Am I the asshole for getting my best friend killed?
I swear to God, it was an accident.
My (27) BF (34) has a reputation for getting himself out of any jam you can imagine; and at first it was just a fun little thing the friend group noticed: there goes Oily J wiggling his way out of trouble again. but as the meme evolved in the group, it got to the point where we'd loykey started getting him into situations just to see how he'd get out of 'em, and he akept getting out of em. He was having fun with it too same as us. "Oh you guys," he'd say, "getting me into situations again," before laughing it off and getting out of it, so it was enrichment for our shared enclosures, and as time went on, the situations got more intense.
The trouble is, it turns out that putting a man in too many situations eventually gets the police interested. And not local hobsknockers cops either; they was like, proper three-letter FEDs. They put out a bounty on any information pertaining to his capture and everything. It was good money too so I thought, hey why don't I put J in another situation he can wiggle out of like always (and he'd wiggled outta worse before, so I thought this one'd be relatively mild), and at the next boardgame night (cause it was too late to do anything special for this one) we can buy some extra strong booze and get absolutely blitzed while having a giggle about the situation.
Boardgame night, and we were playing some social deduction nonsense or another and he says: "One of you is gonna betray me tonight." and I can't help but think, looking back on it, that he knew. It's stupid, I know he was talking about the game, but the way he said it, it was like he knew. We all felt it, and we had a big round robin round the table taking turns promising that we'd never betray him. And I said it so easily cause I thought it was true. Sure, I was gonna talk to the feds about a bounty; but, I fully expected my big beautiful oily boy to wiggle his way out of the trouble I was 'bout to cause, and that's not a betrayal. I wasn't lying. I didn't think I was lying.
My big beautiful oily boy didn't manage to wiggle his way out of it. They killed him and I got my blood money. He's gone.
He's gone and I'm devastated, crying, mourning. I loved him so much. We all did. And I can't stop thinking that it's my fault: that I'm the reason he's gone. and it is. and the guilt is eating me up inside. and I just need to talk to someone about it. So, I tell the rest of the group what happened in the group chat, hoping they'd understand that I didn't want this. I didn't want the government's blood money. It was supposed the be a prank. some joint enclosure enrichment. He was supposed to wiggle out of it like he always does... did, i mean.
They call me, among worse things, the asshole and kick me from the group chat. And, I know it's my fault he's dead: I know that. If I didn't do what I did, he wouldn't be dead right now. But, I didn't mean it for it to end up this way. He was supposed to be okay, damn it. I loved him. AITA?
What are these acronyms?
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So I just finished ACOTAR like okay, I kinda sorta *guess* Tamlin thinks he loves Feyre but honestly? Not a fan, not my ship. I am spoiled for the second book lmao oops tbh I LOVE RHYS THO????? Gonna see if I can force my bf to cosplay as him hueh hueh hueh
Love Lucien, he deserves SO MANY PETS MY FOXBOY OMG SOMEONE PLS GET HIM A HUG AND SOME MOLTEN CHOCOLATE JSJDISHSHS screaming screaming screaming I don't find him hot because my dad's ginger and I automatically affiliate all redhead men w/ my dad but I LOVE that he's constantly a 3rd wheel.
Rhys? Yes. Give. Me. More.
And ALICE PLEASE COME BACK TO THE STORY??? HER NEPHEWS??? SOBBING. GIRL GET YOUR HAPPINESS
Criticism: not a huge fan of the biological essentialism with the whole "mating" shit but I'm willing to put it aside because everyone fucks all the time anyway and it seems like you can fuck off and ignore it ig? Still not great, gonna keep reading (listening tbh) anyway.
Also I'm listening to these partly at work so really hoping none of the teary-eyed shit happens while I'm at the office (or the *spicy* 👀)
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A Persuasive Argument - dpxdc
"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."
"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.
"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.
"Precisely! What better time to talk to you all than when you're all actually here!"
"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.
"I'm afraid I've lured you here under false pretences, Tim."
"This is where I live."
"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"
"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"
"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."
"So? We don't need Jason, I've read the Sparknotes."
"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."
"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"
"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"
"No, no, please go back to that, because what the fu—"
"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"
"Oh, yeah, Mr. Wayne! Thanks!"
"Please, call me Bruce."
"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."
Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.
"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."
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you know how eventually you can cobble together the plot of media you don’t actually engage with from following fans on Tumblr?
that has never happened for me with...god I don’t even know what it’s called. The Locked Tomb? Harrow The Ninth? Death And Gay And Death And Gay And Memes [five-hour guitar solo]? this is the degree to which I genuinely have no fucking clue about this book series: I follow multiple hardcore fans, and I do not even know its proper name
plot? oh you want to know the plot? I could not have less of a clue what the plot is. none of the information I’ve learned- and there’s been a lot of it - has gelled into anything cohesive in my brain
I know there’s necromancy
I know it’s Deeply Really Truly Incredibly Sapphic
I cannot tell if it’s set in alternate universe (because that would make the most sense given the snippets of worldbuilding I’ve seen) or Earth’s future (because Memes apparently???)
I know some people have numbers after their names? but it’s something to do with numbered clans, not their ancestors having the same name?
I know The One Gay Death Lady Is Based On A Barbie From The 80s, Physically
(they are all Gay Death Ladies, it seems)
at this point I refuse to google it, even though I easily could. I have too much fun reading posts like “omg when Sapphia Dodecarius used Alex’s blood for the ritual to raise the dead king after they fucked with a strap made from his rib I couldn’t even” with absolutely zero context
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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