does anyone wanna talk about how the fandom has hyper projected onto shen yuan and went the mile with at least a leap of interruptation of one line yet turn a blind eye to the rest of canon?
specifically I'm talkin about the broke american college studentification of shen yuan coupled with the fanon that he's chronically ill. these are two beasts of their own and should be tackled differently so I will.
I personally and strongly disagree with how a lot of fanon portrays shen yuan with messy hair, a large hoodie, disgustin room, and general I guess losercore aesthetics lmao. and now I'm even wondering if he was explicitly a college student or if it was just fanon based on that he's at least 20 years old. I feel this is a mental image constructed not from canon, but the idea of what kind of person would be his age and show his behaviour online... from a western perspective.
I believe that he would be far more put together, especially as he is a rich pretty boy in modern china. the difference in acceptable levels of casual, especially for a son of a very wealthy family, are much different between america and china. honestly I do find it a bit sad I wear a slightly frilly button up shirt and a short skirt and suddenly I'm a model in my area but I digress. I definitely think that shen yuan would probably even be actively into street fashion, give how well he seems to take to shen qingqiu's own pretty boy life. I also have a hard time believin that such a low life style person would readily take to the upkeep and demands of life as an immortal master with specialty in the fine arts.
there's also something to say about his resemblance to shen qingqiu (re: mushroom body), as well as I've seen some people claim that shen yuan was tall due to his lack of reaction nor stumbling with his new towering height. while the two adaptions I know if depict him with short hair, I think he could have readily had longer hair as well, maybe shoulder or so length. if "not reacting" is grounds to stand on (which is also used for the chronically ill headcanon), one could reasonably point out he doesn't seem to have any trouble with his now waist length locks. even slowly growing out my hair I'm having shocks to what the life entails, so I can't imagine being fully chill with sudden long hair. however, with the it's modern china argument for fashion, it is most reasonable he'd have short hair.
and yet, despite all this evidence in favour of a distinguished shen yuan ignored, the fandom took his pretty boy waiting to die line and ran with it, hard. I have been told this was due to a fan translation note implying that it could have hinted to chronic illness, and it was instead warped as fact of what the line was trying to say. I've also seen the lack of reaction claim used on him supposedly adjusting very well to living with without a cure, often paralleled to some people's chronic illnesses. this is a fair headcanon and is not really a problem on it's own. I just want to speak my thoughts on it, especially in contrast to the other popular fanon arising from ignoring a fair bit of canon implications and then taking one that most likely was not even in that direction as gospel.
first and foremost, as a disabled person myself, I find a lot of fandom depiction of chronic illness to be very divorced from reality, used to play into the losercore vibe, often just thrown in there with feelin like the creator forgot they gave him a disability only to suddenly write a single sentence goin "look! he's disabled!", and worse of all as if it could be his only justification for wasting his life away on the internet.
I once read a fanfic that seemed to just list a bunch of things he had or did because of his disability in a very list-like way, but a believable combination enough to presume they at least knew someone disabled, only to leave his cane at home after establishing his unamed illness with 50 symptoms could suddenly k.o. him at any time. not only did nothing happen while he was out, I question why someone of his status yet so severely disabled would not have an ambulatory wheelchair.
I also question the lack of mental illness present in many fanfics. this is not only due to that chronic illness does not really exist independently of mental illness, but I feel that shen yuan is canonically very mentally ill. not only is he wasting his life away with no purpose, heavily implied to be neglected, but he immediately accepts and welcomes a foreign life with no consideration of going back. many people write fanfics of shen yuan pressed about his identity and wishing to be seen for him, but as I've noticed and have pointed out to me by others, that's just not the case. there is no canon reveal because there is no identity conflict. he may divorce himself from shen jiu adamantly, but he marries himself quite well to shen qingqiu, readily switchin how to refer to himself near instantly.
I also feel there's something to say about how he's not only welcoming a foreign world, but one with severe danger that he has to face. and what does he do? dissociates like hell. it takes him a couple books before he even sees those around him as people! I also feel that him not even recognizin that he was cryin from literally ripping a chunk of his own leg out until binghe pointed it out speaks volumes. he let binghe rawdog him in a craze with excruciatin pain that literally killed him and was like "yea this is fine ah what do you mean there's a chance binghe might be dead when I get back noo". could even make an argument that his ignorance to his harem is more than just comphet, but also believin that he wouldn't have value to others in that way. his value is his status: a status he didn't earn and has never earned.
I don't know. I feel there's a lot more to shen yuan than the fandom looks at or rather the fandom digs into things that aren't even there as if it's the penacle of his character. I wanna see more exploration of shen yuan as he is rather than what the fandom wants him to be. or at least to me, his pretty rich boy complex feels far more interestin than the hundredth "oh yea he's chronically ill" shoved in for little to no reason other than they can't comprehend his behaviour without it. as if to say "well if only he could physically do other things, he would. he's not like those losers who can't get a grip of themselves." completely ignorin the depths of mental illness they could explore. it feels both saneist and ableist, in different directions. he's only so pathetic because he's physically disabled. that he can't be any other way, otherwise he's just not likeable.
like give him a couple personality disorders to explore his behaviour with or something! show how he's actually so used to playing pretty composed rich boy in public and that's why he so easily slipped into his idea of shen qingqiu! something!! anything!!!
115 notes
·
View notes
◁ || ▷ now playing
Atlas Hey! Stop forcing yourself to drink that- It’s empty.
Taryn: It tasted like garbage.
Atlas: No shit, that’s Miller for you. I’m sorry about Kai.
Taryn: Don’t apologize for my brother, he’s grown.
Atlas: Yeah but…
Taryn: It’s like… You try to do something kind for someone and they’re so unappreciative.
Atlas: It’s not your fault, you know? Kai has his moments, he’s probably grumpy he can’t be around his PC or something.
[ microphone feedback ]
Taryn: Atlas, why are you being nice to me?
Atlas: What? I can’t hear you!
Taryn: It’s all so confusing…
Atlas: Do you want to talk outside??
Taryn: No, it’s nothing, let’s just enjoy the music!
Gum: [ nervously ] H-Heeeeey Oasis Springs! We’re Valentina, it’s a pleasure to meet your acquaintance again.. I dunno what the fuck I’m saying anyways our next song is a cover song, we hope you like it!
Atlas: Let’s get your mind off of things?
Taryn: Sure.
Gum: Brown eyes / Not many things I'm haunted by / I just don't want to be alone / I take your love you take my life / Dark angel keeper of my soul / I know it's me you want / You know it's you I want, too
Taryn: Stop. I’m sorry.
Atlas: Taryn? What’s wrong?
Taryn: I need some air.
Atlas: Wait-
Taryn: No, you can stay. I-I’ll be back.
127 notes
·
View notes
why is usagi yoimbo so fucking good?
(an analysis.)
usagi yojimbo is one of the most interesting, well-told, intelligent, heartfelt stories i have ever read. it's stories are nuanced and likable, supported by characters and relationships you root for.
it's simple, balanced, and when things get serious, you feel it.
and if anyone had recommended it to me, i probably wouldn't have read it.
(spoilers for usagi yojimbo: volume two; jizo. fair warning: this will probably go long.)
i picked up uyv2 on a whim. i wasn't really planning on reading it, and if i did, i didn't think i would particularly like it.
but it was related to my current hyperfixation (they didn't have 'the last ronin' in stock, which was what i was looking for), and it was a special day, so i thought, "fuck it, i'll buy this."
a couple days later, i finished it and immediately needed more. yada yada, tale as old as time.
but what exactly made it so good? a lot of people will get into media and be hooked by the very first installment. usagi yojimbo, for me, required a little bit of faith.
i started with uyv2: issue one, aka 'shades of green.' if you're a tmnt fan, this is a great jumping off point, because it lures you in with tmnt lore all while putting intrigue in your mind about what these other guys are doing, i guess.
there are callbacks to past comics that might interest you by creating a greater sense of lore and history. you'll find yourself eventually wandering back and maybe reading the next installment, just because.
this is very good, because the next installment following the shades of green arc (at least, in the usagi yojimbo saga: book one') are the "side stories," which will stick in your mind until your thoughts are overtaken by the funny rabbit guy, and you give in.
i love shades of green as much as the next guy, but damn, those side stories fuck. even if you didn't give a shit about the turtles and only read the stories (and maybe the origin tale), it is my belief that you would know basically everything you need to know.
jizo is what originally "hooked" me. in the og comics, it was a side story for the first part of the shades of green arc, which was ingenious, seeing as it's fucking amazing.
in my humble opinion, jizo is an example of sakai at his best. it's eight pages long with three panels per page, each following the same composition. its so simple, and yet, throughout my read-through of volume two, i found myself returning to it again and again.
it starts off with an image of a road, with a series of travelers passing by. a woman toting a small stone statue brings it to the edge of the road and starts on an iconic sakai infodump, with might disinterest some, but fully delighted my autistic mind!
(here she is, by the way.)
she explains (by talking to the statute) that said statue is a representation of 'jizo-sama,' "guardian of the souls of lost children. her son was murdered five days ago on this very road, and the ones responsible, a party of bandits, have not yet been caught.
her hope is that by praying to the statue, nobody else will suffer the same fate.
she also explains some lore-- that the souls of lost children are "doomed to pile stones in the dry river bed of souls." by offering pebbles at the statue's base, she hopes to ease her sons' burden.
she then leaves, noting a chill in the air, and promises to bring back a coat for the statue the following day, in order to keep it warm.
now, by all accounts, this is an example of bad storytelling. just info-dumping is uninteresting to the audience, and clunky. well, here we are reminded that actually, if your story is worth telling, nobody gives a shit if you commit "writing sins" (see 'lord of the rings' for more examples of this. yes, uy is good enough to be compared to lotr.)
but anyway, the day progresses. there are lots of fun details in these scenes --
--like this guy ^, who we meet/meet another person akin to later on in volume two (music from heaven). we also see a couple of people make offerings on their way past, which is nice (:
night falls, and with it comes-- holy shit-- its the funny rabbit guy again!
he's alone, just passing by. he doesn't even seem to notice the statue on the side of the road.
we then get some of my all-time favorite uy panels, and a perfectly-executed scene showcasing some of usagi's core beliefs and character.
so the bandits (yes, those bandits) attack. and usagi five-v-one's them. the guards come, clean things up, etc etc. more usagi characterization shines through. and usagi leaves.
all the while, jizo-sama observes.
but wait. if you're anything like me, you might notice a small detail between in two frames.
that's right-- the statue of jizo smiles. which could be creepy in any other context, but its only for a single panel, so you might assume it was just a quirk of the artwork on that one page.
but, no.
in the morning, the woman comes back.while wrapping the statute in a coat, she says, "huh? your expression has changed-- you look more at peace-- but that's impossible! isn't it?"
she ultimately decides not to worry about it, but does mention that it'll probably cause more people to be willing to give offerings as well. which leaves us with our final panel.
so. what exactly does jizo accomplish?
well, a lot of things. it sets up worldbuilding for the more 'mystical' side of uy, introduces us to sakai's ability to make you feel like you've been punched in the gut in a good way, and characterizes usagi using only eight of the twenty-four panels that make up this story. in which, he doesn't say a word.
but beyond that. why does this work so well?
for me, a part of it is the inversion of the idea of "fate." let me explain-- in a lot of stories like this, there's this underlying trope of the "chosen one" or that things will end up a certain way. while these stories aren't bad, i generally find myself uninterested in the idea of beings beyond our comprehension pulling the strings for characters that are "special."
these characters are chosen ones. they're supposed to know everything that will go down, because they're important. whether or not fate actually plays a part, you get this idea that they were always supposed to be 'chosen,' in some way or another.
uy doesn't do that. while there is some "meddling" implied, it's not because usagi is the specialest boy ever. he's just some guy making his way through japan while trying not to starve. just... figuring himself out.
in thise story, the only people who know the full extent of the narrative are ourselves and the statue of jizo. the woman shows no indication that she's heard of the bandits' capture, and for usagi, this is just another night.
it's meaningful because we get to see all these parts of the story come together, while knowing we are the only ones this is meant for. this isn't a grand story or some epic of old. it's just a small, intimate moment of retribution.
the gods-- or, in this case, jizo-sama-- doesn't care about heroism outside of this moment. it's left vague whether or not the statue or any being it represents put this moment into fruition. if anything, it could just be a coincidence, and the statue is smiling at in gratitude.
regardless, it feels so much more meaningful than if it had been done any other way. usagi is just a character traversing these lands, weaving in and out of stories, many he will never know the full extent of. and that feels real. genuine.
i do think that this changes a bit, later on in the comics, but this beginning sense-- that usagi is just travelling through a greater world, pulled this way and that for no particular reason (unless otherwise noted) is very refreshing for a series like this.
jizo does a lot of other stuff, too-- like that core characterization i mentioned above-- but this post is long enough. i wanted to get more into other aspects of why uy is so good, but there's just so much, and honestly, you should read it yourself if you haven't already to find out what. (at the very least, read jizo-- it's short, but very, very good.)
i might do more of these for the rest of uyv2 and how it hooked me, but for now, i this this works well enough to begin answering the question of why this series is so good.
(okay, i caved-- the core characterization is his unwillingness to fight unless it's necessary. now, go read jizo!)
27 notes
·
View notes