how did u choose your username?
oh, this is a fun one!! i think i considered being swordtold at first, for that very ancient myth vibe of the sword being this narrative tool for adventure and structure and physical time, the parable being passed down through the centuries until it meddles into modern day rhetoric and ideology – a kind of fantastical tool, a spark of magic, of possibility.
i like the arc of the story of a place being physical / having it be held by time and hand alike, wearing with the years and having it become something different to each holder, each reader, each experience fantastical and individual.
having that kind of physicality to it; swordheld is the action of taking up and holding the sword yourself, choosing your own narrative, leading your own story. self-identity has always been something i struggle with (a novel concept i know, i know), so it felt right for this blog, since most of my older blogs before this one have been just me silently reblogging and never really posting anything myself, and i wanted this to be the change to that.
i've always had trouble wranging my social anxiety, esp. on the internet, and previously thought that keeping my words to myself helped keep the timeline cleaner, in a way, no messy thoughts for others to sort through, especially ones i believed no one would want to read anyway? but it never felt right, keeping myself apart from it all, esp. not in the way i so avidly enjoyed reading others' posts and additions, keeping their words close to my heart.
i wanted it to reflect that this was a space i was holding for myself? and i'm a little slow on the uptake sometimes, but this - this i think i got right. i love being here, on this blog, and the joy that it brings me. everyone else enjoying it too has been a wild ride that i never expected, and still surprises me, one that brings a little extra thrill to my heart whenever i think about it.
i had other urls that i liked, but i didn't want this blog to be tied directly to any of my fandom/story interests, since i wanted it to really just be a sort of archive of artistic inspiration and resource, like a little library or museum. i use them now as lil sideblogs of more niche interests now, which is rather lovely.
it hasn't always felt like it fit perfectly, the way that i'd like, but for some reason i can't think of really wanting to change it anytime soon. it feels mythic yet modern in a way that feels like puzzle pieces finally slotting into their place, something my own and inspirational to me, like a lantern i'm holding to make my way by. my own kind of light, if that makes sense – a star i know by name.
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I’m just imagining that Billy’s finally free of his father’s clutches; he’s gone to jail. The Mind Flayer is gone. Max was invited to the Byers for what they called a family dinner. But what didn’t make sense was that people unrelated to them were there? The little Byers’s friends and big Byers’s girlfriend. Oh, and the Police Chief. And Harrington. Basically everyone who hated him, great.
Except for that weird girl El. Who helped him more than he can ever say.
Max said she wanted to go, and Billy had no problem with that; there wasn’t a horrendous ‘curfew’ to be home by anymore. There wasn’t going to be any slurs and punches and throws and things (Billy) thrown around if they were late anymore. No skipping school for injuries or pretending bruises were from someone on the basketball team anymore.
But people were still scared of Billy around town. They knew of his father’s actions and were worried he’d be the same. Or they looked at him with pity as if they had any idea what happened between closed doors.
What used to be unfiltered, flirtatious, and longing stares and empty conversations—now were rapid flashes of glances before scurrying away to the safety of their homes. As if Hawkins was safe. Everybody was too scared to be out on the streets for too long before something in the nights, or god forbid day, swept them off to someplace terrible.
After that summer, more people were afraid. Billy understood. They didn’t, not really. But Billy did. And he was afraid for himself. Of what he could do, now that he saw what that thing did to him without permission. Without fear. Without care. Without a second thought.
So Billy kept his distance when they arrived. Max took off towards the Party, who were all hanging out in the living room. They were setting up the game of D&D or something, but Max watched and pretended to listen. She was pleasantly comforted by their presence. El looked up at him and smiled. He smiled back, and her head dropped to the board game at hand. Nobody else noticed.
Harrington was sitting on the ground next to the kids. Harrington took him by surprise; he wasn’t related to anyone here. He dated older Wheeler a while ago (a year now?), and she was with older Byers. Was he invited by Mrs. Byers? That got Billy’s head scratching.
But then he saw the curly-haired kid named Dustin look back at him and yell something. (It was more of a squawk, but whatever). Max shushed him and apologized to Steve with a smile, and Harrington shrugged her off, softly grinning. Sinclair, little Byers, and little Wheeler asked if he wanted to join, and he calmly said, “Nah, this isn’t my game. You kids go right on ahead.”
The older Byers was cozying older Wheeler on the couch. It was like they were in their own little world. Both of their eyes were glimmering at each other, or maybe that was all the Christmas lights shining from the Christmas tree. No matter what, Billy could tell they were where they wanted to be.
Mrs. Byers and the Chief were huddled in the kitchen arranging everything accordingly. It made Billy charmingly confused that a broad, intimidating man like the Chief was being fussed around by this anxious woman slapping his hand when he took a cookie off the plate. Billy slipped a chuckle but covered it up with a fake ‘clearing of the throat’.
That was when they all realized Billy was there. Time seemed to come to a halting scratch when they saw him. He offered a little wave and small, “Hello.”
The kids mumbled, “Hi, Billy.”
Older Wheeler and Older Byers almost glared at him behind their acknowledgments.
Harrington was more in shock rather than anything else.
Mrs. Byers ran up to him and greeted him with a squeeze of the shoulder.
The Chief took an apple, bit into it, and strode over to him with an unreadable but questioning stare. “How are you tonight, kid?”
“Good, sir. Yourself?”
“Good. Have you tried the cookies yet?”
Billy was frozen. “Oh, um. No?”
“Even better.” He leaned in and patted Billy’s shoulder. “There’s still plenty left.”
“Hopper!” Mrs. Byers exclaimed. “No eating cookies before dinner!”
Billy chuckled when the Chief shrugged and walked back into the kitchen.
A pair of arms wrapped around his waist. A little voice could be heard into his jacket. “Hello, Billy!” Billy looked down and saw a little girl with blonde hair put into two ponytails hiding at his side.
Older Wheeler hopped off the couch and ran towards the little person hugged into Billy’s jacket. She pulled the girl off and got down to her eye level. “I’m so sorry! Holly, you can’t just ran up and hug people like that, it can scare them!”
“But,” her voice squeaked, “we were supposed to say hello with hugs!”
“Yes,” older Wheeler agreed, “but he didn’t see you!”
Billy cleared his throat. “It’s um…it’s okay. She’s all good.”
Older Wheeler looked surprised and relieved that Big Bad Billy wasn’t going to be pissed at her little sister. Her shoulders dropped as she sighed and got back up. Mrs. Byers called her into the kitchen just then. She walked away, with one last glance saying, “Thank you.”
Harrington walked up to the little girl, Holly, and swooped her into his grasp. He said, “Lookie here! Whatcha doin’, Holly? Hm?”
Holly giggled into his chest as she mumbled, “Nothing.”
Seeing Harrington being good with kids was one thing. Harrington being good with little kids made Billy’s heart skip something awful.
Billy’s face flushed as Harrington’s hair fell forward with a soft giggle. Harrington looked up at Billy and then Holly. She reached out towards Billy.
Steve’s eyes went big. “Ope, looks like she wants you to hold her. You got her?”
“Oh, um…I think so?”
“Billy!” Holly exclaimed and leaned forward, almost completely out of Steve’s hold. Billy held his arms out and arranged himself to hold her properly.
Billy looked at Holly as she started messing with her sweater sleeves. He smiled at her and asked, “That better, Holly?”
“Yes!” she laughed and hid in his neck.
“Yeah?” Billy asked in a lighter voice to meet hers.
“Yeah!” Holly leaned forward and hugged her little arms around his neck. Billy was caught off-guard by the gesture.
Harrington hid his smile behind his hand. His eyes softened when he realized Billy was hugging her a little tighter than before.
Billy’s eyes were tearing up faster by the minute. Harrington reached out his hand and wiped away a stray tear with his thumb. They both shared a sad stare.
Because if Billy was crying over the fact a little kid trusted him, even after all of his actions that summer, that wasn’t anybody’s business but his and Harrington’s.
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"To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once." O. Vuong, On Earth We're Briefly Gorgeous
So I was reading this the other day and forgot to post it. This line stood out to me as applicable to how I see Vessel and Sleep's relationship:
[cw: mentions of toxic relationships / abuse / domestic violence / ptsd]
There is a quality of both parent and enemy, of protection and danger in how They interact with Vessel. "I'm hurting you because I love you; Stay away from me; Don't you dare stray from my guidance; This will end badly for you".
In the context of the book, the narrator is referring to his mother, how her years of abuse were largely caused by war ptsd. How she was supposed to be mother, and was stranger instead. How monsters are maybe not so bad, not so evil.
There is this amalgamation of complicated feelings and conflicting traits in who she [the mother] is, that can definitely be applied to Sleep. They are never truly evil; but They are not good either. "With all that you believe, you still refuse to shelter me // And no matter the cost of the rain, you still shelter me all the same". And much like our narrator, it's interesting to see Vessel go through that whole cycle of "I hate you / I love you / I never want to see you again / Please don't leave me".
If you have some experience with abusive relationships, you know how messed up that cycle of thinking is, and how impossible it is to come to a single conclusion when it comes to that person's character - especially if the abuse itself is caused by a traumatic past, or unresolved mental issues.
It makes me think of how Vessel often alludes to Sleep have been belonging to a higher place, a "Heaven" of sorts, and how They have seem to be since cast away. Is Sleep going through all the stages of grief and trauma something like that brings? Were they also in a war of their own? Is there a reason behind all of the malice and manipulation, aside from the fickle whims of an ancient god?
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“You’re actually afraid to be alone, aren’t you?”
(Taken from a message sent by NCA Chairman Heywood Floyd. There is a large time delay, so this was obviously recorded hours ago… maybe even days ago. It seems he’s seen through your facade of stability…)
“What made you guess?” Bowman muttered to himself, sinking lower into chair. He hoped it would engulf him.
Of course he was afraid of being alone, as he assumed any rational human being would be. But there was no other human being as close as he was to the concept of being completely and utterly alone. A detachment that could only be shared by those in solitary confinement, only his cell never ended.
He lunged like an animal at any transmission he’d receive. The men back home had a horrible habit of never quite making them long enough. The efficiency he had once admired quickly became a mockery.
Bowman sat upright and made his best attempts to hide behind the same face the chairman had seen through. His response was simple; “who wouldn’t be?”
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