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#michelle gardner
sitting-on-me-bum · 7 months
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"The Eyes Have" It
Bird: Black-necked Stork, Howard Springs, NT
By Michelle Gardner
BirdLife Australia Photography Awards
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gatabella · 8 months
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Ava Gardner Art (ai generated)
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sayhoneysiren · 1 year
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ꜰᴀᴠᴏʀɪᴛᴇ ᴄᴀᴘʀɪᴄᴏʀɴ ʟᴀᴅɪᴇꜱ
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ᴘᴛ 2
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velvet4510 · 2 months
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foxsoulcourt · 1 year
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Women Talking
For a VaRiEtY of reasons last week I went down some rabbit holes around this movie + the principals involved.
Navigating this experience illuminated how I want to stretch + grow in terms of exercising leadership, no matter my role within a group or community. I stand in wonder learning a bit about how DeDe Gardner, Sarah Polley + Frances McDormand collaborate. Their vision of how movies can create conversations to help shift important social dynamics INSPIRES ME.
If you are similarly interested, here's some links you might enjoy.
update 3/12/23 8:00pm SARAH POLLEY JUST WON THE ACADEMY AWARD FOR BEST ADAPTED SCREENPLAY!!! Watch her JoYfuLLy run up to give her iNsiGhTfuL acceptance speech here.
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Back in Sept2022 at TIFF2022 (25 min) this L o V e L y small group convo happened. Among other bits, LOVED moderator Sonia Lawrence's summary statement that what she takes from the film into her life is not the community's lack of judgment, but their presence of care.
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Here's Frances at MVFF (54 min) - where she read some bits from Sarah Polley's brave book Run Towards The Danger; spoke about the magnificient collaboration between Polley (screenwriter + director), producer Dede Gardner + herself; and described the impact of Polley's way of exercising leadership on others. Watching this video is the first time I've seriously considered using the descriptor 'matriarchal leadership style.' Loved this bit (which is mostly a direct quote), "Movies are not answers, but they are propaganda + conversation starters... we're actively screening at colleges + universities... using the moving to talk about the future, not about the horrible present, but the future + try to radicalise the conversation more. "
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Claire Foy in a convo moderated by Kate Erbland (28 min) - about how Foy landed as Salome, what it was like to work with Polley as a director, and more. At 14:05 min there's a sweet bit about the experience of acting with Ben Whishaw + his role in the movie.
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NYFF60 (19 min) - Eugene Hernandez does an admirable job getting each person to reflect on the movie within this relatively short panel conversation.
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In February Polley + Ben, and then Buckley + Foy were on London Live (9:25 min). L O V E D how about 3/4 of the way through Buckley gently pushes back on interviewer's assumption that the women character's lives were foreign to the actors playing them. They're not, she said, not at all. What WAS foreign + welcome was the ability for a group of women to have an extended conversation about a complex issue and then to make a decision which will have an impact on the rest of their lives. D A M N, if that isn't sobering!
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I didn't know August Winter before watching these interviews, so found this Autostraddle interview w/cast member August Winter about the movie + navigating the industry as a non-binary actor + this video. I appreciate hearing from them directly about their character Melvin who is a trans man + learning why silence is such a significant part of their character's behaviour.
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Lastly, reading some of Polley's IG posts reminds me that the people I admire most know their worth, yet a l w a y s shine a light on those around them. After listening + watching Polley today, I am even.more.encouraged to do the same. Currently the latter is easier than the former. #work in progress
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timmurleyart · 11 months
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Rodeo Jones art heist. 💰🖼(mixed media collage)🌟✨
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whileiamdying · 2 years
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Meryl Streep Credits Robert De Niro for Inspiring Acting Career: “He’s Been My Beacon for 50 Years”
Streep honored her friend during a gala in Austin for the Harry Ransom Center: “I don't see him very often. We don't chat. But I know he is, without question, always there for me and he always will be.”
BY CHRIS GARDNER SEPTEMBER 26, 2022 10:30AM
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Robert De Niro and Meryl Streep at the "Celebration of Film" event in Austin this past weekend RICK KERN/GETTY IMAGES
t was the summer of 1973 and Meryl Streep, fresh off her first year of drama school, had a job cleaning urinals in New Haven, Connecticut.
“True story,” she recalled from an Austin podium Saturday night in opening a tribute that was less about bathrooms and more about an acting hero. “I heard that a friend of mine that I knew in college got cast in a big movie, and it was the first person that I ever knew that had been cast in a movie. Michael Moriarty was a beautiful young actor. So, all my friends after work, we went to the movie theater to see him.”
The film was the John D. Hancock-directed Bang the Drum Slowly about the friendship between a pitcher (Moriarty) and catcher as they cope with the latter’s terminal illness through the course of a baseball season. “Michael was great but we all agreed that the kid they found in the South, non-actor, clearly non-actor, incredible performance. We thought they must have scoured Appalachia to find this guy.”
Then, two months later at the same movie theater, Streep and friends were seated to check out Martin Scorsese’s newest movie, Mean Streets. “And there’s the guy, there’s the same kid,” Streep recalled. “And only he’s not slow. He’s not Southern. He’s a New York punk. He’s absolutely mean, this fast-talking street smart guy and we were blown away. We scoured the credits and saw his name. I said, ‘Oh my God.’ He’s Italian. He’s Robert De Niro. He’s an actor. And it really blew me away.”
Streep, who seemed to have the audience in the palm of her hand while retelling the tale, delivered the anecdote during A Celebration of Film, a gala event held at the AT&T Hotel and Conference Center that shined a spotlight on the Harry Ransom Center at the University of Texas at Austin and its 65th anniversary. The center, a humanities research library and museum, has hosted De Niro’s personal archive since 2006 and this year, created a new endowment called the De Niro Curator of Film to honor the legendary star.
He took the stage to accept the shine but not before Streep finished her personal tribute the man who she would go on to share the screen with in a few short years, first in 1978’s The Deer Hunter and later, in 1984’s Falling in Love.
“Over the years, people have always said to me, ‘What actress do you most admire? What actress’ career would you like to emulate?’” Streep said, adding that she has a long list of women she reveres including Geraldine Page, Colleen Dewhurst, Vanessa Redgrave, Maggie Smith, Carole Lombard and Barbara Stanwyck. “But, really, the second time I saw Robert De Niro, I said to myself, that’s the kind of actor I wanna be. That’s what I wanna do. And I wanna do it with the commitment and the passion and the skill and the beauty with which he applies to it. And he’s been my beacon for 50 years.”
She continued by saying that his strength comes from what he doesn’t say or show, what’s held in reserve. “It’s like a kind of seismic power of what he could do if he wanted to,” she added of De Niro, whom she later praised as a “true blue patriot” for his commitment to the country and his response to the 9/11 tragedy. “He’s a man whose presence in my life for 40 years has been a consoling constant. But I don’t see him very often. We don’t chat. But I know he is, without question, always there for me and he always will be. He’s a man who lives by his loyalty to his ideals, to his country and to the people that he loves.”
De Niro, for his part, accepted the love with a speech that illuminated his reasoning for gifting the university his personal archive of film memorabilia that includes scripts, costumes, props, notes and correspondence.
“If I didn’t do something to keep it intact, little by little, it would just disappear,” he said. “My colleague, the invaluable Robin Chambers, has been my partner in planning this arrangement with the Ransom Center. Around 2004, she showed me Marlon Brando’s personal annotated Godfather script for sale on eBay. It may be very uncomfortable to think that this document, which could be a window into the mind and process of one of our greatest actors, would be sold to a collector or a fan who might keep it in a shelf or a drawer and never be shared with family, friends, students, historians, cinephiles. And I wanted my family to have access to my keepsakes because it’s part of their heritage.”
De Niro continued by praising his good fortune to have worked so closely with so many great artists that the archive not only tells his story but contributes to the stories of talents like Scorsese, Harvey Keitel, Francis Ford Coppola, Streep, Al Pacino, Quentin Tarantino, Leonardo DiCaprio, Michelle Pfeiffer and more.
Near closing, De Niro had the audience laughing with a jab at former President Donald Trump over the investigation into his handling of classified documents.
“It’s also important to preserve the narrative of film history to enhance our understanding and appreciation of the films themselves. The Harry Ransom Center is a leader in that essential mission to preserve our cultural heritage, but the collection isn’t quite complete. There are still some papers in the basement at Mar-a-Lago. I’ve been having some problems getting them released; they may have to send in the FBI.”
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angelitam · 3 months
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Partageons mon rendez-vous lectures #5-2024 & critiques
Voici mes critiques littéraires sur Livres à profusion. Masse Critique de Babelio, L’égorgeur des bas-fonds d’Emmanuel Dufour L’égorgeur des bas-fonds Emmanuel Dufour tous les livres sur Babelio.com   Le dernier Lisa Garder, L’été d’avant L’été d’avant de Lisa Gardner – Editions Albin Michel En lecture, on continue avec les aventures d’Erlendur, La Voix d’Arnaldur Indridason La voix…
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page-a-pages · 1 year
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Pas l'temps je lis (novembre-décembre 2022)
Pas l’temps je lis est la chronique que je tiens dans le supplément culture qui paraît chaque samedi dans le quotidien Le Temps. Ci-dessous vous trouverez la liste des livres présentés dans les chroniques. Elle permettra aux abonné.es du Temps de les retouver facilement, offrira des pistes aux lecteur.ices du blog et sera utile aux éditeurs.trices qui verront ainsi quels livres ont été retenus et auront une idée du ton de la chronique.
Retrouvez la chronique sur le site du Temps
23 décembre 2022
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Dessus, dessous, devant, dedans, Fanny Pageaud, Les Grandes Personnes, 2022
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Tourne, pense, regarde, Beau Gardner, Les Grandes Personnes, 2022
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Pizza 4 saisons, Thomas Vinau, Anne Brouillard, Ed. Thierry Magnier, 2022
17 décembre 2022
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Animaux humains, Rosie Haine, Albin Michel Jeunesse, 2022
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Félixe et la maison qui marchait la nuit, Sophie Bédard, La Ville brûle, 2022
10 décembre 2022
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Photo de famille, Chloé Millet, Delphine Jacquot, Les Fourmis rouges, 2022
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Que fait-on quand il pleut?, Ralph Doumit, Julia Wauters, Hélium, 2022
3 décembre 2022
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Le Festin de Noël, Nathalie Dargent, Magali Le Huche, Gallimard Jeunesse, 2022 (L'heure des histoires)
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Le dernier mouton, Ulrich Hub, Jörg Mülhe, Gallimard Jeunesse, 2022 (Premiers romans)
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Le pire Noël de ma vie, Victoria Kaario, Juliette Binet, Rouergue, 2022
26 novembre 2022
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Le petit livre des grandes choses, Sophie Vissière, Hélium, 2022
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Bravo, maman manchot!, Chris Haughton, Thierry Magnier, 2022
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Un Océan d'amour, Pieter Gaudesaboos, Hélium, 2022
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Björn: une vie bien remplie, Delphine Perret, Les Fourmis rouges, 2022
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Le grand livre de ma planète, Raphaële Botte, Elisa Géhin, Thierry Magnier, 2022
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De Cape et de mots, Flore Vesco, Kerascoët, Dargaud, 2022
19 novembre 2022
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Trésors de collectionneurs, Lucie Brunellière, Albin Michel jeunesse, 2022
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Pirates Bric-à-brac, ATAK, Thierry Magnier, 2022
12 novembre 2022
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Ce Jour-là, Pierre-Emmanuel Lyet, Seuil jeunesse, 2022
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T'es pas mort!, Catherine Pineur, Ecole des loisirs, 2022 (Pastel)
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Où vont les doudous quand ils meurent?, Laurence Salaün, Gilles Rapaport, Seuil jeunesse, 2022
5 novembre 2022
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Mais où est-elle?, Marie Mirgaine, Les Fourmis rouges, 2022
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Tout se transforme, Tony Durand, Motus, 2022
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bandcampsnoop · 1 year
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12/29/22.
This self-titled release is Jonathan Personne's 3rd release since 2019. "Histoire Naturelle" was released in 2019 on French label Requiem Por Un Twister. "Disparitions" was released in 2020 on Michel Records. And now in 2022 comes this self-titled beauty on Bonsound.
Jonathan Personne is really Jonathan Robert (Montreal, Quebec). He's probably more well known for his work with Corridor (they released an album on Sub Pop!). But where Corridor focuses more on post-punk, Robert's solo work is lush, and meticulously arranged (although this has been more noticeable with each new release).
This LP sounds like something the could have fit in on Trouble In Mind era Jacco Gardner, or Maston. It really sounds like it belongs on French label Born Bad Records.
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sitting-on-me-bum · 9 months
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"Wedge-Tailed Eagle"
Bird: Wedge-tailed Eagle, Hawker, SA
By Michelle Gardner
BirdLife Australia Photography Awards
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perfettamentechic · 1 year
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20 novembre … ricordiamo …
20 novembre... … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2015: Keith Michell, Keith Joseph Michell, è stato un attore australiano. (n. 1926) 2008: June Vincent, attrice statunitense.  La sua carriera per gli schermi cinematografici conta diverse partecipazioni. (n. 1920) 2003: Loris Azzaro, stilista italiano. Azzaro morì all’età di settant’anni e la direzione della compagnia passò in mano alla figlia Catherine. (n. 1933) 1989: Lynn Bari, nata Margaret…
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neweramuseum · 2 years
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NEM Blue 27 - Curated by Rosalie Heller
FEATURED WORKS BY: Sara Seldowitz, Michel St-André, Judith Gardner, Raul Diaz, Daria Stermac, Kristina Weston, Leah Chossid, John Wrather and Nükhet Poda Göfer.
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brokenfuturerpg · 8 months
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PBS FEMENINOS POR EDAD
Hola personitas. Venimos con un aporte que nos ha costado un tiempito reunir. Es posible que algunos PB tengan 1 añito más de lo que pone, porque igual cumplieron recién. Esperamos les guste ^^
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30-39
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40-49
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+60
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Geena Davis (67)
Sigourney Weaver (73)
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chernobog13 · 2 months
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Still from the Justice League of America television film that aired on CBS on December 29, 1997.
That's the Atom, Fire, the Flash, the Guy Gardner Green Lantern (whose costume is blue for some reason), and Ice. Not shown is the team's leader, the Martian Manhunter.
I never saw this turkey, mainly because of overwhelmingly bad word of mouth before its broadcast. No less than legendary comic scribe (and one of my favorites) Mark Waid described it as "80 minutes of my life I'll never get back."
Other than the not-so-great costumes (the Atom's is particularly bad), the special effects are said to be very shoddy. The storyline is reportedly weak and full of plot holes, and the filmmakers apparently tried to match the humorous tone of the DeMatteis-Giffen era of the JLA comic book, but failed miserably.
The telefilm was intended to be the pilot for a full-blown series. That obviously never happened, for which we should all be grateful.
Some other tidbits:
David Ogden Stiers, of M.A.S.H fame, played the Martian Manhunter. In addition to not having a heroic physique (he was 55 years old at the time), his make-up job and costume was so bad that he only appeared on camera in deep shadow.
Fire/B.B. DaCosta was played by Michelle Hurd. She's probably more familiar as Rafaella "Rafa" Musiker from Star Trek: Picard.
Miguel Ferrer played the villain, The Weatherman. Why the filmmakers didn't just make him the Flash rogue the Weather Wizard is unknown, unless they were too cheap to license the character from DC Comics.
The film is available on DailyMotion if you're interested in watching it. I got about 15 seconds in and turned it off because I couldn't take anymore.
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timmurleyart · 1 year
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Thief in the night. 🍇🖼(mixed media collage)🌟✨
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