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#i'm really the only person in this world who takes the time to make a whumplist for an android lmao
sciderman · 14 hours
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ARE WE AFFIRMING YOUR GENDER?! IS THAT WHAT WE’RE DOING?!
Sci, first of all, I’m so sorry your dad said that listing your pronouns is embarrassing. It’s 2024. What’s embarrassing is being a parent who cares more about what other people think of them than what their child thinks of them. People don’t have to understand you, they don’t even have to agree with you, but if someone says they love you, the least they can do is make the attempt to show you they respect your identity as an individual person. I know this is particularly difficult for parents sometimes but it’s not impossible. I sincerely hope that someday your dad realizes how spectacular you are and how lucky he is to have the opportunity of knowing and loving someone as truly kind, funny, and generous as you are.
Second of all, LET’S GIVE ANOTHER SHOUT OUT TO THOSE PRONOUNS. Oooo I like the way you wear he/him. It’s loud, it’s rebellious, it’s confident, it’s authentic! It’s everything those angry white boys with podcasts WISH they were! You are entering your “boys will be boys” era and it’s covered in bright colors, zany patterns, sequins, and ATTITUDE.
I am so fucking proud of you for taking this big scary step into being your true self and laying it bare before the world. Just last night I was thinking about how one of the reasons I was so miserable in my 20s was because when I was around 21/22 I went back into the closet to make myself “more palatable” for the people around me. Less confusing for them. Less work for them. And I’ll never actually know what experiences I lost when I lost myself. I’ll never know what I could have done, the opportunities and stories and memories I missed out on because I was only living as half a person. I’m back on track now though, and the good news for you is: now that you’ve taken this step you never have to ask that question again.
I’ve gotta say, Sci, announcing your true pronouns is definitely one of the sexiest things you could ever do. And Wade agrees. <3
hooougghh bless you @nobutforrealthough - you're so cool and sexy and ough...
i feel so very exhausted in the head lately about identity things. i think a lot of people thought i was some kind of gender icon when really i'm just piecing things together as best as i can. i feel a little exhausted that people thought so much of me and i'm not delivering on it. (but i've felt that way all the time, all my life, from pretty much everybody.)
i guess it's difficult to do all this alone, without anyone in your corner. i think writing wade and peter, they sort of felt like friends to help me through it, because i don't really have anyone else out there to help me through and speak to me on my level. so – i kind of had to invent voices to give me courage. and it helps. but i worry that it's a little sad, too. sorry. i'm feeling very frank and bare this morning.
it's a lonely old world when you still haven't figured out where you fit in it. and maybe you're not meant to fit. but you kind of do need to fit, for your sanity. for your survival. so you contort and compromise and squeeze yourself into weird shapes and bug your head. and it's all so, so exhausting for me. and i think my body's finally telling me it's time to retire. my body is so, so tired...
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ardentplea · 2 days
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while i'm thinking about haibane renmei i should put it out there that something specific i really love about it is the juxtaposition between reki's aesthetic - chain-smoking, scooter-riding, perennially-aloof Cool Girl - and her role as caretaker for old home's children (as well as her unofficial role as mentor and caretaker for all the old home haibane). she's so specifically presented as, on the surface, the sort of person who should absolutely not be in that position; her personality and demeanor are totally at odds with working as what is effectively a preschool teacher. she's a caretaker who disregards her own health and neglects her own safety; a mentor who can't communicate her own needs. she is not a natural fit for her job. but, y'know - she does it anyway. because it's what she has to do, because she can only prove (to the world; to herself) that she's worth anything if she does a good enough job at living for others. she doesn't naturally assume the motherly role of caregiver; she has to contort herself to fit into it, and even then she still doesn't quite mesh. but she still gives it everything she has, and does the best job she possibly can. that's the basic juxtaposition of her character - someone giving everything for others even though she's not naturally good at it, and even though she can barely take care of herself
and with that initially i think ABe is trying to signal to the viewer the thing that reki believes about herself - that she's not actually good at this, and that she fails at it over and over, and that she's a selfish broken person trying to use that role for her own salvation. that she isn't really meant for or good at the job that she has. but as the series ends, the two sides of the juxtaposition flip. both the viewer and reki herself realize that the role she's been performing is her "true" self. that she really is a caregiver, a healer, somebody who cares so deeply for others - that the image of a broken, jaded person is a veneer that she's been pushed to adopt. that the supposed contradiction doesn't really exist, because she is in fact wonderful at taking care of others, and does in fact genuinely care about their wellbeing
there's a sort of beautiful, restorative irony inherent to reki's character arc, which is that the actions necessary for her salvation were already being performed the whole time. she was already doing everything she needed to do in order to be a good person who makes the world around her a better place. she never needed redemption. the only problem was that she couldn't see it; that she couldn't recognize the authenticity of her own actions. she was already whole - she just had to stop thinking she was broken. and i think all of that is so neatly communicated in her character design and core personality. she's a complete person who's managed to convince herself (and the world around her) that she's damaged; she's a teacher and a healer who's managed to tell herself that she doesn't care enough and won't ever care enough. a caregiver who chain-smokes and drives too fast. her only necessary salvation is in understanding that those two sides of her are not mutually exclusive; that she is both, and that she is already enough
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rosietrace · 20 hours
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This is a personal rant about my thoughts on Greek mythology retellings, and just the way Fantasy books and the publishing industry is at this point 🧍‍♀️
I have nothing against Greek mythology retellings, or just anything Greek mythology related in fantasy in general!
However, I have certain gripes about the way Greek mythology is portrayed in media, specifically in the way its interpreted in Fantasy.
[ More under the cut! ]
I love Percy Jackson, and I think that Uncle Rick did a wonderful job at expanding the world and making Greek, Roman, Egyptian, and Norse mythology entertaining and easily digestible for young audiences. Genuinely, he does a better job at writing children's books than R*wling could ever be capable of.
However, as much as I can love PJO as much as I do, I still find certain bits of the world building and character writing as... Very hit and miss.
To start, I don't like the way Ares was written in the series. I can understand that it would make sense for his personality to be that way, because he's the God of War and it helps with Clarisse's character development; but I find fault in it because Ares in the myths is nothing like PJO Ares. (He literally killed one of Poseidon's sons because he raped his daughter, Alcippe, and he's one of the only gods who doesn't hump anything that can breathe in air. At least Ares has the courtesy of asking for consent 💀)
The Gods being the reason behind WWII and Hitler being a child of Hades. All I must say.
The portrayal of the Aphrodite cabin
The fact that Athena can have children. Annabeth, pjo fandom at large, I love you are, but you gotta admit it must've felt weird when you first read the books and you find out Athena — the maiden Goddess of Wisdom — can have offspring. Regardless of the reasoning, I still find it weird 😭 (EDIT: I've now just remembered that it was a reference to how Athena herself was created 🤡 I'm a clown)
I get that the Hermes cabin is also the cabin for the unclaimed, but couldn't have Hestia's cabin worked too? She doesn't have offspring, sure, but it probably would've made more sense for the unclaimed to go to Hestia's cabin so that the Hermes cabin wouldn't be so crowded
This isn't really a world building issue, but I think I should bring it up: I'm not saying this against the Kane Chronicles fandom, but... Sadie and Anubis. Why. Like you can't convince me that no one WASN'T weirded out by that.
Less of a complaint and more of a question because I can't remember if the question was answered in HoO or not, but when Percy told the Gods to start claiming their unclaimed children and be more decent parents (as he should, go off king), did that request apply to the Romans at Camp Jupiter too? Because that's gotta have been confusing when the unclaimed kids at CP suddenly started getting claimed 😭😭
I could go on a whole ass tangent about PJO, but that would make this post longer than it needs to be 😭😭 and any of the points might not make much sense, since I haven't read the books in a LONG time
Off to the YA Fantasy segment... Hoo boy.
The oversaturation of Hades/Persephone retellings makes me SEETHE. Why is it always Hades and Persephone why can't it be something else 😭
I just don't like the “modern feminist” retellings of Greek myths in the YA Fantasy genre, in general. They tend to completely miss the point of the original myth, and it's the case with a lot of Hades and Persephone retellings where they try to paint Hades as the good guy taking Persephone away from her control freak mother, Demeter.
Because that wasn't what the myth was about. The myth isn't a love story, at least, not a romantic one. It was about Demeter's love for Persephone and how much she wanted her daughter back after Hades stole her away. Keep in mind, in the historical context of the myth, the daughters of women in ancient Greece never really get to see their mothers after their engagements are solidified.
If they wanted to make a “feminist” retelling of the myth, they'd have it centered around the love Demeter had for Persephone to almost doom the mortal realm to an eternal winter to get her back.
I love the myth of Hades and Persephone, truly, I do. I understand the appeal it has on people, the appeal it has one me. I can see why people adore the myth in the way they do because Hades is one of the better husbands in Greek mythology (a low bar, but my point still stands).
Personally, I blame Lore Olympus and especially the video of the myth by Overly Sarcastic Productions for the way the myth is portrayed in mass media. And I say this as a former LO fan and a fan of Overly Sarcastic Productions 😭
I'd also want to go into my many, MANY gripes about “Crown of Starlight” by Cait Corrain, but in all honesty? I don't think I can properly convey how much I DESPISE Cait and their book. So I'd highly recommend y'all to check out the videos about Cait Corrain by Reads With Rachel, WithCindy, and Xiran Jay Zhao on YouTube if you're interested in going into more detail about the controversies, especially for those who weren't made aware of it.
I feel like the publishing industry just... Isn't good anymore, after Booktok went viral. Reading has been “hot girlified”, and all Booktok seems to ask when they get recommended a book is: “Is it spicy??”
Reading is like fast fashion, now. It's all based around certain popular tropes that that's how books are promoted now. Not for the plot — or sometimes lack thereof — but for the tropes the book has.
The only thing I can thank Booktok for is that they helped me discover The Cruel Prince. And even then, it's marketed as romance on there, when it's a political fantasy with a romance subplot.
‼️ Woah! A secret bonus section! ‼️
I, personally, don't read — nor do I like — Sarah J Maas. (Especially considering the problematic aspects of her storytelling, character portrayals, and is (apparently, correct me if I'm wrong) a Zionist)
However, that isn't to say that I don't like some of the characters she makes. A lot of them have potential, actually! From what I've seen, I think Nesta, Gwyn, Azriel, Eris, Tamlin and Lucien from ACOTAR are the only characters I actually like, based on what I've heard — and seen — on anything in the SJM critical tag on this hellsite.
And while we're at it, let's discuss the elephant in the room with ACOTAR, right? Rhysand.
By all that is good and holy, I hate Rhysand so much and I think I'd hate him even more if I actually READ the books. I don't get why Booktok is so invested in him when Maas retconned Tamlin's character to make him look better as Feyre's love interest.
Also, from what I recall, didn't Rhysand sexually assault Feyre? And he didn't bother to apologize for it, and justified it with his sad tragic backstory??
I can't with y'all, istg 😭 the fact that “Feysand” is apparently a Hades and Persephone retelling too makes me even more mad about it because it isn't even a GOOD retelling. It just takes away what ACOTAR originally was— a Beauty and the Beast retelling, with Feyre and Tamlin as the leads.
Didn't Maas dedicate ACOTAR to her husband because “He would go under the mountain” for her??? BECAUSE IT CERTAINLY WASN'T RHYSAND WHO SAVED FEYRE FROM UTM, I'LL TELL YOU THAT
I think, out of all the series Maas has made thus far, Throne of Glass is the only one I ACTUALLY kind of like, based on what I've heard. Crescent City seems to be too complicated to understand, and even though I've never read it myself, I miss what ACOTAR could've been. (My hope lies with Nesta, Elucien and Gwynriel, at this point)
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leowo-leuwu · 2 days
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PRESENTING MY OC FROM THE LORAX !!
Ok, I would like to use my profile to present some of my things, as I do some things involving the universe of The Lorax. I have an AU, but I'm going to focus on my oc outside of this AU, which would be a representation of me on a certain way.
Introducing Layla
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Layla is a 21-year-old girl who has lived practically her entire life in an orphanage. Her parents died when she was still a baby, so she never really knew them.
At the age of 18, she was able to receive the billion-dollar inheritance that her parents left her before they died. Her father owned a canned food company that was very famous in this universe while her mother was a renowned lawyer. However, she only found out about it when she turned 18 and came into possession of her family's fortune.
As soon as she got the money, she wanted to fulfill her dream of seeing the world beyond the orphanage, building a trailer with the help of a car manufacturing company. After traveling through several places, Layla decides to visit the Truffula Forest, making it her final trip, as it would become her new home.
More information about your personality
Layla is ambivert, generally lazy, being more lively when it is something she is interested in doing. She loves playing guitar at campfire circles, gardening, painting and card games.
She can be a bit nosy, especially if she notices that someone close to her is sad, she will bother the person until they are happy.
Her favorite colors are red, black and green.
Her favorite food is Chicken Stroganoff.
Relationship with Once-ler in her history
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I decided to say that they end up meeting on the same day that Once-ler arrives in the forest because I thought it would be an interesting dynamic. The first impression between the two is not exactly good, Once-ler finds her annoying for being nosy and Layla finds him annoying for being a bit grumpy. As the days go by, the two get closer, getting to know each other better.
Layla sees him as a good friend until one day when they sit next to the river to watch the stars, they end up talking about life. The view of each other changes, growing a feeling of passion.
Random informations
Layla was created in May 2023 and initially used my real name, but I decided to change it.
She loves striped clothes, so her wardrobe is very striped.
Your Trailer cost a lot because it was assembled from scratch. Inside it has all the rooms of a house, even having a little clutter room to put things you don't use as much.
In this universe Once-ler doesn't "become" the Greed-ler, so yes, a happy ending for everyone.
She is Lorax's best friend, having several philosophical conversations with him in the middle of the night.
Her hair is natural red.
She doesn't like Once-ler's family because of the idea of deforestation and because Once-ler's mother looked at her the wrong way when she saw her for the first time.
She has a stuffed pink bunny that was given to her by her mother when she was a baby, and she still takes care of it.
Once-ler likes to teach Layla how to knit, even though she is terrible at it.
She helps Once-ler sell the Thneeds in the city.
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ofallthingsnasty · 9 hours
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tw: yandere, kidnapping/basement spousery, depression, mentions of noncon, gn reader characters: Crocodile, Sanji, Doflamingo, Law word count: 1.3k
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One thing I learned recently is that I'm definitely a social creature and would get horribly, horribly depressed as someone's basement wife, even a well entertained one. All the books, the crafts, the soft music in the world couldn't prevent me from sobbing into my pillows, couldn't get me to crawl out of bed and to paint a smile on my face. Oh, but how would your captor react? For some, it's definitely a necessary evil - Crocodile comes to mind here. Annoyed by your lethargy, by your random tears and your meek, taciturn responses, he finds himself frustrated at times. This state of mind really isn’t ideal - he wanted you docile, sure, but not lifeless. Yet it's also awfully convenient when you just let him push you around, let him caress and touch you - and not out of fear of him, simply because you don't care to struggle. He discovers that he can forgive a lot when you're especially shaken and cling to him, bury your head in his chest because he's the only human you'll ever know again and the world is so bleak around you and you just need him right now. Of course, it would be nicer if you didn't do it because he's the only warm-blooded creature that you interact with, but he'll take what he can get. (And with time, it weirdly grows on him: him turning into the center of your life, the way your eyes seem to light up the tiniest bit when he comes home to you, something he thought mildly annoying at first turning out to be awfully convenient.)
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To others, it's devastating. Sanji lives for your smiles, your warmth, the way your eyes crinkle and you jut your head forward when you fully, genuinely laugh - total apathy is worse than antagonism to him. If you were to scream, shout, put your fingers around his neck and squeeze with the desperation of a cornered prey animal, he'd at least get a reaction, some signs of life out of you. But you don't even do that. You just sit and try to suppress tears while he holds your hand. Sometimes he just cries with you, letting himself fall into the same hole you're being pulled into. It makes him regret taking you so utterly, bitterly, makes him feel all those memories from when he was a child bubble up in his stomach until they force themselves out and he has to vomit to be rid of them. He’s just like his father, he thinks, and it makes him sick. He’s rotten down to the very core, cursed from birth and now he has gone and soiled you, too - he’ll end up sobbing into the crook of your neck more than once, full of genuine remorse. And all you’ll be able to do is absentmindedly pat his hair, thoughts spilling like an knocked over ink well. No, you slipping into a deeply depressive state is only going to worsen the hatred he has for himself, is going to poison him slowly and steadily until he’ll be in agony. Maybe it’s his just punishment.
Then there are the ones like Doflamingo who simply don’t care. You don’t crawl out of bed until noon? You just stare into space or bury yourself in books when you finally do? You’re just lifeless by his side, just blink, shrug your shoulders when spoken to, just exist? Whatever, he has always treated you like a doll from the start. He can even weather the elusive bouts of sobbing and crying (even if he hates it when they happen), because most of the time you’re just his poseable thing and he is nothing if not generous to allow you a tantrum here and there. He doesn't feel bad about you being a more of a hollowed out shell of a person than a fully-fledged human with a rich inner life and doesn't care that most of it is his fault - his fault that you fester and rot beneath the surface, his fault that all the opulent, vibrant clothing and the scorching hot days by the pool still leave you frosty and weirdly bloodless, like a cold-blooded creature in winter. Food is ash in your mouth and only sours your stomach but you still eat when he tells you to, touches feel foreign and loveless but you still let him fuck you if he so wishes. Why should he care what circles around in your head when he gets to do anything he wants to you? That you feel like life is no luster, only desperation? The truly bothersome parts are taken care of by his myriad of servants and the family. Messes left behind get cleaned up, baths are forced on you regularly, as are grooming sessions. If you don’t get dressed on your own either someone else will see to it or he will - and he’ll have his payment for his time, trust me. The solemn mood, the non-existent smiles… he doesn't care for that. You’re not here for your entertainment, you’re here for his. And you just accepting your fate and letting him do whatever it is he wants… That’s just perfect, isn’t it?
Of course, let’s not forget about the ones who secretly love it. Law is a prime example, especially with his medical background. He isn’t surprised that your mood sways - he expected as much when he restricted your every move, declared the outside world to be too unhealthy for you. Of course you’d slip into a depressive episode. And it’s not a flaw, it’s intentional. Because now - now, when you can’t peel yourself out of bed, when everything feels too much, when you can’t feed or move or dress or take care of yourself- he gets to swoop in. He gets to do it for you, gets to tell you that he’s here and that he’ll always catch you when you fall. That his assessment of your condition was accurate - that you always needed him, right from the start. Dependency is worth more than all the love in the world to him. It simply doesn’t matter if you’d rather slit his throat than to behave for him out of your own volition - as long as you can’t leave. Even if he genuinely loves you, he’s not deluded enough to cling to daydreams of him and you living a quiet, happy life full of reciprocated affection, that ship has long sailed - sailed ever since his childhood got irrevocably destroyed. No. Love is nice and good and makes him wash you gladly, makes him care for you with delicate hands and with a patient brow - but your sickness makes you stay, renders you unable to leave him. It’s the only currency he can trade in when it comes to you. He’s your savior and tormentor rolled into one person; but above all he is the only one who cares and will forever care. You could rot yourself into a pathetic, sweat-soaked, disgusting corner, could turn into nothing but a husk and he’d always, always nurse you out of the ditch he’s found you in, just at the right time.  What he doesn’t tell you is that he could help you. At least artificially. Boost your moods with SSRIs until you bounce off the walls with nervousness and sweat thrice as much; make you giddy and shaky until you get used to the dose. Until the world seems worth living in once more, until at least some color returns to your drab eyes. He could get you the medication, even try some speech therapy, could help you like a good boyfriend should. But why? It makes no sense. Why help you only to get some fire back, maybe even for you to slip through his fingers? It’s easier to sit in twosome silence with tired eyes watching him, eyes that one day might be grateful for all the work he has put into them. Until then, it’s of utmost importance that they stay right where they are: in a cramped, dirty corner of a bed, dull and lifeless.
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yridenergyridenergy · 17 hours
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Hii, i’m big fan of your page. Everyday I scroll you page lol.
And i wanna ask ur opinion, is true that Dir now is more popular than before especially for english speaker fan? I see many english comment in Dir page (IG, youtube, twitter) than before
And peoples really noisy about AI and write rude comment in The devil in me (youtube). Maybe people write that comment because hate the MV. In my opinion, they are like new comer in Dir music world lol.
I think Dir also did video editing in previous video (i’m not sure it’s AI or anything else), like in Glass skin, Rinkaku, agitated.
And about the delay of The Devil MV, i think they are lazy to upload because so much negative comment before watching (lol kidding)
But in my opinion, AI not that cheap and still use money, effort, dresser, makeup artist, time and team for making that MV. So I disagree to people who said this is really cheap, artist thief that no use dresser, make up artist or more worker.
But actually yess, i agree art never can be replace by AI. But hey, this is just MV not art exhibition or art competition.
I feel like why people in this era too focus on something else than main masterpiece.
#sorryformyenglish have a great day!
Sorry for the slightly late reply; I had prepared my reply a few days ago but I'm glad I waited since the promotional edit of the PV was released since. Thank you for your visits!
I'm really not sure whether Dir en grey has increased their fanbase... And shows that play on nostalgia are not an accurate reference, so even if the shows this year were to be sold out, it doesn't mean anything because that could totally drop next time they tour with new material, unfortunately. I think that the European tour definitely awakened temporary fans who could disappear again once the buzz has died down.
Dir en grey's director has definitely used CGI in the past, but you still needed artists to achieve anything. I don't know exactly how the AI that the director used for The Devil In Me works, but the common conception is that you just input requests and the robot does everything for you. It's certainly a lazier way. And no clue how much using that technology costs, but it's not equal to several artists' and actors' salaries, probably.
Sadly, the behind-the-scenes on the Devil In Me video disc did not offer anything in the way of a hint at what the AI is and how they used it...
I'm still of the opinion that maybe it can take Dir en greys videos farther than they've been able to so far, and maybe materialize the director's vision more accurately. But yeah, if everything moving forward is AI-generated, that would leave a sour taste. Already, the Otogi backdrop video didn't seem like something that only an AI could come up with: artists would have done at least the same job, if not better, to be honest.
With The Devil In Me PV, I'll have to actually watch the Netflix documentary on John Wayne Gacy, but I'm having difficulty reconciliating how the lyrics tie in with either the killer's life or the person in the video who is chatting with an AI to try and see inside the killer's mind. That's not what the lyrics evoke to me at all...
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otherworldlygate · 3 days
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Once again it's Regal appreciation hour by which I mean day by which I mean year by which I mean lifetime.
I was very much prepared to not write any fanfiction this year, but I cannot divorce myself from how awesome my favorite Symphonia blorbos are and so I am writing yet another stupid fanfic. I feel feral about these characters in general but Raine gets quite a lot of attention (because she's wonderful, obviously) so I don't want to focus on her too much. Regal, on the other hand, has been underappreciated in the ToS fandom since the game's release day, so I must advocate for him.
I've been RPing as him for the last year or so, and together my RP partner and I have written about 320,000 words of a story. I'm having a blast, and a big part of that is because Regal is, despite the flaws in the storytelling of ToS as a whole surrounding him (and how all of the Tethe'alla characters kind of fall flat), a rather well-conceived and implemented character. Yeah, his clothes are dumb (I'm happy to retcon that outfit with zero regrets) and the game blows through his story at such a breakneck pace he doesn't get the space or the arc he deserves (he should have taken his shackles off as part of his 'sacrifice' to fight the angels), but he is a genuinely fascinating character who feels, just like many of the others do, as if he belongs very specifically in the world he was created for.
I know a lot of people like to write him as this sad sack of shit just absolutely lost in the grief sauce (see the part about how he didn't get the arc he deserved), but I think that's a mistake. See, the biggest bump in the road for Regal was his lack of understanding of what was happening and why. When you think about it, he was faced with having to kill Alicia seemingly out of nowhere. Like one day he's just minding his business and the next Alicia is gone and very quickly after that she's a monster trying to kill him AND HE HAS NO FUCKING IDEA WHAT IS GOING ON. He has no answers. All he knows is that he killed her, and his autistic* brain latches onto that detail because it's all he has.
You have to think, too, about the fact that the game gives him nobody. His parents are dead. George, the only person even remotely close to Regal--someone he's known his *whole life*--betrayed him. (George didn't mean for things to go Like That and he's sorry he did it, but HE STILL DID IT.) Regal doesn't have friends and the extra material makes it clear that he was literally raised, specifically by his father, to be a workaholic. Do you think anyone came to see him in prison? He fought in a coliseum for his life for YEARS. He was on friendly terms with some of the other inmates but the guy had eight years to just sit there and get stuck in the loop of knowing he killed the one person he'd let himself get even remotely close to.
Which is something else people always downplay for some reason. The shit with Alicia isn't just "guy is sad because he killed his girlfriend." It's very much, "guy was born and bred to take on the family legacy" except in this case the family legacy is a company, an island, a noble bloodline, and also the absolutely insane idea that work and profit is all that matters. Everyone else is out to get you. Keep the workers dissatisfied but keep them hooked just enough that they'll never leave. Take no time for fun or friends or merriment. Everything in your life is a business transaction. Don't ever forget it. It's us vs. them. You're alone and you have to make this your entire life or it'll all fall to pieces and it will be your fault.
The drama cd in particular really honed in on that way of being raised and it makes his entire character make complete sense. At a relatively young age his father died and he ended up on top (though it's stated he had to work as a CEO before he was elected via a board to the position of President). Having no other guidelines other than what he was taught--and what George himself adhered to--Regal followed that path...until he ended up miserable, because, despite the way he was raised, he's a goddamn empath**.
After literal YEARS of occasionally running into Alicia and talking to her, he starts forming a connection to her--which is important because he's never allowed himself to do this before. And at one point he realizes he doesn't even know her name...which comes as a surprise to him...and brings with it shame. After this, he starts living for himself. He listens to his employees--something his father never did. He starts enacting rules to protect his employees, particularly from things that would hurt them in the field, because part of what was making him so miserable was wrestling with the empathy of their terrible working conditions on top of just hearing his father's manta repeating itself in his head all the time.
I cannot stress enough how important this is. Alicia, despite being a love interest and someone he was interested in seriously dating and perhaps someday marrying (the details of their relationship are never known but it's almost more tragic if they were just starting to be serious), WAS STILL HIS EMPLOYEE.
He was supposed to protect his employees. He was doing so much to ensure his employees would be safe. And then he killed Alicia.
Alicia, the one person he allowed himself to get close to.
Now, consider the fact that he was raised as a tool and not a beloved son; he was not allowed to have friends and not allowed to make merry. He was under his father's thumb until his father's untimely death--a death, by the way, that only surprised him with its suddenness; he did not grieve that man!! Regal, as a 25-year-old man, had ZERO coping mechanisms. All he had was the truth he was raised under and the fact that he went against that truth AND WAS NOW BEING PUNISHED FOR IT. How can someone like this think of anything except that they are the reason George was put in a position where he had to get rid of Alicia? That the only reason Alicia was experimented on and turned into a monster was because of her connection to Regal?
IT MAKES ME FEEL SO FERAL!!!
The events of the game open his eyes to the ACTUAL truth, to what actually happened AND WHY IT HAPPENED TO ALICIA. In the end he learns he had NOTHING TO DO WITH IT. If he had not befriended and started falling for Alicia, she still would have died--it's just, if she hadn't had a more direct connection to Regal, who knows where she might have met her end. Alone, forgotten? At least someone knew her as she was; at least someone can tell Presea the kind of person her sister was.
The ToS fandom has always loved joking about how Regal's just into punishment as a kink or whatever (and I'll never forgive the shitty non-canon-in-my-heart sequel for leaning so hard into that angle, fuck you fuck you fuck you) but let's be serious about it for a hot second. Yes, I think learning this information puts him on a better path, but you can't erase 8 years of self-loathing and fear instantly. Did you guys really think this man would just forget about the darkest years of his life and start frolicking in fields of flowers?
The trauma he's endured goes so much deeper than "I killed the person I loved," and boiling it down to that really does the character a disservice. The "born for a specific purpose, not allowed to exist outside of that purpose" bit is also given to Colette and Zelos, but while their role is being a sacrifice whose only use is dying or procreating to continue the line to have more sacrifices (absolutely also traumatizing btw), Regal's situation feels a lot more like indoctrinated religion and, very specifically (and no I am not kidding), religious trauma. Again, he endured that very controlled lifestyle complete with a mantra from birth into his early 20s, and the MOMENT he broke away from it too far, his life came crashing down around him in a very painful and traumatizing way.
Now, you might think the religious trauma parallel is unfounded, if not also the indoctrinated religion aspect of it, it could just as easily be a parallel for an abusive and controlling relationship, right down to the betrayal from someone who is supposed to have your best interests at heart the moment you step outside of that control to the feelings of shame and self-loathing and "you did this to yourself."
So whenever I see people joking about what a sad sack of shit he is or whatever, I'm just astounded, especially if it's coming from someone who loves literally any other character in the game. Like, you'll definitely have your blorbos, and I totally understand if Regal just ain't it for you, but I find it really disconcerting that someone might find (for example) Yuan's trauma deeply meaningful but see Regal's as stupid or silly.
I'm pretty sure I started this post to talk about how easy it is for me to RP as Regal because he's just such a great character to sink into and write about, particularly because I like to imagine that, starting in the post-game, he deeply regrets some of the choices he's made in his life, and, rather than lean into the things that have already transpired, he seeks to do what he can to better the world around him with the resources and power that he has.
It's like the ultimate fuck-you to the way his father raised him. He's not wasting the skills he's developed, but he's also not using them to hurt people or for personal or Lezareno profit.
I think most of us love writing about characters who have to work through their trauma, but there's an extra layer here that I particularly enjoy with Regal. With Raine I'm all about her inability to trust easily and her struggle to feel truly comfortable around other people, but with Regal I think it's maybe specifically related to the fact that he has had a lot handed to him that he didn't necessarily want, and his self-sacrificing nature lends itself to him feeling obligated to take it. I fully believe Regal would be happier and better off stepping away from Lezareno and from his family's toxic ass legacy*** (or at least not working it full-time as the acting President) but I can't ignore the fact that...these things are all he has and all he knows. So writing about him attempting to get back into the swing of things, maybe struggling to find time for himself, falling into workaholic patterns by mistake, learning to set boundaries between his private life and his job...all while not being fully satisfied and finding more fulfillment in charity work and other pursuits, just makes him feel like a very well-rounded character. Like...it's believable that he would continue to work a job he didn't particularly love specifically because not only does he not know anything else, but he knows with this position of power he can make a lot of things happen that would be impossible if he just twiddled his thumbs on the sidelines--like financial assistance going to Palmacosta, or his duties as a nobleman to try to get better laws passed in Tethe'alla, etc.
This was a pretty clumsily-written post and for that I am truly sorry. I've just been absolutely insane lately thinking about Regal and I had to get some of why I think he's such a wonderful character out into the world.
:)
*this is just my headcanon but a lot about Regal screams autism to me.
**this is canon as far as I'm concerned. I wrote him this way far before I ever heard the drama cd, and the drama cd just solidified it for me tenfold.
***there's a scene in the hotel with Lloyd I think where Regal says his family's legacy on Altamira started when Tethe'alla flipped over to being a flourishing world last, which means they were in a position of power great enough to build an empire on Altamira already at that time (800+ years ago). I don't want to get into how awful this probably was or how evil the family was because I think you can all imagine that for yourselves. Also, nobody ever mentions the fact that Regal is the last of his family line, but it's a very convenient built-in control tactic to guilt someone into doing as they're told or risk bringing shame to a family that's been going strong and unbroken for over 1,000 years.
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backgroundagent3 · 3 days
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for the character ask, daisy johnson!
Thank you so much for the ask! 💜 I love any excuse to talk about Daisy Johnson.
First impression: I'm trying to squeeze my brain here, but all I remember was trying not to like her at first because I knew se was a double agent for the Rising Tide. It goes without saying I failed miserably about three episodes in.
Impression now: She is my favourite character of all time.
Favorite moment: I really can't choose, but one that comes to mind was the final fight of season 5. I think it's a very underrated fight scene, because it's the end of the world, her dad is dying, she has been recently betrayed and tortured by her friend, and she still goes into battle BY HERSELF against Talbot, and if that wasn't bad enough, when she's about to die a horrible death she realises that the only way she can save the world is if she takes the serum and basically condemns the person she loves most to his death. It's so heartbreaking and poetic, but very cool to watch, and I just love so much it, idk.
Idea for a story: This is angsty but I would love to read something where the events of 5.14 are properly dealt with. May watches the security cameras and goes ballistic on Fitz, and Daisy gets time to grieve and heal. They get Coulson back and he's horrified, and Jemma is so conflicted but she's there for her best friend.
Unpopular opinion: Since apparently I can't stop thinking about season 5, here's some more. I think she actually did a good job of leading the team in season 5b. Especially if you consider that she's been recently tortured, her family doesn't seem to care, she has no experience, and hasn't gotten a good nights sleep in about 5 years. She might be tough, but hello? IT'S THE END OF THE WORLD?? You have to be at least a little bossy if you wanna make it through that. Also if you're gonna be a baby and call her a hard ass maybe you should have thought twice before joining SHIELD.
Favorite relationship: If it's romantic, then Sousa. I love them so so much, they're literally perfect and despite my obvious outrage at season 5, I will forever love the AoS writers for somehow pulling that off. As for platonic relationships, I'd say May. She's the perfect mother figure for her, and I love the parallels between them. I think Daisy has the best relationships in general, but this one is my favourite. Honourable mentions go to Coulson for being the most unhinged dad ever, and to Jemma for being the sweetest friend in the earlier seasons.
Favorite headcanon: before she goes off to space at the end of season 7, she rebuilds Afterlife with the help of Sousa and Kora. I've said this before, but I think they are actually the perfect team to do this. Kora has lived in Afterlife her whole life, she's seen Jiaying help people go through Terrigenesis, and she's been though it herself in a much healthier and safer environment than Daisy. Sousa is reasonable and calm, which are good qualities to have when you're helping someone who's terrified and potentially dangerous. He has experience leading people, which I think would make him a good mentor for the Inhumans. So Kora has the experience, Sousa has the qualities, and in my opinion, Daisy has a nice combination of the two. She has a different and much more horrifying experience of Terrigenesis that people who accidentally go though it can relate to, and she has spent years exploring and controlling her powers, so she knows what the deal is. And she's also a good leader, so where Sousa can help the Inhumans pre-Terrigenesis, she can train them after if that's what they want. Because that's another thing, SHIELD may be funding Afterlife, but they've learnt their lesson and they're not sticking their noses where they shouldn't. They accept new recruits and help train them, but if that's not what the Inhumans want, then SHIELD helps them get settled back into their normal lives. Anyways this got long but it's one of my favourite headcanons, so there you go.
Thank you so much for the ask! Sorry for rambling, but I have a lot to say about Daisy. 🌼💛
Character Asks.
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magentagalaxies · 2 days
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i really want to start making a table collecting statistics on the audience demographics i'll perform my aubrey material for (like what generation most of the audience is, whether i'm performing in a predominantly queer space, etc.) and how well the jokes land bc like. i need to collect more data points before i can properly present my findings but the results so far have been fascinating
#again i do not have enough performance experiences to make any definitive claims about who ''aubery's audience'' is#but i find it funny that any time i show my aubrey material one-on-one to a queer gen z person#they're always like ''i love it but straight people will definitely hate it or not get it''#and i get the inclination to be like. ''i like this thing so people like me will like this thing''#and cishet society seems so polarized w/r/t queer topics it's like. the assumption makes sense#however. whenever i've done an aubrey performance in front of an audience that's predominantly queer and gen z#i've actually received a primarily negative response!! and somehow straight people have never given me shit for my aubrey material#(''well straight allys don't count'' i told some of my aubrey jokes to a joe rogan dudebro and he enjoyed them)#(which yeah maybe could be a mark against my comedy but i like to think i opened his mind a bit at the very least)#i really want to test my aubrey monologues in front of a primarily gen x/boomer audience#bc so far i only have actual performance experience in front of gen z or millennials#and the older people i've told jokes to individually or shown videos of my stuff have really liked it#luckily paul has said a goal for when i'm in town this summer is to get me to perform my aubrey stuff in as many different places as possib#for both queer audiences and non-queer audiences so i can gauge reactions since i don't want to be confined to one demographic#so i'll get a lot of data points this summer#@ paul get me a performing slot at senior citizen pride lmao these are my people#(shoutout to paul going ''jess stop collecting the old homos!'' last time i was in town)#(and when i imitated him and was like ''old gay men are not your pokemon!'' bellini was like ''ok but they may be your audience'')#also one data point i really want to see the variation on is how my one specific joke plays in these different demographics#bc i have a joke that like. it's literally not even about AIDS and doesn't punch down at all#i literally say ''if you're gay and over the age of 50 you could violate the geneva convention and i'd still be like support our troops''#like obviously being like ''you have been through hell so i will let you get away with literal war crimes you deserve ultimate immunity''#BUT. in the line right before the quote i use the phrase ''AIDS generation'' not as a derogatory term but being like.#this horrible thing impacted the entire generation y'know? and bellini and scott and their friends call themselves that it's just the term#but when i said the phrase ''AIDS generation'' in front of my gen z audience i heard gasps and felt like they all hated me#and when i did the same line in front of millennials it wasn't quite as striking but their eyes did widen#like i was suddenly an ''edgy comedian''. but like this is a part of our history and it does inform the story i'm telling#the story i'm telling is comedic but it's grounded in this real world context#and i'm like. @ the audience who was offended: when was the last time any of y'all spoke to a gay man over the age of 50#bc bellini loves that section of the monologue and was offended that people would even take offense to that phrase
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vulpinesaint · 10 months
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absolutely unreasonable over this coworker that i rlly like rn. thank god i don't like men or i would have fucking Lost it by now! as it is i don't even know what has me so dkfjghsdf about him i'm just sitting there with my head in my hands going "he's so normal about trans people..."
#he's a like. fr nerd guy which i don't know if i have a value judgment for but! it gets me points cause i can pull out nerd shit too#thought he was Significantly older than me but he is only four years older than me and not the estimated six. so it's not that bad#once i'm twenty in like three months it really will not be that weird for me to be friends with people in their twenties.#YOU KNOW WHAT IT IS. HE'S NOT NERDY HE'S GEEKY. DIFFERENT VIBE BUT DEFINITELY MORE LIKE ME#like. ordered a working spiderman mask online but also likes my alt radio station. y'know#and he wants to be my friend too!!! we talk nd have similar senses of humor#and he says hi + bye to me every time he sees me AND says my name every time which i think is a like. positive sign#when people take the time to say 'hi [name]!' i think that's a like. 'i'm invested in being friendly with you' thing#AND AGAIN!!! HEAD IN MY HANDS!!!! HE'S SO NORMAL ABOUT TRANS PEOPLE!!!!!!#went 'wow. it's the ignorance' when one of the kids asked about my dead name (kid obviously did not know what being trans entailed)#and when i went 'i mean adults ask me that too' he went 'what??? fr??? people are so uneducated :/' like a little disgusted ab it#which. dude. what a fucking world. so normal about trans people that like. not being normal about trans people is a foreign concept#not EVEN transphobia just not being educated on what's decent to ask a trans person!!! NOBODY knows that stuff!!!!#except for skye my best friend skye apparently. this dude is so fucking normal about trans people#laughs at my jokes about being trans!!! consistently!!!!! is rlly cool about it!!!!!!!#made a joke about using my dual citizenship to go check on the girls who were taking a really long time in the bathroom#and he found it as funny as i did and like. that's a kind of joke u'd usually have to share with other trans/queer people... idk...#would also make that joke with my coworker who is gay. but he's also really chill about me being trans haha#anywayyyyyy i don't know if he's queer or anything (strikes me as straight) but it's. god. world-changing#AND HE HAS A GIRLFRIEND. WHO HE TALKS ABOUT A NORMAL AMOUNT. VERY POSITIVE THING#so i don't have to worry about things being weird at all :D#and he knows for sure i'm 19 and is chill about it. which. i was the only one making that a big deal but it's a relief all the same haha#asked how old i was (talking about graduating from college in a year nd a half) and gave me a FIST BUMP when i told him.#A FIST BUMP. WHO DOES THAT.#straight people. that's who. guys who are just guys.#guys who make me go 'oh so i DO want guy friends who are my friends in a 'we're both guys' way. those other guys just suck'#which i don't really want but ALSO. he's normal about trans people! so he recognizes me as a guy no matter what i look/sound like!!#my like. supervisor's supervisor made a joke about him being childish and like. girl.#idc frankly that's skye my best friend skye you can't tell me shit about him we listened to the radio while driving the kids to the beach#valentine notes
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im2tired4usernames · 2 months
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They stole any possible joy of motherhood I could have possibly wanted they stole my entire childhood they stole my teenage years my twenties and they continue to steal my future they won't be happy untill they've taken my whole life
#i hope your in fuckin hell you ugly cultist bitch i hope your getting what you deserve dad i hope karma hits you#i hope all your children grow up to hate you#quiverfull parents are monsters and they all deserve a place in hell#i hope my next life is that is a thing i get freedom and respect in my life#i hope they get a say in their life snd are well loved well rested and happy#im tired of being alive im so fuckin tired of my life#i cant die because there's wo many people who depend on me but fuck life sucks and it really is 100 because of my parents#i wish my future was actually reachable#i wish people would stop using me#i love my siblings i love spending time and caring for them#but i look at all my other siblings and my dad who fits in dates multiple times a week#who get jobs that pay that they enjoy they get hobbies they are responsible for themselves and only themselves they are starting families#they're getting to experience what it's like to be allowed to be a teen a 20 something a fuckin human person they go to concerts they sleep#when theyre tired they use their money for their own bills and wants and needs they get to go do things with they're partners as often as#they'd like to they get to EXPERIENCE LIFE WHILE I TAKE ON ALL THE RESPONSIBILITY#i want to be able to move in with my partner go in dates do things with friends get married write books draw get a job#i want to grow and change#they get to experience young adult life i get the adult responsibility but not the life experience or world knowledge or wisdom#I'm supposed to be the friendless sexless constant caretaker whos hobbies are dishes and vacuuming#that being said i cant make a future if no one is willing to make a move i cant be the only person trying to grow up#this includes my partner my siblings my dad they all need to make steps for our goals or we'll be stuck in a stagnant bullshit of 'someday'#constantly daydreamin about a future that'll never come i need to start making steps for it and i need other people to start making steps to#gwt ready to start growing up I'm not goin to let people keep holding me back forever my life is goin to fucking change or I'm goin to die
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tremerechantry · 5 months
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You identify with Patrick Bateman because "sigma male manipulator emotionless masculinity based schizo murderer", I identify with Patrick Bateman because of his fundamental lack of self esteem--the fact that he feels so empty inside that he has to turn to absolutely disgusting competitive materialism in an effort to maintain any sense of self worth. His clothes, his furniture, his belongings, the music he listens to, the food he eats, the shows he sees, the politics he'll pay only basic lip service to and then contradict three sentences later, the women he fucks, his career, his degree... these are the only things that he has in terms of an identity, and he reacts absolutely violently to anyone that threatens that. He kills Paul Owens because he threatens Patrick's sense of status. Patrick kills gay men who threaten his masculinity. The ex-girlfriend who threatens his image as a perfect specimen. Prostitutes and the homeless, because his ability to kill them and get away with it bolsters his own sense of wealth and status.
And he thinks of himself as a killer because killing is something he alone in his circle supposedly does. He continuously pushes the envelope, committing increasingly more horrific and blatant murders, because this is something he can be noticed for. He begins viewing his own reality as if he were watching a movie... filling up the emptiness inside him with delusions of grandeur. And if anyone around him could actually notice the murders, he would gain some sense of recognition, but no one does. Even if they actually do happen in the novel, the only person that actually remarks on them is Patrick himself. Even if the outside world pays absolutely no attention to what Patrick is capable of, he knows what he is on the inside.
But inside doesn't matter.
So we're not the same. And I think you're pretty stupid.
#Notable also that the only people he seems not to kill whatsoever are those in love with him. thus boosting his self esteem#I'm... such a Patrick Bateman as an artist truther#like... the murders are his artistic output#he is otherwise a completely generic person who means nothing. but he genuinely takes solace in his identity as this 'artist'#but I think in the course of the novel it's revealed that MUCH LIKE ME most of his artistic output happens in his mind#so it doesn't matter you know? Inside doesn't matter. Patrick has all these ideas and fantasies and creativity inside him#and none of it is real until he actually puts it out into the real world. which he fails to#and inside doesnt matter. inside doesnt matter. the novel is just his process of giving up on himself as an artist and resigning himself#to the fact that HE IS NOTHING#he has absolutely no worth because the one thing he prides himself on is not actually being seen by anyone else......#like he is just like me for real. the continuous rambling about things you're an 'expert' on#that are blatantly false or misunderstood because you are stupid really#but you can't accept that because the idea of being a person that Knows Things About This is too important to your self worth#because the only way you can respect yourself is if everyone sees all the great things you have on the outside.#got to make it clear on the outside. because inside youre hollow and there's nothing actually good there.#so your degree your grades your weight your looks your intelligence your trivia knowledge your artistic output your ability to just#KEEP MAKING THINGS ALL THE TIME#how much you can make people laugh. how well read you are (you arent really) how good your taste in music is#this is what matters and you need this to be noticed by other people all the time because inside you arent anything really#but its okay if inside doesnt matter. youre not fucking pretty on the inside
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blindedguilt · 9 months
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//CURRENTLY THINKING ABOUT MAGNITUDE NEGATIVE AND I AM N O T O K A Y.
#{/getting caught in drakengard 2 feels + man let's listen to hitori -> man let's listen to oborozukiyo inori}#{/is a very lethal combination; I've found}#{/I keep saying I'm gonna reread it in full one of these days and I think this coming winter is finally gonna be it... Though tbh I might}#{/just try and binge it tonight anyways}#{/it's only like a few hours long to read if i remember right}#{/the question is: can i handle it? And who am I going to sob to about my Seere; Aadah; and Leonard feelings when I'm done??}#{/ESPECIALLY the cosmic dread i have for him at the end piece; holy fuck}#{/I still think about how poor Seere's trapped only seeing echoes and flashbacks of his friends and never being able to actually see them}#{again.... *Wailing* it's enough to make a grown man kill himself}#{/LIKE YOU THINK THE GODDESS SEAL IS BAD BUT REALLY THINKING ABOUT IT I THINK VERDELET HAD A POINT WHEN HE SAID THIS SHIT WAS WORSE}#{/like... Depending on whether or not you think an afterlife exists in the DOD universe (or if Caim and his buds even GET to see it what}#{/with their angering the gods and all) they at LEAST get a *chance* at seeing each other in said afterlife}#{/but none of them will see Seere again and Seere won't see them.... :( and that hurts (just a little)}#{/I just need him out of there and given just a DAY in some A.I. 2001 shit where he can spend hanging out with his friends like any other}#{/they can all make the most of it and let the good times roll so MY HEART DOESN'T HAVE TO HURT LIKE THISSSS UGH}#{/Seere fluff fiction for ever. take his ass to the tavern where he can get as much bean soup with eggs as he WANTS}#{/you know sometimes I think it's honestly good i can't afford a therapist ngl; that's one less insane person in the world}
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inhonoredglory · 9 months
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Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality
Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.
I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.
Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,
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We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.
I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.
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Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)
That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.
Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.
But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.
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And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.
I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)
But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.
Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).
Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.
(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)
At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.
“We could make a difference.” We could save everyone.
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Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.
Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.
But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.
Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)
Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.
Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”
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In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.
Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.
Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.
And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.
And he’s still going to do that. But it hurts him that he has to do that alone.
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ao3commentoftheday · 6 months
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Do you have any advice and how to write a long fic?
I'll encourage long fic writers to add on in the notes, but as someone who tends to prefer short and medium-length fic, I'll tell you how I go about it.
Get a premise that you just absolutely love. You're going to be writing this thing for months, if not longer, so you want it to be something you're willing to spend a lot of time thinking about.
Embrace subplots. You'll have your main plotline that you want to see through from beginning to end, but you can also weave in some subplots here or there. The way I do this so that I don't get lost down a rabbit hole is that I always make sure that every chapter has at least 1 thing that moves the main plot forward and then if I want to spend 1-2K with some side characters doing something fun I can do that as well. Subplots can extend for the length of the full narrative, but they can also just last a chapter or three. If you're used to writing short fic, these might give you that familiar feeling of "completion"
A chapter is only as long as it needs to be. Don't get hung up on having a consistent chapter length. Don't get hung up on hitting some arbitrary number every time. Instead, figure out what the next part of your story needs to include and write however many words it takes to get that chunk across. Varying your chapter lengths is a normal thing to do and not something to stress about.
The next thing that I find important personally may or may not be relevant to you, but I find that I can't plot anything in much detail. If I get too into the nitty gritty with my plotting, it just feels like I've already written it. I need to keep it at the level of "And then A and B meet C and hijinks ensue." I can figure out the particular hijinks later. It's the characters meeting up that's the next important thing for me to figure out. Getting too far ahead of myself is a death knell for me in writing long fics, but there are other writers who swear by it. Test out different ways of approaching it and see what works for you.
As someone who tends to write more briefly, another feature that's common to longer fics is more extensive descriptions. People spend time painting visual pictures of the setting or the characters or the actions that are happening. Write the more bare-bones style that focuses more on dialogue (if you're like me) and then go back and read through what you've just written and see if there are opportunities to add in more detail. This can lead to some really interesting characterization choices and also help you out with worldbuilding.
When it comes to worldbuilding, you don't have to get it all on the page. You just need to share what's relevant for the reader in that moment and what is useful to lay out now so that it's already there in a future chapter. You can have an encyclopedic knowledge of how your world works in your head, but it's not actually necessary. No one is going to be quizzing you later - and if they do, you can always figure it out at that point.
Most important for me when I'm trying to get myself to the end of a longer fic, have a friend or a group of friends who are also into what you're writing - or at least willing to hear you get excited about it. Being able to get excited about your work is so important. It's like a bottle of water being handed to you on mile 10 of a marathon.
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mythicalcoolkid · 1 year
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I love the "glasses are disability" thing because it applies to basically every complaint abled people have about disability
"You're not even that bad, why would you get that?" Have you ever used a magnifying glass for small details or zoomed in on a picture
"Why do you have that accommodation TODAY?" Why do you wear reading glasses when you're reading
"It seems like your 'needs' are inconsistent." Yeah and you wear sunglasses when it's sunny and not all the time
"But you can technically walk without that." Yeah and if I put the page really close to your face you could read it, it would just hurt and be hugely impractical, inconvenient, and limiting
"But you COULD go without it all the time, you don't NEED it to live." And maybe you could technically see without your glasses, doesn't mean it's comfortable or practical day to day
"If you REALLY had a hard time seeing you would have glasses." Have you ever known someone who couldn't afford a new pair of glasses? Or eye appointments? Someone who needed vision therapy or special prism glasses? Someone whose vision only gets bad during migraines or seizures? Someone with astigmatism that glasses can't help? Someone who didn't qualify for LASIK?
"You only use it when you're out in public." Have you ever gotten up to use the bathroom at night without putting on your glasses
"Decorating it is just trying to get attention, and it's a medical device so stop glamorizing it." Do you hate any patterned or colorful glasses frames too? Art with characters who wear glasses? People who make OCs with glasses? Glasses chains, prescription sunglasses, aesthetic fake glasses with tinted lenses?
"There are secretly lots of people just using aids for fun and attention." There are secretly lots of people wearing fake glasses or colored contacts for fun and attention, it does not affect you
"We need to find fakers, they're stealing disabled resources!" Someone pretending to need glasses is "taking" a seat in the front from someone who might need it more. That sucks and they shouldn't do that. But I'm not going to scrutinize every person who wears glasses to see if I think they really need that seat. You personally are not the arbiter of who is (based on the random times you've seen them) secretly not disabled
"My friend has that and doesn't act like that." Does every pair of glasses in production, or even every pair close to your prescription, work for you? Is your vision identical to every other nearsighted person?
"If you can do X why can't you do Y? Some people with that can do Y."/"But if you have that how can you do X? People with that can't usually do X." Some people are nearsighted and some people are farsighted and some people are both. Some farsighted people can read some without glasses and some can't. And good distance vision doesn't mean you don't ever need glasses, it's just an entirely different reason you'd need glasses
"You're too young to need that." And there are young people who need bifocal lenses
"Why don't you use this DIFFERENT aid though, it would look like you didn't even have an aid." Why doesn't everyone in the world wear contacts
"Why can't I/my friend/my kid play with it?" Do you let random strangers and children try on your glasses at the grocery store
"I was just trying to help, I thought you'd need a push/you were in the way." Are you cool with me suddenly pulling your glasses off your face to clean them, or because the glare was distracting me
"You'll eventually stop using it though right?" Are you planning on no longer needing glasses someday
Disabled people are free to add
I am aware this is not a 1-to-1 perfectly accurate post. Do not come into the notes trying to "um actually this isn't a perfect comparison." I know. Just don't
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