always happy about the fact that in 2012, mikey often asked donnie questions if he didn't understand something and donnie always answered no matter what
this can be seen in a bunch of episodes but my favorite example of it it's the one in half shell heroes where mikey is extremely excited to be in the museums and is the one actively asking donnie questions about the exhibits they saw and also actively listening to donnie's explanation (before raph got silly lmao). he was very excited to learn!!!
And while it's true that mikey would lose interest quite fast if the explanation got too lengthy with too many technical terms, it doesn't change the fact that he does retain the info donnie is always rambling on about different things!!! (even if mikey himself doesn't notice he's doing it lol) and also i find it very sweet that no matter if donnie himself got annoyed, donnie would always answer the questions. no matter what. he would always try to explain if he didn't understand something
This is prob because mikey is the one brother who is often seeking out donnie to pass time around him Meaning that donnie might have used mikey as his rubber ducky whenever mikey hangs out with him while he's working (explained him a lot of his experiments and theories while trying to solve them himself and in this way mikey also learnt in the process WHILE spending time with his brother! win win!)
it also helps donnie because accompanies him while not letting him get lonely in his lab 24/7, sometimes explaining things to someone makes it better to understand it yourself AND it's shown in the comics that donnie is quite used to his brothers just Living as background noise and literally cannot function without it lmao
They are literally the two smart kids in the family even if none of them notice it and it's all because mikey looks up to his brother and is like an sponge with donnie around. donnie is actively teaching mikey and mikey is learning! even if they have no idea they are doing it
I don't think this is gonna happen but taking the gem out better not "cure" Lydia of needing a wheelchair like yes I know thats a huge/the reason she's there but Years of that physical stress cannot be undone just like that I will be so upset
id love if you drew haruka / more more jump more often /nf!! i just love ur artstyle sm 💖💖
ok so i was like, compiling this grid and it was like 'the last time i drew any of the prsk characters' and!! guess what!! i have literally NEVER drawn haruka she is the only i have never drawn in this ENITRE year... this cannot continue... so i drew a lil hrk to write down in my records that ive drawn haruka at LEAST once during 2023
yea miraculous sucks but honestly they kinda popped off with a magical cat boy whose special magical weapon against evil is a lead pipe and the special magical power of stage 4 necrosis
literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped
A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence
an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.
thoughts about oliver specifically are loosely organized in my #bambi tag
A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn
a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in
alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship
The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]
how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired
may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn
alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay
Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry
a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion
a celebration of the grotesque and an examination of why we would label it as such
least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn
if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me
edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!