(In)somnia Veritas
Fandom : The Sandman (AO3 link)
Pairing : Dreamling (Dream x Hob)
Rating : G | 1.8k
Tags : Angst & Comfort, Retired Dream, Post Wake Fix-it, Established Relationship
Summary : No longer Dream of the Endless, Morpheus spends his first night as a human at Hob's, struggling with his new condition. He can not sleep. He will not sleep. How could he, when wakefulness is all he has ever known?
Hob had expected the craziness of it all to keep him awake. The Kindly Ones. The Fates. Daniel Hall. Dream of the Endless, now, for all intents and purposes. It all whirled in his head as he settled in bed, Dream―Morpheus' form next to him, already still from sleep.
Hob's gaze lingered for a moment. He didn't look changed. Even like this, very much asleep and vulnerable, his lips slightly parted in a shallow, slumbering breath, Morpheus still looked like the powerful being he'd been, mere hours ago. Human. It hardly seemed thinkable. Hob had been around for a while, and never had a human ever looked like that. Yet another rule broken tonight, it seemed.
As his head hit the pillow, Hob could feel the heaviness of the day weighing on him, a crown of lead encasing his head, a migraine he resigned himself to fight all night. Instead, sleep took him the second he closed his eyes, his body melting away, as though engulfed by a wave.
The rest was for Dani―Dream of the Endless to know.
It was still dark when sleep loosened its grip around him. Disoriented, Hob rolled drowsily on the mattress, expecting to meet the cold yet substantial shape of Drea―Morpheus' body, yet only found more sheets.
Confused, he cracked an eye open, his hand instinctively patting the empty space, as though he would find Morpheus hidden between the folds somewhere. Nothing. Hob's heart jolted wildly in his chest, pumping bitter bile in his throat. The Fates changed their minds, panic whispered in his ear instantly. They've taken him back. They could not let him be.
Slapped awake, Hob sprung out of bed, blood thrashing in his ears. I've got to get him back, he kept thinking. I must get him back. He did not know where to start, how to work out any kind of summons or strike any sort of supernatural bargain (those had a tendency to find him, not the other way around), but he would figure it out, he had to, he would even call―
His hand still tense on the doorknob, Hob froze in his tracks.
In complete darkness, Morpheus was sitting on his couch, his thighs pressed against his chest, still wearing the old t-shirt Hob had given him as improvised sleepwear. He barely seemed to notice the interruption. He barely seemed to breathe, for that matter. He simply sat there, statuesque, his eyes burning a hole into the opposite wall.
Relief flooded through Hob at the sight, no matter how eerie it felt. He was there. He hadn't gone anywhere. His hand relaxed around the doorknob, though his heartbeat had trouble adjusting.
"You alright?" he asked quietly, his voice slightly hoarse.
There was no acknowledgment of his presence, or answer. Still as a rock, Morpheus kept staring at the wall, his face blank.
Hob dared a few steps closer.
"Can't sleep?" he tried again, cautious not to startle him as he neared the couch. He considered switching on the lights, but quickly decided against it. It felt like one of those matters that were best discussed under the cover of darkness. The constant London light pollution would have to do.
"It's all so... silent."
Hob stilled, caught off guard by the sound of Morpheus' voice. It was still his, undeniably, every note, every inflection, but it missed... something. An edge. A preternatural depth that rose from the dawn of times, when the first being laid down and dreamt on its first night. A human did not need such speech. Like the rest, it now belonged to Daniel.
Hob approached him, electing to sit at the edge of the couch rather than directly next to Morpheus.
"You think this is silent?"
He had grown used to the constant whir of London life, every new century bringing new sounds to the mix, but there was no ignoring the myriad of dogs barking outside, the drunk students talking much louder than social norms would allow during the day, and the ballet of bin lorries and automated street cleaners. Could Morpheus not hear that?
"How can you bear it?"
Slowly, Morpheus' eyes left the wall to settle on Hob, turning to face him. Even with the lack of proper lighting, Hob could see his eyes clearly. Blue, as the day they first met. And full of apprehension about this world he'd never had to navigate this way, even though his pride would not allow him to put it in such words. This, at least, had been his to keep.
Hob stared at Dream, at a loss for words. If this was silence for him, what hellish racket must have been filling his mind until then? How could he bear it?
"It's all I've ever known," he said, settling for something that felt true, in his core. "I'm sorry. I imagine it must be... jarring."
"It is... unnerving," Morpheus nodded slowly, looking down, as though he would not bear to admit it while looking at Hob in the eyes. "Isolating. Empty. And at the same time..."
"Deafening," Hob supplied helpfully. "I understand."
Of course it felt empty, he thought. When one had spent their entire existence with the collective unconscious at their fingertips, dreams and nightmares echoing into their ears every second of every day, being severed from it must feel like having your head dunked into a bucket of water.
"It is no wonder humans devised all matters of utensils to fill the silence," Morpheus mused faintly. "It kept them from going mad."
Them. Humans. Hob wondered how long it would take Morpheus to see himself as one. Never, perhaps. He struggled to see himself as other than what he was, originally. The only difference between them was that Hob had considerably benefited from the change. For Morpheus, this was hardly a step-up. It was free falling.
There was an urge there, lodged deep into Hob's chest, to reach for Morpheus' hand, to hold him close, to offer him all the reassurance he could provide and then more. But Morpheus was not there yet. This human body ached, Hob knew it. It was new, unused, unacclimated to the world it had been thrown into. It looked every way the body he knew, the one he'd touched, loved, held, once. Not quite, though.
"We could buy you a white noise machine," Hob suggested lightly, pushing down the emotion down his throat. He was here, safe, it was all that mattered, in the end. Hob just needed to be patient.
Morpheus frowned, confused.
"It's a box that makes noise. Some people use it to fall asleep."
There was a huff, and the first hint of a smile on Morpheus' lips since their encounter with the Fates.
"Of course you people fashioned a noise machine."
"Don't knock it 'til you've tried it," Hob smiled, purposefully stirring the conversation towards a lighter territory. "Whale songs might be just what you need."
"I doubt it will suffice."
In spite of Hob's best efforts, Morpheus' playfulness was short-lived. His face closed again, returning to its persisting melancholy. Hob leant towards him, inching closer, assessing his lover's reaction, any sign of recoiling.
"What's wrong?"
"I fear I may not be... welcome to the Dreaming."
The admission rolled out of him like a wound, bloody and raw, almost shameful. Hob furrowed his brows.
"You're afraid Daniel may not grant you entry?"
"No, I..."
Morpheus gave out a faint frustrated sigh.
"It is no longer mine to rule. Dream of the Endless endures, outside of me. Perhaps I do not... belong there. My presence could be ill-received."
"Love, I―" Hob bit the inside of his cheek, trying to find the words that would hurt the least. "You will have to sleep at some point. That's... I'm sorry, but that's part of... this."
"I know."
In the darkness, Hob could have sworn he saw a tear trail down Morpheus' cheek, glistening in the light of a nearby street lamp.
"I'm sure Daniel will go easy on you. He's a good kid."
Was a good kid, Hob reminded himself. Daniel was an empty name now. There was no more Daniel Hall. Not really. Dream was what remained.
"It is a terrible fate I have delivered onto him," Morpheus countered weakly. "It would be fair on his part to torment me for it."
"Morpheus."
Unable to help himself, Hob rested his hand atop Morpheus'. His skin was warmer than usual, he noticed. Human. Instead of pulling away, Morpheus leant towards him, almost nuzzling against his shoulder.
"I have never fallen asleep," he confided softly. "Never dreamt. Not once."
It had always felt odd to Hob that Dream of the Endless, King of Dreams and Nightmares, did not sleep. How scary it must be, for someone who had never done it, to surrender yourself to the hand of another, in your most vulnerable state. Scary enough to leave the bed and avoid sleep altogether.
"I could hold you," Hob suggested gently. "Whatever happens in the Dreaming, it can't harm you here, can it?"
"No. Not really."
Not the most reassuring answer. Nor the clearest. Vagueness was a Morpheus trait, then, not a Dream trait. Good to know.
"I would like that. You, holding me."
"Come here, love."
It happened slowly, inch by inch, but Morpheus nestled into Hob's arms, resting his head in the crook of Hob's neck. Hob could feel his breath blowing against his skin, warm, regular, vital. It was odd, but far from unwelcome. More new than anything else.
"How does it happen? Do I merely close my eyes and wait?"
"Essentially. There is a relaxation aspect to it, though."
Clearly something Morpheus had no experience with either, considering how tense he felt against him.
"You could... breathe with me."
"Breathe with you?"
The suggestion sounded ridiculous in Morpheus' mouth, but Hob was not so easily deterred.
"Yeah, just... just humour me."
It was difficult, at first, for Morpheus to follow the rhythm of Hob's breathing. He was going either too fast or too slow, as though breathing did not come naturally to him, which, in fairness, it did not. It was a conscious effort, every time. After a few minutes of off-beat inhales and exhales, they came to a harmony, their chests rising and falling in tandem. Morpheus had only been pretending to sleep earlier, Hob understood. He could see it now, from the way his face truly relaxed, how his body became more pliant in his arms. If he was not fully asleep, he was getting there, at last.
Hob smiled at the sight, pressing his cheek against his lover's forehead. He could feel Morpheus' pulse where he held him, strong, regular, and undeniably human. Yet no less the man he loved, in spite of the changes.
"Sweet dreams, dear heart."
He raised his eyes to the ceiling, knowing full well there was no one to hear, and no one listening, but he could not help but add:
"Let him rest, will you? I don't think he's ever done that in his life. Might as well start this one with something new."
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jimmy solidarity, a glimpse at an incomprehensible workplace comedy featuring higher beings, canaries in coal mines, and the infallibility of a good old fashioned hunger games simulator.
“See—we don’t really agree with their most recent decision. So we’ve given you a gift to combat this curse,” it says, folding its inhuman attempt at hands together, “We’re going to let you choose the winner.”
Jimmy opens his mouth, then closes it. “Um,” he replies.
He’s met the Listeners twice before, and they’ve been really nice people, albeit… strange, but the Watchers were even worse, so he didn’t have any qualms about favoriting them. This, though? This is definitely weird. Very weird. Dying the first time was nice, with all the flowers and Scott and colors and such; it had given him ample time to come to terms with being dead, but being greeted by a god in the middle of what he assumes to be the void?
Not… great. Yeah. They should work on their hospitality.
It looks on questioningly. Jimmy figures he should respond. “What, and. Uh. Why me? What curse?”
It blinks. Kind of. He’d rather not describe it. It’s not his fault he’s too startled to give a coherent reply. Give a guy some warning before shoving divine power into his hands.
“…Do you not know? Oh no,” it says, which is a horrible way to start a sentence, “I don’t want to have to be the one to tell you about—”
“—about what?”
“The curse! The canary curse! You’re going to die first, every single time, and I’m really sorry. You’re my favorite. I’ve lost so many bets, you know."
Jimmy pauses.
“Only two bets,” he says, blandly. “I’ve died just twice.”
A beat.
The gravity of the situation begins to set in.
Jimmy sinks a little and shoves his face in his hands. “Why?” he asks.
It crosses its arms. “They think it’s funny, the Watchers. And some of my friends, too! They believe it’s all some sort of joke, but I think it’s cruel. I convinced them to let me do this, wrote up a whole petition and everything—if the Watchers can fight dirty, so can we!”
“Oh. Well, thank you.”
It puts its hands on its hips. “You’re welcome! They told me I should rhyme, write a poem or whatever, but if I’m gonna be copying the Watchers then I might as well do it all the way, yeah? Got much more across to Martyn when they were speaking normally.”
“What,” he says.
“Oops. Wasn’t supposed to say that. Well, uh, get picking! Who do you want to win?”
Jimmy purses his lips. How can he just choose? How are they even going to go about making sure someone wins? It’s not really fair to anyone to be stuck in this death game while he chooses his ally, or whatever.
He thinks about it for a moment.
“Do you get access to the internet here?”
-
The winner is Pearlescentmoon from Soulmates #5!
Proceed.
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When I approach Yelan (or anyone else I've written), I don't just look directly at her character, but I also look at her surroundings. Both the ones that she knows by some semblance of necessity, but also those that she chooses. Like here, I talked about the Chasm, and what being 'okay' with existing down there needs to mean for a character, because it's not normal. Someone's surroundings, room, or home say a lot bout who they are and what their mindset, or specifically, their perspective is of the world. And sometimes, I think it says more about people than even the characters realize.
This brings me to the topic of the city of Fontaine. Now, I personally think it's rather obvious that a lot of the nation takes from historical France, and so when looking at it, I think it really adds to remember its monarchy, the view that the 'common folk' had of it, and its inevitable demise to non-existence today in terms of importance as a result. So my first question is, who constructed or decided on its layout? Was it Furina, Neuvillette, Egeria? Whoever it was, there's a lot that can be said about their view of the world and their placement in it when you look at locations of buildings. Look at where Palais Mermonia, its governing body, is located within the city; it sits at a rather astounding elevation in comparison to, well, everything and everyone else in the city. This frequently represents the concept of 'distance' between groups in one way or another, and seeing the consistency in other nations, this is something that is rather intriguing to me, especially keeping Fontaine's characters in mind (and considering this is the nation of 'justice'). Mondstadt has everything almost entirely uniform, with arguably the church on the highest level (but it isn't greatly elevated in comparison to all else), but it's joined with the plaza and statue which are a common gathering site for all people in the city. Liyue had the gods and adepti visibly living among the humans back in the days of the Guili Assembly for reasons of 'integration' (my apologies to numerous from our dear Guizhong!) The fact that numerous adepti now live far outside of the harbor is a different matter entirely, and the one who seems to function within a semblance of separation of sorts is Ningguang with the Jade Chamber (but I'm not one to speak on behalf of her character as I don't bear the knowledge). Inazuma also has the Tenshukaku at a higher elevation in comparison to the rest of Inazuma City. Sumeru is interesting, but ultimately Nahida was kept at the very peak of the city, far out of reach of humanity— but that's exactly the common denominator that has my interest, the distance between the 'governing body' and humanity for one reason or another.
But Fontaine really takes separation to a different level in my opinion (and again, think of this when you think of the person having designed the whole city), not only because of the above which I'll elaborate more on in a moment, but also its separation from the outside world. Now, this is interesting to think about if you keep in mind that it was perhaps done in eventual protection of the city's inhabitants in terms of the prophecy (which means that this would have been constructed anywhere during or after Egeria's reign), but then why is only Palais Mermonia far above the water's reach? If the walls surrounding the city were ever breached during said prophecy, all its inhabitants are pretty much immediately caught in the flood and would drown, which tells me nothing positive of the city's 'architect' or whoever signed off on the designs. But if not done for the prophecy, then why? Stand in the middle of the Court of Fontaine and really look around you, the only sights you really have of the outside world are the sky, and it's obstructed by a fair bit of the waterways and gardens that hang overhead, which you can only properly enjoy when you take the ages long elevator to the upper level where the palace is located (which, credit due, seems freely accessible to everyone in present-time). But if you don't venture up, how much of the outside world do you get to see? It feels very secluded, very much under lock and key. On some level (and this is one of the many reasons why I think that the Meropide is so excessively important in Fontaine and it's likely why we spent so much time there; it's all to show the ever, ever important contrast and nuance between this 'autonomous nation within Fontaine' and, well, 'Fontaine'), it almost feels like a prison, regardless of how pretty it may look or come across (and despite not 'lacking rights'). And considering how people in the Meropide speak of not always wanting to return back to the 'overworld' following their sentence, I think that there's definitely quite a bit of truth in that. But again, stand there and look around for yourself.
Now to return to the original topic, but keeping the last one in mind as well, look at one other thing that I'm unsure how many have really kept an eye on: the massive effect Palais Mermonia's level has on the rest of the area (inside and outside of its walls). Have you ever walked through the city of Fontaine at any given time of day or night, north to south, east to west, clockwise or counter-clockwise circling through it; have you ever seen how it overshadows an immense part of the streets below it either entirely on its own (which to me signifies a very domineering presence), or together with those outer walls that surround the city? I know how I've spoken thoroughly with people before about how much I enjoy Fontaine and how dark it is in its storytelling, but despite how gorgeous this region with its water- and landscapes are; its city bears quite a heavy weight to me. I don't know who designed it, or ordered it to be constructed in this way, but nothing about the city itself truly, rationally, shows a healthy perspective versus its citizens.
Me: /continues on to ramble in tags because I'm me and I'm a nuisance with always more to say than I know how to coherently put into these posts.
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