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#in a silly kind of way
messysketchyobeyme · 5 months
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emberglowfox · 1 year
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i dont think the sages are distinctly aware of everything their avatars are doing, but i imagine some things probably bleed through
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canisalbus · 18 days
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twilight-zoned-out · 6 months
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Learning about the Doctor Who specials' expanded budget: oh no, what if they overuse CGI to look more 'professional' and high-budget?
The first scene of the Doctor Who Special:
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poorly-drawn-mdzs · 7 months
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The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.
(for @frummpets)
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snarkspawn · 9 months
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some floating heads of my boy Asher, his guardian and his favourite people to go adventuring with ♥
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egophiliac · 5 months
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happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!
thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!
I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)
I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!
also maybe he had some reflection on his hair's troubled past with three kids...
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...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.
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#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland episode 7 part 6 spoilers#twisted wonderland book 7 spoilers#twisted wonderland book 7 part 6 spoilers#this is my blog and i'm going to write a million words about lilia and you can't stop me#but anyway i do genuinely get the impression that he's using Pretending to Be a Teenager as a chance to be even sillier than usual#he's a very silly man he's just being EXTRA silly#supported by his recent birthday card where he says he was specifically trying to cast himself as an adorable little brother-type#because he wanted the other students to give him free shit and save him seats and things like that#it worked for about a week before he turned out to be way too good at stuff and everyone just kind of ended up in awe of him instead#and he was like DANGIT. I'VE RUINED IT FOR MYSELF.#(then he and epel went on to talk about their hypothetical vtubersonas because the birthday cards are INSANE but anyway)#i'm bad at headcanons :( sorry!#unless it's dumb things like...what pokemon they would have or whatever#(malleus would have some kind of special fancy-colored dragapult) (but i digress)#i have a hard time putting things into words. just know that i love the grampa bat and his weird kids very much.#my brain is also still kind of fried from the last couple of weeks#i am however starting 2024 off the way i intend to continue it: in deep contemplation of anime hair#(sorry if these look weirdly aliased) (i realized about 3/4 of the way through i was using the wrong brush and i didn't want to restart :U)
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ruporas · 1 year
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getting the attention of the humanoid typhoon
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kagoutiss · 1 month
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junimo sight
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turbo-tsundere · 1 year
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Kokichisake-onna
*Happy anime narrator voice*: “And thus, Kokichi has once again successfully evaded the dread of emotional openness!”
Also here’s a random selection of derpy concept doodles for this comic :)
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Thank you byeeeeee
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sualne · 6 months
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every story i've ever made is about fear
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communistkenobi · 6 months
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saw someone argue that the central defining feature of fanfiction is its attention to proper characterisation. man I don’t think you’ve read very much fanfiction
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coffeebanana · 11 months
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The way the finale went down isn’t the ending a lot of people wanted—I get that, and I sympathize. But I really do believe that’s in part because it isn’t an ending.
And, frankly, I love the way this season finale went purely for selfish reasons.
The thing is, I honestly think that from a fandom POV, that’s so much better than having everything go the way we wanted or expected. I’m already so inspired to create things—to patch holes of things I didn’t get to see or hypothesize on how things will turn out. There’s debate on what the wish really means that I KNOW is going to manifest in some creative af world building in future fics I’ll get to read.
I know some people are contemplating leaving the fandom after this, but that was going to happen regardless of how the season went down. And I hope that some of those people still find a way to enjoy what the show has given them. I hope people realize it’s never too late to play with whatever ideas they may have.
I think this “ending” is unsettling on purpose. And I think so many cool things are going to be created because of that set-up.
I’m super duper excited okay?
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marley-manson · 4 months
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the topic is Trapper and the army as foils, you have three hours, go
In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.
The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)
In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.
Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.
And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).
Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.
He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).
Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.
He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.
So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.
This contributes to their respective dynamics with Hawkeye.
Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.
The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).
In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.
So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.
Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.
Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.
When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.
Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.
One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.
So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.
With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.
In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.
I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram
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shares-a-vest · 6 months
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@steddiemas Day 2: Winter Sentence Starters (Sentence Starter Saturdays)
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"Holy shit!" Eddie shrieks, his voice regrettably echoing around the small quarters of Family Video's storage room, "Your hands are freezing!"
He envelopes Steve's hands in his own, brings them to his mouth and starts blowing. Steve grimaces and attempts to yank his hands away, but Eddie only tightens his grasp.
"Don't you have any mittens!" he continues, frantic as they now tug back and forward.
"No way," Steve scoffs, "I'm not walking around with an ugly pair of mittens pinned to my jacket."
He cocks his chin and his eyes flit down to the set of navy-blue mittens joined by a length of matching yarn and attached to Eddie's worn parka jacket via two safety pins.
"Excuse me!" he defends, letting go as he brings his hands to his chest to shield his mittens from further insult.
Steve giggles, "You look like a kid going off to kindergarten."
Eddie holds up a warning finger and feels his jaw clench, "My mittens are pinned to my winter jacket so I know where they are at the beginning of winter when I need my winter coat and mittens! Then, when I enter a premises that is supposed to be warm – to seek out my boyfriend whose hands should be warm – I pin them straight back on my jacket for safekeeping. It makes perfect sense!"
"So this was Wayne's idea because you kept losing them?" Steve asks, raising a brow and smirking.
"... Yeah," Eddie admits, looking down at his mittens.
The embarrassment is fleeting (this is practical for god sake!) and Eddie moves to unpin them.
"Eddie, I'm not taking your mittens!"
"Take my mittens!"
"How am I supposed to work in them?"
"You can stack away returns in a pair of mittens," Eddie offers, twirling the mittens by their joined string.
"And how am I going to type or use the phone?"
Eddie pauses and bites the inside of his cheek.
Damn it, he always has a checkmate defence.
"Turn the AC up!" he says with a click of his fingers.
"Can't," Steve grumbles, folding his arms and leaning against the built-in shelf that was supposed to support their regularly scheduled make-out session, "The AC is broken."
"What!" Eddie looks around, waving his hand about, "Where's your customer complaint form? Suggestion box? Something like that?"
"Eddie, you are not filing a complaint to Keith."
"I sure am!" he nods, determined, "Complaint or my mittens. Your choice, babydoll."
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polymerclay · 2 months
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everyone loves the homestar runner. he is a terrific athlete! (i plushified him also)
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