unstoppable force (Adam’s canonical teacher kink) meets immovable object (Gansey being a professor’s soul in a teenagers body).
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Have accidentally created this dynamic between my Dark Urge and Astarion
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was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.
and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.
because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"
and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.
and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.
and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.
so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.
and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?
and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3
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Happy Valentines, Akira.
Happy Valentines, Asshole.
If you can’t read what Akechi’s secondary inner-dialogue says cause I obscured it too much behind his regular dialogue, here’s a transcription in panel order:
Hello, you fucking-
Ah- Hello, Akira!
Fuck off, why should I tell you-
Just a soda- there’s a new flavor.
I don’t want your shitty gift.
Oh- haha! You’re so sweet.
I hope I choke.
They’re lovely, thank you.
Like hell.
Likewise.
There’s no way it’s just a coincidence.
Still though, it’s a funny coincidence.
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listen I know everybody makes Orpheus and Eurydice quest aus of Nico bringing Jason back BUT we already did Orpheus and Eurydice in canon like at least three times (Nico bringing Percy to the Styx, Nico bringing back Hazel, and Piper in general is Orpheus as an Argonaut) AND we are missing the much simpler canon-established method.
Remember the whole soul-trade thing Nico was doing in BoTL that got dropped completely? Even though it was like the entire subplot with Minos?
The requirement is a soul that has cheated death for a soul that has died. Now, quickly ignoring the convenient emperors running around who very much cheated death and the entire main conflict in TOA is Apollo trying to get rid of them. There are a ton of escaped souls from the whole Doors of Death/Thanatos getting captured thing. They're just kind of around. A lot of them were in the Giant Army but not all of them and a good number of them are random mortals and they're just. Somewhere.
So that's two loose plot threads: Nico is 100% fully aware of a completely Underworld-Legal method for bringing people back from the dead and there's an absolute ton of random souls-who-cheated-death running around who knows where completely unaddressed. Also, we know from BoO that Nico has changed his stance since BoTL and is now completely down for some murder.
Now, is there a very compelling plot within there about Nico and his sense of Underworld justice/Nico's morals and how he views the situation (insert the "That word ['please'] didn’t make sense to Nico. The Underworld had no mercy. It only had justice." quote from BoO of Nico killing Bryce while he's begging for mercy here.) vs Jason's own sense of justice/morals and the knowledge that Nico 100% actually murdered somebody to bring him back. THAT'S FASCINATING. It's a good conflict for a story and it ties up loose threads! We don't need to invent new mechanics the worldbuilding writes the plot all on it's own.
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Is this what Happiness is?
- hey so I haven't seen an interpretation of the bar scenes in Half that I fully agree with, so I wanted to throw my own two cents out there into the void and pray that it makes sense !!!
so, in the bar scenes in Half we see what I interpret as a hangout with old friends (or, hangout with old friend + his wife.) These scenes used to be the biggest piece of evidence for the cheater theory, but now that that's been debunked by the man himself, I have a new way of looking at them
~ before I go any further, I just wanted to say that I'll be calling the brown-haired woman whiskey for simplicity's sake
In this scene, Kazui turns to look at Whiskey, saying the lyrics:
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
With my guess (cuz that's really what it is there's no evidence for it) that Whiskey is the Bartender's wife i think this scene is Kazui being conflicted with what he's been told is true, that marrying Hinako is "true love", versus what he feels is true, that marrying Hinako has brought distance into their relationship.
He looks at Whiskey, a woman happily married, and wonders why his relationship with Hinako isn't like that.
~ shout out to @prisoner-000 for the following screenshot
in this post he points out that Hinako and Kazui's rings are silver in Cat, not gold like they were in Half, yet Bartender's ring colour stays the same.
For the sake of this writing I'm going to go with the first meaning they put out, that Bartender's ring is gold because his marriage is genuine.
But wait!! I hear you ask. This is Half and Kazui's ring is still gold in Half!! EXACTLY MY FRIEND!!
Kazui's ring IS still gold in Half because at the time of these scenes he's still fooling himself that this relationship is good, that he will eventually garner real romantic feelings for Hianko.
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
Remember this lyric that plays during the Whiskey -> Hinako scene. You know what other scene in Half this lyric reminds me of?
laughing together, side by side,
this distance in our relationship is misleading me,
is this what happiness is?
He's beginning to doubt if what he believes is true, he's beginning to believe the feelings telling him something's wrong (and remember, the scene right after this one is when he confesses (?) his secret to Hinako) ARE infact true, and that maybe the logic he's been following for so long has a couple holes in it.
I think these scenes are meant to show Kazui gradually realising that his relationship with Hinako will not work out. It just won't, no matter how hard he tries.
He's able to laugh together and talk with Whiskey because she's his friend, yet he can't do the same with his own wife? Even though, according to his gold ring, their relationship is supposed to be real and true and genuine?
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thinking abt the fact that whenever anyone tries to tell merlin that he's just arthur's servant and he has no reason to care about him as much as he does, he's so quick to be like "no actually he's my friend" but then whenever it's the other way around and someone tries to tell him arthur cares about him too, he's all "no im just his servant"
these two are from the SAME episode
~~~
:((
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this makes so much sense, i'm crying
there's also this similar theory which is based on phantom parade's scene and the number of characters the censored line has that reached the same conclusion. everything adds up :')
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thinking long and hard about serizawa telling reigen that he’s in love with him unplanned with no expectation of his feelings being requited bc something makes him realize that reigen needs to know that he’s loved. like, seri makes the decision to say it fully prepared to ruin the partnership they built bc he can’t bear thinking about reigen not being certain that he’s treasured and wanted.
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hello hello! I hope you don't mind me dropping by but I just want to say I love your art so much, the way you draw vashwood is just so sweet and tender but can I just ramble about the way you draw Vash especially? More specifically, the way you draw his expressions when he's looking at Wolfwood???
I just LOVE the way you draw Vash's expression because the way you make him look at Wolfwood is so soft 😭😭😭. There's just something about it that's so tender, like whenever I look at Vash's expressions in your art I just think "that is genuinely someone who loves another person with all their heart" and it just mends and breaks my heart at once, you capture Vash's love for Wolfwood in ways I can't explain 👏
It's unbridled love mixed with the fear of hurting Wolfwood in their relationship. It's wanting to spill so much affection but holding back in fear of messing up. He looks at Wolfwood like he's longing for him so earnestly be it pre-relationship or even when they're already dating it's just so??? 💕💕💘💞💖💖💞💕
There's just something so tender and heart wrenching at the way Vash looks at Wolfwood in your art, it gets me really emotional and I hope you have a lovely day/night for real <33!!!
ouuuuu thank you so so much for your kind words and for taking the time to tell me this T_T !!! i'm glad my expressions for vash's longing gazes at wolfwood is well done enough to have this sort of response to it…
he's the kind of person that has to hold back in both words and touch when it comes to love, when it comes to wolfwood, but i think it's a difficult emotion to restrain, especially when wolfwood is kind enough to let it be.
ultimately, what they're allowed to have is the inevitable shared spaces during their travels, it's the other's physical presence, being next to wolfwood, being able to take him in through the way he simply exists. smelling smoke, seeing smoke, seeing the cigarette between his fingers, seeing the crosses littered across his person, the rosary snug around his neck, his scruff at his chin, messy bangs, messy hair, tired eyes, the canine that peeks when he speaks, and a voice carrying heavy words, but honest, and kind, and one vash could never get tired of hearing, like how he'd never be tired of just looking at wolfwood.
it's of gratitude, it's of sorrow, it's of grief, it's of love, praise, adoration, it's desperate and it's full of yearning. at first, it's a gaze he feels he has to be satisfied with until he's learned that he's allowed for more and at that point, when wolfwood has given him so much, how could he look at him in any other way?
in any case, i def like to make it known and parade around vash's deeeeeep deep deep feelings of love towards wolfwood, so i'm very happy to know i can express that clearly through his expression alone. i Also just love wolfwood so maybe the projection goes from the heart of the artist to the heart of the art.
i ended up collecting a few caps of his expressions just out of curiosity for myself :3 i have much to improve still, i'll keep on drawing vash's loving self until i can get the ultimate loving expression down!!
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Slamming my head against the wall god fucking DAMMIT I'm so in love with Sanlu I am GOING to explode.
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Asexual Aromantic Senku Ishigami and his gay, common law married best friend and roommate Gen Asagiri who travels for his job
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GUYS. GUYS. 😭😭 Chongyun and Diona development, holy shit. Groundwork laid for more exploration of Chongyun's pure-yang spirit at some point, but anyway AAAA- he's finally becoming more appreciative of his condition, seeing it less as a curse, and perhaps a blessing, because of the possibility it was borne from love. His intense emotions, his ability to be the warmth in spiritual shadows, he's grateful at the idea that it's all borne from love, man. I'm. So normal right now. That was so beautiful. The music in that cutscene gave me chills.
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