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The titles for the magnus protocol episodes that have come out so far seem... deliberate. First we have 'first shift', which could be seen to use 'shift' in the meaning of 'work hours'; it's Sam's first day at the OIAR. But it could also mean 'shift' as in movement or change; the first signs that the fears are shaping this world, 'shifting' it from how it is supposed to be. Then the two next titles, 'making adjustments' and 'putting down roots', are both describing actions. Hinting that the fears are already establishing themselves within the new world and beginning to reshape it.
Because, we've seen that Archivist powers can make people remember more clearly, and say truths they wished to hide... And sometimes you lie to yourself without wanting to. Sometimes you don't know what you know. So could an Archivist stare into the mirror and ask themself what they truly want? Could they compel themself, jaws clenched, What did I come into this room for?
Well. hrm. the way they all connect to each other. like it’s all starting to look like a circle of some sort. jess as rory’s mirror/reflection/narrative foil but also jess as he pertains to luke and jess as he pertains to lorelai. luke breaking the church bells luke who says he was troubled but they gave him a chance and just bc a kid has issues doesnt mean they don’t deserve that. luke who is a figure placed against the rest of the town, just in the sense that he is not like them, he does not hold their values, he doesn’t even sound like them. which is of course a result of scott patterson’s new york accent, but adds to this theme anyway. and they use jess to build this picture, because they walk the same and talk the same and they’re stubborn—independent to a near self-endangering degree—and emotionally repressed in the same way and luke himself admits that he spent more time working at his dad’s shop than he did at school, which jess also does. but jess and luke are also. very very different when you get past these similar values that are maybe ingrained into them through different circumstances and same genetic makeup. and in their differences you get a lot of jess and lorelai’s similarities. when it comes to their family dynamics and how it’s affected them in particular. it’s made them independent yes, but it’s also made them hypervigilant, almost paranoid in the way they are allergic to accepting help and especially accepting help from the people who hurt them. jess only goes to his mother’s wedding because luke asks him to, lorelai only asks her parents for money because rory needs it for school. and they, and this is where they differ from luke, don’t know how to trust people and so they don’t know how to talk to people. where luke’s particular brand of emotional constipation comes from a general cluelessness as to how to do it—which is why the tapes helped him so much—lorelai and jess’ come from emotional responses to the situations they grew up in. while it was different—lorelai growing up rich, jess growing up poor—the effect it had on them still resulted in something similar. lorelai with her overbearing manipulative mother and (emotionally) absent father, and jess with his neglecting manipulative mother and (in all senses of the word) absent father. the ways that, despite their effort to distance themselves, they still end up with similar mannerisms to the parent they have the most conflict with (lorelai and her controlling nature + that scene where they have the same nighttime routine, jess and his love for books + tendency to run away). and of course, their romanticism. their big confessions and period drama-esque speeches and, yeah, i do think in a way jess was asking rory to marry him in 4x21. come with me. let’s get married. luke and rory both being the most important people in their lives. literati+javajunkie where they are all melding into each other, and luke is rory and lorelai is jess but on the surface level dynamic luke is jess and lorelai is rory and they are all each other. on accident. by sheer nature of making jess as a character for the sole purpose of interfering with luke and lorelai’s relationship (which means he is important narratively to them both) and by making him rory’s love interest/foil (because ASP casted him before she even had the idea for the character) you have now made an accidental blending of them all together. he is like a skeleton key of a character. Okay. okay.
when Binah looks at herself in the mirror at Lobotomy Corporation, she doesn't see herself. she looks like herself. she sounds like herself. even the way she stands is exactly the same. but she sees a stranger in the mirror staring back, a stranger with the same two-toned hair and beauty mark and cold eyes. an Arbiter reduced to a mere Sephirah of a facility she came to destroy.
that's not me.
in the Library, Binah catches a glimpse of herself in a mirror again. she looks different now, with longer hair and altered attire, her signature earring replaced with two smaller ones. she looks even less like "herself" than ever before. but her fingers lace with yours as you glance up at her and ask if she's alright, concern weaving through your voice, and Binah merely gives you a subtle smile and nods.
*takes you by the face* listen to me. listen. callum is going to be the one to free aaravos. if it was going to be claudia it could've just happened at the end of s5 and the gang didn't need to have the prison. he's the only other main character with seasons of buildup. listen. idk whether it's going to be under possession or another form of coercion but he's going to do it. it's going to be a 'choice'. either knowing what he's risking in what leads to him doing it under possession or doing it bc he can't bear to lose rayla. "i would do anything for you" and all of 5x08 and "seems love's got a tighter grip on you than those chains round your wrists so i'll do you a favour and set you free" is just set up. rayla coming back with the cube on her shoulder that's also in callum's pawn intro is On Purpose. she's his light and he's going to lose the game anyway. he has to. listen to me-- *is being escorted out by security* he has the key - HE HAS THE KEY!
Hellooooo ^^ If you're still taking drawing prompts, how about Alyra Mahariel with Morrigan and a pose of your choice?
(Have a lovely day!!!!!)
Hello there! Yes, I was! :3
Here you go, it's A2, but we started with angst and we'll end up in angst (sorry):
There lies my passion, hidden
There lies my love
I'll hide it under a blanket
Lull it to sleep
(I remembered now the song by Bjork I was looking today for the 9 ship songs. I'll correct that post too, but it's Hidden Place.)
Some Witch Hunt scene, I'm planning a bigger illustration. So, basically, we're about to part. Morrigan through the mirror, Alyra... Alyra stays. One year before she would have jumped, now... Now she's the Warden-Commander and the Arlessa. She can't. *angst*
using clothes i like, taking care of my body and face, triying to make tasks easier, triying to love myself... makes my life easier... just that, i'm still metally ill and have a bad time almost everyday, but... i'm triying, and i'm not gonna sabotage myself just for that!