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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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conspicuous-gallantry · 1 year

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original post

#the search for spock #star trek iii #star trek iii: the search for spock #sarek #james kirk #star trek #captain james t. kirk #captain kirk #idk which of those is the most commonly used kirk tag???#startrekedit #trekedit #tosedit #anyway I laughed and had to do a thing with that post bc yeah that's exactly what happened and POOR JIM!!!#big HARRY DID YA PUT YOUR NAME IN THE GOBLET OF FIYAH energy #char [the right man at the helm]#media [iii]

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olliecoded · 4 months

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im actually really surprised how polarizing and controversial saltburn has been?? because it seems like the reason a lot of people really hate it is that it's a shallow, pretentious analysis of class and wealth and like. i agree. but i also don't think that the POINT of saltburn was class or social mobility or anything. i think the point of saltburn was an unflinchingly sincere portrayal of obsessive all-consuming desire and, rather than analyzing the movie through a strict lens of class relations or "eat the rich" aspirations, we should be analyzing it through a lens of toxic devotion (especially when it's queer). like saltburn is about the relationships it presents. i'm a little shocked that everyone thinks the main takeaway was what it said about class

#like not that there AREN'T things to be said about class and race and such in saltburn it just #isn't what the film is about primarily???#saltburn #oliver quick #felix catton #cattonquick #quickstart #farleigh start #idk what the kids r tagging these days. r those even the right ship names. who knows #this is also why i get so upset when people miss the point of the grave or bath scene or whatever like. that is the film. that IS tje film.

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scourge-sympathiser · 15 days

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SCOURGE SUNDAY 031/???

i gor a laminator

#scourge wc #scourge warriors #warrior cats scourge #bloodclan #wc #warrior cats #scourge #scourge sunday #to those of u who already saw this on twitter. shh. no u didnt #basically i waz 2 happy with this not 2 share right away but also wanted 2 hav it be a sunday. so. twitter got it. Quite Early #i will be honest ive been having so much fun making badgez i bought a bunch of suppliez.....#mainly keychain hardware && alcohol markerz LMFAO #need 2 prep fur my next market as well but. the thing is. furry badge fun #once i get a good idea of wht exactly im doing i will probly open commissionz fur these hehehe #ok. i need 2 sleepz byeee #idk if u guyz knew this but evry sunday scourge i actually do all this tagging stuff the night before bcuz i work 8-3 sundayz LOL #n sure i could post aftr work but i got into the habit of 9am i like it as a posting time. also forcez me to actually hav thm done lmfao

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lazer-meme · 1 year

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#in light of the led zep song and not knowing if the show will be renewed #the winchesters #jensen ackles #dean winchester #ARE THOSE THE RIGHT TAGS LMAO IDK WHAT TO DO WITH THIS LMAO

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bloodydeanwinchester · 3 months

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stanford era dean series ↳ dark angel: 1x18 pollo loco

#okay bear with me here i couldnt get the first 5 eps he was in in good quality but the rest after those should look better than this #idk if i should tag my taglist on this one since it's technically not spn???#anyway dark angel is just stanford era dean to me<3 #i love how even when jensen was pretty young he still had that super noticeable eyebag under his right eye #stanford era dean #dark angel #darkangeledit #jensen ackles #cowboycoven2 #stanforderadeanseries

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m1d-45 · 1 year

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Alright let me try this again.

What if Reader vented to Birb Xiao, not knowing that it was actually him?

They talk about their fears and frustrations, letting out all the words they've wanted to tell a person, but they have to settle for their pretty bird because no one will listen.

So Xiao is just sitting there, resting in the True Creator's hands, listening as he gets a glimpse of how they truly feel.

They say the milileth is like a raging stampede with their spears and swords. They say how the Qixing all seem so cold and unfeeling. They talk about how Zhongli genuinely terrifies them, because he acted so kind to others but was borderline cruel when hunting them.

They talk about Xiao, too, but they don't seem to have many complaints. They haven't seen him in a while, and the last time they crossed paths with him, he just... let them run. The adeptus had looked angry, but also a bit startled (and perhaps, a bit guilty?) at the sight of them. They even once overheard him leading milileth soldiers astray ("by mistake" says the creator, but Xiao knows the truth) by saying the creator had left a while ago, when really, they were still very nearby. While they say they are still a bit scared of him, they don't fear him as much as they fear the others.

All the while, Xiao sits, still as a stone. He takes in every word, every shaky breath and darting glance. He nuzzles into their hand, hoping to offer even the slightest bit of comfort.

He hopes that they continue to be unafraid of him in the future.

-Sibling Anon

he who is without sin

a/n: decided to make this one a full fic for no reason in particular (i don’t have an actual post shhhh)

word count: 1.1k

-> warnings: imposter sagau things, minor blood mention, spoilers for xiao lore, some spoilers for liyue (like names and titles of people/places)

-> gn!reader (you/yours)

taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay

< masterlist > (has context for bird!xiao if you’re lost)

from the moment that xiao was saved, when his new name was bestowed upon him and he signed his contract with morax, xiao had made a promise. another contract, one without physical ink and paper, one bound to his soul.

one to you, his creator.

a pledge to stand by your side, a clause written in by the god that forged his original contract, releasing him from his duties to liyue to serve the one that had granted him life. a permanent extra sweep to his duties, always on the lookout for the highest god above all.

however, he was not the first to find… ‘you.’

‘you’ had landed in sumeru, nested in the large tree surrounding the akademiya. ‘you’ had climbed down, introduced ‘yourself’ to the sages with a smile. everybody was quick to give ‘you’ the glory rightly the creator’s, ushering ‘you’ atop a throne of silver and gold, offerings laid at ‘your’ feet with all the haste of those deprived of the divine.

xiao may have hung back at the beginning, unwilling to allow his karma to infect ‘your’ other worshippers, but he still did his duty. he still kept ‘your’ path clear of enemies, and was the first to pick up his blade when word broke of your imposter.

and yet, when he laid eyes upon the one he was supposed to hate, he was the first to repent.

xiao took a shaking breath, crossing his arms around himself. “morax?”

the elder god turned, amber eyes soft. “what is it, xiao?”

xiao marched through dihua marsh, polearm gripped tightly in his hand. a large hilichurl camp had been reported, which while not an issue normally, was the third in the last four days.

irritation was openly displayed on his face, the anemo around him simmering with his anger. why did the abyss have to act up now, when they were on a hunt? surely even they, as infected and riddled with darkness as they were, worshipped a god? or was that the source of their evil?

he kept marching north, only turning his head at the sound of a soft gasp.

“how will i know when the creator arrives?”

morax smiled, not upset like xiao had anticipated. “don’t worry about such things. when the time comes-“

you stood on the path branching west, eyes wide. you looked nearly exactly like the ’you’ on the throne, the same cool eyes that called for your death now wide and staring at him in fear.

“-you will know.”

you turned on your heel, your armful of sunsettias tumbling to the floor, but… xiao did not chase you.

instead he brought a hand to chest, under his necklace. he pressed, feeling the still-regular beat of his heart.

he pressed, searching for the place where his karma used to be.

from the moment that xiao realized the truth, when his new duty was bestowed upon him, he had made a promise. another contract, one without physical ink and paper, one bound to his soul.

one to you, his creator.

he flew down from the sky, landing in your outstretched hand. he chirped a greeting, body relaxing under your gentle touch.

“hello there, friend,” you cooed, sitting straighter under the tree. your tree, the one you kept coming back to, the one he always directed other adepti away from because it was for you, not them. not him.

you fed him as usual, but stayed strangely silent. no stories of the kindness mitachurls showed you, no update on how close or far the people searching for you had gotten, none of the usual things he looked forward to. you just… sat. watching him in your hand, an emotion he didn’t know the name of drawing your brows close.

maybe you just didn’t want to talk today? but if something was troubling you, he wanted you to share, to allow him some of the weight off your shoulders. then again, he was just a bird to you…

“do you know ganyu, pretty bird?”

xiao froze, thankful he was facing your palm so you couldn’t see his eyes widening.

“i thought i did.”

he looked up, carefully, daring to meet your eyes. this time, he could pin down what you were feeling: betrayal.

his finch heart burned.

your thumb pet over his wings, but he couldn’t bring himself to enjoy it. not now.

“i thought she was kind.”

she was, he knew firsthand. how she worried over the tianquan, fretted over her skills both with a bow and with a pen, how her and the yuheng kept each other afloat in the sea of endless work assigned to the jade chamber.

you smiled. it was bitter. “i guess i should have known better regarding the adepti.”

xiao’s heartbeat raced in his ears, something hot burning a hole in his chest. he was an adeptus, he wanted to say, he could be trusted.

but you didn’t know him as an adeptus. you knew him as your little songbird, your friend, the one you continued to risk your life for, even if you didn’t know it.

he chirped once, somber. he wanted to apologize, to take up his blade against his own king on your behalf, to walk up to the fraud’s throne and watch them bleed red.

but you didn’t need that. so he sat in your hand, leaning into your fingers, and let you speak.

as it turned out, today had been a busy day for you. you had wandered into the path of a millelith patrol, which had happened before, but not with keqing at the head of it. not when she had darted forward in a flash of lighting, electro arcing along her sword. not when she’d pulled out and blew a special whistle even as you ran, one that you couldn’t hear but could feel under your skin, taunting you as you tried to navigate the maze of bishui plain.

when you told him of ganyu’s frostflake arrows, he wanted to cry. when you described the anger in zhongli’s eyes, he started to weep.

you didn’t deserve this pain. you didn’t deserve having to outrun planet befall, you didn’t deserve to fear your life being stolen by those who should protect you at all costs- he should have been there. he was south, too far south to hear the whistle, but he should have been called.

he should have protected you.

under the shifting leaves of a sandbearer tree, your songbird cried. and you, none the wiser, continued to spell out the cause of his torment.

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harrowharkwife · 4 months

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thinking thoughts about how nona was so obsessed with crown, and crown specifically- not coronabeth. crown, with her boots and her cargo pants and her guns and her hair tied back, with all her charm and strength, all her rage and determination.

was that really just nona? or, walk with me here- is there a chance that that was actually alecto, too, bleeding through and rising to the surface?

alecto, seeing a kind of kinship in crown- in this big, tall, strong blonde with a sword strapped to her back, hot and lovely and kind and awful and powerful and perfect. this woman who refuses to give up- on her sister, on saving jody, on BOE's resistance. who's unafraid to throw one hell of a tantrum, if it means being listened to, for once. crown, who everyone thinks of as dumb, who everyone underestimates, who no one ever takes as seriously as they should, even though she's clearly capable of plenty of atrocities in her own right. this woman who's been described over and over again as someone who positively radiates life, and energy, and vitality, and strength. this woman who wanted nothing more than the chance to be herself, to be free, to serve as cavalier and guardian and protector, but was instead sentenced at birth to a life of being a princess and wearing dresses and looking pretty and loving less and staying out of the way and keeping her mouth shut and playing second fiddle to a necromancer obsessed with power and glory. familiar, no? this woman who was betrayed, left behind, left alone, and left utterly in the dark by the one person who's supposed to love her the most- only to then be told that being abandoned was in her best interest, really, for her own safety.

thinking about all the times we've seen ianthe insult crown's intelligence and praise her beauty in the same breath. you big dumb bimbo, what can you do? of all the times we've seen ianthe fussing over crown's appearance. thinking of the sister-lyctor makeover-montage ahead of dios apate minor, and how harrow hated every second of it, and how ianthe treated it like nostalgic second nature. thinking about the third house: fucked-up planet gossip-girl with all its betrayal and espionage and flesh magic and debauchery, three for the gleam of a jewel or a smile. thinking about the pressure that must have come with keeping up the double-necromancer ruse, about ianthe having successfully played the part of two necromancers from the age of six. exactly how much practice must that have taken? thinking about the casual, automatic, possessive, offhanded, violating nature of ianthe playing god and giving harrow a full head of fast-growing hair without asking, without even telling her, just to make harrow prettier, just to piss her off, just because she could. how she did it so easily, and without hesitation, almost as though she's maybe done that sort of thing before.

thinking about preservation. about a perfect body frozen in ice for a myriad, about ianthe spending all her downtime on the mithraeum figuring out how long she can keep an apple core in perfect stasis before the rot sets in.

thinking about corpse puppeting: a deceased world leader here, a trusted cavalier and friend you've known from the cradle there. about i picked you to change, and this is how you repay me? about she took babs. and who even cares about babs? babs! she could have taken me!

thinking about alecto, and hollywood hair barbie, and you have made me a hideousness.

thinking about crown, who's by her own admission boobs and hair and talk and a hell of a swordhand.

thinking about something as simple as stud earrings, and about how much grief ianthe gave her for daring to wear them.

nona loved crown.

something tells me that alecto might, too.

#the locked tomb #alecto the ninth #alecto #coronabeth tridentarius #crown him with many crowns #ianthe tridentarius #locked tomb meta #am i tagging this right? idk #nona the ninth spoilers #harrow the ninth spoilers #to be PERFECTLY clear i love ianthe. and i still think it's ENTIRELY possible that corona will turn out to be Badtwin in the end #but truly who's to say. women's wrongs and whatnot #also ik nona WAS alecto but like. she was also her own person. To Me. a study in 'would i be a different person without all the baggage' et #tridentarii #what a fascinating fucked up little dynamic with those two

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