jason again because im sick
this was a sketch request commission for gaza! if you would like to receive your very own, please check my pinned post for methods of donation & info regarding the commission process.
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leverage is so deeply fun as a show because sometimes they just break into places to steal back physical items and money and SOMETIMES they straight up psychologically torture the mark and make them think they've been contacted by aliens that now want to abduct them, or convince them they're dying of cadmium poisoning or fake a whole dreamscape to get them to reflect on their fucked up actions
it's incredible. no notes
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Fenton Street Food
"You know what's better than being a superhero? A street food vendor! Yes, superheroes can save the day, stop villains and receive hatred or admiration as the case may be, but a street vendor? They are at the heart of the action, fulfilling their dreams! They traveled the world feeding the masses, and even met superheroes, feeding them to keep them doing their duty, food carts are the centerpiece of keeping the heroes alive, they are the heroes..."
Maybe if Danny repeated it enough times he'd start to believe it, though seeing the monstrosity that was the Fenton food cart he highly doubted it. More so because it had fucking guns hidden next to the mutant and very alive Hot dogs (which by the way were not sellable, they were the mascots of the brand).
It all started when Jack Fenton talked about his dream of delivering his favorite food around the world, that fueled Maddie Fenton's idea, and since Jazz was in college and Danny was on vacation no one could stop them.
Soon Danny became a victim of his parents' eccentricities. Although the halfa had to admit that selling in Gotham was a lot of fun, thieves didn't think it was worth mugging him and the Rogues themselves bought his food of dubious origins.
It was almost a shame to have to change cities because Batman was getting too suspicious but Metropolis was waiting for him. And he would be back eventually; some bats who had enjoyed his strange roving food stall had waved him off with handkerchiefs, wiping away fake tears. Danny appreciated it.
Besides, Red Robin affirmed to him that he would recommend him to Superboy, so he wouldn't run out of customers anytime soon. He wondered if he should stop by Central City, the Flash Family ate a lot didn't they?
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[ID: a banner for a game. it is light tan with a crumpled paper texture, and reads "with breath & sword" in large blue font, and "a solo-journaling game that helps you fight anxiety as you fight monster" below it in smaller font. there is lineart of gauntlets lying over a sword with some flowers at the bottom. end ID]
You find yourself tied to the monsters. The scratchy feeling in your chest. The way your hands tremble. The sweat that dots your upper lip when your senses are telling you a monster is close, again, now, and it’s your job to fight it. To stand up for your ideals and stand up to the threat. Whether you tame it, or this is truly a monster that needs to be slain, only time will tell.
You know you will succeed. You always have before. But that doesn’t mean it won’t be a challenge.
Grab your gear. Put on your boots. You know how to find it. You know what to do.
First, you just need to steady yourself.
[ID: a page spread from the game. it shows "step four" on one side, which goes over the five aspects of the game's oracle. on the other side it shows the first oracle component, where something you can taste determines what your heroic core is. the page is minimally designed, with a blue border and text on a white background, tan accents, and one image of a dragon. end ID]
With Breath & Sword is a solo-journaling TTRPG to help players combat anxiety.
In the game, you play as a monster-fighter, who is being summoned once again due to the presence of a new monster. Each time a monster appears, you struggle with the emotional effects of the magic: effects that look a lot like anxiety. You must steady yourself before you go off to fight: in the game and in real life.
Over the course of WB&S, players will participate in grounding methods and breathing techniques to calm themselves from an anxiety attack. These methods also serve as the game's oracle in order to determine how the story goes.
What You'll Need:
A safe space to play
A method of writing or recording
[ID: a page spread from the game. it is the section called "the science" and goes over the psychology behind the 5-4-3-2-1 grounding technique, the 4-7-8 breathing method, and destroying journaling. it has a few lines about narrative and play therapy, and that the creator of the game used these methods in his social work with neurodivergent teens and adults. end ID]
check out the game on itch now!!
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in the low low price job eliot is at the center of the gloat and the walkaway. eliot brings beer when he returns and is denied entry to the home he grew up in. when nate's at his lowest with alcoholism in the snow job eliot gets himself between nate and the rest of the team; pushes back in a way that draws his attention and keeps nate from lashing out at anyone else. we know eliot isn't an only child, thanks to the miracle job; his nephew would love bibletopia.
(low low price: eliot grew up in rural oklahoma. low low price: eliot hasn't been home since he was 18. what about eliot who performs landmarks of typical masculinity so well could result in such complete rejection from his god loving father? it's hardison eliot's able to confide this in. is it a question we really need to ask, after all?)
in the order 23 job it's eliot who knows on sight that the child with a broken arm is being abused. the kid's dad's social tie to the local cops: they drink together. when eliot and hardison impersonate cops in the morning after job, eliot demands they respond to a called in disturbance with a weapon, because there might be kids in the house.
where do you think eliot learned the relational dynamic he engages in with nate, and before that moreau? eliot left home because he "needed to get out of there". eliot has never lived a life free from controlling men. he may have left, but did he succeed in his escape? why or why not?
it takes eliot five seasons to mention his dad. he never mentions his mom. the carnival job does not center eliot in the gloat but as they walk away we get him centered briefly. nate's the one who says she's dead, but it's eliot who asks about the kid's mom. it's eliot who connects with her in a way it seems nobody has since that loss. in the future job eliot rummages in a car to provide facts so tara can pull off the psychic act. his voice wavers, when he mentions the breast cancer ribbon on the mirror. eliot never mentions his mom. eliot never mentions his mom.
would parker have ever mentioned the brother she lost, were it not for the fake psychic's violating reveal? why do you think eliot never mentions his mom?
fuck redemption's revisionist history. the original run said enough to paint a full and heartbreaking picture of eliot's family all on its own.
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