Only a couple of months later, I’ve finally started trying to sort through some of theses pictures I took using these fabulous paper dolls made for me by @cutestkilla!!!
This whole thing was for an unpublished portion of one of my WIPs in which Penelope and Baz are kinda-sorta tricked into going to Wisconsin instead of California, and where they meet a new friend who tells them about how his family’s annual trips to The House on the Rock were his introduction to the world of magic, and he introduces them to many of his friends therein.
I really didn’t take much time to find like the cream of the crop or anything, I honestly just wanted to get some of these out there 😅
(It was actually... so hard to choose which pictures to post. If I didn’t know better, I’d say that this was the first time I had ever used a camera in my life---None of the pictures are great, but there were kind of a lot of them...)
This was so much fun! Someday I will take pictures with the Halloween costumes that @cutestkilla also made for them, and one day I’ll maybe even get around to writing the House on the Rock portion of that fic! Possibly in time for Halloween 2023! 😆 We will see...
Penny near a giant carousel
Fuzzy Simon, giving us a better view of the giant carousel
Fuzzy Baz, also by the carousel
Can’t find any of them with the actual automaton orchestras, but there’s the sign...
Baz and Simon have to share a bed, obviously.
This might be my favorite of the pictures
Look at that guy! Such a fun dude
Gotta get the snacks in
IDK, just seemed right
Infinity room, hell yeah!
The fate’s confirm Penny’s lovability
This used to be another snack place, but now it’s just a big friggin’ pointless room full of tables and chairs...
Penny’s fortune
Baz’s fortune
Simon’s fortune
Shepard’s fortune
That’s all I think, I know it’s not much, but I am... quite sleepy. I assume that I will wake up in the morning remembering this post as a fever dream and being very confused by the choices I’ve made here.
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Hi, I'm sorry if this is a dumb question. Gaza has been has been bombarded, cut form electricity, not received aid, etc. So how do we get pictures and videos of what's happening there? Because surely , Israel would've cut internet at the same time than electricity.
I'm not trying to deny what's happening in Palestine , just understanding better. Where I live there's not coverage or news about it in the media so all I know is from social medias and we all know we can't trust everything on here.
Thanks
I think that’s a fair question to have.
Palestinians have always had to be creative when it comes to finding ways of survival.
For starters, when this aggression was in its early stages, telecom companies like PalTel would assure everyone that their coverage is built to last longer than other companies because, according to their CEO, they have been preparing for war for 15 years. For example, contrary to what other telecom companies do, PalTel run their cables way deeper than necessary to ensure less effects of bombing.
Later though, even PalTel had to go out of service for the most part due to Israel’s relentless bombing. Not to mention, Israel deliberately targets and kills telecom company workers who even try to repair damages to what remained of the network.
Now, the only viable option that Palestinians in Gaza have to connect with the outside world is in fact through e-SIMs. This initiative was started by Egyptian activist Mirna El Helbawi which you can actually donate to and help connect people in Gaza to reach their loved ones and to get help when needed. We hear stories every day of people not being able to notify the civil defense or medics about wounded people following airstrikes who later succumb to their injuries.
As for electricity, at the beginning of all of this carnage, people would use generators. This is actually quite a normal practice as the electricity in Gaza was never provided consistently so people would switch to generators regularly. However, generators are powered by fuel, which is something else that Israel cut off the strip.
So when people and shops ran out of fuel, people started utilising solar panels and continue to do that as their main source to charge phones. Some people would even start applying a fee to allow people to use their charging stations, which are usually set up in tents or on top of cars. Others would walk miles every day to access free solar powered charging stations to be able to charge their phones.
Still, Israel started targeting solar panels specifically so they are not as widely available as before and the dust and debris from bombing rendered a lot of those panels useless. Some people started using car batteries to set up charging stations now.
With all of that, connections are weak and spotty and some people literally travel to other areas under so much threat just so they can connect and hear the voices of their loved ones. I was actually watching a video earlier today that shows people going on hilltops, raising their arms up hoping to "catch" a signal.
When it comes to the pictures and videos, remember that what you’re seeing, with all its magnitude, is a drop in a sea of Israeli terror against Gaza. Journalists have literally sacrificed their lives trying to get the word out. Kids started to record and share videos because even they realise that this horror is too much for them to bear alone. This is why it is crucial to amplify their voices and share their stories because they’re literally doing it in the most impossible of situations.
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I love the idea of Danny being just Some Guy.
Like yes he’s Phantom, yes he has ghost powers, yes he’s the King of the Infinite Realms. But to the BatFam? That is just Some Guy. A random dude - if you will.
They are positively baffled by him. Like he’s completely normal as far as they (and the background check) can see. Yet, he. Is. EVERYWHERE. (Not actually but it sure feels like it.)
The kids have a running bingo card of where he’ll turn up. Outside a warehouse they’re raiding? Check. Stopped a mugging? He was the one being mugged. Tim’s favorite coffee shop? He was just hired as a barista.  Seriously it’s like everytime they turn around he’s there.
Which wouldn’t be such a problem if he REACTED NORMALLY. But no. He doesn’t flee in fear, stare in awe, he doesn’t even try to say thank you. This man looked Batman in the eye and called him the furry vigilante - TO HIS FACE! He casually referred to Dick as “the flying monkey one” to Red Robin while also calling Tim a literal walking Red Flag. When he crosses paths with Duke he doesn’t always speak but he does always give him a snack. (Sometimes it’s candy, sometimes it’s fruit but it’s always food. And he only gives them to Duke.)
He once told Jason that he didn’t care that he was a crime lord and built like a brick house, Danny would kick his ass and drag his “rotted milk soul” too hell if the gun fights kept going on past midnight. (He had exams in the morning damnit.)
He will only call Damian “baby ninja” no matter how many times the kid insists that his name is Robin.
Spoiler and Orphan? The only ones he’s respectful to but even they get the occasional random comment. (“It may be a Tuesday, but if the universe is gonna make me the human equivalent of a pin cushion then I have the right to keep the knife.”) (It was actually a Friday but who were they to argue with a man bleeding out in an alley.)
Eventually the Batkids start keeping score of who has had the most out of pocket thing said to them by this random white boy.
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how do you find love?
You have to be willing to be hurt and trust people not to hurt you.
But also go out and do regular activities with people who share similar interests. I'm extremely unromantic in terms of how friendships and relationships are built. Go out and spend time with people who are into the same stuff that you are into and eventually you will probably find someone in that group who you are romantically compatible with and who is open to a relationship at the same time you are.
Like there are tons of jokes about various communities being insular and socially incestuous but, like, the reason improv groups have all dated each other is because they spend a lot of time together doing things they like and that's actually a pretty good foundation for a relationship.
Also, real talk: you have to be okay with being alone. You have to like yourself enough that it wouldn't be the end of the world if you were all you had. That is really difficult for a lot of people, but genuinely one of the ways to start liking yourself more is to go out and do things that you think fun and interesting people would do until you discover that you have tricked yourself into becoming a fun and interesting person.
But also take that with a grain of "I lucked into a long-term relationship at eighteen because I met someone cool at a coffee shop where I worked."
(however, being regulars at a coffee shop did legitimately used to be a way to meet people, I know lots of people who met at the coffee shops I worked at and found their partners there, but that's because coffee shops used to be the kind of place where people would go and hang out for hours after work every day and interact with new people and I'm not sure how much that's a thing anymore, which is why you have to manufacture it by, like, joining an adult kickball league or getting deeply involved in your local larping scene or whatever)
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SFX Magazine Issue 372 - Designing Good Omens ❤ 😊
PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON
WORDS: DAVE GOLDER
Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.
“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”
GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”
But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to
change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale
sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”
For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.
But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.
“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference
immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.
“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”
Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.
“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.
“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop
to everybody that was in it, all the time.
“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”
(look at the description under this, they called him 'Azi' hehehehe :D <3)
Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved
there, it has a purpose; it’s a letter of thanks, or an enquiry about a
book or something.
“Michael Sheen is so submerged in his character he would get lost
sitting at his own desk, reading his own correspondence between
takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that
everybody feels it, including the crew, and then they give that set
the same respect it deserves.
“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”
Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics
on the walls.
“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”
It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s
The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”
Ralph also reveals that the magic shop counter was another one of his
wife’s purchases, bought at a Glasgow reclamation yard.
The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.
“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on
one show and not Volume on the other. The complexities and the psychology of both is different.”
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