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#like there is some gay mike evidence…
chirpsythismorning · 1 year
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One of these day I’m gonna make a post that compiles all the evidence for gay, bi and unlabeled Mike that exists on the show bc ppl that deny any evidence whatsoever for one side or the other are hilarious to me.
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mikesbasementbeets · 8 months
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“if mike is gay and never actually loved el romantically it would diminish their whole relationship :(” ok but like what do you think they’ve been doing this whole time then? do you think the current dynamic of their relationship is good? the relationship we’ve been shown this whole time is supposed to have some sort of positive romantic meaning?? like what do you think would be diminished if mike is gay? he is already unable to genuinely (ie not under dire external pressure) tell el he loves her. he is unable to be genuinely romantic with her (see Every Single Time they kiss (or almost kiss) and mike looks like he wants to crawl out of his own skin). he can’t even put his arm around her waist to support her!!! like. what would be lost if we were to learn that the feelings between them are actually platonic????
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compacflt · 8 months
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do you ever think about/write about how maverick threw goose’s dog tags into the ocean? the letterboxd reviews have me thinking again.
yeah that was literally one of the first little things august 2022 me petulantly retconned . fuck that . he kept one.
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in my (and many other ppls) opinion those weren’t mavs to throw away they should’ve stayed with carole
and (i try not to talk about this as much as possible but) it suggests Something about mav & goose’s relationship that the filmmakers thought his dog tags should go to mav instead of to Goose’s wife (though i acknowledge and appreciate the usefulness of the visual metaphor of him saying goodbye to goose at the end of TG) (though that visual metaphor was rendered completely moot by the whole of TGM showing that mav HASNT moved on from goose and only moves on once he has the chance to save roosters life [which is why i retconned it])
ALSO? i am sure I’m not the first person to talk about this? But, to add a second layer of confusion & analysis, uh, the dogtags mav throws into the ocean aren’t goose’s.
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I’m reading “metcalf, mike” from the backside. Those are VIPER’s dogtags. for some reason.
now i choose to believe that’s a props issue… someone grabbed the wrong set of tags & they were like ehhh no one will notice… script supervisor not doing their fucking job… so i choose to believe the filmmakers MEANT goose’s dogtags & it doesn’t change the end of the movie for me.
But im interested to hear from you—does that change/add anything to anyone’s analysis to know that mav threw VIPER’s tags into the ocean? there are a lot of really weird implications that come from taking what is probably a props fuck-up at face value!!! (Viper giving mav his tags [weird], viper being mav’s surrogate dad figure, thereby this scene becomes about mav saying goodbye to his FATHER finally,.. etc.)
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Another thing that doesn't make sense: if Mike's reason to struggle with saying ily is because he's scared of El not needing him anymore, wtf did he not say anything when she was BEGGING him to say it, crying. His actions don't make any sense. When she was fighting Vecna, why did he only say it after Will told him to say something. All he said are lies, shit he came up with on the moment. He cares for her, he loves her platonically, but FUCK, that's not romantic love. Their relationship is build on lies, manipulation, arguments, spying and pressure from others. If they're so good for one each other, why are they always arguing, why are their best interactions platonic, why do they always have to be apart for the narrative to progress, why does Mike has more romantic chemistry with Will. Duffers, if your plan is to make Milkvan endgame, making a queer character feelings for his best friend as the instigator to the cishet romance is NOT it. El didn't commission the painting, those are Will's feelings, El doesn't NEED romantic love, especially from Mike, to grow. Otherwise, WHY DO YOU ALWAYS SEPARATE THEM FOR HER TO GROW. Why whenever they're together they're just garbage shells of themselves. This is NOT a healthy relationship. Why have Mike have such a meaningful relationship with Will, which is shown to impact both their lives, to throw it all away for the sake of a cishet romance. Is just INFURIATING. And ik this is set in the 80s and what not, and maybe that's how queer romance would end up, but this is a show you're making in 2022. What message are you giving to the public? That queer people are just meant to suffer and be unhappy? That if you're in a relationship you're allowed to have that as your sole personality trait, all that while treating your gf badly (only saying you love her in life or death situations) and destroying your relationship with your bff? That if your a girl that went through shitload of trauma, that instead of needing professional help for it and support and love from your friends and family, all you need is for your bf to say he loves you and all the problems from the relationship that were making you miserable will magically go away?!? Yeah that's a happy ending, that's the sort of message we should tell others.
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aemiron-main · 2 years
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god I’m analyzing the sauna scene for my gay Mike analysis rn and it’s actually kind of a sad scene when you get in mikes head and realize what he’s feeling in that moment + that his disgust isn’t so much with the old dudes but with himself.
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boysdontcryboycry · 1 year
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thought y'all would find this funny, leading a double life where most my mutuals don't care about st and don't know about. gestures to my entire blog. is actually so hilarious sometimes
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w00nderfulll · 2 years
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h a h a yeah my heart stopped a little when my friend since 6th grade told me she shipped moonwax.
its okay im slowly converting her, shes willing if i give her enough proof that mike is gay cause she just doesnt believe me
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teambyler · 1 month
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"Too late" for a Byler twist? Absolutely not:
"They've built up Mike + El for 4 seasons! You can't suddenly have Mike like Will in the last season!"
It doesn't take long to make the audience favor a ship, so long as the seeds have been planted, and the seeds HAVE been planted for Mike and Will, especially in s4.
Let's look at another example in the same show. In s2, Steve left Nancy drunk at the party. Yes he had a reason to be upset, but it was very dangerous to leave your girlfriend like that. It was Jonathan who took her home. And in her drunken state she expressed feelings for him. He could have taken advantage of the situation but knew not to do so:
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Viewers then knew that Jonathan was better for Nancy. THAT ONE SCENE WAS ALL IT TOOK. And it was the 2nd episode of the season!
The groundwork just has to be laid first. And there is MORE groundwork for the "surprise" in Byler's case. Season 4 was chockful of evidence that Mike and Will have growing feelings for each other. And the triggering event has already been prepared: Mike finding out about the painting.
And El isn't speaking to Mike at the end of s4. Contrast this to where Steve and Nancy were at the end of s1:
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The only thing preventing some viewers from seeing the possibility of Byler is heteronormativity, our cultural tendency to assume characters are straight unless shown otherwise. (Which also affected me as a gay guy before I saw Byler breakdowns online.) I'm confident that the "surprise" for many viewers will be overtaken by the desire so many people have for Will to have a happy ending.
There only needs to be ONE SCENE.
-teambyler
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therainscene · 1 year
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It’s funny that Bylers are so often accused of being delusional, because I was at my most delusional when I was anti-Byler.
I spent most of S4 refusing to acknowledge that Will had romantic feelings for Mike, despite knowing damn well what all that love triangle imagery and sad gay pining was implying. I convinced myself it was just bros before hoes drama; that perhaps Will wanted to come out to his best friend but felt nervous after six months of radio silence following “it’s not my fault you don’t like girls!”
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The van scene forced me to accept that he really was in love, and it pissed me off because what was even the point of making him fall for a straight boy?
Mike’s bizarre “no homo” behaviour was clearly a symptom of growing up in a conservative 80s household, and witnessing Will’s sacrificial act of love in the van was the shitty lesson he needed to get over his homophobia.
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I saw a typical straight male protagonist in an 80s coming-of-age film getting to coast his way to self-actualization on the back of queer suffering; a cruel and homophobic trope I thought we’d moved past by the year 2022.
But then the NINA reunion scene rolled around--
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--and I immediately picked up on the heavy parallels between Mike and Will in how they greeted El. The realization hit me like a tonne of bricks: Mike feels the same way about her as Will does.
I thought, “wait, does this mean I was wrong about...? Oh my god. No way.
No fucking way.
Will was in love with El this whole time?? What the fuck, he’s been gay since S1 and she’s his sister this is BULLSHIT I will personally strangle the Duffers--”
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Heteronormativity is a hell of a drug, kids.
Let this be a lesson to those of you who think media illiteracy is to blame for Byler denial -- how well someone understands the mechanics of storytelling is irrelevant if they insist on treating Mike’s supposed heterosexuality as an axiom instead of an evidence-based conclusion. The issue lies with bias, not literacy.
I was stubbornly anti-Byler because I knew I’d immediately fall in love with this ship if I allowed myself to have hope it could be canon, and the general state of queer rep in mainstream media meant I was all but guaranteed to get hurt if I was so stupid as to have hope. But in my desperation to cling to the “safe” heteronormative outcome, I only ended up hurting myself with my own silly assumptions.
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We’ve seen both canonically gay characters in the show make exactly this mistake, needlessly hurting themselves with their silly but self-defensive assumptions about their love interests.
Stranger Things absolutely nails its depiction of the subtler ways internalized homophobia can manifest -- Will may feel like a mistake and be prone to beating himself up, but he isn’t some pitiful self-loathing queer who wishes he was straight, either. He’s just so crushed by heteronormativity that he accepts it as an inescapable fact of life and lets it guide his beliefs and actions.
Don’t get me wrong: Will, like Robin, is very sensible for being cautious in such a horrifically bigoted environment -- trying to openly defy that level of homophobia by yourself, especially when you’re young, is a bad idea.
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But unlike Robin, he clearly struggles to accept that he has the right to chase his same-sex love interest. He's no longer simply exercising caution, but conforming to homophobic standards -- much in the same way I thought I was sensibly refusing to be queerbaited, when really I was just agreeing with the heteronormative status quo.
I realize now that this is the real reason Will was written into a homophobic 80s trope: not to teach Mike an outdated lesson in acceptance, but to maneuver Will into position for the lesson he’s going to learn in S5 about resisting conformity.
Will needs to learn that castrating himself to make straight people comfortable is a bad idea too. Not only is that a miserable way to live his life, but what sort of world is he leaving for the next generation of queer kids if he never questions these homophobic standards?
It’s just the cycle of abuse scaled up to the societal level.
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This is what gives me confidence in Byler endgame. Queerness isn’t just an incidental element of Will’s personal arc, but suffuses the show to its very core -- it’s in its themes, its allegory, its characters.
So Will getting the boy isn’t just nice fan-service for Byler shippers, but a necessary ending if the show’s most important lesson is to land:
That it’s rewarding to make the difficult choice of standing up to bigotry in the face of forced conformity. Of choosing love.
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Could it be the case that I was right the first time, and Stranger Things is going to turn out to be yet another heteronormative mainstream show that doesn’t commit to its own themes? Sure, maybe. But that wouldn’t invalidate the valuable lessons this show has already -- and apparently accidentally lol -- taught me.
Anyone who calls us deluded for hoping a mainstream show is going to have a gay pairing as its main couple just doesn’t realize -- or doesn’t care -- that they’re contributing to the very problem they’re describing.
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capswarmedals · 5 months
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BBC GHOSTS: DEEP DIVE
"You're a bloody fool, James!" - Ben Willbond, Inside Ghosts: A Christmas Gift.
CONTAINS SPOILERS FOR CHRISTMAS EPISODE AND SEASON 5. BE WARNED.
Okay, just before we start, I WILL be referring to BOTH James and The Captain. Wait and see, your poor little dumplings.
We all know The Captain. Brave, stern, always has a stiff upper lip and of course, most obviously, he's an ABBA loving star. Joking (not really though)!! The most obvious part is that he is gay, but he hides it deep down inside himself. You'd have to kill him to find out or well, you know what I mean (/ref). That part deep down inside himself is James. James. The real person, the person under the mask, the villain, the mastermind of it all. Except that... James isn't really anything like The Captain. James is not brave, not stern, never has a stiff upper lift, but he's still an ABBA fan and gay. Incredibly, incredibly gay.
We know that he had a very, VERY strong crush on Havers (Anthony as I will be referring to) as evident in the Cricket Report in the Button House Archives and in Redding Weddy/Carpe Diem. Throughout the series, we see James fall for men. Mike ("Yes, he'd make a very fine soldier."), Adam, the director ("Yes, though I might just... Check."), Pat (even though it's not as obvious, but it's certainly there).
Many people, including myself, head canon James/The Captain to be autistic, and I can very much add some reason and proof to these reasons.
1. A very strict routine. This man will NOT let go of routine, and it is clear in 4x02 (Speak As Ye Chooses) where he states: "It's all very well saying 'At ease', but what do you do for the rest of the day?" and visible expression of shock and anger to finding out that a club was cancelled. As we come to the end of episode, where we see the man casually without his jacket on, he says "We've got forever" before immediately re-settling himself into his strict routine when being reminded of Film Club. But of course, this could be either that James is attracted to Captain America or is just reminded of his strict routine. This links into another point about change. In 3x05 (Something To Share?), this silly man agrees with Pat about how it is frightfully important to have an extremely strict routine. DON'T get me started on his almost coming out. (I will talk about this.)
2. Hyperfixations. This man has a hyperfixation/special interest in tanks, birds and basically anything remotely military related. He made a club solely dedicated FOR birds. He values his hyperfixations over secrets ("This is outrageous, I'll simply have to tell Fanny-" "No more war documentaries, then." "Your secret is safe with me, she'll have to kill me first- Well- You know what I mean."). 1x02, watching Hitler's Secret Superweapons "It's Christmas! I mean, it's Christmas Morning!" and when Mike turns it off... "What the bally heck do you think you are doing? Where the bally hell are the tanks?" "If you were dead, I would thrash your bottom, sir!". As like other autistic people, such as myself, taking away our hyperfixations isn't a good thing. We don't like that.
3. Masking/easily overwhelmed. (Basically what this deep dive is about). James is the true individual. The Captain is his mask, his shell. And he's been living in it for far too long now. He does not like change, and hates loud noises. This is clear when a club is cancelled in 4x02, and when he realizes the Queen's speech is televised in 2x07. He stress stims by using his swagger stick (Or Anthony's) and twirling it around in his fingers, he bounces a lot, he hums a lot, and whenever he matches about the place, he swings his arms depending on what arm the swagger stick is under (usually the right), and yes, I know that military marching is very exaggerating on the arms, but STILL, it's an output of energy that he does CONSTANTLY. I don't think I've seen anybody talk about the fact he hums. He does it SO MUCH.
4. Tone. Because of his ridiculous amount of gayness inside of him, this man cannot always understand straight jokes. 5x04, where they play Blankety Blank and he does not understand the word "saucy" (I mean, it is late 20th century/early 21st century slang...) and does not approve of the meaning. He gets jokes late, but that's alright because I do too.
ANYWAYS. Back to his pining.
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In the first GIF, you see James check Adam out. This also happens in another scene with the quote "Do you find yourself to be distracted?" where he takes the moment to check Adam out yet again. In this second GIF, you see James slightly creep out when he realizes that he's openly saying he'll miss a man, with that look down, almost ashamed of himself.
But why does he fall for these men of order? Because it reminds him of Anthony, not because they're bossing everyone about - it's as if they're doing the bossing about for him, so he can relax and be himself. During Redding Weddy, we see Anthony order the unit around whilst James is looking outside the window (suppressing stims, but bouncing slightly on his feet) trying to spot Germans. I could see why James fell for Anthony. Despite everyone else, Anthony does not see these stims as annoying or his remarks to be unfunny. We see him SMILE when James makes a joke.
As we know, their love for each other was mutual.
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He knew.
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Anthony smiles after saying "James" and saying "I know". Why? He knew he was dying, he knew that James loved him, he knew why James was here. He wanted to be by James' side as he died to comfort him. To just be together, maybe once. Maybe twice. We don't know if they've held hands, kissed, but still. This is a very significant moment.
Additionally, Anthony's knowledge of James' intense crush is during their talk in James' office in Redding Weddy as it starts to reach a conclusion. Anthony subtly hints to the fact that if James should say anything, the moment is now ("Well, if that's all?").
He raises his eyebrow slightly, communicating to James that he is eager to hear what he really says, and that it's okay to be them because they're alone together. But no. The Captain completely hides James away. Anthony understands, he always has. The Captain probably hid James away because of Anthony's reaction to "I shall miss you, Havers." (his smile drops).
But... "I say, Havers?"
The way Anthony turns around. SO QUICK.
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His smile. It's so ridiculously warm. But he knows because he saw that hesitancy, he saw James' sad expression. James is bally well sad that Anthony is leaving!!
Masking is clearly shown in this conversation. The Captain is preventing James from speaking the truth. And just like how he buried the limpet mine, he too, buried his feelings. And it became a ticking time bomb to Carpe Diem, where that emotional bomb finally explodes.
He leaves it to the last second. Literally. Let me show you proof.
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Ben is absolutely AMAZING at micro-expressions, one of the many reasons I love to delve into The Captain so much. Carpe Diem (5x05) is an excellent example of some of the best James scenes.
Right here, what I am personally reading is that James is attempting to unmask, or is in the process of doing so. He deciding whether he should tell his story or not. This frame is important as it comes just after the quote "When I died, I never got to be surrounded by the people I loved." Blatant foreshadowing here because well, it shows that James loved Anthony and still does, despite it being 83 years since Anthony left of that year, he still holds him very dear to his heart. Of course, he has Anthony's swagger stick, which I love because he's always been there with James to help him out through moments. I love that and I love everything about that. How I ADORE Simon Hynd's directing here of the camera position, openly hinting to the fact that James died with Anthony next to him. God, everyone in that show is a mastermind!!
I also think that he is remembering here. Perhaps remembering the good memories? That Sunday afternoon stroll, or that certain Cricket Report? He's trying desperately to remember Anthony so he doesn't forget him when he moves on. For all he knows, he doesn't even know if Anthony thinks of him. All he knows is that he knew, and is most probably dead. He doesn't know what's beyond the veil. He doesn't know if he'll see Anthony. It's worth it.
This "desperate searching" facial expression is the same as the expression he had when glancing at the gate a few scenes prior to this, eyebrows furrowed and mouths slightly agape. It cuts to the gate, where we know, that in Redding Weddy, Havers walked out of. Anthony. Yet again, he's remembering him. James is obsessed with the memory of Anthony, the good times they had yet the good times they never were really good as laws about homosexuality were extremely strict. You could even say he is clingy.
Another thing is that, The Captain is one of the most favourite characters and people have been demanding to see how he died for ages! Why is it near the end of the last season? Well. I may have an idea to why it is in the last season.
James leaves things until the last second, he leaves the real explanation to things until it's too late. I saw someone on tiktok quote that James is as pretty as poppies because his love sprouts up in the wrong times and wrong places, which I think is amazing. I personally believe that his death was purposely the last one because you needed to see that he's more than just a stern WW2 CO with no feelings. He's an anxious man who's terrified of the real world so decides to seclude himself in a time and place where he was loved. World War 2. 1940. When Anthony loved him. We needed to see this inner secluded character within him to make the death sadder, which is what Ben likes, the silly man.
This also explains why he says "Is it? Is it, Alison?" during Redding Weddy because, well, with his mindset and attitude, he doesn't believe the war is over. He wasn't very good at keeping a unit of alive people under control, but perhaps he could try at keeping a whole bunch of dead people under control to keep himself busy from accepting the fact that Anthony is gone and he should emotionally move on.
In 4x04 (Gone Gone), the episode where Mary moves on, we see that James' coping mechanism is to keep himself busy. Keep himself busy so he doesn't have to focus on his feelings, but when he's given the time to pause and process it... He completely breaks down. Imagine that with Anthony when he left for North Africa.
But why does he like Pat?
Well. It isn't canon. But, the most recent Christmas special definitely hints at it. Pat introduced James to the amazing thing of baby talking, attempting to teach him just as Mia is put to bed. But once again The Captain's hard shell is back again and gives him a monotone voice and tone, rather making him seem like a robot. But at the end of the episode. He learned, and the glance he takes towards Pat is "Did I do it?" and Pat gives him a warm smile and a subtle nod. HUSBANDS I TELL YOU!
The Woodworm Men (3x03): Pat outbests The Captain with camping, yet they are still both very keen. The Captain trudged back though!! In this episode, James is awarded the teamwork badge from Pat, and when you see the scene, you can tell that he is smitten and in love. Because, now rewatching that scene with the context of his death, he must've been the happiest he had been in a while to achieve and properly earn a badge. James, I think, personally likes Pat because he still has all the leading roles (being a scout leader) and that reminds him a lot of Anthony hence why we see them working together in a lot of episodes (2x06, 2x02, etc). It all leads back to Anthony. Who knows what would've happened if they didn't meet.
I also think that Getting Out (1x06) is a good episode that represents self growth as well as debating with the issue of being mocked, as James is mocked in the episode.
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This is him overhearing the conversation. Confusion. Anger. This episode is where James learns that not everybody will adapt themselves for him, not everybody will accept the way he acts. It's pretty clear that he cannot control this mindset he has, it was probably drilled into him, the poor soul. The way he brings himself back into the group is through a secret weapon (Kitty, because she's the most likeable and their relationship is mwah).
This episode is also important because of the scene in the library with James and Kitty.
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"What matters more? Keeping Alison here, or letting her be happy?"
Now imagine that question but Anthony. James has sacrificed his life and soul towards Anthony, and even has a piece of him with him. This man is obsessed with Anthony. Crazily in love. He can't control his feelings for people. It just... Happens.
After Carpe Diem, it took me only a fraction of a second to see how comfortable he was. He was free to love who he wanted! I was stimming so crazily when the last scene of Season 5 (disregarding the Christmas special) was him being gay. Fanny comforted him after he came out, and every one supported him. He feels safe now.
The mirror and the draw in the intro.
Personally, I believe that the mirror represents the fact that his medals are the right way, meaning that the man in the mirror is The Captain and the man looking at his reflection is James. He's looking what he could've been. A hero. Yet now that he's come to terms with himself, James knows that he can be himself now. Free of judgement. Free of secluding himself away. I believe that the drawer represents him ever searching for more memories to grasp onto, more things about Anthony to remember. I also think it represents the fact that there is something inside of him that is worth looking for, and that thing deserves to be looked for and looked after. The draw is pulled out as far as it can go, so this could point to the fact that there is something buried within the house that needs to be found and given back to him. Could be the limpet mine. Or perhaps that William letter truly was a love letter.
OVERALL:
James is a different man to The Captain. The Captain is merely a costume or a nickname James wears knowing full well of the man he is underneath those perceived images of him. James is a coward. James is obsessed with Anthony. His heart has bled so much he has to rely on the small amount of attention from someone so he can carve it out and then offer it to those people who attention has been wasted on him. Ben is an amazing actor and writer who threads things together so subtly and sneakily it's insane. James won't let go of the military mindset, just incase he meets Anthony when he moves on. He thinks that no one will fall in love with the present him so he tries his best to act like his old self. Ben is right. You certainly are a fool, James. But oh, how I love your character.
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chirpsythismorning · 5 months
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I’m gonna be right there beside milevens cheering if there is leaks about casting for a young male teen, presumed by fans to be Will’s love interest, but for different reasons 😅
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scretladyspider · 11 months
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“The suit centers on Lorie Smith, a website designer who does not want to provide her services for gay weddings because of her religious objections.
In 2016, she says, a gay man named Stewart requested her services for help with his upcoming wedding. “We are getting married early next year and would love some design work done for our invites, placenames etc. We might also stretch to a website,” reads a message he apparently sent her through her website. In court filings, her lawyers produced a copy of the inquiry.
Web designer’s US supreme court case could trample LGBTQ+ rights, advocates say
But Stewart, who requested his last name be withheld for privacy, said in an interview with the Guardian that he never sent the message, even though it correctly lists his email address and telephone number. He has also been happily married to a woman for the last 15 years, he said. The news was first reported by the New Republic.
In fact, until he received a call this week from a reporter from the magazine, Stewart said he had no idea he was somehow tied up in a case that had made it to the supreme court.
“I can confirm I did not contact 303 Creative about a website,” he said. “It’s fraudulent insomuch as someone is pretending to be me and looking to marry someone called Mike. That’s not me.
“What’s most concerning to me is that this is kind of like the one main piece of evidence that’s been part of this case for the last six-plus years and it’s false,” he added. “Nobody’s checked it. Anybody can pick up the phone, write an email, send a text, to verify whether that was correct information.”
Key document may be fake in LGBTQ+ rights case before US Supreme Court, The Guardian, by Sam Levine
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earlofbats · 11 months
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Okay so because this post about Harry being a bottom I'm going to give a genuine dissertation on the thematic relevance of sub Harry and maybe a little bit about dom Kim.
First I wanna establish the "Harry is definitely a subby little bottom boy" and is also definitely Bi and probably has some sorta fucking complex about it.
Evidence A. Contact Mike, Guillaume Le Million, Measurehead (when fascist).
Harry tends to idolize and gravitate towards extremely masculine figures.
This is probably due to a reflexive need to feel masculine and have masculine role models in the face of elements of identity that are seen as unmasculine by society and have become exacerbated by the breakup which had to be pretty emasculating for Harry.
Also :
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Imma start a Harry's Kink counter here +1 light bondage.
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+1 auto-erotic asphyxiation.
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Uhm +1 uhh,Spanking? Additional +1 for being what I think is most possibly the horniest thought you have in the game also:
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+1 Kim is a Dom.
I think Harry has kept his attraction to men or his desires about men fairly low key for his entire life. The way he conceptualizes Homosexuality in general as an "underground" society filled with whispering rooms and forbidden secrets is likely more of a reflection of how Harry views his own sexuality than how Queer culture is manifest in Revachol. (In reference to the way both Kim and The Smoker kinda laugh Harry about it)
The organizational element of the idea being likely reflective of the way internalization is akin to paranoia.
Harry is also extremely intimacy starved and I think part of that is due to an unmet need for affection and the desire to be taken care of. That masculinity and status as both a survivor and an oppressor was sorta thrust onto Harry, he was born the last year of the war on a hospital floor, given a name associated with war time and survival, grew up probably in a little street urchin gang, got into *Disco* (man I'm sure Harry brushed elbows with the underground then.) Was a gym teacher a good balance between masculinity and caretaker and guardian something that harry clearly excels at and enjoys. Then Dora encouraged him to be a cop for unknown reasons perhaps prestige, money, because Harry has a bleeding heart.
Engage Heterosexual Cop hell for 12 years then an additional 6 single Cop hell years.
And now you're like :
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Another element is Harry's tendency to worship and diefy his partners which like man that's gotta be the subbiest fucking thing you can do. I honestly can't articulate all of the reasons why that's just extreme bottom behavior.
Harry is an empathic jelly creature who is forced to handle a job with dead people in it all day and has created this reflexive hyper masculine obsession to compensate for his perceived inadequacy in not living up to the patriarchal capitalist ideal of what's supposed to be his birthright as a well off, able bodied, 'straight', occidental, man.
Except the actual issue is that Harry is mostly perceived or perceiving himself as that, when in reality he's in clear conflict with his actual identity as a Poor, mentally Ill, bisexual, occidental, man.
And it's those last two that end up kind of making this smoke screen to Harrys deficiency in privilege. He can mask or hide behind being an Occidental Man.
Can buddy buddy with patriarchy and take up the idea of a Big Strong Manly Cop.
Something that Kim also seems to be doing by seeking out positions of authority he can compensate for the disrespect he gets as a Poor, blind, gay, seolite, man.
Last of which probably won't get him far because of how "juvenile" his body type is.
Kim can't really coast on patriarchy much the way Harry can. He has to work twice as hard cuz there's not a lot he can hide behind.
Pursuit for control in the face of denial
Vs
Shielding ones self behind control as a means of denial.
Dom/Sub dichotomy.
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pinkeoni · 23 days
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During his emotionally charged speech in the van, Will says one particularly potent line.
"When you're different... You feel like... a mistake."
This line is highlighted visually by the camera shifting positions to outside of the van, a shot that is only used one other time to punctuate the end of the scene. This line holds extra weight and the show wants you to know it.
I already made an analysis on the word mistake and what that means for Will, but I want to look at the word different, which feels emphasized in the delivery of the line as well.
"When you're [pause for effect] different..."
It's popular headcanon among st fandom that "everyone in Hawkins is gay!" which sometimes bleeds from into their belief of real canon. Sexuality headcanon lists suddenly are seen with an air of truth to them, and a number of fanon queer ships are accompanied with evidence of their supposed endgame status.
I realize that this is kind of a... weird post to make. I'm not really making this to tell people to stop doing something, this is more of just a rattling off of some opinions I've had for awhile.
I do wanna start off with the obligatory: Do whatever the hell you want. I'm not here to stop you from doing something or tell you that you are wrong for thinking that a character is gay or for shipping something. You are allowed to ship whoever you want, think whatever you want about any character, any ship I don't like I have filtered. But I'm also allowed to not like these ships, or disagree with how others view certain characters. Just as others are allowed to have and express their opinion, I'm also allowed to have and state my opinions on the opinion website.
I think the important thing regarding Will being different is the fact that he is different. As my good friend @karenchildress once put it, if everyone were queer, it would cheapen the message the show is trying to give. Sure, the show displays a variety of ways of being different, but being gay is, among other things Will has been through re: being taken into the Upside Down, is Will's way of being different in Hawkins.
And of course Robin is gay as well, and while there is some crossover, the lived experiences of a gay man is different from that of a lesbian woman, which the show does touch on. Will's story is part of an extended AIDS metaphor, and Robin struggles to gain the attention of women in a world that seems to revolve around the attention of men.
It might be nice to have a moment between Will and Robin, although that alone won't solve Will's problem, i.e. his belief that being different makes him a mistake. Cause that's the thing: the resolution is that being different is a good thing.
If everyone character were queer, this would cheapen the message. Suddenly the resolution isn't that being different is a good thing, but that he isn't different after all.
So then, are queer stories meant to have only token characters?
I think it depends on the type of story, and what it's trying to say. Heartstopper has an eclectic queer cast, but it's also a show that embraces finding community and other people like you. Sex Education has a variety of different sexual identities, but it's also a show that aims to explore a lot of different perspectives.
And there are also queer stories where the queer character's disposition, and their struggle because of that, is a big part of the story. I believe this is what this show is trying to do— highlight Will's difference and how that pertains to his personal struggle and the resolution of that.
One argument that I hear against Will with powers is the idea that making him more different would be bad for his character, because he hates being different. But the thing is, Will is going to learn that his differences are a good thing, which may include any possible powers.
Of course Will isn't the only one with powers, and he also isn't the only gay one. El, Henry, and Kali all have powers, and Robin, Vickie, and Mike (and maybe Henry? I haven't seen TFS myself so I'm not commenting on that) are all gay. So while he's not alone, these things are still a rarity. It's not a case of a headcanon list with mostly everyone gay and some token straights.
"Characters are not straight by default."
This sentiment isn't unique to the st fandom and also didn't originate within this fandom, but it is something that I hear often. And it's... not really true, although it kind of depends on the piece of media we are talking about. It might be easy to say this about a show made in the 2020's, although this same sentiment is hard to state about, well, most shows made before the 2020s. And even then, it depends on what the show is going for.
People being not straight by default is a true statement in real life. You shouldn't assume a sexuality for anyone, gay, straight or what have you. But characters are made by people, and people have different biases on how these characters should be written. Calling the Duffers "two straight men" would go against what I just said, although I don't think that the show was written with everyone being gay in mind. Aside from the 4 (maybe 5) I listed, the other characters are not written to be queer. They just aren't.
All of the queer characters have arcs that feature their queerness. Will's queerness has been mentioned since season one. Robin's romance becomes part of her plot in season 4, and Vickie is introduced as her love interest. Romance has always been an important facet of Mike's story since season one, and his failure in a straight romance is highlighted in seasons three and four. Chekhov's painting of season 4 seems to solidify a gay Mike.
Elmax and Ronance as endgame options not only have no lead up but are also mean spirited towards Lucas and Vickie. Elmax gets together, breaking up Lumax, which has been built up since season two, and Lucas is supposed to be okay with this because????? Ronance get's together, effectively writing off a queer character that the show had introduced, and she can't even fulfill the reason she exists in the first place? Rockie is not the most well developed relationship out there, but it's the one that the show has decided to go for. Maybe Ronance could work, in an alternate universe where the show actually wrote that in.
For those that argue that both Max and Nancy are queer I simply... disagree. And you can disagree with me too, we'll both just agree to disagree. I'm not against headcanons, which are usually harmless, but also usually driven by the desires of the headcanon-er and less so the canon of the show. Which again, is fine, but it's also these headcanons which are being used to drive an argument for actual show canon. Usually the argument for any character being queer that wasn't already listed in canon rests solely on vibes, not any concrete evidence that may suggest actual attraction to the same sex.
More substantial evidence usually comes when someone applies a queer lens to a certain character, but an interpretation can be different from authorial intent. And sometimes, the viewer may be so focused on the metaphorical, that they fail to see the literal.
I do think that you could easily apply a queer lens to El's story. Her story is about, in her words, "not belonging," in society, having to remain in hiding, and deviating from feminine norms. I can easily see how you can derive a queer message from this, but all of the traits listed above are a result of her having powers and being raised in a lab, not being attracted to the same sex. Metaphor alone cannot prove that she likes girls.
Going back to Nancy, Nancy's romantic options are between Jonathan and Steve, although the show seems to make it clear that it's going with Jonathan in the end, what with Jancy holding hands at the end of season 4. Steve get's brought up in conversation between the two, alluding two some unresolved tension that's likely to be brought up in season 5, and Robin is... at the high school with Vickie. That is the end of the season establishing the arcs and romances for the final season.
"Gay people didn't exist in the 80's."
That's an argument on the opposite end of things that just isn't true, although I've also heard the counter for this argument, that gay people did in fact exist in the 80's, as evidence that everyone is gay. I'm not really here to argue whether or not gay people existed in the 80's (they did) I'm just here to argue what I think the canon of the show is presenting.
That being said, the show taking place in the 80's is still significant. It may not be a hyperrealistic depiction of the 80's, but the show does seem to understand the idea that at that time, it was very difficult for gay people come out and to start relationships. It's the reason that Robin can't just go up to Vickie and ask her out, and it's the reason that Will can't just say that the painting is from him. It's the reason why Mike hasn't quite yet left his relationship with El and accepted himself. It's the reason why Rockie has to discreetly flirt through peanut butter sandwiches. A character who hasn't had queerness built into their plot, or a relationship that has no buildup, isn't suddenly going to become canon in the last season.
I was talking about this once with a friend who used the show Only Murders in the Building as an example. In the shows second season, Selena Gomez's character is revealed to be bisexual and dates a character that Cara Delevingne plays for most of the season. The show doesn't build up to her character being bisexual, she doesn't come out as such, the other characters don't make a big deal out of it, she just is. So why can this show do something like that but Stranger Things can't?
Well, Only Murders is a show that takes place in present day, and is a light-hearted comedy (albeit with murder). A character suddenly being bisexual with no set up makes sense for the tone that the show has established and when it takes place. Stranger Things takes place in the 80's and establishes within it's first season and maintains it throughout that gay people get killed and are seen as social pariahs.
It's not that I don't understand where the desire to have more characters be queer comes from, especially characters that people already like and relate to. I don't think it's harmful to think that these characters are queer, I'm making an argument purely with regard to authorial intent and the actual outcome of the show. Again, feel free to disagree with me and continue to do whatever you want, these are just some thoughts that I have had on my mind for a while and wanted to put out.
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byler-4-life · 2 years
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I apologize in advance for this monstrosity of a post. But I have to get a point across here. Like...either Byler is endgame and is going to happen, or Will Byers is going to go down as one of the most tragic TV Show characters of all time.
Sounds a little like hyperbole, no? Well, let's just recap. This starts when Will is 12. Just 12 years old. This adorable, sweet, little, innocent bean here. Just keep in mind these pictures for future reference:
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He's kidnapped by an interdimensional monster and forced into a dark, cold, lonely place all by himself. He's stuck in another dimension for a whole week, trying desperately to get out, wondering if anyone is going to save him, all while constantly fearing for his life. Alas, the demogorgon did get to him:
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And, even after he was rescued, he was still puking up slugs:
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All this is from S1. Enough trauma to last several lifetimes. But wait, there's more.
Apparently Will hadn't suffered enough, so they had the Mindflayer set its sights on him. And well, we all know S2 didn't turn out the best for this now 13 year old boy.
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And if the mental pain and anguish and loss of innocence of having your body forcefully entered against your will isn't enough, they decided to heap on some intense physical suffering as well:
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And to end the series, you have to have the monster literally burned out of you by your own mother while you're tied down to a bed.
Surely our boy has had enough right? Wrong. On to Season 3. 14 year old Will is mostly sidelined this Season, but he's present enough to get ignored by his friends and put down by his best friend for his "childish" interests, a fact that hurts Will so bad he breaks down and calls himself stupid before resorting to demolishing his childhood fortress. The same haven of safety that helped to save his life in the Upside Down. He's then forced to pack up and move from the only home he's ever known, severing all his friendship ties, such as they were.
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Well at least they're gonna fix stuff in Season 4. So here we go, and...what? Excuse me....hmmm...okay. So I've just gotten word they in fact did NOT fix things in Season 4. We have Will, now 15 (or maybe actually still 14 since the Duffers apparently FORGOT HIS BIRTHDAY) so happy to see Mike at the airport for the first time since leaving town, get his hug physically rejected (when Mike has no problem hugging anyone else this series). He's then forced to third wheel and watch his best friend/love of his life have fun with his step-sister. He then LIES TO MIKE (something we have seasons of evidence that Will hates to do) in order to project his own feelings for Mike onto El because that's what he thinks Mike needs to hear. And he's then forced to help Mike "confess" his "love" for El as he stands there and hears Mike say that his life didn't really begin until the day Will disappeared?
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Guys, even if you don't ship Byler, you have to admit....this is a pretty fucked up life in the span of 3-4 years. My point in posting all of this (and actually depressing the hell out of myself as I looked for all the screenshots) is if they really leave him like this, and Season 5 doesn't turn things around for Will...or maybe even somehow gets worse and they either kill him off, or force him to stand there and fake a smile while Mike and El live happily ever after....well then fuck this show.
They introduced us to this sweet innocent kid, made us all fall in love with his character, then treated him like their personal punching bag for four seasons. If they aren't planning on giving him a happy ending, that's just downright sadistic. After everything Will has gone through, they're going to make him a gay kid in the 80s living in smalltown Indiana in middle America, with an unrequited love for his childhood best friend? A fact that makes him feel "different" and like he's a "mistake"? Overkill for the sake of overkill. Trauma p*rn. And that's just the suffering they've shown us onscreen. Just think of how many nights laying in bed alone Will has had these thoughts about himself. Or desperately wishing that Mike felt the same way, even though he "knows" it's hopeless. Truly tragic.
Yes, other beloved characters in this show have been traumatized too, yes. But they've also all had sustained happy moments that the show has shown us on screen (for characters that were around for more than one season). Every time Will seemingly gets an ounce of happiness it's violently snatched away.
I refuse to believe that the show doesn't want to give Will a happy ending. There has to be a reason for his suffering. And yes, I think Byler is the only satisfactory happy ending. And that's not my choice, that was the choice of the showrunners. They made being in love with Mike his whole character in S4. Gay pining at its finest. Trying to intro a new love interest at the last minute isn't going to cut it. I'm not going full delusional like before. But I do believe that S5 Byler has a good chance of happening. Otherwise...it kind of taints the whole experience.
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runninguplenorahills · 2 months
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I have risen from the dead to tell you that there’s this guy who I went to school with who is just now watching Stranger Things for the first time ever, and I know this because I still follow him on instagram and he’s posting reviews on there. He recently posted his review of the first season and I started a conversation. I don’t think Stranger Things is really his cup of tea though so our chat was pretty shallow. He was nice though and seemed like he was genuinely interested in what I was telling him. However, he’s posted his review of the second season today and amongst other things he said that El’s story with Kali was unnecessary, and that Mike’s attitude towards Max didn’t make sense “given his characterization in season one”. So, I started another conversation, kindly telling him that “hey, I can explain to you why Mike’s attitude towards Max makes sense if you want me to” to which he then replied: “Yeah sure. Tell me why it makes sense and then I’ll explain to you why it doesn’t 😂” … ?!?!?!?
I then asked him to tell me why exactly he doesn’t think it makes sense, and I’m still waiting for a reply, but this entire conversation made me think of a friend I have (one of the few that actually watch stranger things) who has only watched every ST season once (maybe twice) and doesn’t engage with the show/characters outside of watching, who had a similar attitude towards me when we were discussing s4 a few months after it was released. Who could’ve guessed, we were talking about Mike, and she’s an avid Mike hater (because of course she is) and tried to convince me that she knows him way better than I do and that he’s definitely homophobic.
And I honestly just love how those two provide such a stark contrast to this guy who’s a friend of one my friends, who considers himself a Stranger Things fan and was able to talk to me about the show on a deeper level than the surface. He actually started the deepening of the conversation by expressing that “Mike isn’t one of my favorites, I just can’t really wrap my head around him. I know there’s this theory that he’s gay but I honestly don’t believe it”, and you know that was my cue! I told him that I was a strong supporter of that theory and I pulled out some of the evidence and he was immediately hooked! Maybe not directly convinced (to this day I’m not sure if he is) but the way he was still mind blown by the evidence I provided showed that he knows and has a lot of appreciation for the weight of dialogue and character wardrobe and set design. Not once was he unaware of what I was referring to when I talked about certain scenes etc. while my friend who thinks Mike is homophobic has zero to no recollection of what scenes there were in the first to third season and that guy who’s posting reviews on his story is missing two entire seasons of valuable information in making these judgements.
Anyway, I’ll post an update later on what insta-guy replies to why he thinks Mike’s attitude towards Max in s2 doesn’t make sense 🫡
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