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#nothing but praise here
guardianspirits13 · 4 months
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Ok. I’m still trying to gather my thoughts and settle my hyperfixation after episode 3 of the Percy Jackson show, but one of my conclusions is that this is one of very few adaptations that actually understands the term ‘adaptation’ and furthermore what makes one successful.
On a fundamental level, understanding and respecting the source material is a must. You need to not just know the bullet points of the story, but you need to know the ‘why’s’- why does this story need to be heard, why do people like it, why does it stand out from the others in it’s genre, etc.
Second, you need to deconstruct the source material and piece it back together in a way that makes sense for the new format. Copy-pasting almost never works, since there will inevitably be discrepancies between the readers’ imagination and the adaptation that can distract from immersion.
Third, you need to provide something new. Why does this story deserve to be told in a different format? What can this add to the original themes of a story? What can we change to make the message come across more on screen? Will this dialogue really be as funny when it’s said out loud?
We’ve seen a lot of terrible “adaptations” of animation and books and musicals into movies/tv shows, and I think even among the better ones there is a dissonance between the desire to stay faithful to the source and the desire to make a good adaptation, with whatever changes that may necessitate.
I think while we’ve watched the casting of this series, the hints here and there, and final the premiere with bated breath, they’ve been playing the long game. They cast Walker as Percy before he was in the Adam Project. Many people expressed…unsavory…feelings when Leah was cast as Annabeth, but those of us that trusted the team behind this project- including the author himself- did our best to welcome her and were repaid tenfold with her performance in this episode particularly.
Most of the scenes in this episode were not at all how I imagined them in the book, but I adored it. They took what they were given and expanded on it. They created a mini-arc for the trio learning to trust each other. They gave Medusa a labyrinthine lair. Annabeth is a 12 year old walking into a convenience store for the first time in 6+ years with $200 in her pocket, of course she’s gonna buy as much as she can carry.
The love and care and artistry that went into this single episode brings me so much joy and gives me so much hope. Like I was already excited for a faithful adaptation, but seeing these characters come to life on screen, once you see their chemistry with each other and how they speak and push and pull at each other’s emotions, it has never been more clear to me the amount of care and foresight that went into this show.
Rick said that these kids are the characters he created and for like 2 years I’ve trusted that that was true, but today it was proven beyond the shadow of a doubt.
I am just…in awe.
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cochineal-leviat · 5 months
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Sweet Dreams, Stardust
Okay, so I have a lot of feelings about In Stars and Time. But let me say first, wow, this game irreversibly changed my brain network. For anyone who is considering buying this game, please do. I don't think I've had a story touch my heart and mind like this for a long time. And that goes without mentioning the stunning visuals and entertaining battle system. (Be careful, though, because this game handles heavy topics regarding mental health)
If you're still hung up on buying it but are curious, there is a free demo on Steam if you like to try.
Thank you, @insertdisc5, for this gem of a game. I will be turning it around in my head like a microwaveable gourmet meal for months to come.
Technically the illustration has no spoilers (unless you count Siffrin having a good nap as a spoiler). But I will be going into heavy spoiler territory under the keep reading since I need to get my thoughts on this game off my chest.
And a monochrome version because you know me, I can't help myself. Even in black and white art pieces, I will put in some colour.
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And a very tiny Loop
Initially, I was going to do a piece with a theatre stage and the cast (Siffrin, Mirabelle, Isabeau, Odile, Bonnie and the head house maiden) taking a bow and finally leaving the spectacle to a life not controlled by a script and Wish Craft. But it was more fitting to put my feelings into creating a peaceful scene. Like, oof, I needed this very badly. I used sepia to make the painting warmer and added some more details like headcanons. The stars/colours might be remnants of Siffrin's transformation. Or maybe they were always there, but he never paid attention to it. Who knows.
I'm going to keep this brief. Otherwise, this post will take way too long.
I adore Siff's character. It's perfect for a game and narrative such as this. I saw a post not long ago on Tumblr going into depth about how their role as the rogue and not the hero works so well, so I won't linger on it for long. But how they would rather listen and fade into the background perfectly aligns with the player's experience of being the silent observer. (And the nodding off that changes into zoning out. It took me way too long to realise that small but essential narrative change) Oh, and the portrait change! It flew over my head until I was staring at the game menu. I was so confident Siffrin had a mischievous grin and not a frown. I always feel slightly surprised when the party asks for Siff's opinion or mentions that they have been too quiet. I felt Siffrin's excitement like my own when he got excited at finding clues to end the nightmare they were in. So I knew it would end up falling on their face because they were too excited. I just had this bad gut feeling the whole time during Act 4.
And oh boy, speaking off acts. I thought it would have been the standard 3. Boy, I was wrong. Whenever I felt I was nearing the end, I was thrown back at the start with more mysteries than answers. It made exploring the game intriguing since there is almost no information about it online (at the time of writing this post). There is the Discord, but I didn't know about it until I finished it.
This game has a lot of secrets, and I had a lot of fun uncovering them. The looping mechanic works so well in discovering little details and further leads. (even though my stubborn arse kept trying to do everything in the least amount of loops as possible. I thought the ending would be different if I exceeded a 100. My final number is 59. I am still not sure if I should be mad about it not being a rounded number like 60 or that I went over the 50 threshold)
However, it is a good thing that only some mysteries were solved. Like, what's up with colours in this world? Everyone sees in black and white, and the idea of shades and colours is only spoken of in scientific studies. They do exist and are not a part of the disaster that happened to Siffrin and their land. But there is definitely something mysterious about it. I adore how the dialogue reflects this, as the characters do not speak of shades or colours. Isabeau expresses surprise to see a streak of red colouring the sky in Act 6. It makes you think about how colour is perceived and how you describe it. (The lore inside this game is immaculate. I eat this shit up)
We never find out the name of the country north of Vanguard or what it was like. We can only infer that the beaches had black sand, with shells that shine like stars, high-reaching mountains, forests and plains. Which is vague and yet intriguing enough to make you wonder. It connected me to Siff and King because I also wanted to know. I was desperate to know. I needed to know. But in the end, we never will know because that is not the story's point. Siffrin even says in the game, that King should let go because he is hurting everyone and everything, including himself, in his desperation to preserve Vanguard. This is all the more ironic when Siff accidentally does the same with his family and the loops. I might gush more about what the country might be like and their technology in another post. This game makes me want to theorise. This is the first time I've wanted to write and post theories. ISAT fucked me up good.
Which, by the way, was genius. Siffrin and King are mirrors of each other. Siff does not have King's disastrous ambition, but their love/obsession will be the downfall of both of them. They have more than being each other's countrymen in common, and I imagine Siff despises that.
I love the fact King's question to Siffrin before the showdown was/could never be answered. Usually, in a game such as this, you must figure out how to solve everything, especially for the big bad. But that was never the goal. King is a delusional monster who will not stop before achieving his dream. He will raze everything to the ground and hurt many people because he must succeed. It is what he desires. Nay, the universe wills it. What a witless excuse that can easily be made into someone's truth. Especially to somebody who is driven mad with grief.
How King's character's done is so excellent. Because, at first, I wasn't scared of him at all. He was just the big bad, and I felt nothing much but the glory of victory when Siffrin outsmarted him by looping and making sure Mirabelle learned the shield spell that would protect the party from freezing in time. But each time you fight him, you get more frustrated until Siff figures that talking to him might be fruitful. It does, but unfortunately, you and Siffrin leave yourself emotionally and mentally vulnerable. King stops being a one-dimensional villain and changes into an actual person. Someone you can sympathise with and possibly mend peace with without fighting. You and Siffrin opened his heart for a kindred spirit and got hurt.
King stopped being a monster and became human. And while monsters are wretched, humans have intent behind their cruelty. I felt so betrayed, so angry, but most of all - terrified. I felt it when Siffrin spiralled when fighting King again after their actions caused such a catastrophic turn of events for Bonnie. Every time after that, the fight with King felt tense and nerve-wracking in a dreadful way. Because even victory could not soothe the dread I felt. (The track 'It's finally over" will forever haunt me. I already feel anxious whenever it cycles to that when I listen to the playlist)
He was not, however, the final villain, even though everything that happened was King's fault. You were always your greatest enemy (or Siffrin in this case, since you are supposed to be Siffrin). I never could have guessed that the whole reason why Siffrin could not escape the loops was because Siff accidentally wished to never let go of their friends. This reminds me of Modaka Magica, where (spoilers for the OG anime) Homura goes back in time so much that the universe ties itself around Modoka, making her a waiting egg whose wish and magic will be massive when she becomes a magical girl. The one thing Homura was trying to prevent.
(Siffrin and Homura are identical in that sense. Shy characters who are loyal to a fault but are rendered into something cold, bitter and cutting by their traumatic experiences. Only Siff has people who care about them and would do anything to save him, too, whereas Homura never lets go, making the world a worse place to live in. Yes, I did go into doomed Yuri. That anime lived in my mind rent-free in my mind for years)
The Head House-maiden not being the villain was also a great touch. I am used to the apparent antagonist turning out not to be the big bad and the trusted, friendly character ending up being the evil one. Twist villains no longer work when everyone expects them to be villains.
That was my biggest theory as I played. The second biggest being that Loop is someone who enjoys Siffrin's suffering. I am so glad that was also not the case. They are apathetic but not cruel. Never intentionally, anyway. They were like the player, urging Siffrin to go deeper into the mystery to solve it. Ultimately, I chose and made cold and cruel decisions simply because I wanted to see what would happen. So yeah, I warmed up to this cosmic star thing as the game went on and even started trusting them. Act 5 really is a punch in the gut. I am so sorry, Loop. Thank you for coming through in the end.
Oh man, this is so long, and I haven't even gone into the main cast. I will leave that for another post. They are such great characters, as are the people of Dormant and the House. (Don't think I don't see the wordplay in this game. Very clever)
Going into this game completely blind was the best experience I could have had. I felt anxious, happy and scared so severely that my neurons were rearranged. I don't know if there are more endings (aside from the obvious action of attacking Odile in the True(?) ending of the game), but I am taking a break from it to make art and write for this game before I dive back into despair-o-land.
Anywho, thank you for coming this far and reading my ramblings. Have a fantastic day or evening further! o(*'▽`*)ブ
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bonebabbles · 3 months
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I keep starting and abandoning posts that go into my drafts, as I try to stay tasteful about how fucking revolted this part makes me. Like, I'm legitimately unsure if the very relevant trauma I have is making me see things that aren't here
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But first we see that Star Flower is trying to ingratiate herself to the group, just after she reappears from chapter 5. Chapter 5 is about how Clear Sky is still abusive towards his son, and she comes in after stroking his ego, stressing how alone she is, and appealing to how she'll be loyal unlike his child. (She glances over at Thunder, directly implying this.)
Now in Chapter 9, she's babysitting and trying to care for Milkweed's kits (in spite of discomfort from Milkweed), taking a wet sleeping space away from the others, and pulling more than her own weight "without complaint." Putting herself through harsh sitations to prove her worth.
All while trying to appear extra attractive to Thunder, and later Clear Sky. Basically every man in power who can "protect her"
Like, am I going fucking crazy? With how we later find out that Star Flower was "promised as a mate" to One Eye's subordinate Slash, is... is that hypersexualization? One of the extremely stigmatized symptoms of sexual abuse?
She goes to find Clear Sky alone to throw herself at his paws, and he's very quickly attracted to how she promises to perfectly obey him, have no needs of her own, and finally be the perfect servant that he desires
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"I don't deserve your trust because I am dirt. I understand you because I also regret something. I'd die for you. I'll never betray you unlike those who have."
This isn't manipulation. She means this. The story is playing their romance sincerely. She's comparing "betraying" Thunder by telling her own father about an assassination ambush to Clear Sky's history of child abuse, physical assault, and murder
She believes she's on the same level as this; a monster who murdered a childhood friend in a fit of entitled rage. She was a victim of One Eye who really believes that the way her father used her means she "understands" this monster, deserves this treatment.
And Clear Sky LIKES that.
He likes that she will have COMPLETE FAITH in him. That she will follow him WITHOUT QUESTION. That she will OBEY his orders. That's fucking verbatim, that's THE TEXT!!!
WHILE HE'S STILL CRYING ABOUT "ive tried to atone every day" FOLLOWING THE LAST TWO BOOKS WHERE THE ONLY SHITTY THING HE DOESN'T DO IS MURDER INNOCENT WOMEN
Am I insane?? Am I wrong??? Am I missing something here???? Why the fuck is the fandom takeaway "haha sexy girl steals his dad." Did I read the same book
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lunar-wandering · 8 months
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I genuinely think so many people have forgotten the fact of "there are no toxic fandoms, only toxic people".
When fandoms get big, of course the amount of people u want nothing to do with is also gonna get bigger.
Youre not meant to combat them. Youre not meant to talk about them and expose others to them.
Youre meant to block them at the first signs and continue to enjoy your experience interacting with other people.
Kill the weeds, don't let the seeds spread, reap your wheat and enjoy your bread.
#this post brought to you by#me yet again seeing a 'x fandom is awful and toxic'#whilst ive experienced nothing but joy + made most of my current friends through said fandom#im part of that fandom. youre part of that fandom. that fandom brought us together.#you would insult something that created something so beautiful?#just because theres some assholes ALSO in it???#i just. i cant STAND it#its such a fucking generalization#im so fucking tired of 'fandoms are bad' mentalities#yes theres some assholes. most of us dont want them here either#yes theres people being 'cringey'. leave them alone theyre just having fub#fun#fandoms are a COMMUNITY#of people brought together via a common love of one thing#we praise fanfic and fanart for being so creative#but those only truly exist because fandom does#u cant love one and then blatantly insult the other#jeez#im just. i get so depressed when i see those takes#its like. sometimes some of these takes really just give 'people cant have fun anymore'#and other times i see a 'fandom bad!!' take and im just like#u do understand fandom is a community that YOU are meant to build right?#its like how people tell people to curate their dashboard. fandom is the same#block the people u dont like. dont engage with drama. dont make callout posts.#(if u must u can PRIVATELY inform your mutuals if theres some asshole in the community)#fandom is meant to be FUN. A discussion of what people love and an exchange of arts#not continuous arguing over what hcs are correct and stuff#just. god. fandoms arent awful. thats like saying all humans are bad.#just block the assholes. let people have fun. and enjoy yourself.#those are the three rules of fandom.
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Alenoah, where Noah cares about Alejandro, more than Alejandro's family did:
Noah: I will now torture you.
Alejandro: Kinky!~
Noah: I think you are brilliant and beautiful.
Alejandro: Wait!
Noah: You deserve to be cared for and loved, despite your mistakes.
Alejandro: No!
Noah: Your feelings and needs are valid, and deserve to be heard.
Alejandro: I need a safeword! 😳
Real.
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theloveinc · 5 months
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yandere!bakugo, essentially, TO ME, is just: "If you're good to someone, there's no reason they wouldn't love you. So i'll be good to them, even if it's by force."
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fiapple · 1 year
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society if dc hired a writing team of colour who could acknowledge the racial coding of starfire & raven, explore vic's status as a Black man in modern america who's specific disability further means his body is going to be read a certain way by certain people no matter what he does, along with potentially finding a way to sort through the racisim + fetishization that went into prior depictions of dick's heritage:
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sunflowerjune · 5 months
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Had a thought sparked from today's sermon. (it was about the magnificat and it was great!)
The OG teenaged girl chosen one is Mary!
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daz4i · 7 months
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i will admit . i am scared
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maddy-ferguson · 5 months
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thinking about the haterest tweet i've seen this week that said rachel being on the 30 under 30 list but not ayo is crazy one of them was so much better than the other in bottoms when she (ayo) was literally one of the judges and was on the list last year...
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nostalgia-tblr · 1 year
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So I am ostensibly doing Fic Research by rewatching an episode of telly and re that post about Depressing Sylvie Headcanons I think it is probably correct and Sylvie no longer speaks Asgardian, for I def got the vibe that she has no idea what the words to that song are.
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Meanwhile, look at the stance, look at the swagger:
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This 'serenading the lady (or gentleman, or whoever) to win them over' technique has worked before and is expected to work again. That's confidence. Misplaced confidence, but it's still confidence.
However:
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Oh no, the lad is smitten. Caught in your own spell, you idiot. You fool. You protagonist who will be heartbroken a few episodes from now.
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xiaoalexy · 11 months
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NO SHUT UP BARBATOS PRAISE ME MORE
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mukuberry · 2 months
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its so hard to not call my milgram plushies slurs whenever i see them
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bugbxyjunk · 9 months
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the only thing that keeps me going in the school year is academic validation
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