches to another client’s piece.
“I have a proposal for you,” Q voices, setting an iced coffee on the table beside you while you dip your paintbrush in a muddy cup of water.
“What is it?”
“Well financially, a massive opportunity. Career-wise, much of the same thing you’re already doing.”
“Businessmen?” You question, working your paintbrush in thin strokes to add hair to the figure on the canvas.
“Band,” he replies simply. “The same band you did last week. Just one member, though.”
And you know instantly who he speaks of, your face contorting into an expression of disgust as you wash your paint in the cup of water once more.
“Hyunjin?” You query.
“That’s him,” he says, snapping his fingers as the name comes back to him. “He’s offering double what we paid last, and just for an individual piece. That’s a massive markup from what we usually charge.”
“I don’t know,” you reply hesitantly. “I’m pretty busy with this, and we-”
“I already said yes,” he states simply.
“You did? What- I thought this was a proposal.”
“Yeah,” he says with a scoff. “A proposal to get your stuff ready. We start tomorrow. And he wants you to bring every color you’ve got.”
“Tomorrow? Don’t we already have a prior commitment?”
“Already moved them out,” Q says, sitting on the chair across from you.
“Look,” he begins, sighing deeply. “I know you’re hesitant about these things. But this is the best move you can do, career-wise. Painting these famous figures is a gold mine for us. One day you could be commissioned to paint royalty, and then we’ll be reaping three times our salary.”
And you sigh, too, knowing very well that he’s right. Being a painter who gets commissioned to commemorate important characters, you know the best thing you can do for yourself is say yes to every opportunity. You’re very seldom able to, which is why you have Q in the first place. But the prospect of spending another day with Hyunjin scares you, and you’re not sure Q would consider it a legitimate concern if you brought it up to him.
“I’ll be there, too,” Q interrupts, almost as though he can read your mind. “It’s just him. One day, max, and then you can pick up your other projects.”
It doesn’t seem like there will be a way out of this one, no matter how much you pray that things will fall through eventually.
“One day,” you echo. “And then I’m tunnel vision on the rest of my projects.”
*
You can tell Hyunjin’s thought about this very carefully, judging by the way he saunters into the room with purposeful strides and slings a bag off his shoulder.
He’s dressed a little more casually today in a denim jacket and jeans, with layered silver jewelry that contrasts nicely against his jet black hair.
“Like a model headshot, but painted,” he describes his vision to you, gesturing with his hands as he speaks.
“I want it to look really serious. And maybe a cool-toned color palette.”
He’s meticulous with his requests, and you wonder briefly if he dabbles in art, himself.
“Sure, we can do that,” Q responds, jotting down a few points in a small notepad.
You say nothing, letting Q do all the talking, but Hyunjin’s eyes glance over at you briefly like he wants you to acknowledge the request. So you just nod graciously, giving him a thin-lipped smile, and begin to undo your briefcase.
Hyunjin assumes his same spot on one of the wooden stools, dragging it closer to you by its leg and propping it within eye-view of your big canvas. And then he sits on it, or rather slouches, adjusting his gaze to look straight at you and maintain a cold, serious expression.
It’s just as unnerving as you’d remembered it, having this model-looking figure pierce daggers through your soul while you mix your paints- cool-toned ones, at his request, and prepare for the hour-long trek of capturing his essence.
At least you won’t have to talk to him- or so you’d assumed from the last session you completed with him.
“What’s your process like?” He asks, his sultry voice perfectly matching his features.
“Oh,” you remark, mixing a set of paints to mirror his even skin tone. “I don’t know, I just paint what I see.”
He nods, satisfied with your less-than-wordy answer, and then he begins to prod you with more questions.
“What are your favorite art supplies?”
You cock an eyebrow at this, well aware that you have a long list you can indulge him in, but not wanting to share your secrets with this complete stranger.
“I dunno,” you reply softly. “Oil paints, and graphite pencils really.”
Hyunjin nods again, and then he glances at Q, who gives him a thin-lipped smile much like yours, trying his hardest to remain polite with Hyunjin. You know Q is likely frustrated with you for not entertaining this conversation in a more lively manner, especially considering what he paid for this session, but you’re not going to indulge him in anything except painting him- and only for this one session, like you promised Q.
And the rest of the session is uneventful, Hyunjin poking you with questions about your personal favorite paintings or inquiring about a time you messed up on an important piece. All questions which are answered with brief “I don’t know’s” or “there are so many, I can’t choose.”
And although you are trying hard to keep Hyunjin at a distance, nothing seems to faze him, his head nods and little hums serving as indicators of his satisfaction with all of your answers. He doesn’t get pushy, like your other clients often do, and he even presses Q for a few answers as he makes sense of your work.
At just past 5, the session draws to a close, as Hyunjin rises from his stool and announces he has to tend to his evening dance practice.
“It’s nice seeing you again,” Hyunjin says as he approaches you, giving a small bow as Q waits off to the side.
“Thank you,” you voice back, glancing at Q for a push to leave.
And Hyunjin extends a single hand, gesturing for you to place yours in his, as he towers over you with a curious expression.
You reluctantly place your palm in his, letting the cool metal of his rings graze your skin as he clasps his thumbs over your fingers and rubs them in gentle back and forth motions. He doesn’t bring it up for a cordial peck, he doesn’t shake it- he simply caresses your artist hands tenderly, before letting go again and turning to give Q a small bow as well.
“Take care,” Hyunjin says, pivoting to exit the room into the corridor.
And as Q pesters you with orders to clean up your workstation, you examine your own hands, rotating your own fingers around, like they might somehow be changed by his touch.
*
ON HOLD- The notes under your projects on the big calendar in Q’s office read, written in dark red pen and underlined twice across the pages.
You furrow your brows in confusion, setting your bag down as you enter for the day and ready your art supplies.
“What’s going on?” You ask Q, who’s busy sorting through a stack of invoices.
“Have a seat,” he replies plainly, gesturing to one of the leather chairs that accompany his grand wooden desk. And you do, sitting on the very edge of the chair as you await further instruction from him.
“A gift came for you,” Q says, slinging a large box on the desk in front of you.
You stand up once again, peering inside at the myriad of oil paints, sharpened charcoal pencils, new smocks, palettes and even books about artists and their works. You dig through the supplies, heart racing at the expensive choices, feeling undeserving of all the presents the box contains.
“This is all for me?” You question, baffled at the prospect that anybody could care enough about your career to indulge you in such a fine assortment of goods.
“Read the card,” Q then says, his arms folded in front of him as he nods toward the top of the cardboard box, where a simple yellow envelope is taped to the cover, cursive text scribbled on the front. Hyunjin, it reads.
You undo the seal, pulling out the small card inside, which only contains a short, cold sentence, in contrast to the warm gift.
“For the next few”, it says, not so much as a sign off or even a simple “thanks”.
“Next few?” You repeat, meeting Q’s gaze with a confused expression.
Q sighs, sitting across from you, folding his hands out on the wooden surface where you can see them.
“His manager called this morning,” he begins. “And commissioned us for another one. Except this one has a long set of rules. He wants you to use these supplies, he wants to visit your studio instead of occupy the company building. And he specifically asked me not to accompany you.”
“What?” You exclaim, angered at the sheer audacity he has, and knowing very well that you only agreed to one painting.
“That’s completely against our rules,” you continue. “Did you tell him no?”
And Q gives you a sheepish grin, gesturing to the stack of papers he flipped through earlier. “They’re offering quadruple the pay,” he says sternly. “He’s obsessed with your work.”
“So what?” You argue. “I have a ton of other projects to finish. And I’m not throwing all of that away because some guy wants time alone with the artist.”
“There’s nothing wrong with wanting alone time with an artist,” Q emphasizes.
“This is a huge sacrifice, Quinton. I wish you would’ve run this by me earlier.”
Your eyes meet the calendar above his desk again, counting the number of projects with a big ON HOLD scribbled below them. Q sighs, evidently feeling a little guilty for his own actions, and then pinches his wireframe glasses between his fingers, pulling them off his face and tucking them into the pocket of his blazer.
“I’m willing to give you 10% more than what you already make from these.”
Your gaze snaps to his, a bewildered expression on your face as you process his words.
“What- seriously? Quinton, that’s-”
“His company’s loaded” he says with a shrug. “The guy is so much bigger than I thought he was. People love him.”
And your gaze flickers between the calendar and the big red text, Quinton’s hopeful stare and at the box of new art supplies you’ll be required to work with.
Q doesn’t need to press you for verbal confirmation, knowing that the caress of your fingers over Hyunjin’s name on the envelope serves as answer enough.
*
Your studio is particularly messy on Wednesdays, housing all of the project paraphernalia from the days prior. Today is no exception, canvases that sit on easels lining the walls and cans of paint thinner spread out on the tarps. You make your best attempt at shoving everything against the wall, creating a clear pathway for Hyunjin to stride into the way he always does. And you set up your canvas prior to his arrival, getting all of your necessary supplies in place to avoid the awkward few moments of setting up while he watches you so intently.
He’s a punctual idol if you’ve ever met one, arriving at 5pm on the dot, expensive-looking sunglasses shielding his eyes from the barely visible sunlight outside, and a black beanie pulled over his head. He looks like he could be a security guard of his own, the all-black attire even more unsettling as he makes his way inside.
There’s a reason you never house clients in your own studio- the reason being it’s small. It’s office-sized, large glass windows on one side of the wall that overlook a sea of greenery that’s now overgrown with all the recent rains. The floor is gray concrete, stained just about everywhere with swatches of paint and charcoal pieces. And the two tabled surfaces that are available are covered in art supplies, the color of the furniture now indistinguishable as they house tubes of paint, brushes and cans of thinner.
“You can put your bag on the chair there,” you say as he walks in, his hands still shoved in his pockets.
He does as told, setting a designer crossbody on the folding chair by one of the tables, and then he stands confidently, observing the room as he awaits further instruction.
He takes long strides around the perimeter of the room, leaning closely into the existing canvases to study your techniques. But he says nothing, remaining much quieter than last time, the only sound coming from his heeled boots as he moves elegantly around the studio.
“I’m ready,” you say, and Hyunjin turns around to face you. He cocks his head slightly, and then he brings one hand up to pull the beanie off his head, letting his brown tresses fall loosely around his handsome face, not requiring much adjustment as they seem to fall in disarray so perfectly. He pulls his sunglasses off as well, folding them between his plump lips before tucking them into the pocket of his jeans as he finally stops to look at you.
He looks as handsome as he always does, his unreal features looking as though he was modeled by a painting and not the other way around. You feel small in front of him, and unimportant, as he approaches you and stops just in front of your much smaller figure.
“How do you want me?” Hyunjin asks, cuffing up the sleeves of his black knit sweater.
“It’s up to you,” you reply to him, giving a small shrug as you speak.
“This one’s your call,” Hyunjin retorts. “I want it from the artist’s vision.”
And you can’t help the blush that creeps up on your cheeks, feeling embarrassingly flustered at the idea of someone caring even slightly about your vision. Everything’s from your client’s vision- the outfits, the poses, even the adjustments they request following the painting’s unveiling. It’s very seldom that you’re able to provide any directions to the standard of your vision, and though it’s unexpected, it’s a little endearing.
“My vision?” You echo, tapping your fingers on your chin.
You glance around the room at the supplies you have on hand, nothing special, but definitely materials you can work with.
Without replying to him, you pull forward one of the folding chairs, setting it down in front of your easel and gesturing to it.
“Could you sit on the top part? Like, on the back of the chair?”
Hyunjin nods, climbing up onto the chair and balancing as he takes a seat on the back part. It’s a little unstable looking, but Hyunjin seems to manage just fine, spreading his legs casually and running his hands through his hair.
“Your hands,” you chime in, taking note of the silver watch he flaunts on his left wrist. “Could you rest them on your knees?”
“Like this?” Hyunjin questions, sprawling his palms out over his kneecaps.
“Not quite,” you reply. “A little more like…”
And then without warning, you take both his hands in yours, positioning his elbows to rest atop his kneecaps so that his hands hang loosely in front of him. He cocks his face up to meet your gaze, the same intense expression he always houses, and you take a step back to admire the position.
“Exactly like that,” you say to him. “Tell me if you get uncomfortable and we’ll take a break.”
Hyunjin shoots a small smile, perhaps more of a smirk at you, as he sits still and watches you begin to paint in long strokes along the canvas. Your movements are fluid and impetuous, but every stroke proves itself more robust than the last, painting a clear outline of Hyunjin’s seated figure as he keeps his eyes on you. And maybe it’s because you’ve chosen his pose this time, or because it’s your third time doing this with Hyunjin, but you don’t feel nearly as uncomfortable anymore, keeping your attention on the painting and disregarding any implications that might derive from his cold stare.
“I wasn’t sure which brand of oil paints you preferred,” Hyunjin says suddenly. “So I bought you three kinds.”
“Oh, yeah,” you reply softly. “Thank you for the gifts. You really didn’t have to.”
“You have a talent,” Hyunjin voices. “I hung the last one up in my own studio.”
“You have a studio?” You question, remembering Q had previously mentioned something about him being an artist.
“I do,” Hyunjin answers. “It’s nothing like this one, just some canvases in the shared dorm we have. But I paint in all my free time. If I wasn’t here right now, I’d probably be painting.”
“That’s interesting,” you reply. “I’d love to see your work someday.
And Hyunjin doesn’t hesitate to pull his phone out, navigating to his camera roll to show you some of his pieces. He flashes you a painting of a bouquet of roses, placed in a glass case atop a table. Another showcases a city street, scribbled cars and people that line the pavement. And a whole gallery of them depict people- couples, in particular, in all sorts of romantic poses. Kissing, hugging, embracing with such passion and force, almost consuming each other with their visible desperation for one another.
“They’re beautiful,” you say, in awe at the technique of his art. You weren’t expecting him to be so good, for someone who doesn’t paint as a full-time career.
“Thank you,” Hyunjin replies, stuffing his phone back into his pocket. “I’ve learned so much from you.”
“Me?” You retort with a small chuckle. “I highly doubt that, your stuff is very unique. But I’m flattered that you’d say that. Thank you.”
Hyunjin keeps his gaze on yours for a moment, cocking his head to the side as though he’s observing your features. He doesn’t say anything, his eyes narrowing and widening again as he takes in the sight of you dabbing a little more olive paint into his complexion. And then he straightens his back, steadying himself on the chair with two hands gripping the sides.
“When was the last time you left this studio?” He inquires with a smug expression. He sounds a little more serious now, and his tone of voice makes your heartbeat race.
“I don’t live here,” you reply plainly. “I leave every day.”
“When was the last time you escaped?” He then clarifies. “When was the last time you weren’t confined here for the purposes of work?”
You furrow your brows, trying your best to keep busy with your task and avert his gaze.
“This is my job,” you say sternly. “I don’t want to escape.”
“I’m a dancer,” Hyunjin states matter-of-factly. “I don’t live in the studio at the building. Sure, the bright lights and the walls of mirrors help with the choreography. But sometimes I dance in my dorm. And sometimes I dance in a big grass field when nobody’s watching.”
You pause your brushstrokes for a moment, finally meeting his gaze as he stares down at you. He raises one eyebrow, waiting for an answer, which you fail to provide him with as he leans forward once again and clasps his hands together.
“You feel trapped here, don’t you?”
And suddenly his words infuriate you, the sheer audacity of him to walk into your studio demanding all these rules from you, like your boundaries can be overlooked if they’re bought. And who is he to pry into your life like this, knowing next to nothing about you except that you’re a painter? It’s blasphemous- offensive, even.
“I’m not trapped,” you say, standing from your stool and backing away from him a little. “I love my job. I can quit whenever I want to, and this is my passion.”
“Who are you when you’re not painting these portraits?” Hyunjin inquires, and your eyebrows contort into a much angrier frown.
“Who are you to imply any of this, anyway? You’re an idol. You’re the one who’s trapped in the confines of a million rules- are you even allowed to be here right now? Who are you when you’re not putting on the mask of a completely different persona?”
You exhale frustratedly as you finish, taking a moment to catch your breath, and trying your best to avoid his gaze. But when you meet his piercing eyes again, he’s smiling, a wicked expression on his face like he’s amused at your lashing.
“I’m glad you asked ,” he says simply.
“What?”
“I’d assumed it was part of your vision, to maybe scratch below the surface of the flesh outlines you paint. I know there’s more than meets the eye to your work. You have this passion about you.”
“Passion?” You reply nervously, now fiddling with the brush still in your grasp.
“Mhm,” Hyunjin responds casually. “Like you want to lash out. Go on, get it off your chest. I won’t mind.”
And you say nothing again, shrinking back into the confines of your wooden stool as you swirl the brush around in the same mug of water and dip it back into a dollop of paint.
“I’m sorry,” you voice to him. “I don’t treat my clients like this. I hope you’ll forgive me.”
Hyunjin’s shoulders sag a little, as though he was waiting for you to keep the chaos alive in this little studio. He just nods, and then he assumes the same position as earlier, his knees spread in front of him and his hands resting comfortably on his knee caps as he slouches forward.
You resume the task of shading in his skin tone, adding highlights to the elevated portions of his face and glancing over at him in intervals to confirm where the light hits him.
“I’ve learned so much from you,” Hyunjin says for the second time tonight, and you’re still unsure what he means by it. “I think we could learn a lot about each other.”
And the studio falls silent for the remainder of the session, as he allows his eyes to bore into your soul while you translate his being onto the canvas in front of you. Or at least the parts that are able to be translated.
*
Your calendar is blocked off for the remainder of the week for other clients, Hyunjin rescheduling his sessions as he prepares for a performance overseas.
Your heart sinks a little when Q announces the schedule change to you, secretly praying you haven’t completely ruined your artist/client relationship with Hyunjin. He’s definitely a little odd, and he can be pushy when he wants to be. But he’s undeniably more intriguing than the investors you’re used to housing at the studio, telling you stories of his dancing and inquiring about all your favorite techniques every chance he gets.
He’s the first client who’s ever uttered the word “vision” when it came to yours, and not his, and you can’t let go of the value it added to your last session with him. You had yelled at him, ordered him to stop projecting his thoughts onto yours and asking personal questions. But it was the first time you felt alive, somewhat visible to a client as you painted them. His eyes pierce through your soul, every tangible inch of it, and not just the empty shell of who you are when you’re not existing so loudly. And Hyunjin seems like the only catalyst that allows you to exist loudly these days, even Q walking all over you like you’re an extension of his tedious ways.
Although your last conversation didn’t go quite as smoothly as you’d hoped it would, Hyunjin’s words continue to circle your mind relentlessly, your heart trying to make sense of them no matter how hard you try.
“Who are you when you’re not painting these portraits?”
It’s a fair question, and it doesn’t necessarily have to be a discourteous one, either. Maybe he’s genuinely curious about the woman you are when you’re not following Q’s orders. But where has Hyunjin pulled the implication from that you’re anyone except for the person assigned to produce these portraits? You’ve given him no reason to think anything of you besides the well-mannered, focused painter you are. And to imply anything else would also, by extension, imply he knows something about you.
“I’ve learned so much about you,” he had also said to you, twice in the same session. And can one really learn from two, three sessions of watching an artist paint? Sure, if he was more focused on your technique and your mannerisms rather than staring at you so intensely. But he hadn’t seemed to be interested in much else, simply keeping his gaze on yours and asking base-level questions about your artist career.
If anything, you could learn a lot about Hyunjin, who has the whole world at his disposal and walks around this place like he owns it. He speaks of you like he’s trying to study you. He wants to learn from you, despite being the one wielding much more knowledge and wisdom than you could even begin to fathom. True, you don’t escape this studio- and you don’t utilize it without the intention to work. In fact, your work consumes you most days, your personal life just a microscopic dot in the grand scheme of this arrangement.
But Hyunjin seems to think otherwise, his generous gifts and his fascination with returning seeming to imply something else. Like he wants to learn from you, or like he’s convinced he already has.
In apprehension, like he knows you.
*
“Where are we going?” You query when Hyunjin arrives next, quickly ordering you to gather your supplies and ushering you to the door.
“We’re not painting here today,” he says plainly.
“What? No, Hyunjin I don’t paint anywhere except for-”
“The studio or a company,” he finishes. “That’s the issue. I want to take you somewhere more lively.”
“I can’t be around people,” you respond. “I don’t… it’ll just mess up the whole process.”
“Do you trust me?” Hyunjin asks suddenly, his hand extending out to yours for the briefcase you grasp.
What a simplified question- absolutely not. You don’t trust him, that’s the issue with leaving the studio. You’re still not sure of his career as a whole, you’re not sure why he’s so adamant about breaking all sorts of rules and you don’t know anything beyond his name.
“No,” you reply. “I don’t think I trust you at all, actually.”
And Hyunjin just smiles, stepping forward to take the briefcase from you.
“Good,” he replies, the same amused smile plastered on his face. “That means there’s still a lot I can teach you.”
He watches you slip on your coat, undeniably confused, but in a trance-like state obeying his commands, like your heart won’t let you hear your brain’s protests.
Hyunjin doesn’t drive. He doesn’t need to, having his own personal chauffeur at his beck and call, able to go just about anywhere in the evening during his allotted hours of free time. Ones he normally spends in the studio, watching you paint.
You sit quietly on one side of the fancy black car, your hands folded neatly in your lap and staring at the passing blur of city lights out the window. Hyunjin occupies the other, one of his slender hands resting atop the briefcase in an attempt to steady it whilst the driver makes sharp turns and brakes a little too harshly.
You watch as the city roads turn to one long paved road, surrounded by tall grass and trees. And this path goes on for a while, maybe 20 or 30 minutes, as you remain in comfortable silence. The driver seems to be acquainted with the road, turning every way he needs to, no form of navigation telling where to go, simply having memorized the route. And Hyunjin doesn’t seem tense in the slightest, humming softly to himself as he taps his fingers along the leather surface of the briefcase.
The fork at the end of the road signals the stopping point for the driver, who hits the brakes, but doesn’t turn the car off. The keys remain in the ignition as he comes around to open your door, guiding you out with one hand and bowing graciously to the both of you.
“One hour,” Hyunjin says to him, sliding him a generously folded bill.
The driver nods, occupying his spot in the driver’s seat, and you watch him make a U-turn before driving off down the path again.
The environment is quiet, much quieter than any spot back in the city. It’s nothing except for trees and tall grass that sway with the gentle evening breeze, the sky swallowing up a now orange sun as nighttime begins to over both of you. If you squint, you can even see the mountains from here, some of them lined with little yellow lights, probably vacant buildings or farm workers. And the birds sing their last songs of the day, mellow tunes that harmonize with the growing chirps of crickets.
“It’s pretty here,” you remark to Hyunjin, who stands looking out at the view with his hands tucked in his coat pockets.
He doesn’t reply for a moment, his long hair swaying with the breeze. And then he tilts his head in the direction of the briefcase, nodding once.
“Paint what you see,” he orders.
You nod reluctantly, scrambling to open the briefcase and set up your supplies.
“Do you want to stand there? Or… do you prefer something else?”
He smiles, a little amused at your rushed state, and then he shakes his head.
“Not me,” he clarifies. “The view. Paint what you see.”
You swallow a lump in your throat, stopping your movements and pondering the words for a moment. You haven’t painted a view in god knows how long. Your skills are rusty, your techniques are skewed and the whole concept of it makes you shudder.
“The view?” You question back. You take a moment to look at the view again- there are possibilities everywhere. Green grasses that resemble paint strokes themselves, a deepening blue sky with strokes of blues and blacks, stars like paint splatters and trees with sponge-painted bushels. The art is everywhere, the possibilities are vast and endless with a view like this one.
“The view,” Hyunjin echoes. “Don’t take it too seriously. This isn’t some company's order to paint me. I just want to see the world through your eyes.”
And you nod, once, Hyunjin helping you latch your sketch pad to the easel as you mix a myriad of blues and greens together on your wooden palette.
He flips through your sketch pad for a little while before stepping away, nodding at the pages upon pages of art unlike any of your portraits. When you think he’s going to move, he doesn’t, remaining in the same spot and nodding his head at the works. And you feel a little shy, a little confused at why he’s taken so much interest in the work you complete on the side, work completely unrelated to any of your portraits. When he reaches a blank page, he meets your gaze with a small smile, nodding his head once at you as he finally moves out of the way.
And then you finally begin, hesitantly, as Hyunjin finds a spot in an undisturbed part of the grass, sprawling his long legs out in front of him and pulling out a sketch pad from his own bag. He angles it away from you, beginning to make long, generous lines with his charcoal pencil, peering over at the trees every now and then to gauge their shape. And you remain there, a comfortable silence among both of you, as you both capture the view in your respective visions.
The technique comes back to you instantly, like motion memory, quickly sponging leaves into the trees and pulling the dark sky from its draped position over you to plaster it onto the canvas you work on. Blues, greens, glittering whites for the night stars and fantastic shades of chartreuse and viridian find their homes on the canvas, so carefully placed and mirroring the view you overlook. You emulate the shadows, the waning glints of light, even the sounds seem to live on the picturesque view where time stands still in the confines of four walls.
Hyunjin doesn’t disturb your work flow- in fact, for most of the time you remain there, you cease to remember he’s even working on a sketch of his own, his delicate figure disappearing among the trees as your peripherals shut him out and bring nature to the forefront.
It’s only an hour you’re there, like Hyunjin had promised, before he’s returning to your spot and standing behind you to look over your shoulder.
“Beautiful,” Hyunjin states dramatically. “Beautiful, and spectacular, and shining.”
You chuckle lightly, wiping the brush on your smock and tucking it away in one of the front pockets.
“Will you sign it?” Hyunjin asks, cocking his head a little to try to find where your signature currently sits, but finding nothing.
“Oh, yeah,” you respond, bringing a charcoal pencil to the bottom right and scribbling a quick signature.
He scans the painting once more, tracing a finger over the corner where you’ve added your signature, and then he gives a small nod before meeting your gaze.
“This one’s my favorite,” Hyunjin tells you. “Because it’s entirely your vision.”
“The ones I make of you are my vision, too,” you explain, and Hyunjin shakes his head with a small smile.
“I like how you see the world. Not how you see me. Or anybody else, for that matter.”
And you find yourself blushing again, unsure if his intention is to fluster you with his poetic words, but well aware that he’s having the effect on you regardless.
“Thank you,” you echo politely. “I like this one, too.”
Your gazes remain fixed on each other for a brief moment, the grass now standing still as the night falls over you, stars glittering in the black sky and the crickets singing their nocturnal songs.
For the first time since meeting him, Hyunjin looks less cold at this proximity to you, his entire demeanor exuding softness and comfort as he smiles at you. Maybe it’s the black puffer coat he wears, the collar pulled up to his chin to keep warm from the frigid winter night around you. He wears his glasses, too, these ones a thicker black frame, pushed high up on his face and a little dorky, admittedly. But it’s also because he seems kinder, more warm and welcoming. There’s no existing rush to capture him any which way- in fact, there’s no pressure to capture him at all. And maybe when you’re not translating his model-like appearance onto canvas, you’re able to step back and admire that he’s soft under his hard exterior, he’s so gentle and human.
At first, you debate telling him, a sudden urge inside of you to apologize for your presumptions of him and admit that he’s slowly become your favorite client to be around. Maybe he’s right- maybe you do have a lot you can teach each other. He lives a life of lavishness, entertaining varying aspects of his idol career and serving a role of great importance to those who know him. And he is certainly of importance to your career, being your highest-paying customer and the one you’ve painted the most now. But he plays a role in other parts of your life too, allowing you to try new techniques, entertain your vision, circling your mind with his poetic words and his strategic motions. All lessons which allow you to grow outside the confines of your studio, too.
But you settle on silence, not wanting Hyunjin to think too boldly of you. Maybe he’s like this with everybody he crosses paths with. Choreographers, vocal coaches and painters alike. Maybe he’s simply as fascinating as he looks.
As you study him again, the sound of a car engine interrupts you, and you turn around to find Hyunjin’s driver has returned as promised. You bring a hand up to shield your eyes from the bright headlights that illuminate the whole field, as Hyunjin helps you gather your supplies again, securing the canvas in its case and transporting it into the backseat of the car with the driver’s help.
Hyunjin holds the door for you this time, ushering you inside, and then he comes around to slide into the backseat next to you.
“I think it’s going to rain,” the driver says as he puts the car in reverse.
You crane your neck to look at the sky through the tinted windows, dark blue clouds that loom overhead and seem to make the night even colder.
“I have one more place we need to stop at,” Hyunjin says suddenly, sitting forward to make eye contact with the driver through the mirror.
The driver nods in response, as if the last location is a secret kept between them, as he begins down the dirt path again in silence.
*
“Ever been here?” Hyunjin questions, as he holds out a hand to guide you up the stairs. The steep concrete stairs lead to a grand crested marble doorway, a bronze statue out in front and dimly lit lamp posts that illuminate the sign overhead.
Museum of Modern Art.
“Once, a long, long time ago,” you respond. “I think I usually steer clear from galleries since I don’t show my work at them.”
Hyunjin chuckles softly, stopping at the front door and meeting the gaze of a security guard, who promptly strides over and opens the door just an inch.
Hyunjin pulls out an ID, and a folded paper of some sort, and you watch as the security examines it briefly before nodding. It’s only then that you realize the museum is closed for the evening, the only person around behind the night security, but of course that rule doesn’t apply to Hyunjin, who can get in just about anywhere with the flash of a smile.
“It’s the only way to visit with no one else around,” Hyunjin says, confirming your theory. “They let me stay as long as I want. Sometimes I draw here.”
You nod at his words, giving a small smile as the security eyes you intensely, and then he opens the door to guide both of you inside. Hyunjin removes his coat, slinging it over a nearby coat hanger, and he flaunts a white knit sweater with his dark jeans, looking cozy in contrast to the dark winter night outside. He holds your sketch pad tucked under one arm, and then he skips excitedly to a room behind a curtain.
“This one’s my favorite!” He exclaims, giggling softly like a child might. “Do you know they’re all made out of recycled materials?”
And you brush the curtain aside, being met with the sculptures he speaks of, neutral-toned figurines that appear to be made of paper mache, all resembling people. Their forms hold each other, mimic ballroom dancing, and even embrace each other in a tender kiss as they stand tall in the center of the room.
You watch as Hyunjin snaps a few photos with his cellphone, craning his neck to view them at a better angle, and then he turns to face you.
“What do you think?” Hyunjin asks.
“They’re beautiful,” you reply. “They kind of remind me of your drawings.”
He shoots you a flustered smile in response, touched that you’ve even remembered what his drawings look like. And then he graciously bows as he ushers to another room.
“I think you’ll like the next one.”
The next room behind another dark curtain is a gallery of paintings, all of them abstract forms of art that experiment with different colors and mediums. You take a while in this room, sauntering down the row of canvases and observing how each one captures something completely different from the others. Some include only cool-toned shades, their strokes much smaller and overall more somber. Some play with warm tones, long generous strokes that capture passion and heat. And some mix both, two stories dancing in harmony on one canvas, contrasting light with shadow and love with regret.
As you cock your head slightly, observing the way the colors are so evocative from this proximity, Hyunjin comes to stand next to you, cocking his head in a similar fashion and taking in the same details that you do. And if someone were to stand behind you, maybe both of you would mirror the painting, too, two hues of life and recluse working in perfect harmony alongside each other.
“Nice, isn’t it?” Hyunjin asks, and you hum in response.
“Yeah. I love these colors.”
Hyunjin nods, giving the painting a last once-over before nodding in the direction of another curtain.
“Come on, I want to show you this last one.”
The last room houses a little bench, where Hyunjin occupies the left side and pats the spot next to him. You take a seat, your hands folded neatly in your lap, as you observe the colossal painting in front of you.
It’s a watercolor painting, one amorphous shape at a far distance, yet at this proximity, the tangible outline of a figure, sat with legs pulled to the chest and crouched in a position evoking such sadness.
The cold blue hues highlight the shadows which define body parts among the pile of limbs, the curve of a breast, the almost indistinguishable outline of a leg, aspects you have to really squint hard to make out. But the colors complement each other so artistically, and the figure in the painting looks so melancholy, so longing for something more than the confines of the canvas she lives on.
“Isn’t it beautiful?” Hyunjin voices, and you nod, swallowing as you remain quiet.
He pauses for a moment, his voice hitching in the back of his throat, before speaking again.
“The artist was a child prodigy,” he begins. “Apparently they painted all their life and then became a sort of recluse into adulthood. No one’s seen a painting from them since. This was their last big project.”
“Interesting,” you remark quietly.
“Yeah,” Hyunjin replies. “And their art is always titled around themes of loneliness and solitude. Every painting kind of feels like a puzzle piece leading up to their disappearance from the art world.”
Hyunjin says nothing as your eyes dart around the room, swallowing nervously as you ponder what to say. And nothing comes to mind, nothing that won’t make you seem crazy, or irate.
And then before you can protest his actions, he flips open your sketch pad he’s kept tucked under his arm all this time, flipping through a few pages until he’s nearly at the end. He stops at one of your paintings, cool aqua hues filling the paper in the same manner as the one hung on the wall.
“It’s you, isn’t it?” Hyunjin finally says, and you realize he’s turned to face you now.
You stand up at this point, smoothing down your blouse and turning away from his gaze.
“Sorry, I have to go-”
You search for an exit, unable to locate one amidst the dark curtains and the dimly lit room. And the only thing you can think to do is walk back the way you entered, beginning back through the abstract painting gallery as Hyunjin follows behind you.
“They’re amazing,” Hyunjin says. “You have a talent. Your paintings were always my favorite-”
“Please, stop,” you interrupt, your heart beating erratically as you make your way past the paper mache sculptures.
“Why did you stop making them?” He asks, now standing still in the entrance, the security guard on high alert as he watches Hyunjin’s stressed demeanor.
“Sorry,” you voice to the security guard, bowing to him. “I have to go, thank you so much.”
And without turning to look at Hyunjin, you push the doors open, making your way out of the museum and onto the concrete steps. It’s raining now, hard, like the driver had predicted, and you march right past his parked car to one of the taxis parked by the curb.
The cab driver takes an address from you, punching it into his navigation system as he begins to drive down the street, and you pray he can’t hear the quiet sniffles coming from you in the backseat.
As he pulls away from the curb, you glance out the window at the museum, where Hyunjin’s now shoving past the door and standing still, his hands dropped at his sides and a hurt expression on his face.
His hair falls damp around his face as he lets the sheets of rain wash over him, his driver exiting the vehicle in a rush to get Hyunjin back into the safety of the car.
But he remains there, unmoving, his hurt gaze fixed on yours, as you turn a corner and fall out of his sight.
*
And just like the sessions were uneventful before Hyunjin, they’re much more uneventful after him, too.
Putting the sessions on hold for Hyunjin is nothing, his life full of vibrancy and color when he’s not spending an hour or two with you in the evening posing for a painting. It’s time he fills with extra dance practice, vocal training, spending time with his members and even doing art of his own.
But for you, it means returning to a life of mediocrity, requesting stock brokers to angle their big heads in a more appealing manner so you can capture every one of their unsightly features. You’re ogled at by salesmen, disrespected by accountants and not a single one of them could give a shit about your vision.
A part of you wants to call Hyunjin and apologize, to explain that he was out of line in his approach to identify you and catch you so off-guard. But you’re mostly angry at him, for having ruined something so beautiful you took pride in every week. Now he’s gone, the sessions put on pause until further notice and your life forever changed by Hyunjin, though he’ll keep living his life of lavishness despite being the source of all your pain.
“Now that we don’t have Hyunjin on the books after this week, I need you to resume the work on Mr. Lee’s painting. Let’s not lose sight of the ones we started prior to his pieces,” Q says, as he flips through a clipboard of printed schedules.
“This week?” You echo in question. “I thought sessions with Hyunjin were put on hold until further notice.”
“They were,” he responds. “After your last session this week. He’ll be here tomorrow evening. He’s your last client of the day.”
“Tomorrow?” You repeat, pausing your brush strokes as you turn to look at him. “He requested to come in tomorrow?”
“Yeah,” Q replies with furrowed brows. “Why, is there a problem? I already told him yes.”
“No, that’s fine,” you reply, rotating the brush around in your fingers as you think over his words. “Tomorrow works fine.”
Despite the sessions being put on hold, you’ll still have a moment to explain yourself to Hyunjin and make amends. It might not get you exactly where you were before all of this, but the thought of letting Hyunjin part ways thinking you despise him makes your stomach turn. You’ll still get a moment alone with him to rekindle the state of your friendship.
… Or so you thought. When you arrive at the studio the next day for your last session, Q is still there, organizing papers at one of the tables and still dressed in a fancy blazer and tie like he never left from this morning’s session.
“Quinton?” You call, setting your purse down and toying with the hem of your shirt.
“Yes?” He responds, not looking up at you.
“Are you… don’t you normally sit these sessions out?”
“Oh, I forgot to tell you,” he says casually. “I’ll be sitting in on this last one. I know they were put on hold pretty abruptly, and I wanted to be around for your last one.”
You give him a small nod, protesting his actions mentally. You won’t get a minute alone with Hyunjin after all- not with Q watching you like a hawk. You want to scream at him, to tell him he has to leave and that he’ll be permanently disrupting the client-artist relationship you’ve developed with your highest-paying customer if he stays and taints the room with his overwhelming presence. But he largely determines the success of your career, whether you like it or not. And requesting Q’s absence will most certainly point to something more going on between you and Hyunjin.
“Right,” you reply. “That’s fine.”
You wish Quinton wouldn’t be so… mechanical. You wish he could trust that you’ll get the job done, despite any existing tensions between you and Hyunjin. You wish he wouldn’t pretend to care about being present, when in reality you know he just wants to make sure it wasn’t you who screwed something up. And you wish he would leave you alone with Hyunjin to make amends the way you know you need to before you part ways with him.
When the door opens once again, you both turn your heads to look at Hyunjin, who strolls in with casual strides, his hands stuffed in his pockets. His gaze falls on Q, and he furrows his brows together, finally looking at you, with a confused expression on his face.
“Welcome!” Q says obnoxiously. “I’ll be sitting in for this session, I hope you don’t mind.”
Hyunjin shoots him a thin-lipped smile, giving a subtle nod as he slings his bag off.
“Sure,” he replies. “That’s fine.”
He assumes his spot on the same wooden stool, crossing his legs and folding his hands in his lap, and then he turns to meet your gaze.
“How do you want me?” Hyunjin asks. He sounds more somber than the other times he’d asked the same question, his voice trailing off a little as he waits for a reply.
“This is good,” you say, taking your own seat and beginning to work light strokes across the canvas. You start with his jawline, the same chiseled jawline you’ve gotten so used to painting, working a robust angle where the crook of his neck meets his cheeks. Then his eyes, the piercing intensity of them, narrowing involuntarily as he poses with such skill, the same eyes which have graced the covers of magazines and album covers. His lips, plump and rosy, forming a small pout as he remains silent. And the outline of his luscious brown tresses, which fall beautifully around his face and soften the rest of his features.
He looks so enchanting this evening, like he’s straight out of one of the paintings at the museum. And your anger feels almost completely dissipated once he’s in front of you like this, just a pressing urge to be alone with him so you can communicate properly.
“Looking good,” Q says as he comes up behind you, his hands folded behind his back.
Hyunjin’s eyes dart over at Q’s standing figure, glancing over at you again while you paint. You attempt to shoot him an apologetic expression, wanting to tell him it wasn’t your idea to have Q here watching your every move. But you can’t properly convey your emotions to him with Q practically breathing down your neck.
“Beautiful work”, Q chimes in, nodding as you add the color to Hyunjin’s hair.
You can feel yourself getting frustrated with him, wishing so badly you could at least ask him to wait on the other side of the room like he normally does. But he remains there, crowding around you as you work and filling the room with his awkward presence.
“I’ll drag up a chair,” Q says with a small chuckle. “So I don’t have to stand.”
And both you and Hyunjin watch as he pulls up a folding chair, dragging it along the floor in one painfully slow motion, the sound of the legs screeching against the concrete floor as he places it next to you and takes a seat.
Hyunjin’s eyes meet yours again, cocking his head slightly as though he’s asking why you’ve allowed Q to be so overbearing today. But none of this is according to your plans, either.
“Go on,” Q urges. “You don’t have to wait for me.”
You hadn’t even realized you’ve stopped painting, grasping your brush between your fingers as you watch Q adjust in his seat and gesture to the painting.
“I think we should take a break,” Hyunjin says finally. “My leg is cramping a little.”
“Of course,” Q echoes back. “We can take five. There’s a vending machine out by the front door. And the bathrooms are on the right, by the-”
Q can’t even finish his sentence before Hyunjin’s shoving his way past the door, taking long strides away from the studio and waiting outside. He pinches the bridge of his nose in deep annoyance, letting out a deep sigh as he ponders the evening’s events so far.
“I’m going to use the restroom,” you tell Q, setting your brush down and following Hyunjin. “I’ll be right back.”
And you follow his footsteps, pushing on the door to meet him outside, where he stands with one hand on his hip, the other massaging his temples frustratedly.
He looks angry, as you predict he would be, but you approach him anyway, fiddling with your thumbs as he stays quiet for a moment.
“I organized this last session to speak with you,” Hyunjin says in an annoyed tone. “I should’ve known you’d invite him.”
“I didn’t invite him,” you say quickly. “I didn’t even know he’d be here, I swear. He just stayed, and he was insistent on sitting in.”
Hyunjin finally drops his hand at his side, meeting your gaze, a softening expression on his face.
“I didn’t mean to scare you off,” he finally says. “I overstepped my boundaries. I’m just here to pay you for art. Not prod into your personal life.”
“I know,” you say back. “I wanted to explain to you, but…” your voice trails off, remembering this is technically your last session with him. And judging by the way everyone speaks of him, it’ll be near impossible to contact him again after this.
“It seems like I missed my chance,” you finish, referencing Q’s persistence.
Hyunjin glances around for a moment at the overgrown plants that line the studio windows, still damp from the evening rain. It looks like a jungle out here, the plants providing no clear view through the windows and instilling such a peaceful sense of privacy.
“Could you stay a little longer?” Hyunjin questions. “After he leaves. I just want to talk to you before I go.”
You think over his proposal for a moment- Quinton is punctual at leaving right past the hour mark. He never stays longer for hours than he needs to, but he’s no stranger to you utilizing the studio to finish up some of your work after hours.
“Sure,” you say finally. “Just pretend you’ve left after the session and I’ll tell him I need to stay longer. Don’t wait near the parking lot or he’ll see you.”
A somber smile grows on Hyunjin’s face as he nods in response.
“I’m going to call my driver and tell him I’ll be longer than the original session. Meet you back inside.”
And you make your way back into the studio, where Q is busy shuffling through papers at the table.
“Ready?” He asks, already taking strides back to his stool, positioned far too close to your canvas and Hyunjin’s seat.
“Yeah,” you reply, sighing a little as he occupies the seat next to you and glances around the room for Hyunjin.
“He’s taking a phone call,” you explain to Q. “Just give him a minute.”
And Q pushes his glasses further up his nose, humming in response as he observes your painting again.
“You’ve really mastered his features,” he comments, scanning over Hyunjin’s painted outline. “Even his eye mole is already there.”
And you scan the painting too, at the little mole painted just below Hyunjin’s left eye as he requested.
“Yeah,” you reply. “I guess I have.”
You wouldn’t forget it, because everything about him occupies your mind, much like his figure lives on your canvases.
*
It’s just half an hour more before you’re finished with Hyunjin’s painting. It’s still lacking some detail, like the contours along his face and the buttons of his cardigan. But they’re all details you give yourself time to finish later, before you wrap up your final piece and gift it to Hyunjin.
Q is relentless in his micromanaging for the remainder of the session, making useless comments about your techniques and asking Hyunjin about his own work. Hyunjin’s answers are all short and echo his clear annoyance, desperate to finish the session in order to speak with you privately. But you both remain collected in your manners, graciously conversing with Q and reaching the end of the session.
Q reviews his invoice documents as Hyunjin slings his bag on once more, standing by the door as though he’s ready to leave.
“Payment was finalized today, and your sessions are on hold until your tour is completed.”
“Thank you,” Hyunjin responds, bowing graciously. “It was a pleasure to work with both of you. I’ll be back when we’re done overseas.”
“Don’t hesitate to reach out!” Q calls, as Hyunjin makes his way past the door. He waves Q off with a small smile and then turns the corner until he’s out of sight.
“Well, there goes your best-paying client,” Q remarks with a deep sigh. “We have a lot more to pick back up on. I know Mr. Lee’s paintings are still in progress-”
“Thank you, Quinton,” you voice to him. “We’ll talk scheduling tomorrow. Please just get home safely.”
“You’re not leaving yet?” He queries, already pulling on his canvas bag and hanging his clipboard from a thumbtack on the wall.
“I’m going to finish the details while I still remember them. I’ll only be an hour longer.”
Q shrugs, making his way pivoting on his white canvas sneakers and giving you a small wave.
“Call if you need anything,” he says plainly. “Make sure to lock up.”
“I will,” you echo, craning your neck as you watch him finally exit past the door and jog down the stairs. You can’t see Hyunjin anywhere, but Q doesn’t seem to notice him if he’s still around, starting his car and speeding out of the parking lot.
And not even a full minute passes before Hyunjin makes his way back inside, shaking water off his hands.
“I stood under one of the gutters,” he says in a disgusted tone. His hair is stringy wet with rain water, and he chuckles when you meet his gaze with an amused smile.
“You’ll have to let me paint it like that, someday,” you respond, and he laughs lightly.
You take a seat on the folding chair previously occupied by Q, and Hyunjin assumes his same spot on the wooden stool. For a moment he says nothing, observing your face as you tap your fingers along the metal of the chair below you. There’s not a sound in the room between the two of you, with the exception of a small creak coming from the wooden stool as Hyunjin adjusts his long legs. He runs his hands through his hair nervously, and then he licks his dry lips with his tongue before speaking.
“I have something for you,” Hyunjin says suddenly, his voice echoing around the empty room.
He stands up to pull his bag off the floor, and then he digs around in it for a moment before pulling out his sketchbook. You watch as his slender fingers open the spiral-bound cover, flipping past pages upon pages of sketches and paintings. He flips close to the end, and then he stops, bookmarking the page with his index finger before turning the book to face you.
“I’m sorry if you don’t like it,” he says, keeping the book shut in anticipation. “It’s just something I drew.”
And then with bated breath, he opens the book out to you, adjusting the page in your view to give you a clear sight of its contents. It’s a carefully drawn sketch, of you, standing in front of an easel with a brush in your hand. Painting, like you always do. You recognize the scenery around you as the spot he took you to the other day, the long charcoal streaks perfectly capturing the grass that surrounded you and the tall trees that overlooked the hills. Although it’s a sight familiar to you, it also feels so foreign, seeing yourself through somebody else’s eyes. It feels peculiar to remember people also perceive you while you paint. It makes you feel less unimportant, a little more visible.
“Wow, Hyunjin, this is…”
“Do you like it?” Hyunjin interrupts.
“It’s so lovely. Really. I feel like I don’t deserve this.”
“You do,” he’s quick to respond. “You’ve drawn countless ones of me. And of so many other people. I wanted to gift you one of your own.”
You run your fingers along the thick paper, watching as Hyunjin tears it along its perforation and hands it to you.
“Please, keep it,” he urges.
And you bow once in response, turning to set the drawing along with your bag so you won’t forget it.
“Thank you,” you finally say. “I love it. I’m going to hang it with all my favorite art.”
Hyunjin smiles in response, a breathy chuckle escaping his lips, and then he shoves his hands in his pockets again, leaning against the wooden stool as a silence falls over you both.
For a moment, you ponder what to say to him, wanting to explain the events from the other evening, but unable to verbalize anything amidst your nervousness. Any way you think about it, you fear Hyunjin is going to get mad, especially considering you’d just walked away from him in the face of confrontation. But you also couldn’t help it, his accusation coming so suddenly and so boldly, regardless of it being based on any sliver of truth.
“I’m sorry,” Hyunjin breaks the silence. “I don’t know if I was right or not. But it wasn’t my place to ask you.”
You nod at him, initially planning to divert the topic. But you can’t any further, a growing urge inside of your chest to unveil the truth to him, knowing he’s already pieced this much of it together.
“It is my painting,” you say finally, your voice shaking a little. “I specialized in those ones before portraits. They kind of gained traction when they were first unveiled, and a lot of galleries picked them up. But they drew a lot of criticism, and it became so draining to be the topic of people’s judgment. I think being perceived so heavily just kind of… scared me off. So I shifted to portraits instead, and I no longer do public showings or galleries.”
Hyunjin doesn’t react in a shocked manner, nor does he press you for questions immediately. He just nods, taking in your words, and then he meets your gaze with a concerned expression.
“I learned so much from you,” he explains. “When your paintings were unveiled at the annual art show across the city, I was so mesmerized. They’re why I started painting, too.”
You chuckle lightly, shrugging at him as you slouch back in your seat.
“Yeah, well, I don’t do them anymore.”
You think over your response for a moment, and then you stand up from your seat, too, furrowing your brows together.
“How did you… know it was me?” You question, cocking your head slightly.
“I had a hunch when I first saw your painting techniques. But I also knew it the moment I saw your other paintings in your sketchbook,” he explains. “My favorite painting of the series is printed out and taped to my locker in our dance studio. It just felt like you. I paid attention to your art for years. I was bound to know it when I saw it.”
You nod for the umpteeth time tonight, making sense of his words as you think back to the signature you drew in front of him back in the field.
“I’m sorry I figured it out,” Hyunjin says finally. “I know this was an elaborate plan to remain anonymous and shift your focus to a new form of your work. And your portraits are amazing. But you have a real talent for those older ones. And the whole series just… it changed me.”
“You don’t have to be sorry,” you tell Hyunjin, looking up to meet his gaze at last. “If anyone was going to find out, I’m glad it was you.”
“You are?” Hyunjin questions, and you hum in response.
“As a client, you have this really interesting way of making me feel seen. When I’m around you, It feels a lot more comfortable from the businessmen I’m used to. It’s like…” your voice trails off as you struggle to finish your sentence. “I feel like I did when I was painting my old stuff. I can see the world beyond just portraits for a little bit.”
Hyunjin says nothing, his eyes flickering down to your lips and back at your eyes once more, which are wide with curiosity and passion as you speak. It’s such a sight to see you talk about your art with this level of devotion again, color in your face once more as you attest to your life’s work.
“Tell me,” Hyunjin begins. “Why are all your paintings so lonely?”
You chuckle softly, shrugging up at him.
“I am lonely,” you say simply.
“I’m lonely, too,” Hyunjin remarks.
And your expression turns serious again, your eyes not leaving his intense gaze as he flickers over your parted lips and takes one step closer to you. He’s towering over you at this point, a strand of hair falling into his face as he lets himself lean into you a little more, just barely grazing his lips over yours.
“Can I please kiss you?” Hyunjin asks so politely, his voice coming out in a whisper as he stops himself from pressing his lips to yours while he waits for an answer.
“Yeah” you finally reply in a whisper of your own, almost on your tippy toes to match his towering height.
And then without another second to waste, Hyunjin closes the gap between both of you, leaning down to press his plump lips to yours and embrace you in a tender, desperate kiss.
He tastes like mint, his lips working against yours with no particular rush, yet his mind still running rampant with thoughts of having you as close as possible. It feels so wrong kissing him here, in the studio you strictly use for the purposes of completing your work-related tasks and nothing more. But with Hyunjin’s lips on yours and his slender hands snaking around the small of your back to pull you closer, it also feels so thrilling, instilling a sense of desire deep within you that can only be fulfilled through acting upon the emotions rooted in your innate fascination with Hyunjin’s entire being.
And you feel visible right now, so tangible when Hyunjin’s nimble hands are running down the sides of your waist and sprawling his delicate fingers along your flesh. It’s you kissing him here, not some shell of who you are when you’re capturing the essences of millionaires on canvas. You’re not the scribbled outlines in Hyunjin’s sketches of couples consuming each other with such passion, though you mirror them. It’s you, child prodigy artist turned portrait specialist, and Hyunjin, in all his fame and splendor, who chooses to spend his free time with you in this studio teaching you about yourself the way you learn from him, too.
Hyunjin’s hands move to tug off the fabric of your cardigan, slouching it off your shoulders and letting it fall to the floor, where it piles in disarray among the white tarp that houses loose paints. You’re pretty sure there may still be wet paint on its surface, but you don’t care, your body desperately arching into Hyunjin’s tall frame as his hands cup your cheeks to kiss you even deeper.
You can barely reach him while his frame looms over you, only able to reciprocate his kisses on the tips of your toes as he takes full control of you with his mouth. And Hyunjin seems to take notice of this, intertwining his hands in yours and pulling you down with him as he sits among the tarp and sprawls his legs out in front of him. You bestride his lean figure, balancing yourself on his lap as he adjusts himself on the concrete floor, and you both laugh when you take note of the admittedly uncomfortable positioning. It’s not meant for lovers, this dinky studio and its cold, concrete flooring. But it’s nothing that can’t be overlooked when his lips are back on yours, kissing you breathlessly and tucking strands of hair behind your ears. You can feel him smiling into the kiss, an indication by Hyunjin’s definition that he’s wanted this so badly. And he knew it from the moment you walked into the company building the first time, nervously preparing yourself out in the hallway like you weren’t going to be an absolute pro at your craft the way he now knows you are. He also knew it every time he observed your paintings, both your old ones and the newer ones that capture Hyunjin with such ease, every minute detail that builds up his intense stare only to break him down and soften him, translating this multifaceted version of him only you seem to visualize. And he gains confirmation of it when he’s finally acting upon his urges, your hands snaking around the back of his neck and moving in tandem with his hungry kisses against yours, grasping at his flesh like you’re trying to prove to yourself he’s real, too.
His sweater is the second article of clothing to go, your bodies only separating from one another briefly as you guide the knit fabric off over him and discard it beside you in the tarp. Your hands find his torso reluctantly, running your fingers along his flesh as though asking for his permission. And Hyunjin smiles when you do, placing his hands over yours and pressing down a little firmer for you, so that you can feel every inch of his toned body. He wields the body of a dancer, delicate curves that run along his sculpted obliques and highlight the years of intense training he’s done. His body feels strong underneath you, but he still feels soft, his touches exuding the gentle fondness he possesses for you.
And you’re kissing him again, all while his hands find your tank top and he separates to undress you, pulling it off over your head and tossing it aside. His hands are quick to find your breasts, splaying them over the mounds of your chest and massaging gently as his kisses turn hungrier. You can feel him getting hard underneath you, and you can hear his breath hitching in the back of his throat as he struggles to contain his growing bulge while you straddle him. But you indulge him even further, undoing the clasp of your bra with your own hand as you continue kissing him. Hyunjin doesn’t notice until your hand reaches out to toss your bra aside, a gentle rustle emitting from beside you as it joins the pile of discarded articles of clothing. And he separates to take in the sight of you, raised goosebumps along your bare skin and your nipples aroused for him, the cold air grazing over your chest as you wait for him to resume his touches. Hyunjin gasps a little, leaning forward to take one in his mouth, and then he begins to suck harshly as his tongue swirls around your bud generously and trails saliva along your skin. You moan at the sensation, Hyunjin digging his fingernails into the small of your back and leaving little crescent marks as his sucking resumes harshly, soft moans bubbling from the back of his throat, too, as he stays latched to you. And then he pulls away to give attention to the other one, his teeth grazing the tip of your nipple before sucking again, his eyes shutting as he relishes in the taste of your skin in his mouth. Hyunjin’s hips rock gently against you as he does, chasing the friction of your legs around his crotch as he grows even harder beneath you, desperate for some release. And then he pulls away finally, breathing heavily, his eyes wide with lust and a bead of sweat dripping down his forehead. You bring a thumb to his forehead, swiping the bead off his blushed skin, before cupping your hands around his cheeks and bringing him in for a kiss.
“Please let me fuck you,” Hyunjin says sheepishly against your lips, groaning lightly when he feels you squeeze your thighs once against his crotch.
“You want to?” You ask teasingly, massaging your hands up and down the sides of his neck as he nods eagerly.
“I really, really want to,” Hyunjin responds, shutting his eyes as you squeeze your legs again and pepper his face in kisses, trailing from his forehead, to his cheeks and down his neck. Hyunjin leans back on the palms of his hands in a state of pure bliss, taking in the sensation he’s only dreamt of until now. And when you nibble down on his neck, beginning to suck a small bruise into his skin, he sits up suddenly, his hands finding yours and pushing you away gently.
“Wait,” Hyunjin says. “I can’t… do hickeys. Company’s orders,” he admits, a little defeated, and you nod your head quickly.
“I’m sorry,” you remark. “I totally forgot.”
“It’s okay,” Hyunjin almost cuts you off with a kiss, leaning forward and sitting up on his knees. He guides you down onto the tarp, hoisting himself up over you so that his figure is now hovering over yours, and then his hands find your pants.
“You can do hickeys though,” Hyunjin says in an amused tone, trailing kisses down your neck the same way you did him, and latching his teeth onto your flesh to suck a line of purple bruises. You chuckle underneath him, the sensation tickling a little, but still adding to the generous pool already formed between your legs. And as Hyunjin presses into you with his kisses, you can feel his erection graze your upper thigh, once more seeking the friction of your body for some sense of relief as he longs to feel you around his hardened cock.
“Hyunjin,” you voice as he kisses you, and he hums quietly in response.
“You’re hard,” you remark, your eyes flickering to the tent pitched underneath his jeans.
“Sorry,” he replies, pulling away with a worried expression in his eyes, and you shake your head quickly.
“No, no, it’s fine,” you assure. “I just want to take care of it for you.”
And your hands find your own jeans, pulling them off your legs and tossing them aside. Hyunjin’s eyes skim over your lace panties, the trim almost see through with delicate feminine patterns, and he begins to undo the button of his jeans, too.
He kisses you as he snakes off his own pants, not wanting to separate from you any more as his eagerness grows to be as close to you as possible. And when he’s finally letting his hard cock rub against the fabric of your panties, moaning softly at the sensation, he knows he won’t be able to take it much longer if he doesn’t make love to you right here in the studio.
So his hands work to pull off his boxers, finally freeing his erection against his abdomen and gasping with the cool air grazes the tip of his cock. You slide off your own panties as well, tossing them aside and letting his cock rest against your bare flesh now, his precum painting your clit with his preemptive arousal as he ruts against you. Your flesh is slick with his arousal and yours, the existing lube between both of you allowing your skin to glide upon one another so effortlessly, the same way your lips work against each other. And he continues to push his hardened length against you until he’s halfway inside of you, your cunt taking him with no struggle as he thrusts inside of you now. You adjust to his thick girth easily, his length seemingly never ending as he pushes deeper and deeper into you. And then he gives one particularly hard thrust, bottoming out inside of you and coaxing a fervent moan out of you.
“Is it okay?” Hyunjin asks, wincing at the sensation of your walls hugging his erection.
“So good,” you whine, tears pricking the corners of your eyes. “Feels so good.”
And he begins to move in and out of you at a slow pace, trying his best to stave off the orgasm he’s already close to reaching as he fucks you, filling your cunt entirely with his long cock and bottoming out every time he thrusts himself back in.
And he tries to kiss you, but he can’t, his mouth simply looming over yours in its parted position as he echoes his moans into you and lets his saliva-coated lips graze over you. He looks like the subject of an erotic painting himself, eyebrows arched up so artistically with every thrust, melting into your touch as you run your hands through his hair. His initial dominance over you is quickly shifted to that of submission to your mind and your body, little whines leaving his lips as he lets you consume him whole and mold him between in your touch, like he’s made of clay and you’re the sculptor. His lanky body seems to extend as he sways his hips into yours, little dips from the pads of your fingers embedding into his pale skin. He folds effortlessly above you, the points of his elbows jutting out as he steadies his body over you, like he’s made of wire and positioned to balance over you so perfectly, not very sturdy, and yet bent and snapped just right so that he can remain glued to you. And if you were to climb out of your body and paint this exact moment, all you would see are an indistinguishable, amorphous set of limbs that seem to dissolve into each other like hues of paint on a palette. Two colors swirling around to make one, the two of you like primary colors that create endless possibilities when mixed together like this, offspring of a hundred different shades, painting the darkened studio around you with your yearning for one another.
And as Hyunjin brings a hand to stroke your cheek gently, a smile grows on his breathless lips as he realizes he’s brushed a thick stroke of wet paint along your skin. The indigo stripe contrasts coldly against your flesh, still glistening in its freshness like he’s just begun on a blank canvas.
“It’s paint,” Hyunjin says as you gasp at the cold sensation, smiling too, when he swipes it again with his thumb and flashes it down at you.
And you chuckle lightly below him, taking note of the bright orange streak that lines his neck, just below his adam’s apple. You’re not sure when it got there, or whether it was from you or him, but you run a finger through it too, bringing it to his cheek to rub your thumb lovingly across his face and paint it there, too. And in one swift motion, Hyunjin swipes the palm of his hand along the tarp, coating it in hues of indigo and deep violet and gray, cupping a hand around your breast to coat it in the same wet substance. And you do the same, your hand dipping generously into the myriad of reds and fuchsia paints that live below you, running a hand down his chest and painting a long stripe along his toned torso.
You both laugh, as he picks up his pace again, pushing himself to the hilt inside of you, the paints melting together with your sweat as he fucks you rhythmically again. And like two blank canvases finally being put to use, new colors blossom between the two of your longing bodies, shades of magenta and blue-gray making themselves known across your breasts and his torso. The colors are vibrant and robust, transferring life from the dull tarp of the studio floor onto blank slates of skin. You wish you could step out of your body and capture the colors forever, mix paints together into little jars and name every shade after every feeling Hyunjin’s ever given you. Longing, lust, fear, fascination, infatuation, obsession.
“I think I’m obsessed with you,” Hyunjin breathes into your mouth so desperately. “It’s indescribable, the things you do to me.”
He lets his hands intertwine with yours again, giving them a small squeeze as he fucks you a little faster now and lets his groans shift into small whimpers that escape his lips.
“Please let me cum inside you,” Hyunjin begs, his cock slipping against your cervix with ease as wettened noises of his arousal pooling against yours fill the room. “Please, please, I promise to take care of you, baby. I feel like I belong here.”
He’s a whimpering mess for you now, tears pricking the corners of his eyes as he fucks you and lets his hands explore every inch of your body. You want to cry, too, at the realization again that this all feels so tangible, that he makes you feel so seen when he’s hovering over you, placing open-mouthed kisses onto yours and letting his melodic moans fill your ears. The paint between you serving as proof that he’s touched you so desperately and wholly, creating art together in the confined space of your otherwise dull studio. And you want to feel him cum inside you, too, as a final reminder that you’re visible to him, that you’re no longer a fleeting, anonymous artist when you’re with Hyunjin. That he sees you for exactly you are, he knows your deepest secrets, and yet still he holds you, whispering words of permanence in your ear and letting you mold him like art. He’s an artist on his own, and he’s art at the hands of you, both of which draw you to him in ways you can’t begin to fathom, unlike anything you’ve felt before. And he teaches you that you’re an artist on your own, and art at the hands of a lover, both of which you hadn’t considered before Hyunjin, deeming yourself invisible in your comfortable solitude to the vast world around you. But the two coincide to echo the same sentiment that he teaches you exactly the way he also learns from you.
“Cum inside me,” you breathe desperately, grasping his hands a little tighter as he fucks you at a faster pace now.
“Yeah?” Hyunjin confirms, still staving off his orgasm until your verbal consent is heard.
“Yes,” you respond, wrapping your legs around his waist and making your best attempt to kiss him through his release. And you do, your lips moving against his in labored breaths, as he finally twitches inside of you and paints the inside of your listless body, hues of glazed white arousal filling your aching cunt as he whimpers through his orgasm.
“Fuck,” Hyunjin, breathes, giving a few more thrusts as he slows, his arousal dripping onto the tarp below you as he pulls out. And he rolls over to lie beside you, a mess of paint streaks sprawled out along his skin as his chest rises and falls with slowing breaths. The two of you say nothing for a moment, your eyes glued to a blank canvas housed on an easel in front of you.
It’s an almost blinding shade of white, begging for an ounce of color like the shades that now live on your skin. And through your heavy breaths, you picture the endless possibilities that can fill in the empty spaces above you. Grasslands, trees, oceans, clear waters and a vast, endless blue sky…
*
There is no overseas schedule Hyunjin has to tend to. You’re already aware of this, Hyunjin explaining to you that he made it up to put the sessions on hold and to keep Q from pressing him with questions.
But he resumes the sessions after a few weeks of putting them on pause, because he can’t seem to stay away from you any longer.
Hyunjin reckons he has a couple dozen of your paintings in his room now, all similar portraits of his face, portraits you capture in your signature formal essence, his face staring straight ahead or off in the distance, complete with the fine details of his long dark hair and the mole under his eye.
Only now that Hyunjin is back, Q is present at nearly every appointment. You’re not sure why things changed, and Q maintains a new stance to Hyunjin that the guidelines are based on adjusted company policies. But Hyunjin will do just about anything to be close to you- even if it means putting up with your obnoxious boss breathing down your neck every minute while you paint him.
The sessions are somehow even more unnerving than they used to be, Hyunjin still making every valiant effort to convey his obsession with you through intense stares and little gestures only the two of you can read. Q is obstinate in his ways, his gaze constantly flickering between you and your paintings to ensure everything is going swimmingly. But Hyunjin wishes so badly he could spend the entirety of these sessions alone with you, getting to break down your walls and see you for the person he knows you are when you’re not doing portraits under Q’s all-seeing eye.
With every passing day, and every passing session, Hyunjin grows a deep hatred for Q, despising the way he watches you work and chimes in to converse with the two of you. And he knows he shouldn’t, aware that Q is just your boss and nothing more. Something you’ve reiterated to him time and time again, but he can’t help it, desperate to have you all to himself every second of the day, a deep-seated longing to protect you from the hurt you’ve been dealt and wanting so badly for you to break free from the monotonous cycle you’ve confined yourself to of painting for anyone except yourself.
You can tell Hyunjin hates Q, judging by the way he doesn’t so much look in his direction when he arrives for his sessions. But you can’t convey the slightest bit of reaction in front of either of them, too scared of the prospect of what would happen to your career if anyone were to find out you’re fucking a client.
You maintain a professional composure around Hyunjin, despite the knowing stares he gives you and the sketches you catch him slipping into your purse when Q isn’t looking. At times he’s not around, you complete your daily tasks, well-mannered and organized to the clients who hire you, shooting them kind smiles and complimenting their black business attire when they show up for the evening. When the days draw to a close, Q is punctual as always, leaving just minutes past your last appointment and taking his work home with him.
And when his sleek black car turns out of the corner of the parking lot, Hyunjin slips inside like a mere shadow on the wall, quick to seduce you all over again and gift you with all of his recent sketches. Some of them are portraits of you, smiling or focused on your work. Some of them are erotic nude shots of you, lying on the tarp of the studio or touching yourself the way he pictures you do when you’re all alone. And some of them include both of you, your bodies tangled desperately into each other and drowning in your yearning and love. Sometimes nude, his hands on yours and fucking you mercilessly. Sometimes fully clothed, his lips on yours and bundled up in winter clothes. But always together, always desperate in your touches and always so tangible. You reckon he’s persuaded you into being fucked you on every surface of the dingy studio by now- against the canvases, on the tarp- several times, on the table Q typically occupies and just about every stool available to the two of you. And while Q is oblivious about why you stay a little longer every night, Hyunjin is both calculated and persuasive in returning so you two can get some time alone, time that always ends with his seed dripping out of your still-aching cunt, bodies entangled somewhere within the studio and covered in fresh swatches of paint.
He may have somewhat of an obsession with you, but life is teeming around the studio when Hyunjin is near, the colors and shapes of your work much more robust and vibrant when he’s striding around the space commenting on all his favorite pieces of yours. And you relish in stories of his days, typically spent at fan events or at dance practices. Having him return feels like having your physical figure return home to you, the world in complete equilibrium when he’s near, much less lonely than the one you’re used to.
“I could watch you do this forever,” Hyunjin remarks, watching you glide a brush along your canvas, filling in the shadows of a figure on the canvas in front of you.
And this one’s not a portrait- it’s a watercolor figure, much like the ones you used to paint back then, the technique coming back to you with ease as you highlight the convexes of a body mirroring yours and add varying hues as highlights.
Per Hyunjin’s request, you paint the figures occasionally, only because he’s repeatedly expressed his fascination at watching you complete the process in a live session. The paintings reminiscent of your old work aren’t for sale, nor are they critiqued by anyone except for yourself. And they’re certainly not done with the knowledge of Q, who would turn irate at you utilizing the studio’s supplies for anything but portraits.
They’re just for his viewing pleasure, a little exchange you indulge him in as he continues to gift you with sketches of his own.
Hyunjin’s arms snake around your waist as you paint, his head resting on your shoulder as he watches you dip your brush into a mug of water and dilute the caramel shade that taints the bristles.
“Will you add a second one?” Hyunjin asks in a curious whisper, his lips grazing your ear as you paint.
“A second one?” You echo.
“Yeah,” Hyunjin says, working a trail of kisses down the shell of your ear. “This one’s you. Will you add me?”
You chuckle lightly, dipping your brush into a warmer shade of brown and swirling it around to gather the color on the fine hairs.
“So they can resemble us,” Hyunjin says, his kisses traveling even lower. “Paint me fucking you the way you like it.”
You chuckle softly again, not missing the way Hyunjin’s hands travel to your skirt, flipping it up to graze his hands along the mound of your upper thigh.
“Hyunjin, I-” you begin to say. But you can’t answer him, shutting your eyes in pleasure as you hear him unzip his jeans behind you and position himself.
“Keep painting,” he says in a sultry whisper, pumping himself lightly behind you as he pulls your panties down.
And you try, bringing your brush to the canvas to add a second figure like he’s requested. But you can hardly make it past the first few strokes before Hyunjin’s sliding into your dripping cunt, letting his hands grip your waist to steady himself as he begins to move.
“Go on,” Hyunjin encourages, as his hips thrust in and away from your trembling figure, your hands trying their very best to keep hold of the little wooden paint brush and fill in his form.
You manage to add a subtle few streaks, beginning the amorphous outline of Hyunjin’s hair, his tall lanky figure towering over yours and taking you with such desperation.
But you don’t get very far before Hyunjin is angling your face to kiss your drooly lips, his hands now finding purchase on your breasts as he continues to fuck you. And all of this is wrong, you know very well. You’re not supposed to be sleeping with a client like this, much less one this powerful, this rich and who wields so much he can hold against you. One slip up and Hyunjin can go tell the world about how you’re the artist who disappeared to sell yourself out to rich men for all their selfish needs. And any option you have to defend yourself would never hold up against his wealthy corporation and all its investors.
But you also can’t help but give into his urges when he’s around, his lips so tantalizing on yours and his cock filling you so fully and completely when he has his way with you.
Maybe it’s not even just about the sex for you- maybe it also has something to do with his stories you live through vicariously, listening to tales of the outside world while you’re trapped in this studio or at the businesses of wealthy men. It’s also the drawings he makes for you, ones you find yourself staring at for hours after he leaves, like proof that he was here and he touched you. The drawings are you in your most tangible form, his hands on yours and his lips on the curves of your neck. It’s like a glimpse into a version of yourself that ceases to exist when he’s absent. And it’s the late hours of the night he spends asking so politely to watch you paint your older work, always so fascinated with the way your mind conjures up varying lonely figures crafted from watercolors and a nylon bristle brush. Older work you hadn’t realized you missed so dearly until you began producing it for Hyunjin again.
But you know that to Hyunjin this is just a exhilarating idea for him, to view your art the same way he carves out a couple hours each week for a museum tour or to sketch in one of his books. He probably finds it more convenient to fuck you here where nobody’s around than to stroke himself in a dorm he shares with three other men. And you can feel it in the way he so desperately pleads you to paint for him or cum for him- that his obsession with you is less about you, and more about the thought of you.
Maybe this is just the result of Hyunjin uncovering a secret nobody else paid close enough attention to connect you to. Or the thrill of you being his favorite artist for years, and realizing you’re finally tangible in front of him, real, and not disappeared like he previously took you for. You reckon it must be the same phenomenon other girls feel toward him, getting intimate with somebody they idolize, desperately cupping his face like it might dissipate if they don’t grasp hard enough. But just the thought of somebody doesn’t imply love. It doesn’t imply a mutual understanding, and it certainly doesn’t imply permanence for either party involved. When he’s gone again, you’ll cease to be real like you already are when he’s not around. And then every vision you have will be rooted in unfaltering solitude once more, your anonymous life resuming again.
“Will you cum for me?” Hyunjin asks, and you snap back to the feeling of his cock twitching in your dripping cunt as he grips your waist. “God, you don’t understand what you do to me.”
You can’t give him an answer before you feel him reaching his release inside of you, shooting thick white ropes of his cum into you and slowing his pace again as he moves your hair away from your face.
“Fuck, I’m sorry, I couldn’t help it,” Hyunjin says sheepishly as he pulls out. “Sit down for me,” he orders between kisses to your neck, trailing down to your shoulder, grazing his hands along your waist and groaning against you.
And he’s already guiding you back to one of the stools, kneeling between your legs and spreading you for him, your glistening cunt on full display for him to taste.
“Want you to cum for me,” Hyunjin whispers, before positioning one of your legs on the wooden dowels of the stool. You can’t verbalize anything to him before his tongue is darting into your entrance, lapping his own release out of you and trailing up to give attention to your swollen clit. He works you in such desperate motions, tongue working your core like a starved animal and eagerly trying to coax an orgasm out of your trembling body. When his arousal is effectively brought out of your tight cunt and painting the tip of his tongue white, he coats your clit in it, giving kitten licks to your bundle of nerves as he hums against your flesh and whispers little pleas for you to let go.
And between your pussy still clenching down around the sheer memory of his cock inside of you mere minutes ago, and his plump lips kissing all over your wettened core, you do let go for him, dribbling cum down the edge of the wooden stool and threading your fingers through his hair as he trails kisses down to your thighs in encouragement.
“So good,” Hyunjin murmurs as he comes up for air, intertwining his fingers in yours as you get cleaned up. You shoot him a little “thank you”, and Hyunjin presses a chaste kiss to the back of your hand as he nods, getting dressed once more and tucking his softened cock back into his boxers.
“Come here,” he states. “I want to ask you something.”
“Should I be concerned?”
“It’s exciting,” Hyunjin retorts.
He guides you to his same wooden stool, where he climbs upon the seat and then takes your hands in his again as you stand in front of him, pressing a small kiss to your palm before speaking.
“You know I care about you, right?” He begins, his eyebrows raised curiously.
“You’ve mentioned it,” you reply.
“And you know I love your art.”
“So you’ve told me,” you say, and Hyunjin brings your hand up to press another kiss to your palm.
“I have a proposal for you,” he then says. “And I just want you to hear me out.”
Your heart sinks at his words, already fearing the worst as you wait for him to elaborate. You pray he hasn’t done anything to reveal your identity, or to make these secret erotic sessions public, knowing you’d both never live a normal life again at either of the instances occurring.
“What is it?” You ask Hyunjin, heart racing in your chest.
He rubs his thumb along the back of your hand soothingly, trying to calm you down before he speaks.
“I privately sponsor the art gallery every year,” he begins. “I put some funding toward a painting of my choice and it allows those artists to have their pieces displayed for the winter show and make connections,” he continues.
“Okay…”
“And I want to sponsor you this year,” Hyunjin finishes, giving your hands a little squeeze.
“Hyunjin, there can't be an installment of your face at the art museum. People will get suspicious.”
“Not my face,” he says reassuringly. “Your art. Like the ones you used to do.”
And you feel your throat dry up at his words, the exact thing you’d feared coming to fruition.
“I can’t,” you’re quick to say.
“Why not?”
“Because I don’t do those paintings anymore. I can paint you, or another person or whoever. But I can’t do one of my old ones.”
“But your old ones are beautiful,” Hyunjin says. “It doesn’t have to be your old series. You can start a new one. Do something entirely different.”
“I don’t want to do something entirely different, Hyunjin. It’s a chapter of my life that’s been closed already. You know I don’t do those anymore.”
Hyunjin maintains his collected composure, his eyes softening as he speaks to you.
“You’re not happy doing portraits. I know you. You have a spark in you when you’re painting for yourself, and people love them. You deserve to be doing what you love.”
“I’m sorry,” you say, letting go of Hyunjin’s grasp and shaking your head. “I’m so grateful for the offer, but I can’t put myself back out there again.”
“You can still be anonymous,” Hyunjin offers. “Some artists I’ve sponsored choose to remain anonymous and only reveal to serious patrons of their art. I can make sure they don’t find out who you are.”
“It’s me and my art I don’t want to be seen,” you emphasize.
Hyunjin doesn’t say anything now, rising from the wooden stool and reaching for the iced coffee he’s placed on the table beside you.
“Okay. I won’t press it any further.”
He swirls the cup of ice around in his hand, and then he hangs his head in defeat.
“Hyunjin, seriously. Thank you for the offer. It’s sweet of you to consider it. But I’m not ready yet.”
He shoves a hand in his pocket and cocks his head slightly.
“Is this because of Quinton?”
“What? Hyunjin, I already told you our relationship is strictly professional-”
“Not romantically,” Hyunjin continues. “You’re like a slave to him. You do everything he tells you to do. He probably doesn’t let you leave this studio.
You’re quiet again, not answering him immediately. No, you don’t stay here at Q’s behest. But it just feels safer to follow his advice. He was just a client when you met him, but he took you under his wing to get you where you are now. He runs all your schedules, he books your appointments for you, he even gives his say on most of your work. He’s the only part of your old life that’s remained the same, despite your transition to portraits, and cutting him off would be stepping into a world completely unbeknownst to you.
“No,” you say finally, but you don’t expand further upon your stance.
“You’re so lonely here,” Hyunjin responds frustratedly. “And yet you follow orders from the same person whose job it is to keep you invisible.”
“Why should I follow your orders?” You retort.
“Because I love you.”
“You don’t love me, Hyunjin,” you reply frustratedly, finally feeling the anger overtake you as you continue your angered speech. “You love the idea of me. You love the idea of escaping your crazy rich life to try and resolve the tortured artist you’re so infatuated with. You love the idea of fulfilling somebody’s life with your presence because it’s all you do for a career. I’m not the person I was when I was doing those paintings- I do portraits now, and I work under somebody who knows what’s best for me. And you’re just a client I’m sleeping with.”
Hyunjin purses his lips, amused you would stoop that low for the purposes of declining his offer. And then he shakes his head as he speaks again.
“You’re right,” he finally says. “I’m just some client you’re sleeping with. I never tried to push you out of this line of work you hate so much, or drew you on every page of my sketch book or made love to you in every square inch of this goddamn studio. I’m not proposing this because I care about you and I want you to do what you love, it’s because I’m just a client you’re sleeping with.”
And he pivots on his heel to exit the studio, taking rushed steps toward the door as tears brim the corners of your eyes.
“Hyunjin, wait,” you call desperately.
“I see you,” Hyunjin says suddenly, turning around to face you. “I see all of you. Your work didn’t just materialize by some anonymous form. You’re a painter, a really talented one, and I don’t want you to feel this all-consuming solitude anymore. I say that because I love you, not just because I’m sleeping with you. If you want to remain invisible to everybody except Quinton, then be my guest. Just know that I tried.”
And without another word, the studio is empty again, the tip of your brush still dripping with the remnants of the warm brown color and every intention to add a second figure to your painting.
*
You don’t speak with Hyunjin any more that evening. Or the next day. Or perhaps for a whole week following the conversation, for that matter. The reality is that you want to partake in his offer, the thought of it candidly piquing your interest to paint something other than another rich man. And it would be nice to watch your art be displayed for people to see just once, rather than to live on the walls of a company where only people within a certain tax bracket will ever grace your work. But what you reiterated to Hyunjin still stands- you’re scared to venture out into the competitive world of art galleries again. Your old series was a hit, sure, but it was also torn down relentlessly by those who didn’t understand it and those who simplified it down to its medium. And it was a much harder endeavor to make people understand your watercolor forms, unlike the portraits Q advises you continue producing.
But you can’t seem to stop thinking of Hyunjin’s proposal as a whole, understanding very well that his offer is one of the kindest things he could propose to you at this place in your life. He sees you- all of you, and subsequently he knows that you’re unhappy in this monotonous abyss of adding new features to the same faces every day. The way a change for you is determined only by a shift in a client’s pose or even just an addition of their pet- it’s all so repetitive, exactly what art isn’t supposed to be.
Maybe you’re just scared of getting rejected again, or perhaps it’s that you’re scared of finally being seen again, anonymous or not, putting yourself on the map again and being perceived.
*
“I want a painting,” Hyunjin says as he saunters into the studio one evening, throwing off his bag and dragging a stool to the middle of the room.
“Oh- Hyunjin, pleased to see you again,” Q remarks, bowing and giving you a nervous look.
Hyunjin doesn’t even acknowledge him, keeping a stern gaze locked on yours as if he’s challenging you.
“We have the evening booked today,” Q begins. “But I’m sure we can accommodate something for next week-”
“I need it now,” Hyunjin replies. “I’m willing to pay five times your asking price.”
And you narrow your eyes at Hyunjin, knowing he’s making his best attempt to provoke you and disrupt the work you’re completing per Q’s orders.
“How do you want it?” Q then asks, not hesitating to put aside your entire evening for Hyunjin’s offer.
“I want to be in a suit. And I want to be holding a wad of cash. I want to look like an investor.”
“Interesting,” Q says, his gaze flickering to yours. “She can do it though.”
Q turns to face you, giving you a knowing look as he raises his eyebrows. “I’ll clear your calendar for today and we can stay and work on this piece.”
And Hyunjin looks to you, too, waiting for you to protest, to say something along the lines of a refusal to partake in the outlandish task. But you avert both of their gazes, readying your paint palette and gesturing to one of the stools in front of you.
“Have a seat,” you say plainly, void of any emotion or desire to fulfill the task. And by the way Q hovers over you, void of autonomy, too, Hyunjin concludes.
“How are things at the company?” Q asks Hyunjin, leaning in a little too close to you as you begin painting long strokes on the canvas.
“Fine,” Hyunjin says, not taking his gaze off yours. His eyes are narrowed like he’s challenging you, yet you don’t give him the reaction he searches for.
“You must be busy,” Q remarks, his hands folded behind his back. “It’s been a while since we’ve seen you here.”
“Yeah, and I’m sure you’re running her schedule like the fucking military,” Hyunjin retorts, cocking an eyebrow at him. Q takes a sharp breath, but he doesn’t argue, doing his best to keep in line at your highest-paying client.
“She’s pretty busy,” Q replies reluctantly. “But it’s nothing she can’t handle.”
Hyunjin doesn’t say anything, again waiting for you to chime in, but you still don’t, working on adding details to Hyunjin’s tresses on the canvas.
“This will be my final session,” Hyunjin then says, and your head snaps to meet his gaze.
“Is that so?” Q questions. “Going overseas again?”
“Indefinitely,” Hyunjin replies. “Not overseas, I’ve just no need for the paintings anymore.”
Your lips part as though to ask if he’s serious, but you can’t, not with Q here alongside you.
“I have so many of them now,” Hyunjin remarks, not taking his eyes off you. “It’s been a lovely time with the two of you, but I won’t be returning after this evening. I hope you understand.”
“Please don’t hesitate to reach out if there’s anything we can provide you with,” Q voices. “I hope we’ll remain connected with the peers at your company.”
“Oh, you will,” Hyunjin replies. “I’m sure the investors and the senior managers will love portraits of their own. She’ll have a lifetime of portraits to complete when I’m gone.”
You can feel a pit forming in your stomach, queasy at the thought of carrying on this task of capturing rich businessmen and ceasing your sessions with Hyunjin. He’s unmoving in his attempts to make you revisit your old art. But his begging has also been eye-opening, making you realize just how much you hate this line of work and having Q breathe down your neck.
Hyunjin has a point, you’re unhappy doing portraits. You love the watercolor figures you paint, you love your time with Hyunjin and the feeling of unending curiosity he instills in you. There’s no solitude when he’s around, filling every aspect of your life with such color and vibrancy like the figures you paint. And you learn from him just as much as he learns from you.
But the fear remains, the feeling of hopelessness remains, the perception that Hyunjin is only obsessed with an idea of you and that your career is far gone from the watercolor figures you painted so long ago.
And of course, that you require Q’s uncompromising presence in your life to be even close to successful. He’s the one who transitioned you to a successful career of portraits after your previous line of work fell through. And you’re not sure you can shift to a new focus without him to guide you.
“Hyunjin,” you say suddenly, garnering the attention of both he and Q.
“What is it?” Q replies, as though you’re referring to him. And you wish he wouldn’t be so… disruptive, making you lose your train of thought as Hyunjin waits for your words with bated breath.
“I’ve completed the initial outline,” you settle on saying. “It should be sent over to you in a couple days.”
And he nods, a somber, thin-lipped expression on his face as he understands you’re never going to divert from this path of fear you walk, one you’re forcing yourself to stick to.
“Thank you,” Hyunjin responds, getting up to leave again. “I’ll see you around.”
*
Private events are seldom actually private for Hyunjin. The interior of the gallery is organized accordingly so that patrons can mingle with their respective artists and all of the prestigious guests invited.
But the exterior is only private up the crowd control stanchions, where beyond it live hordes of people wielding all sorts of fancy cameras and cell phones, snapping photo after photo and analyzing every one of Hyunjin’s movements.
Hyunjin’s attending an art gallery today, the crowds murmur amongst each other, the message echoing all over the city and overshadowing the art itself, which hasn’t even been unveiled yet.
His departure from the black limousine he arrives in is met instantly with deafening screams, the repetitive click of camera shutters and commands for him to angle his face every which way. The people stop to stare at his fitted black suit, the long black hair he sports styled slick out of his face and expensive jewelry he flaunts as a clear indicator that he’s a sponsor of the evening’s show, alongside a long list of other wealthy individuals.
His hands remain tucked in the pockets of his black slacks, giving a gracious bow to the fans before making his way inside to the main event.
And the gallery is significantly more packed than he’s used to, people crowding every square inch of the marbled floors and admiring the intricate pieces of art. The curtains are pulled back neatly so that guests can roam freely among the halls, easels set up in neat rows and canvases mounted on walls to display all the sponsored works of art.
Hyunjin is quick to gravitate to the long white table pushed against the wall by the entrance, set up with generous servings of hors d’oeuvres. And in a bout of nervousness, he’s sampling the cheese platters and the varying flavors of wine, sighing as he swirls a glass of cherry merlot between his slender fingers.
He was supposed to be here sponsoring you tonight, unveiling your paintings for the world to appreciate once again, and so that he’d finally put forth the notion that you’re more than the halls of law offices your portraits exist in.
But that was three weeks ago now- three weeks in which Hyunjin failed to visit you like he’d warned he would. And three weeks in which neither of you reconnected, letting the temporary affair between you dissipate like the sketches he stopped producing of you, like the portraits he finished collecting from you. And like the hope he held onto that maybe you’d come around and entertain a life in which you aren’t so comfortable being invisible and inhibited at the hands of your Q. But that never came around, and although Hyunjin is frustrated with you, he misses you just as much, knowing very well he could spend a lifetime learning from you if only you let him. Now in the gallery he once dragged you to, where he admitted to having learned the secret you hid, he can only pray you know that he sees you for who you are, and not some invisible producer of your static portraits. That a life lived in complete solitude doesn’t have to be the answer to succumbing to your fears, even if it feels more comfortable than the perception and the critiques of others. And that although the idea of you was a lovely one indeed, he loves every part of you, not just the concept of you- and pushing you to grow was his way of making it known.
The gallery hosts are quick to introduce the paintings and their respective sponsors, a variety of them being under anonymous titles and names as they choose to remain hidden, too. But Hyunjin doesn’t wait around to listen to much of it, examining the paintings on his own in between nervous trips to the snack table, where he gets tipsy off a little too much cherry wine. It’s his first time not being a sponsor to a specific painting, instead having opted to donate a large sum to the gallery in his company’s name. But after you declined his invitation to be sponsored, Hyunjin didn’t see it fit to highlight the work of any other painting. It’s you he wants to see up there, proudly showing off your work and making a name for yourself in the industry again the way he knows you secretly want to. And he so badly wishes he could stop by your studio one last time to tell you that he’s not sure he can ever sponsor another painting again if it’s not one of yours. Your art circles his mind relentlessly, as do your words, your heart, your body and your real, tangible presence.
“Nice, isn’t it?” A voice says from beside Hyunjin. He almost jumps, the wine making him a little tired at this point in the evening, not having socialized with many people while he stands in the corner of the room and takes in the sight.
“Quinton?” Hyunjin voices plainly, scowling at his uptight demeanor as he leans against the table beside Hyunjin and crosses his legs.
“So nice to see our former highest-painting client,” Q responds. “And to what do I owe the pleasure?”
“I’ve never seen you at one of these,” Hyunjin chimes in. He then looks around the room frantically, thinking maybe you’d accompanied him to the event tonight.
“Don’t bother,” Q says, as he takes a sip of wine. “I’m alone. Just scoping out the competition.”
He’s quiet for a moment, swirling his glass of wine around in his hand before speaking again.
“She never had a portrait at one of these gallery shows. Said they felt too commercial. Of course her old stuff was shown just about everywhere. I think she was just scared.”
“You mean- you knew?” Hyunjin questions.
“Of course I knew. I led her career’s entire rebranding. Of course she didn’t love the portraits, but the money came to us like you wouldn’t believe. And coupled with her fear of these gallery walks and important figures, we had no choice but to compromise. I got her the opportunity to paint people like you. And she did all the work.”
Hyunjin doesn’t say anything for a moment, simply shaking his head and crossing his legs, too.
“She had a lot of people who believed in her art.”
Q shrugs. “She was free to walk whenever she wanted. Her fear kept her controlled, not me. I’m just another businessman for all she cares.”
And Hyunjin gives a small nod, finishing the last of his wine.
“Look, I can’t help but feel like I owe you an apology,” Hyunjin says finally. “I was just a little jealous whenever you were around. Not that there was anything going on, I just mean-”
“You think you’re the first client to have taken a liking to her?” Q interrupts. “I’ve seen it a million times. People want to take advantage and they get obsessed, and they start pulling crazy shit like offering five times the pay for a simple portrait.”
Q looks down to examine his leather shoes, adjusting the glasses that rest on the bridge of his nose. And then he sighs frustratedly before speaking again.
“I would know,” Q then says, doing his best to avert Hyunjin’s gaze. “She’s a tough one to crack. She loves her paintings, and being alone and I don’t think she’d ever give the time of day to a good man. Not even if he followed her to her next endeavor.”
Hyunjin nods at the marbled floor, and then his head snaps in the direction of Q’s somber gaze.
The way he speaks of you, the way he gets a little too close to you for Hyunjin’s liking- Hyunjin finally thinks he understands. It’s not just the fear of being perceived that keeps you from picking up your old life again. It’s the fear of abandoning Q, who so arrogantly feels like he’s owed something for helping get you back on your feet after you shifted your work’s focus.
He’s the only other person who knows your secret, and he holds it over you like it makes him more important than anyone else in your life. He reduces you to a lifetime of following his orders, likely because he’s bitter that he was never the solution to your loneliness. A wealthy businessman himself, it was Q who kept returning for paintings once not long ago, accumulating piles of your work and making every last effort to pursue you. But when he wasn’t successful, he convinced you that you were right about your fears, that it was your best move to take his advice and he’d keep you turning a generous profit as long as you stuck by him. Q was so hopelessly devoted to an idea of you, and when he couldn’t help you overcome your fears, he became the catalyst for your fears, instead.
“You and I are a lot of the same,” Q voices. “Two rich men with dreams just out of our reach. It seems money can’t buy you everything, after all.”
Hyunjin doesn’t say anything, swallowing nervously and looking at Q. And then Q shakes his head as he sets his glass of wine down on the table.
“Only I’ve never seen her willingly paint the same client so many times the way she does with you,” he finishes. “I guess she really liked being seen, after all.”
Q adjusts his glasses once more, and Hyunjin feels his heart sink at Q’s words, suddenly feeling overwhelmingly guilty for not having contacted you again.
“Could you tell her I stopped by?” Hyunjin inquires.
“Me? Oh no,” Q begins. “I can’t get in contact with her. No one can.”
“You- what? What do you mean?”
“Exactly that,” Q responds. “She told me she was done, and she walked out on me with a single watercolor palette and a notepad. She didn’t say anything else.”
“Did she say where she was going?” Hyunjin interrupts to ask, and Q shakes his head.
“She just left, and it’s been almost a month and she’s still MIA. Maybe she’ll come crawling back when she needs another rebranding.”
Hyunjin can feel his heart sinking deeper and deeper with every passing word that leaves Q’s lips.
He’s tried your cell phone- twice since leaving, and you never answered. But he assumed it to be a fleeting argument that would eventually make amends in due time when he could stomach visiting the studio again- not you running away from all of this for good.
“I have to go,” Hyunjin says frantically, chugging the rest of his wine and slamming his glass on the table.
“It was me who found her the first time,” Q says, not taking his eyes off the art across the room.
“What?”
“It was me who chased after her. After she disappeared. Don’t be surprised if she shuts you out when you finally do find her- I think I’ve already scarred her enough with my relentless attempts at persuasion.”
Hyunjin nods nervously, watching as Q cocks his head at the art, still averting Hyunjin’s gaze. And when he finally does turn to look at him, his eyes are glossy with tears, guilt painting every feature on his face.
“Could you just tell her I’m sorry?”
Hyunjin nods, though he makes no verbal promise to relay the message to you.
“Don’t do what I did,” Q emphasizes. “I think you’re the one person who makes her feel like art, herself. Don’t ruin this.”
*
“I forgot my ID today,” Hyunjin remarks to the security guard in the late hours of the evening. He’s met with a gracious bow, the same security guard opening the door and ushering him inside anyway.
“Don’t worry about it. Take as long as you need.”
The security guards all know Hyunjin very well now, taking note of the way his visits increased tenfold following your departure from the city.
At first he felt as though maybe he was searching for you when he’d come out here, any ounce of proof that you had indeed existed the way he remembered, and hopeful for the confirmation that you moved on to something new.
But as paintings cycled through their respective artists, and exhibits cycled through varying themes, it was a confirmation he never received, never finding a hint of you among the gallery. Thus, Hyunjin drew the hopeful conclusion that you’d escaped to a nicer city, worked on your old paintings again and made a new life for yourself, independently instead of under the overbearing presence of any other man. It’s what he wishes, at least, feeling disheartened every time he remembers you’ve very seldom lived any part of your professional career for yourself only.
The gallery is quiet at this hour, akin to the silent gray evening beyond its walls, and Hyunjin’s shoes squeak along the floors as he makes his way over to the curtains that veil the artwork.
New sculptures, by the same artist who had formed the paper mache ones. These ones are formed from wire and clay, the figures once again embracing each other in tender touches and dances. Hyunjin studies every careful bend and arch, making a mental note to sketch some of them when he gets a chance.
Another room houses a similar spread of modern art from before, these ones all coinciding with the warm lighting that hangs overhead, strokes along the canvases all housing similar warm-toned hues. He knows you’d love this installment and its careful attention to making use of color.
And the last room, the same little room behind a curtain, a small bench in front of a colossal canvas and just barely lit for his eyes to make out the scene.
Hyunjin’s seated before he can even examine the artwork, squinting carefully at the painting to get a better look. He even makes a conscious decision to put on his black frame glasses, making every attempt to get a proper look at the artwork in front of him.
Diluted hues of paint and water dance along the canvas, figured outlines he’s very familiar with, and the essence of solitude radiating from every brush stroke. Only this one isn’t one figure- it’s two, a warm-toned figure and a cool-toned outline holding each other in a tender embrace, their faces indistinguishable, true to the mystery of your work.
And between them, bright hues of paint, yellows, blues, magentas, fantastic mixtures of chartreuse and vermillion, all painted like brush strokes along their yearning bodies and illustrating a profound sense of togetherness, much more robust than the ever-present solitude.
“Visions of you in solitude,” reads the small bronze beneath the canvas.
As he cocks his head to make sense of the painting, he feels the leather of the bench dip beside him, indicating the presence of another patron. And at this hour, he doesn’t need to turn his head to understand who it is.
“There’s two,” Hyunjin says with a small smile, not averting his gaze from the painting.
“It felt incomplete without one.”
“Is that…”
“You?” You question quietly.
He nods in response, eyes scanning the swatches of paint between their bodies. It has to be me, he thinks. It has to be us.
“Maybe it is,” you reply. “I don’t disclose my processes to just about anyone. But you’re welcome to make your assumptions how you see fit.”
Hyunjin gives a breathy chuckle, finally turning to meet your gaze.
You look lighter- happier, as though you have the weight of your fears and reservations off your shoulders for once. Hyunjin can’t help but lean a little closer into you before stopping himself, knowing he can’t come in here to mirror the same thing Q once did long ago.
“You’re doing galleries,” he settles on saying.
“And they scare the hell out of me,” you respond, huffing a little at the end of your sentence. “But, it is nice to be seen again.”
He gives a little nod, and then his mind goes back to Q, who had asked to relay his version of an apology to you. But Hyunjin hesitates to speak of him, not wanting to taint your new art with the mentions of the old businessmen who took advantage of you.
“I’d have kept my distance if I knew how this went down the first time,” Hyunjin explains, hoping you’ll get what he implies. “It wasn’t fair of me to ask you to shift your focus. I just wanted you to be happy.”
You sigh for a moment, scanning the painting across from you, too, before turning to speak to him once more.
“Of all the clients I’ve painted, you were the first to ask about my vision. I think you do see me. And I think it was easier to say you loved an idea of me, because I couldn’t understand why you’d love any other part.”
Hyunjin nods, not taking his eyes off of yours.
“I learn from you the same way you learned from me,” you continue. “And you make me feel so seen. But I’m learning how to do that without needing you, too. Getting comfortable with my loneliness, I don’t think it’s something I was able to practice very much. At least not with…”
Hyunjin nods, not needing to hear Q’s name to know who you speak of.
“I understand,” Hyunjin voices. “And I want you to take all the time that you need. What matters is that you feel fulfilled, and that you’re not being pushed at the hands of somebody else. That’s more than enough for me to love you at a distance.”
And you nod at him, your heart swelling at his words as he turns to look back at the painting once more. The two of you stay there like that for several minutes, observing the way you’ve so carefully captured the togetherness you feel when you’re beside him. Swatches of paints that echo the color he brings into your life, and yet rooted in the solitude you’re still learning to be comfortable with. Visions of him in your own solitude, also creating a version of yourself that will continue to learn from him as much as he learns from you. And still art at the hands of him, both when you’re loving him wholly, and at this comfortable distance from each other.
And by the summer months, he’ll love you at a close proximity when you’re ready again, exchanging passionate embraces behind the curtains at galleries and making love to you in your shared apartment. He’ll continue to draw for you, and remain the biggest fan of the two-piece figures you illustrate with watercolors, capturing the same sense of togetherness and yet unwavering solitude that comes with breaking yourself down to the world around you. And the love will be reciprocated unconditionally by you, who finally feels seen at the hands of somebody who perceives you beyond just a concept.
But for now, he’ll remain right here, at this comfortable distance, allowing himself to learn from you as much as you learn from him. And the love will be undemanding, but it will be real, tangible.
[ ᴛᴀɢs: @drhsthl , @straykeedz-recs , @caitlyn98s , @moonlinos , @cottonsthings , @jaykyo , @write143 , @pinkcinnamon444 , @maximumkillshot , @auraleeknow , @skzms @coastalmaine , @venomracha , @lmhcats , @felinows , @maexc , @kang-min-joo , @liinoracha , @sealovesbts , @hanniessleepyeyes , @hyunjinsamdl , @chans1aptop , @yomomma104 , @sheraall , @kbbok , @silentreadersthings , @beomkgyu , @diorrxluvskz , @dancerachaslut , @jeannie-beannie , @heeseungshim , @weareapackofstrays , @bethanysnow , @inlovewithmusician , @kite-lee , @heartheartisa , @katsukis1wife , @minhosbitterriver , @y-ur--i , @seung-mine , @sskzlover , @bomi-ja , @crisle19 , @binniesbang , @leritzreyw , @lixiesundrop , @chopchopslide-juggalo , @vsereniasstuff , @morethancupcake , @fun-fanfics , @awillowbent , @unstiqn , @lixiesfairygf ]
add yourself to the tag list here.
4K notes · View notes
aha-chuu · 9 months
Text
Can't stop thinking about the fact that Wriothesley is a former underground boxer.
Was it... legal? Did he do it for money? For the thrill? He's called a "Duke" now, but it's unclear if that was a title awarded for his ascension to the head of the Fortress of Meropide (like the monarch "knighting" outstanding people (Sir Patrick Stuart for example)). It's perfectly likely that he had a humble start in life.
The livestream also confirms that Wriothesley is a somewhat recent addition to Meropide, so I'd say he's only had this role for a few years at most. Does that mean he was boxing up until recently too?
Wriothesley is covered in scars (there's a huge one on his neck)... Is that from his past? Did someone pull a knife out in a fight, or was he attacked afterward from some disgruntled opponent?
If this was an illegal practice, he could have been set up to lose a fight and refused, then attacked by whatever mob bosses he fucked over.
Idk. I enjoy the idea that in his younger years he wasn't quite so upstanding - I have this image in my mind of little twenty-something Wriothesley getting caught when the underground fighting ring got taken down. Everyone's put on trial but really Neuvillette & the courts care about the organisers, not the fighters that got caught in the crossfire. And Wriothesley is all freshly scarred and clearly not guilty of all the financial crimes going on behind the scenes.
Obviously there's some class disparity in Fontaine. Wriothesley has that voiceline "don't break the law... seriously" but he also reformed Meropide and treats the reasonable inmates as equals. Imagine if that came from his history, seeing his peers be punished for actions that society forced them into. And maybe Wriothesley got off lightly, but he'd be able to empathise with all the people who didn't.
And there's that official art of Wriothesley and Neuvillette in the office together, which obviously doesn't confirm that they have met (yoimiya & Kaeya art lol), but they almost certainly have. So I wonder if it was that near miss with a guilty verdict that put Wriothesley on Neuvillette's radar. Neuvillette is caring, so maybe he took steps to help the people who got caught up in the fighting, including Wriothesley. And it's those connections that later allow Wriothesley to take a position in Meropide, making the reformations that treat those who are guilty more fairly.
Anyway yeah. Wriothesley.
377 notes · View notes
dragon-in-a-fez · 2 months
Note
Hi. I read a recent ask from someone else, where you say that you are now divorcing your partner, so this may be a little awkward but; I have seen your post about your (ex-)partner several times now, and I wanted to ask. I am AFAB non-binary. Funnily enough, I’m also pan. But I have recently started to think- albeit in the vaguest of senses- about dating, and I realised that I almost certainly will struggle to find cis guys who will date me and be chill with my gender. So, I was wondering if you had any insights? Feel free to ignore this!
I hope you're cool with me answering this publicly, because it's giving me the kick I needed to say some things I want out there for anyone who sees that post and finds my blog.
it's getting easier to talk about. the truth is, my ex treated me very badly in the last couple of years we were together, worse than I was willing to admit to myself before a lot of therapy and a lot of kindness and patience from friends. there was a lot of gaslighting and intense emotional volatility along with financial and legal abuse. I have lingering post-traumatic symptoms from it - frequent nightmares, panic attacks, even a massive months-long gap in my memory.
but none of that really has anything to do with your question, because the fact is, respecting their identity has fuck all to do with our relationship, or their character, or their actions.
I actually had a big fight with my mother recently because she was upset that I don't talk to her about all this enough, and eventually I was like, "after 7 years you still can't even get their pronouns right, how am I supposed to go to you for support about how that relationship fucked up my life when I have to stop to defend them from your ignorance every five minutes?" she seemed surprised that I still cared about being respectful and I was just like, yeah and that's why you and I have spent 30 years not understanding each other lol
and I think that's kinda the best advice I can give you: don't trust anyone who only cares about respecting the truth of who you are when they're happy with you. they should care when you've fucked up and hurt them. they should care when you're yelling at each other because they're being a selfish dickhead. they should care when you break up, or when they ask you out and you say no.
that doesn't mean they always have to get it right. people slip up on pronouns because of how they're used to talking, or they repeat dumbass stereotypes or ask inappropriate questions because they don't know better yet. but don't waste your time with anyone whose level of respect for your gender is based on their attitude to you in that moment. you deserve better than that. someone who only gets your pronouns wrong when they're angry is a way bigger red flag than someone who just occasionally gets them wrong at random times.
and yeah, you might struggle to find people who meet that threshold, depressingly low though it is. but the good news is, once you do find those people you're automatically in a better starting place than a lot of relationships. and knowing you've found the right person is way more important than how long it takes.
46 notes · View notes
theresattrpgforthat · 1 month
Note
Have you ever done a post about wizard school games? If not, any you'd like to recommend?
THEME: Wizard School
Hello there, I have two recommendation posts that you might be interested in: Magic School Mysteries and Magic School. However, I have a few more games that I can talk about in case you haven’t found the right game for you yet!
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Dusk Academy, by Skullery Maids.
Dusk Academy is a spinoff of Blades in the Dark. It uses much of the same systems and mechanics, deviating slightly to fit the setting.
It is set in the hallowed halls of, well, Dusk Academy — a private school on an English island, far away from society. This school caters to girls fresh out of school, unsure of what to do in their futures. Dusk Academy helps these girls sort out their interests and passions, but it is special in its own way. The school is home to magic — and teaches it as part of its curriculum. This fact must remain secret from the rest of the world, but the school aims to provide a healthy environment for students to unleash their mystical potential.
If you are at home with Forged in the Dark games, Dusk Academy should be pretty easy to pick up, as it follows a number of hallmarks of the Forged family, including action ratings, playbooks with special abilities, clocks that represent consequences or projects, and Position and Effect. This game also adds something called Zap, which represents energy or strength that is needed to help your characters cast spells.
Characters in Dusk Academy organize themselves into clubs, so the stories you tell will likely revolve around the kinds of things you expect your club to do. Many of these clubs resonate quite closely with the crews of Blades in the Dark, so I don’t think your school experience is meant to be safe or easy; this school may be prestigious, but it looks like you’re destined to be troublemakers while you’re there.
Let’s Rob RJ McElhenny and Steal Her Golden Quill, by Glaive Guisarme Games.
You're a wizard, and don't let anyone tell you any different. Especially not RJ McElhenny. She's just about the richest author on the planet, all thanks to her series of banal, lowest-common-denominator stories about wizards. Stories that make it pretty clear just what sorts of people she believes deserve to be called "wizards." If you weren't born magical, if you needed to learn how to wield the arcane or if your power stems from a patron or charm… well then you're an almost-wizard, as far as RJ McElhenny and her fans are concerned. 
Let's Rob RJ McElhenny and Steal Her Golden Quill is about taking on a fantasy novelist because you're tired of the shitty takes she keeps unloading on Twitter. It is, notably, a game with no subtext whatsoever and legally you can't prove otherwise. 
Talking about magic schools can put me on edge sometimes because one of the most popular magic schools in media is tied to a lot of real-life bigotry, but that’s certainly not an issue I have with this game. Let’s Rob RJ McElhenny is short and sweet, using a deck of cards to generate obstacles as you move throughout the famous author’s mansion, and dice to help you overcome those obstacles using your elaborate heist-planning skills. This is not really a game about magic school per se, but it is a game about magic users using a lot of familiar references.
Children With Wands, by Joe Kiewra.
Children With Wands is a rules lite, all ages, Table Top Role Playing Game that mostly focuses on having fun adventures where the players solve open ended puzzles and problems. You play as children who have just come into their magic powers and as such don't quite have a grip on their spells yet. This leads to a lot of hijinks where the children often have to fix problems their spells have caused.
Children With Wands is a game currently in beta, so the document isn’t pretty but it’s entirely free. The system is d20-based, with simplified character creation that looks relatively kid-friendly. Much of the dice-rolling relates to the magic that your characters will be attempting to cast - roll too low and you might not get the effect you want, but roll too high and the magic goes out of control. Since your casting is about precision, you’ll use your modifiers to determine an acceptable range of numbers that would grant you success, rather than simply add to your dice roll.
As a document, right now the game is just rules on how to play, no fluff or world description. This means that if you decide to give it a go, you have quite a lot of freedom in determining what kinds of creatures there are and what kinds of problems might be affecting the land around you.
Welcome to Camp Merlin, by KingBim.
Welcome to Camp Merlin - it's time to learn some magic! Cast spells, befriend monsters, save ghosts, earn badges, prank some fairies and summon goblins, all whilst exploring a magical forest full of ancient enchantments and mystical creatures.
Welcome to Camp Merlin is a tabletop role-playing game about non-magical kids attending a summer camp in preparation for their first year at magic school.
While it’s not exactly a magic school, Camp Merlin is definitely adjacent to one, and it’s got a lot of the pieces you might be looking for : spells, monsters, and a regulated schedule for your (likely) child-aged characters. The tone is meant to be whimsical and light-hearted, and good for short sessions. If you want something lighthearted for your friends with a slightly different setting than your typical magical school, you might want to check out Welcome to Camp Merlin.
Arcane Academia, by Oracle Engine.
A GMless tabletop roleplaying game, in which you play a group of students at a magical academy: companions through the tumults and turmoil of a day in the life of wonder and whimsy. Bond over meals together, attend arcane lessons, socialize during your free time, and go on daring, mischievous escapades at night.
Arcane Academia seems like a great game for replicating school-age hijinx and escapades, and all of the trouble you can get in when you’re supposed to be doing your schoolwork. It might also be a good option for tables who don’t have a dedicated GM in the group. If you want to get a little bit of a taste of what the game is like before you buy it, you can also listen to the episode on Party of One where Jeff Stormer plays it with the designer of the game.
Arcana Academy, by Jordan Palmer.
Arcana Academy is a tabletop role-playing game where you get to play as students attending a magical school. Solve mysteries, get into trouble, learn magic, and forge lasting friendships or bitter rivalries.
If you've ever wished you could attend a magical school like Brakebills, this is the game for you. Players will get creative with spells, wander the halls after dark trying to solve mysteries, and explore a world unlike any they've yet encountered. Arcana Academy uses a light tag based system that lets you choose what's important to the story. Along with the spells you've mastered, your character's personality or talents are what drive the action forward. 
Arcana Academy provides a loose framework using the PbtA ruleset, with the expectation that you will want to build a magic school that fits your group’s tastes. Character creation is very descriptive, asking you to write down specific adjectives or phrases that match your character best, rather than choosing an option from a pick list. I think this game is probably better suited for players that already have a very good idea of what kind of school (and students) they want to play, what kind of magic you want to use, and what kind of tone you want to set the story for.
35 notes · View notes
bestworstcase · 27 days
Note
You ain't wrong about fndm's lady/dude crit imbalance. I've noticed so much whataboutism & overlapping insistence that Oz/Qrow/Tai did their absolute best given [magic special forces duties], [hell world full of hell beasts] and/or [Salem/Raven's Selfish Dippage/Supermom's Loss], often with a side of 'you're just being blinkered stans who can't accept when ur waifu mains have flaws that need a-fixin' or should Get Over Themselves & Stick With The Program'. I mean, no denying the STRQ guys would be leagues less dysfunctional were it not for their situation's unique pressures and the immortals' contributions thereof (ditto for Ozlem thanks to the Bros), but I still don't think that causality chain fully corroborates this 'naught but vindicated put-upon sensei figures, the Bad Moms Doing Badness exonerate everything, it's Just How This World Works, we've been over this, STFU already' perspective nursed by long-haul fanposters and tons of general watchers.
truly. although i will say i Don’t think it’s fair to judge qrow as a parent because he wasn’t one, in either the biological sense (uncle) or legal (did not have custody) or familial (not a member of the household). so while certainly there are things he could have done better (gotten sober) (quit taking missions from oz for the sake of being around more to help out) (confronted tai about the wagon incident—tho we don’t know he didn’t do that tbf) short of either moving in to take over parenting or like flat out getting whatever passes for child services involved to force tai to get help or foster the girls himself for a while qrow didn’t really have a lot of material power in this situation. & both options he did have posed real risks (misfortune + the compounding trauma of a messy custody fight while everyone was still grieving summer). so
but yeah what gets me is "they really did try their best" and "their best was in fact inadequate and caused lasting harm" are not incompatible statements. Sometimes Your Best Sucks. that’s life. & sometimes when you’re deep in the throes of a traumatic situation or a depressive episode or alcoholism or what the fuck ever You Will Hurt People because you Don’t have the capacity to support others or practice empathy; you can’t draw from an empty well. that’s life!
it’s just also where the "intentions don’t negate consequences" principle applies; qrow trying to Be There for his nieces whilst struggling with alcoholism doesn’t make the harm done by his alcoholic behavior not have happened, tai’s depression doesn’t make neglect not neglectful, salem… existing at all doesn’t justify the choice to rely almost solely on child soldiers to defend his relics. etc
this is also the most compelling thing to me abt tai (potentially) staying near vale because of summer, at the expense of his kids; as soon as you bring "summer is alive and well and chose to leave him" into this equation you bring the implicit blame to the surface: is this woman responsible for his actions because she chose to end their relationship?
consider that the one thing we know with 100% certainty about these two is that summer did not trust him with her real self; her reaction to hearing him down the stairs is.
Tumblr media Tumblr media
this, followed by slipping on a mask and lying through her teeth with practiced ease. (in comparison, when ruby is feeling acutely distressed she shuts down and gets quiet, which has the effect of making her distress visible but also small and easy to ignore or easily shunted aside by louder more apparently urgent problems. ruby tries to put on a happy face most of the time, but when she’s Feeling Bad the best she can do is small, strained smiles. summer turns around with a relaxed grin and makes a casual joke at ozpin’s expense.)
so—yang remembers "supermom" and ruby thinks her dad "misses adventuring with [summer]" and for eight volumes there isn’t anything to contradict this impression the girls have that their parents were deeply in love and happy with each other… and then our introduction to the Real Summer Rose is:
reading bedtime stories to her girls
the lies come out of her so easily!
she planned her rogue mission in secret with raven, who also left tai for hitherto unknown reasons that are now strongly implied to be that she felt like a failure as a wife and mother.
leaving aside the question of why summer chose to join salem (and why she faked her own death to do it)… this does not imply a happy or functional relationship. if nothing else whatever problem summer had that drove her to plan this suicide mission with raven was something that she, for whatever reason, did not feel like she could bring to her spouse/partner—and that in itself speaks to a fundamental absence of trust, but taken in conjunction with a) this Extremely well-practiced emotional disappearing act and b) how tai handles emotional vulnerability in v4 (NOT WELL!) it’s kinda…
well. the blacksmith shows this to ruby then remarks "maybe you’re not the only one who has felt the weight of others’ expectations. like alyx, like your mother," and the only character summer performs for in this flashback is. tai.
and—while the silver eyed warrior paragon-hero fairytale cult nonsense was undoubtedly the greater burden—i think the narrative is inviting the question here of to what extent perfect mother/perfect wife was one of those expectations, to what extent Raven Leaving was a shadow cast over summer’s relationship with taiyang, and how she might feel about all this with fourteen years of hindsight.
wrapping back around to the point about tai and culpability, you have on the one hand this implicit blame put on summer for tai having neglected the children after she left him and on the other this nascent question rising to the surface of: was summer even happy in this relationship, if she felt like she had to perform happiness often enough for it to be this easy? there’s the asterisk of course that what we see in this flashback was outside of the ordinary but the ease and confidence with which she slips on that mask bespeaks habit.
so tai fourteen years later is still pining for this partnership in which summer may or may not have felt an expectation to Be Happy (perfect huntress, perfect mother, perfect wife) and in which she certainly did not feel like she could bring her Desperate Suicide Mission Problems to her partner… and his parental neglect is all rooted directly in the intensity of his anguish after she left him… and she’s spent those fourteen years with salem and if they’ve not already crossed paths offscreen they’re certain to do so now that tai is like alone on patch with salem / summer / cinder for neighbors.
there’s an interesting reckoning being set up here, i think, with the unspoken implication that summer was the load-bearing pillar in this family and by removing herself from it she Made tai into a neglectful father—that’s the family narrative, dad shut down after mom left (died), but the narrative arc is beginning to culminate with "okay, why did mom leave?" and it seems to me that the natural trajectory from there is to really interrogate that question of blame.
45 notes · View notes
vshushmshu · 7 months
Text
crumbs and other imaginary things
[@crystalmagpie447 remember this? well uh.]
another shift at the pizzaplex had you hunched over, with only your dutiful mop as your crutch in your moment of reprieve as you looked over the now freshly cleaned floors. no doubt they wouldn’t stay clean for long, what with all the children that always seemed to leave some sort of mess in their wake, but you still prided yourself on a job well done. you managed to actually move your legs after a few moments of simply standing there; lifting up the mop to place it in a bucket of now browned water, and stepped one foot in front of the other with said bucket in tow, all the way over to the nearest janitor’s closet. you were more general staff, really, assigned to do any odd jobs over the course of your shifts; that was a song and dance already played out, though, no doubt.
there was a remark under your breath about how nifty the wheels attached under the bucket were, how much more efficient it was to be able to roll it over to where you had to store it, considering the alternative of having to lug something of its weight all the way over with only your average amount of arm strength instead. management said not to worry about emptying the water anywhere, so you rolled it into the dim space and promptly closed the door without much thought. you mimed the action of wiping your hands clean of the deed, and laughed quietly to yourself when you noticed the familiar gesture. there was almost nobody here, except for if you counted the wet floor bots, and you liked to count them in.
in fact, just before exiting the area, you made sure to pat the one guarding your work on the top of its little head with a smile. it didn’t say anything, really couldn’t, other than a soft whirr and a mildly harrowing stare into the very fiber of your being, which you took as some sort of acknowledgment. a wave goodbye to the bot, and you set off to where you usually did when you had extra time before you legally had to clock out. it really was automatic at this point, but maybe you’d take a quick detour.
“FRIEND!! HELLO! HI!”
you grinned at sun’s overexcitement, something that never seemed to fade with every time you gave the attendant a “surprise” visit, waving back while he opened the door to the daycare wider for you, “BUDDY!! HI! HELLO!”
the both of you laughed at each other, sun jingling along with you as you walked over to the trash can by the security desk, throwing away plastic while scrubbing at your mouth with your hand to rid of any residue from the self-indulgent treat. the animatronic tilted their faceplate a few clicks to the left in curiosity, and made a noise of mild disgruntlement at such a heinously vile act, “sunshine, i really DO think it would be best to use, oh i don’t know, a napkin? tissue?”
a pointed raise of your eyebrow, fold of your arms across your chest, and you rolled your eyes at him, “oh, come on!! what happened to “how was your day, bestest buddy”?? “anything interesting happen, my dearest perfect angel that is so cool and also amazing”??? huh?”
he shook his head at your antics, hands reaching out to carefully dust away crumbs that might’ve still been clinging to your lips, “hmm.. okay then! how was your day, dearest? anything interesting happen?? do tell!!!”
when he was satisfied with the cleanliness of your face, he pulled their hands back with a tap to the corners of your lips and a spin of his rays, miming out wiping his hands clean of the deed. it was just a bit to play along to, but it still made you oh so happy, beaming up at him, “alright, alright, i’ll spill the beans-“
his faceplate clicked back to place, and a giggle, “what beans?”
a breath, “expression! figure of speech! not actual beans.”
if a plastic face had the ability to deadpan, he certainly would be using it at the moment, “we know, friend.. do go on. were those chips good? did you work hard while also making sure to take breaks?? any-”
you raised a hand, as if to halt the sunny personality’s train of worries by simply waving, and he did fall silent for a moment, “woah, okay, wait- how did you know i got chips?”
their fingers twitched, you caught from the corner of your eye, and his voice lilted while he shifted his weight from foot to foot, “crumbs!! you were chewing something crunchy, and we caught a glimpse of the bag. gotta say!! we thought you could do better with your selection of snacks.. those are infamous for being disappointing!!”
urges to hide yourself up in the jungle gym were repressed very heavily, “oh, come on! you’re gonna be weirdly observant and rip on my lackluster taste?? fake friends… the both of you!”
there was a moment of hesitation, a hushed chuckle like that of listening in to another’s word, then he pressed their hand to their chassis in dramatized dismay, “GASP!!! US?! FAKE FRIENDS??? sunshine, we could NEVER!! i only… speak the truth! is that so wrong??”
“…what if i said yes?”
the pair of you snickered at that. hands of metal and plastic and silicone cupped your cheeks once more, thumbs dabbing at the outline of your lips, and you hummed. must not have gotten all the crumbs after all. he gave you a littler smile, voice surprisingly quieter than what you were used to from the louder of the two, “i would throw you out a window! now, i’ve already said “do tell” twice now, so it’d be a little redundant to say it a third, wouldn’t it?”
you pretended to think, “huh… i guess it could be, but we wouldn’t be able to know for sure. how about you try it again and see-?”
the sun gave you its most unimpressed expression.
“ALRIGHT, alright!! pFFT- hAha, i’ll tell!!! okay, so…”
“… and then i had to clean that s- dookie!! that dookie up! not literally dookie, it came out the kid’s mouth, but uh… it sure could’ve passed from smell alone…..”
it was maybe ten minutes till you had to formally end your shift for the day, and you were somehow always surprised at how fast your extra time passed with the daycare attendant. you hadn’t spent the whole time talking about your experience through the day, as you could never remember things people asked of you to remember in the moment they did, so your ever-understanding friend had initially done a majority of the talking. describing the itinerary he had planned for the children today, how it all went mildly off-track and some improvisations had to be made, all while you helped clean up any stray toys or such still left skewed about the space. in the comfortable silence that followed, you blurted out pieces of your own activities until they finally formed the solid timeline of your day, if not broken up by a plushie-throwing battle momentarily.
the sun had set a half of the time through, though, and now you were in the company of the moon, who hummed along to your musings, “that’s disgusting. genuinely vile.”
there was no doubt a grimace painted across your features, and he seemed to laugh at the picture, “it really was! sucked. awful.”
he made some elaborate show of swimming through the air on his back, with only the cable hooked to their back piece, supporting their taunting frame, “sucks to suck, loser. you probably smell like it. take a shower, stink.”
you frowned up at him from where you walked along the hallway, sniffing at your clothes before letting your steps fall a little heavier, “shut up!! i was gonna anyways!”
the cord gave no audible indicator of the lunar dingdong gliding to hover over you with a playful grin, “stop stomping then, bozo. throwing tantrum. stinky stinker.”
“i am not!! you’re just being a jerk.”
you cringed, while moon’s smile only seemed to widen. you definitely sounded kind of whiny; you both knew that, so you switched it up with a drawn-out sigh, “ANYWAYS!! i’m gonna have to clock out soon, so don’t miss me too much while i’m gone, a’ight?”
you were steadily approaching the exit now, and the moon dragged itself along by the tether still for a quiet moment, before snorting with the barest trace of a crackle from their voicebox, “couldn’t care less.”
although, when standing in front of the shutters, he ruffled your hair a bit with a titter filled of mischief, then smoothed it back down to a poor imitation of how it looked before as he lowered himself to your standing when you complained lowly. you rolled your eyes at him, huffing, “wow, you guys really are fake…”
moon gave you a disgruntled mumble as a reply at first, before it raised to a decibel that was actually possible for humans to hear clearly, fingers wandering to trace spirals into your temple, “yeah, yeah- sooo unreal, this is all a dream. wake up. wake up. wake up. wake up.”
you breathed a laugh that went strictly against the bit, face twisted in an unwitting smile, “wake up? i would think you’d be telling me to sleep, instead. isn’t that kinda your whole thing?”
the bot fell silent for a moment, tracing out as many bumps and ridges and shapes he could of your face, like the imprinting of a memory as cool fingertips ghosted over the seam of your lips. it was a little strange, but it still relaxed the muscles in your face as he reached up slowly to brush away a fallen eyelash with a plastic knuckle, then seemed to regain his voice, “sleep. sleep. sleep. sleep. sleep.”
that finally made you cackle, and moon squeezed your cheeks lightly with eyes that wished to crinkle in mirth, letting their silicone palms slip from your jaw with a final couple of taps from thumbs to the edges of your mouth, “you’re such a weirdo, dude.”
this time he rolled his eyelights instead, the cord clipped to their back pulling taut as their smile seems a little less carved in, and he’s watching you from a bird’s eye view once more, “sure… uhuh.”
you fished out your keycard, still grinning as well, “you really are, i swear! gonna dip now, though. see you when i see you!!”
card swiped and shutters lifting, you waved to the moon as you stepped out, it reciprocating a reflection of the farewell for the night, “later, weirdo. stay safe.”
you shouted back an affirmation, and all you got in reply was the tinkling of bells.
you were glad they were salvageable.
well, you honestly were infinitely more grateful that they as a whole were salvageable. the bells were just a nice bonus. you flicked one tied to their wrist again, smiling a little to yourself.
at first the ribbons had been scorched of ash and blackened from fire, but you had cleaned and learned to stitch, so they now looked as good as new. maybe the two found peace in the fact as well, but you could never truly know what went on in their head at any given moment. only guesses, really. lots of guesses nowadays.
guesses such as who was sitting next to you at the moment. who? sun rays were out, nightcap pinned, staring at you. it was useless to have the television on, really as no one watched whatever was playing, but you still observed the light bouncing off the walls with a very real interest.
there was a painfully long stretch of silence, and though you didn’t have a clue as to whether they felt as uncomfortable as you did, you still struck up conversation. the animatronic seemed eager to listen to whatever it was you finally took a deep breath to say, eyes glued to your face as you sighed heavily, “uh, sun… moon..? are you okay?”
the static laced through their words was a lot more noticeable, fingers in their lap spasming as if indecisive, “yes!! yes, all is well, friend!! we’re alright. you alright, tv too loud? all good?!”
so, your friends weren’t quite themselves, were they? were they? you reached over to the remote on the table, switching the television off with the press of a button, while the animatronic observed after your every move. you turned to them a little more after that, and held out your arms with an unsure grin, to which sunrays extended to stab through the poor nightcap further, “i’m all good! don’t worry, buddy… do you uh, want a hug?”
there was a moment of hesitation, like their body was held back by something, yet their faceplate was lit up with a sort of unbridled joy that had your smile widening, “YES!! yes, yes!!! that would be nice, mhm. can we?!”
you raised a brow, teasing, “i’m literally the one who asked, guys. of course.”
very soon after saying that you were gathered in arms and cradled close, high pitched laughter and mumbles being whispered as you wrapped your limbs around them, still jittery hands rubbing circles into your back. digits trailed and traced up your spine, ghosting over notches of vertebrae like second nature, and you squeezed them closer still. a laugh escaped you too when you felt cold fingers trail to your upper neck and draw shapes on your cheeks, pulling your head gently to face their faceplate. rays retracted to be able to rest on your shoulder, eyes still staring at you as their plastic plated fingers brushed over your mouth, the barest of pressure to make the skin give before their line of sight finally drifted to what they were doing.
it was like lightning struck their servos, making them sit rod straight with sunrays ripping up the hat more as they flared and spun like the blades of a fan, making you wince at the future stitching project. it was like they were trying to avoid any physical contact with you now, despite you still very much being spread on their lap, and you were mildly surprised they hadn’t chucked you across the living room from the force of their jolt, “wh- are you okay?? what happened?!”
they seemed like you when you reflected on an embarrassing memory from elementary school in the dead of night, and you had to choke down a wheeze that would’ve been at their expense, mortification hidden behind the same hands that had so affectionately held you, “OH MY GOSH. WE’RE SO SORRY- sorry- WE DIDN’T EVEN ASK!! WE’RE HORRIBLE!!! fakest friends. HOW COULD WE?? horrib-“
you furrowed your brows, leaning forward to pry their hands from their face, which they probably let you from how easy it was to move them. you then replaced their hands with your own, making sure to keep eye contact while they stared into yours, lightly brushing thumbs over the designs carved onto their faceplate, “ALRIGHT, NONE OF THAT!! i don’t know what you’re freaking out about, but you’re not bad buddies at all! like, if it’s about the whole touchy-feely dealy, then you guys are fine!!! more than fine, really! don’t you think i would TELL you to stop if i got uncomfortable?!”
there was a moment of quiet, and hands that were hovering at their sides drop down to the couch cushions, “uhm.. yeah, guess so. are… are you sure, though??! can we-“
your hands found theirs in a slightly annoyed resolution, lifting them to your face to press from the palms to their fingertips to your mouth, effectively killing any words left in their voicebox. you swore you maybe heard the air conditioning kick up speed in the silence, and when you moved on to their metal knuckles, one of them breathed out static, “star, we get it..”
you huffed at them, pausing to stare at their unreadable expression, “YOU BETTER!! AND ALSO YOU’RE NOT FAKE!! now come on, can we get back to it??? the back rubs were especially nice..”
there was hesitation again for a moment, but then they snickered something that was an overlap of the two you knew and loved, and digits traveled over your skin. you sighed in contentment, sinking into their hold while hugging them close to you once more, squeezing when a hand came up to card through your hair, “aww, friend!!! …spoiled.”
you went to yap an objection, but any fight left you when they rested a faceplate with retracted rays back on your shoulder, tracing stars into the corners of your lips. you simply flicked the bells tied to their wrist absentmindedly instead, happy.
[ masterpost ]
84 notes · View notes
over--and-out · 2 years
Text
To Keep You Safe
Eddie Munson x Male Reader
Tumblr media
Summary: After being physically bullied, Eddie finds you hiding. He decides to take care of you before taking care of your abusers, but his methods of care, you notice, tend to be rather sweet.
Warnings: Spoilers for season 4 but not really, physical assault, bullying, mentions of vomit, blood, homophobic behavior, mention of homophobic slurs, Chrissy bullies you and Eddie so she doesn't get bullied, Eddie gets physically aggressive, this wasn't proofread so plz don't expect perfect grammar, if I missed a warning please comment it below politely
This was written at 4:30 in the morning while I was half asleep, please don't be mean about my writing-
Tumblr media
You could feel it in your chest, that ache that only grew until it swallowed every breath you took. You could taste bile and blood in the back of your throat and you couldn't tell if it was blood or tears covering your face.
Hiding in the janitor's closet was not the most ideal way to spend your science period, but Mr. Willow took one look at you and decided to dismiss your absence.
This wasn't the first time you've been discriminated against, and it almost certainly wouldn't be the last.
Sniffling and wiping your face, you only succeeded in smearing whatever was on your face and not wiping it off.
You couldn't help but flinch when you heard the crack of the doorknob turning, your gaze snapping up only to meet the concerned gaze of the one and only Eddie Munson. Immediately, he was at your side, his hands hovering over your body before speaking gently. "Where does it hurt?" As if it was second nature, your fingers drifted up to prod at the side of your nose, a small hiss escaping you and tears brimming in your eyes at the pain that blossomed there. He nodded and with his index finger to your jaw, he turns your head and looks over your nose. "Yup. You're definitely going to die. Such a shame."
Your brows furrowed, confusion blooming all throughout your being. He sighs and shakes his head, taking your hand and with a dramatic wail, he throws his head back.
"OH, how I'll miss you! I'll avenge you, I swear of it! Justice will come to your name-" "Eddie.." Your voice broke as you uttered his name, slowly drawing his attention before he flashes you that signature smile of his. You continued. "W-What are you doing?" He shrugs, ghosting his knuckles over your cheek in a fond way before resting his hand on your shoulder.
"Oh, y'know. I have to declare your condition, since of course I'm legally a doctor." His sarcasm was so obvious that it almost made him look silly, but you could tell what he was doing. "Yep, that's a grade A boo-boo. I declare a kiss to make it better." A small smile escapes you, his voice managing to calm your nerves. He was always able to manage that, calming you down.
"Yeah, but seriously, I need to get you to the nurse. Do you want it straight up or do you want to wait to go to the nurse?" His tone was a bit more serious now, but it was still lighthearted. A small whine escaped you; you didn't want to even think about the damage that Jason had done.
"L-Later," you mumbled. Eddie nodded, gently winding his arms around your shoulders and pulling you into a hug. One of his hands drifted to your head, his fingers threading through your hair as the other hand rested on the small of your back.
You tensed up a bit at the action, your nerves still on edge from the encounter you'd had.
But you knew Eddie would never hurt you. That was something you knew for certain.
He was a rather intense person for people who didn't know him, but it's almost surprising how much he settles down for people he cares about. Especially you, his boyfriend for a running three years now, going on four. He cared very deeply for you, and you could see the genuine love he had for you every time he simply looked at you.
Your presence brought a smile to his face, the genuine and authentic one that could light up a room. He would often get bullied for his smile, called creepy, but nobody quite understood the authenticity like you did.
His gentle voice brought you out of your thoughts, lips coming to press a kiss to your temple before he pulled away from the hug but keeping his arms around you. "Do you want to talk about what happened?" He brushed a strand of hair out of your face, the strands sticking to the blood dried there. His presence comforted you enough to loosen up; he was somebody you trusted with your being.
"I-It was Jason. He just..." You paused, making Eddie tilt his head and brush his thumb across your cheek. "Come back to me, sweetheart," he softly spoke. You nodded and held one of his hands with both of your own, a way to ground yourself.
"Jason started calling me sick. Saying I had a disease and laughing about it. I... I hated it, but I stayed quiet. Then he started calling me a..." You shook your head, not even wanting to utter the word. You could see the understanding on Eddie's face. You knew he wouldn't force you to say it, or even be upset if you did. You noticed rather quickly that Eddie didn't care what you said, as long as you were genuine about your phrases.
"It bothered me, but again, I could ignore it. I was just waiting for you. Then Jason brought you up..." Eddie's brows furrowed and he scooched forward a bit, his knees touching yours. "Chrissy even said that she agreed, that you were a freak and that it was obvious you had to be a 'flamer.'" A sigh escaped you and you found yourself leaning into Eddie's space, your head subconsciously resting on your boyfriend's shoulder. He brings his hand up to run it up and down your back, once again kissing your temple.
"I told him to stop... That he could talk about me all day but to leave you out of it..."
"Sweetheart, you know I can handle myself."
"But I hate hearing it. You don't deserve it at all. All I told Jason was to leave you alone, and he decided to shove me into a locker." You whined, your grip tightening on him. "He grabbed my hair and... Bashed my face into the locker." You could feel Eddie tense up at the mention, leaning back and running his thumb over your cheek as he looked over your face again. A deep sigh left his chest and you could almost feel the anger radiate off of him. Eddie had always been laid back and overall a very chill person, but he was also protective too. It took a lot to piss him off, but touching you was something that would do it instantly.
He decided to push his anger down. That could wait, what was more important to him was you sitting there hurt and traumatized.
He sighs softly, pulling you into another hug and you didn't hesitate to cling to him as tight as you could.
"I love you, but please don't do that again. If he's a dick, ignore him. And if he tries to piss you off, find a teacher or me, or somebody."
"Eddie..." Your voice was soft, barely above a whisper as your fingers fisted into the leather of his jacket.
"I'll handle it, sweetheart. Don't try to worry yourself, let's just get you patched up."
He pulled away and took your hand, helping you stand before wrapping an arm around your shoulders and gently steering you to the nurse's office. He was cracking small jokes the entire way there, stopping and pulling away from you for a moment so he could dramatically trip over a gym bag that was thrown in the hallway next to an empty desk. When you reached the nurse's office, you held his hand and kept your attention on him as he tried his best to be helpful. Unfortunately the nurse found him annoying and sent him back to his class period. He refused at first, but the nurse had the gall to threaten to suspend you for 'provoking a fight.' Aggravated and feeling defeated, Eddie gave you his leather and denim jacket for comfort before obliging to her commands.
Or that's what he said he would do.
Tumblr media
"Hey, Clydesdale!" Eddie's voice rang out throughout the cafeteria as he made quick strides to the athlete's table. Jason looked up, obviously offended at the name before he scoffed. "Got something to say, dip?" He shook his head, as if Eddie wouldn't do anything.
"I'll do more than fucking say something, you damn mung." Jason was quick to stand up when he heard the aggression in Eddie's voice, deciding to harshly shove Eddie backwards. "Yeah? The fuck are you gonna do, freak?" Eddie didn't even give a response before his fist clashed with Jason's face, sending the athlete to the ground and causing a collective gasp from the crowd that began to gather. Eddie shook his hand a bit, the force of the punch causing a small cramp in his hand. An added bonus to those beautiful rings you loved so much, they gave punches that added kick.
Leaning down and grabbing a fist full of blonde hair, Eddie leaned down and his voice hissed through his teeth with the click of his tongue. "That was just my warning. You lay a hand on him again, and you know what you did, I'll do more than give you a little kitten lick. Y'know, since all I'm known as is being a monstrosity." He shoved Jason's face to the floor, wiping his hands off on his dark jeans.
Tumblr media
"Eddie!" Your sweet voice immediately brought a smile to his face as he wrapped you in a hug. You were now in your last period, which you don't share with him, but Eddie wouldn't let that stop him.
"Hey, how are you feeling sweetheart? You're not dead yet, I see." You smiled softly at his words and buried your face into his chest. He gently poked at the bandage on your nose, tilting his head with furrowed brows.
"She had to relocate my noss, and that hurt like a bitch, but it stopped bleeding and I'm all cleaned up now. Jason won't even look at me now so that's a good thing." Eddie smirked and stepped back so that he could give you a dramatic bow.
"Thanks to yours truly." His voice had that lilt to it that it normally did when he was pleased with himself and you could only give a small laugh. You were almost shocked that he had done something bad enough to scare Jason away, but Eddie was Eddie. He left Jason alone until he had to step in.
"You're ridiculous, Eds."
"But you love me~"
"Indeed I do." At your words, Eddie smirks and leans down to steal a kiss. You could tell that he was wound up with the way he chased your lips when you pulled away, but the bell rang and Ms. Barkley had threatened to hit him with an English textbook.
The beginning of last period was something that left you feeling better about the day, getting your affection in with Eddie before watching him yelp while he attempted to dodge Ms. Barkley and the wrath of her English book.
Tumblr media
2K notes · View notes
gremlingottoosilly · 1 year
Text
Just one shot [Military photographer!Reader x CoD characters] part three
You successfully escaped the hell of the art school — in debt, with nothing but your(shitty) camera, a diploma and disappointed parents who never understood your life choices. Being a part if the military wasn’t your first option, but what else can you do? And at least, people here are fun to work with…
Featured characters: Ghost
Tumblr media
Chapter 1 Chapter 2
Ah, you're fucked. Utterly and deeply, there is literally nothing you could do about your fate – once you get out of bed, you would have to face the cruel fate of being a person who has to take picture of Ghost. Like, the Ghost.
You doubt that he even wanted to be in the photo album, for fucks sake, even his files don't have photos! And yet, here you are, with nothing but your camera in your hands. Shaky, sticky from sweat, twitching little hands. Feeling like a crushed bug under the boot of some very rude and borderline sadistic kid. You wanted to play it cool, to maybe just wait a little bit so the storm will be finished before you start working. Unfortunately for you, you are literally on a clock and tight schedule. Unfortunately for you, Ghost literally has only one hour of free time. Unfortunately for you, you are going to steal this hour from him. With shaky - relax, for the love of god, he can't legally kill you o this base even if he would try really hard - you are going straight to the massive figure exiting the training area. Soap is looking at you strangely, almost making you step back and readjust everything you knew and loved. Gaz is not here, thankfully, so only one sergeant will be here to witness your inevitable demise. With a quiet sigh, you approached Ghost. And here you thought that being a photographer for the base will save you from the fate of being killed in action. Ghost will fucking kill you and then use your body to taunt all of the other recruits who are dumb enough to approach him next time.
"Sir, I am sorry for disturbing your peace and, quite frankly, I waited long enough for you to finish your training so I will have the opportunity to do my work and this is very important for the base morale and your team, obviously, so, um, what I was saying is..." "What is it, private? You need to speak short, I am not going to wait for ages for you to finish." You are going to die. Good luck, private Victor 6-8, you will never see these numbers be funny. "Sorry, sir. I need to take a photo of you, for the yearbook." "Not gonna happen, private." "But sir, this is important!" "No bloody photos. Ain't got time for this fashion magazine shit." "Sir, please, it's just one fast click! With mask, of course, I am not going to reveal your identity, I understand how important that is and..." "This is final. No." Ah, if you are going to die, at least you can die on your feet, with your weapon - well, your camera - in your hands and no sight of fear in your eyes. Even if you are so fucking terrified right now, that your legs are shakier than adrenaline junkie after a training session with KorTac. You can also just steal his mask and make Soap wear it, no one would ever notice a difference. Or you can be a bit more persuasive and use some of this pretty charm that you most certainly have. You do, right?
"Sir, if you are feeling uncomfortable about the prospect of making a photo, I can...oh, I can give you these sunglasses. What do you think?" He looks at the sunglasses, conveniently sitting on the desk near you. You don't know where they came from and who they belong to, but at this moment, this doesn't matter. You just need to make this photo, then exit to your room and wallow in sadness until the second coming of Christ or any other shit that you have been listening to while picking up a Christian radio station near the base. The devil is already here. And the devil is nodding, putting the sunglasses on. Fucking hell. "One photo. I'm not going to pose, just make it quick." He sounds like a grumpy dad who hates making photos in front of every statue on a vacation he was paying too much for. Or like q edgy teenager who hates his mom for making him pose for a family photo. Well, you are taking what you can and getting in position. Holy shit, this guy could be a model if he would want to. For Hot Topic, at least. You took the photo, now looking at the camera in your hands, trying to see if the lighting in this room was okay and Ghost doesn't look too fucking weird standing here like the Death itself. Although you think that even the Grim Reaper would be easier to convince. "Do you want to take a look, sir?" He is nodding again, leaning closer. He is right behind you now...large hands in skeleton gloves - so fucking edgy, you can't believe this guy - are slowly creeping on your waist, adjusting your position so it would be easier for him to look.
His hands are so big, that they can wrap around your waist with ease. He can squish all of your internal organs and won't even feel a thing, you think. This is terrifying, but then...oh shit, you feel something, growing inside with a rapid speed. You are a lost cause, you know this, right? "Not so hard on the eyes, huh, recruit?" His raspy voice is making something in your skin shiver. Not from fear, unfortunately for your poor soul. You really, really need to listen more closely to this religious radio - maybe, it will help you not act like a blushing mess in front of your superiors. "This is...yes, sir. You are looking quite nice." "Next time, private, tell me about this in advance. Would get a new haircut." Funny. He is looking and sounding like he is going to murder you - and yet, he is joking. Perhaps, you really should watch the dark corners of the base today. Would be pretty sad to die without even finishing the yearbook.
218 notes · View notes
yamameta-inc · 6 months
Note
it isn't about the gintama essays but i would love to hear your elaboration on phoenix kristoph etc!
oh man. sure! i don't really know where to start if you want me to explain them from scratch.
basically, kristoph/phoenix to me is just a much funnier (and thus better) hannigram. the game of gay chicken (and legal/murder chicken) is really heightened by the fact that kristoph is committed, due to his own ego and atrocious personality, to pretending to be nice and caring while phoenix acts like the most obnoxious person on the planet. not directly to kristoph, since he also has to keep up the pretense. but like come on. it's established that they have dinner together, what, almost every day of the week? that's insane. normal working adults--certainly lawyers of kristoph's calibre and renown--don't see their best friends that often. they don't see their family that often. can you imagine how busy kristoph is, how many other things he'd rather be doing? but instead phoenix makes him come to this shitty ass fake russian restaurant, where the tables and shit are covered in snow. phoenix makes kristoph freeze his ass off in order to eat bad food and listen to his shitty piano playing almost every day. and kristoph has to do it. he has to do it because the persona he chose was of phoenix's incredibly selfless saviour.
and the best part is that in addition to this it's also genuinely toxic and traumatic. these two are doing "keep your friends close and your enemies closer" to such an absurd degree and it's my favourite mix of drama and comedy. phoenix is obsessive, resentful, and insanely stubborn and he once again restructures his entire personality in order to deal with kristoph. and the fact that he could be intimate with kristoph (and here i cross into the realm of very subjective interpretation) in a self-harming way while also doing the above borscht bowl nonsense is incredible to me. i don't really care at all about kristoph outside of their dynamic and his impact on phoenix, but i do think this extremely manipulative and abusive villain having to grit his teeth internally and take the absolute nonsense phoenix says at him (grapes are tasty and easy to eat) is also the best part of his character. kristoph would absolutely say "the trout is a nietzschean fish", but then phoenix would say "huh? oh, gesundheit" and kristoph would have to breathe into his silk handkerchief for a moment and feign choking on a fish bone, and then phoenix would get to go "aww you have to be careful with those. i once knew a guy who swallowed a fish bone and it grew a new fish inside of him."
beyond that it's incredible to me that they set up kristoph as a sort of... well, to put it bluntly, an edgeworth rebound. where is edgeworth in AJ? it doesn't matter. he isn't here. but instead there's this other (uglier) guy who has superficially similar traits to him (and who's even more of a queer-coded villain). fancy, faux european, INTJ meme, a gay little thing around his neck... and they even make him assume a rehash of wrightworth's backstory as his public entry into phoenix's life. like hey. why did they do that. he literally mimics edgeworth's position relative to phoenix, becoming his sole defender in a big scary trial. we all know how deeply edgeworth's actions as a fourth-grader who knew phoenix for like one year impacted phoenix and rearranged his brain chemistry. it stands to reason that as an adult going through a genuinely terrible and miserable patch of life, phoenix would've been.................... Something about kristoph. and then he would've learned the truth, felt betrayed, etc etc. did i mention that for some reason kristoph also perfectly fits into his self-proclaimed Most Hated Things In The World list, born from his bad experience with his evil ex-gf? really makes you think.
31 notes · View notes
loveerran · 3 months
Text
I recently posted about trans couples who have children (and talked about how puberty blockers are safe). I have had 3 personal conversations with parents or relatives of trans kids in the last few months. They’re worried about the impact of life-long medical decisions they are making with doctors and their children - and that is understandable. One Mom said to me “It was easy to be supportive before, but now it’s me and my kid and it feels very different”.
Here are some things I would like to tell the parents of trans kids (purely my opinion and specifically on the trans-feminine side):
Social transitions are relatively free and easy to implement. If my AMAB child were transitioning, I would want them to walk a mile in those heels (or more) and see how she feels about every day life as a woman. The gender non-conforming umbrella is wide. Not everyone will want a full-time/complete binary transition. I have a genderfluid friend who likes spending time in both worlds and identifies as a crossdresser. She is a real and valid person. Detransition is also real and there should always be a way for the child to reverse course if this isn't for them. And in my opinion, the child needs to know that specifically. I might ask my child “If we moved far away to a place where folks didn’t know you, would you want to continue presenting this way or go back?”
I have spent significant amounts of time studying the subject, and believe puberty blockers are very safe. Leuprorelin has been administered to tens of thousands of kids (and even more adults), worldwide, for decades. No long-term cases of sterility/infertility have ever been recorded. Concerns about negative side effects or lack of natal pubertal transition tend to be hypothetical. I believe those potential negative consequences should be explored and puberty blockers should not be restricted until/when negative consequences are identified. We prescribe many medications, readily, with far more significant, and proven, negative side effects. As just one example, many anti-depressants have significant side effects and carry a 'black box' FDA warning. But we understand that some risk is acceptable in treating important underlying conditions with these drugs. Also, if your child stops taking puberty blockers, then no one will be able to tell they were ever on them in a few years.
The effects of ‘cross-sex’ hrt (hormone replacement therapy) are generally reversible, particularly for trans girls. A former trans girl who stops hrt will develop a masculine voice and primary/secondary sex characteristics just like any cis male. Trans men who went through female puberty and then transition are noted for passing and no one ever realizing. The same is far more true of AMAB individuals who identified as trans women and then detransitioned.
Gender confirmation surgery (aka: Sex reassignment surgery) is permanent and final, but that won’t be your decision to make or even participate in except as a counselor and friend, because your child will be a legal adult at that point.
I want to emphasize that detransitioning is real, and the pain of people who have detransitioned is real. Some people start down this path and realize it isn’t for them. I want to support those individuals with a way out that doesn't also close the doors for those for whom transition is the best course of action. Fortunately, most everything up until final surgeries is largely reversible.
Medical intervention for gender dysphoria can be a very good and important thing in a trans kid’s life. Not all the decisions will be yours to make as a parent. Many will be made with your child and the input of competent medical professionals.
And one other thing for parents of trans kids who read this blog: It will almost certainly work out. Your love and support will mean the world to your children.
16 notes · View notes
aihoshiino · 7 months
Note
half formed and maybe incoherent thought honestly but akane puts it well: ayumi is simply a failed mother who was left alone due to her own terrible treatment of her daughter. she can blame no one but herself (and her ew fiance) but she _still_ ping pongs between victimizing herself and then blaming herself for ai's horrible treatment, as if trying to get rid of the weight of her own actions, while also putting herself at fault, but the blame runs hollow because its just so apparent she never thought of ai as her child as she continously shifts any culpability to ai
side note, about adultification of ai, she was twenty (close to it) when she died but she had been treated like she was twenty her whole life and thats. fuck.
have a good day!
"HAVE A GOOD DAY" SHE SAYS AFTER HITTING ME WITH AN EMOTIONAL GRENADE LIKE THIS </3
tbh I have mixed feelings on Akane's line there. on the one hand, I think @gallantblade's read of it is really good - Akane responding to Ayumi's renouncement of agency in her own abuse of Ai by putting that agency back in Ai's hand, empowering her and disempowering Ayumi. That's an interesting read but I also... don't know that it's Akane's call to make?
(Belatedly realized after typing all the below that this looks like I'm ragging on their take or analysis here which is absolutely not the case!! They drop baller Oshi no Ko takes and I love reading their thoughts, the below is my perspective on that line and its place in the scene in general and not gallantblade's reading of it)
Like, at the end of the day, Ayumi abandoned her daughter. That's unavoidable fact. That abandonment was deeply traumatic for Ai and I don't love the idea of Ai not going out of her way to contact a person who was violently physically abusive towards her and almost certainly emotionally abusive and neglectful in myriad other ways as Ai 'abandoning' her mother. Ai already clearly held a lot of guilt and self directed blame for the fallout of that relationship so I don't think making her at all culpable in their separation is the way to go. An abused child who was abandoned by their parent is not the one with the responsibility to reach back out to mend those fences, especially given that Ai believed – with very good reason!!! – that her mom hated her and did not want Ai in her life.
My most charitable reading of the line & the one I'm choosing to go with to not make my head explode is that Akane is talking about what Ayumi's perspective of the situation is – that Ayumi views herself as a mother who mistreated her daughter and ended up abandoned because of it. That certainly lines up with her, as you put it, ping ponging between self blame and flagellation and then still choosing to put blame on Ai's shoulders regardless.
Anyway, here's a fun note to end on: Do you ever think about how Ai was literally never allowed to be an actual adult in the public eye, in a very literal sense? The infantilization of idols is a process of preserving the illusion of them as eternally pure, eternally childlike, eternally juvenile, virginial and unthreatening and Ai was this as a minor to an absolute T.
The instant she became an adult – on her 20th birthday, just before her first public appearance as a legal adult – she was immediately killed and frozen in time as an eternal child who will never poison her virginial femininity by growing into an adult woman.
FROM COMEDY MANGA WRITER, AKA AKASAKA, EVERYBODY!!!
40 notes · View notes
aelyxmagnus · 9 days
Text
I was thinking about Egg’s reforms and they almost certainly had something to do with giving peasants the right to take legal action against their lords, especially the laws of pit and gallows, both the hedge knight and the sworn sword have scenes where peasants have arbitrary punishments tandem against them by someone higher up the social ladder than them, with Tansel and Aerion in book 1 being the most obvious example.
There’s also the sworn sword literally opening with a lower class person (the septon) being executed for talking shit about those with ‘god given rights’ (the king and bloodraven), there’s also the webber man who loses an ear to Ser Bennis who thinks he can do it with impunity as he’s a knight, Ser Bennis also abuses Egg and pinches him repeatedly and thinks Egg can’t do shit about it because he’s just a squire who’s below him in the hierarchy. There’s no way none of his reforms did nothing about it, and this also explains why the lords hated it so much, as a lord having rights of gallows is a right guarded jealously by lords, as we see in the sworn sword with Ser Eustace iirc. Taking this right from a lord would be extremely offensive to the prideful ones. This problem of arbitrary punishment is even stronger in westeros than in the medieval period I think because the church isn’t as strong. Egg probably continued to see this problem in his adulthood as he saw the ‘measures’ taken by Aerion in BR3, probably war crimes against smallfolk, that made him even more certain of the need for reform. It’s possible that he persuaded Maekar to do something which led to the Peake uprising and Maekar’s death, and his association with that might have been the reason why Bloodraven thought a great council would be necessary as otherwise the lords might revolt, or maybe our boy Childpastemaker just wanted to kill some more Blackfyres. This might also be why Egg chose Summerhall, a relatively new Targaryen construction, only about a 50 years old or something, post-Dance, instead of Dragonstone. He knew the risks and didn’t want more smallfolk to die cuz they were at the wrong place at the wrong time, like the poor stableboy Gregor killed in his combat with Oberyn.
9 notes · View notes
blackcrowing · 6 months
Text
'Right Relationship' in the Modern World
To really discuss the idea of 'Right Relationship', a concept that is commonly held in most pagan cultures, we need to understand the function it filled in the cultures it was created in.
Among the Irish centric polytheistic circles I'm in, I have most often seen the concept of 'right relationship' referred to as cóir, correctness, correct form (of); proper (legal) arrangement (for); procedure, device, means (of doing someth.) but in my opinion might be more correctly referred to as cert, justice, fair dealing.
While both words have legal uses as well as non-legal uses I find that that the non-legal uses of cert more appropriately fit the idea than the non-legal uses for cóir. This is an important distinction for me because while 'right relationship' is important and has a strong level of social compulsion, it is, NOT inherently one of legal binding.
Historically, there was not a specific concept of 'right relation' there were several multi-faceted, overlapping, concepts that worked together to make a complex social network of proper relations and conduct that were all 'over seen' and intricately locked into the Other. We have the form of 'right relation' that is held specifically to a king, fír flathemon, as well as the supernatural and 'right relationship' role of the satirist in keeping those in power in check through their rhetoric and would risk their own health and abilities if they misused their role.
Commoners also had powerful tools offered to them inside the structure of 'right relation' via fasting, troscud. I think it is through this facet that I can best illustrate how the deep integration of 'right relation' relied on all of society and the backing of the Other to be effective.
With troscud those of lesser social status had the ability to force a higher social status person to redress a wrong doing. Essentially what would happen was if a lower status person was wronged in some way and the person of higher status would not redress the issue through normal legal or social means then the wronged person (or person of their family, should the wronged party not be able to do so themselves) would sit in front of the high status persons home and fast, for as long as it would take, to force a redress.
Seems simple enough, however if you think of society today... this would almost certainly not work... even if one fasted onto death it would hardly be a blip on the radar of someone of great means, like say Bezos or the like. It was effective in Irish society in this historical period because their integrated 'right relationship' society forced the social and supernatural leverage to apply adequate pressure. Social media and the court of public opinion does offer a type of modern analog but with significantly less cohesion and a significantly higher chance of failure.
So while the concept of 'right action' is intrinsically important to the fabric and functionality of Irish Paganism (and I would argue nearly all Iron age pagan traditions, though details vary) it has little or even no place inside modern society. Unless prehaps you wish to adhere to ridged social standards which those around you will neither know about nor participate in. You may choose to never, under any circumstances harm or quarrel with a guest of your household but that same guest might have no qualms about punching you at their cookout the next weekend.
I am of the option that while the principal of 'right relationship remains admirable and nessicary to a functional society, our current society does not operate under the same social restrictions and customs of the past and those customs serve little use (in specific capacities) in the here and now.
The only reciprocal relationship of this kind that can be guarenteed in any capacity is that with the gods, otherwise a blanket concept of 'right relationship' from a pagan/historical perspective is null.
TL:DR The ethics of history are merely morals of today.
10 notes · View notes
thedeliaishere · 5 months
Note
A verdict in the ICJ is likely some years off as it will require a lot of litigation to arrive at one. However the court could issue an injunction that "Israel" must stop or in someway moderate their military operations. If this occurs and the Zionists spurn it, as they almost certainly will, I think the response of global south and periphery states will be pretty strong and begin to move past the stage of diplomatic pressure and into serious economic pressure. Political actors in these countries could point to the case to justify economic sanctions and an international BDS movement of the type that helped to bring down South African apartheid could galvanize. In the West the case could be a basis to bring legal action against laws that repress BDS and other acts of solidarity with Palestine. It may also have a chilling effect on the retribution institutions in these countries are taking against supporters of Palestine.
Awesome, just the answer I was looking for. Thanks.
7 notes · View notes
eleemosynecdoche · 6 months
Text
'In response to questions about the bomb’s use in south Gaza, an Israeli military spokesman said in a statement to The Times that Israel’s priority was destroying Hamas and “questions of this kind will be looked into at a later stage.” The spokesman also said that the I.D.F. “takes feasible precautions to mitigate civilian harm.”'
This is, on its face, an admission of a war crime. One of the requirements for lawful use of force in war is "proportionality". Proportionality is usually misunderstood in online discussions, but what it means in actual legal language is the degree of harm to civilians from use of military force cannot be excessive by comparison to the military purpose and gain of that use of force. Proportionality violations are normally quite difficult to demonstrate and prove rigorously, because simply showing an outcome isn't enough- you need strong evidence that the attack was planned in such a way as to reasonably produce that outcome.
A great many Israeli actions that are almost certainly war crimes, like the unreasonably short timelines for evacuation of Palestinian civilians in Gaza which have been a feature of Israeli attacks since 2009, exist in a space where conclusive demonstration that Israeli commanders were reasonably aware that the timelines were too short to allow civilians to evacuate requires investigations Israel would not permit.
But here, the IDF spokesman says that the use of 2000-lb bombs was not conducted with regards to proportionality at all, and that any questions of harm to the civilian population will be considered after the war. And if that's an accurate representation of their use, then the use of those bombs is a war crime regardless of their effect.
Israel's government and the IDF can always claim that their spokesman was speaking loosely, and perhaps that's even correct in strict terms, and there was some kind of proportionality figured in the use of those bombs. But I doubt it.
8 notes · View notes