#october 6 1963 issue

[deke-rivers-1957]

It Happened at the World's Fair Review

It Happened at the World's Fair expands on what was introduced in Girls! Girls! Girls! (which came out after World's Fair filming started). Taking inspiration from Blue Hawaii, this set of movies are music heavy, have colorful scenery and involve Elvis having to work with child actors. The scenery in this case is the real life world's fair. The 1962 World's Fair in Seattle opened in April and closed in October. With a very limited timeline, it was very important that the movie comes out before the novelty of the fair is gone.

Because this is an actively operating fair, there were many issues involving crowd control. It's a major reason why filming didn't even start in September when most children started school. Naturally, this posed a problem because this meant despite making the movie as fast as possible, it still came out in April 1963 (6 months after the fair closed). Despite the logistical issues, does this movie capture the beauty of the World's Fair while balancing its plot, or does it take a complete nose dive because of the rushed production? Let's find out.

To start with, I'm not a big fan of the title. I get you need to highlight the World's Fair but it's a bit clunky. Might I suggest "World's Fair Wonders"? This opening song is forgettable. "Beyond the Bend" sounds like a rejected version of "Ridin' the Rainbow" from Kid Galahad. Since those two songs have the same songwriters, I get the idea that they repeat melodies to make up for the extra songs. After all Kid Galahad (at the time the last movie the songwriters worked on) only had 6 songs while this movie now has 10.

Elvis singing while flying a crop duster feels dangerous since it's obvious he's distracted. He looks goofy wearing those goggles and just seems out of place. We immediately get jokes with Elvis being a pilot claiming he can't see the barn. It's a joke as old as the Three Stooges. Elvis is so irresponsible that he flies the plane practically next to the road just to flirt with some girls. They almost crash into some telephone wires and I wonder if Paradise, Hawaiian Style was inspired by this scene when they did the helicopter scene with the dogs.

Surprisingly for a cliche womanizer, Mike is financially responsible. It isn't much but it does give him some depth. Given how he almost crashed the plane because he was distracted by women, it's impressive that he that it's not his entire character. As to why he doesn't take the money with him, I have no idea. I guess you have to assume that Mike doesn't know Danny had access to his hiding place.

So he goes to meet one of his girlfriends, Dorothy, who we never see again. They're making out on the couch while Dorothy wants to push away to get some iced tea. But Mike insists on keeping the action going. I know out of context "Relax" is a steamy song, but I wonder if it was intentional to make Mike so pushy. Because he's always touching Dorothy while she pushes him away and does everything she can to get away from him. He pulls stuff out of her hands and it's just creepy.

Her parents come back and I'm very confused on why Dorothy's dad is so upset. Unless we're assuming that they have never met Mike in their entire lives, it's very strange to react like that. At least seeing Mike run for the hills gives us a little chuckle as if to say "yeah he had it coming". The whole scene is just random as we didn't need to emphasize that Mike's a womanizer. The opening scene already tells us that he's a flirt. Since Dorothy doesn't even come back, it just feels like a scene where you go "ok that happened" as it came and went without adding anything.

Mike somehow catches up with a now broke Danny. After multiple bad hands, Danny can't pay his losses to some guys including a Red West cameo. A fight breaks out in the office and I don't think I've ever seen such an ugly scene. That gives it a bit more realism. You don't expect regular guys to have the punch of death. It's supposed to be ugly and brutal and it's not completely unrealistic that Mike and Danny win long enough to get away in their plane, Bessie.

The duo lands in Sherrington where they find out that because of the many debts they have, the sheriff "boots" their plane. He takes away their keys and gives them the ultimatum: pay the $1200 debt in 2 weeks or their plane goes up for auction to recoup the money. That's a pretty good set up for a conflict. It doesn't involve Elvis having bad luck, but instead relies on his friend having a realistic character flaw in the form of a gambling addiction.

Penniless and stranded, the duo tries to get a free ride into town. For how expensive his suits were, I'm amazed they had Elvis walking down the road in it. At first a car with a couple women stop but they only wanted Mike's lighter. I'm not sure if it was meant to be a joke or a narrative device meant to make the audience feel bad for them. Personally I don't think it does any of that. I didn't think it was funny and the "pain" they endure from the bad luck doesn't last long as they immediately get a ride. It makes me wonder why it was even added since there was no indication that a long period of time passed.

We get introduced Mr. Walter Ling and his niece Sue-Lin. I love this family. It's obvious that this is an Asian immigrant family which is very realistic for this part of the country and the time period. Despite Mr. Ling's actor being Chinese and Sue-Lin's actress being born in Manila (which is in the Philippines), it's actually not that bizarre. The Philippines does have a Chinese population so you can easily assume that Sue-Lin has some Chinese ancestry. For the time period, I'm so glad that this family is depicted as real people as opposed to stereotypes.

They drive to the World's Fair and I love the real backgrounds we get because of it. Mr. Ling being a delivery driver makes perfect sense since there are plenty of farms around the Seattle area. He can make extra money to be able to afford going to the fair. Sue-Lin has Mike try to explain what she might see and we get a decent song as "Take Me to the Fair" is a whimsical tune. I love Sue-Lin as a character. She isn't a generic cutesy girl character. We get genuine depth by showing that she's able to understand Chinese when her uncle is talking on the phone. When she finds out that uncle Walter has an important job and can't take her to the fair, she's naturally upset. It's not done in an over the top way where she has a complete tantrum. She understands that uncle Walter needs to take the job, but she's of course disappointed. Her realistic reaction only makes you appreciate Mike when he at first begrudgingly agrees to take her.

Mike's distracted by woman and we get it he's a womanizer. They could've just had him be absentminded because he's worried about finding a way to get money. But I do love how we see Mike and Sue-Lin interact with the real exhibitions such as the monorail. It gives you a special perspective that goes beyond a soundstage and shows just how big this fair is.

We get a Joe cameo as the man who gives Sue-Lin her red dog. I love the montage of them going around the fair. It's a wonderful showcase of what was there in case the viewer never had a chance to go and for younger generations who might not even know about the fair. Plus we get to see Mike warm up to Sue-Lin like he's taking his own daughter or niece to the fair. I can believe a change like that can happen in a short period of time. Unlike a romantic relationship, you don't need to have a lot happen to get along with a child. And it's not like Mike hated Sue-Lin as they got along on the truck ride.

It's really incredible to see just how much you can do at the fair for what doesn't seem like a lot of money. If only this was made earlier as it would've been a great way to promote the movie. After one too many treats, Mike takes Sue-Lin to the fair's nurse station. While Sue-Lin's being treated, Mike starts talking to himself and looks distractingly tan. When the nurse comes in and sees this he naturally can't help but flirt with her.

He pretends to have something in his eye and it's shocking how unapologetically pushy he is. I love how Nurse Warren rightfully calls him out on this. You really feel uncomfortable for her since it's relatable to have a man flirt unwarranted. Sue-Lin feels better so the two of them leave. Mike looks smitten and I have no idea what's meant to be so special about Nurse Warren. Because unless he thinks she's just playing hard to get, they have literally no chemistry.

I love this song. "They Remind Me Too Much of You" is such a beautiful ballad that if it wasn't for the fact that his first interaction with Nurse Warren went horribly, it would be the perfect ballad. We never see a quiet moment like this in any Elvis movie. In fact this is the first time outside of the opening song where Elvis isn't even singing out loud. He's only thinking about it as Sue-Lin sleeps. Not a single word is spoken as we take in this moment of Mike reflecting about his feelings. It's easily the best scene in the movie as it shows that Mike is so much more than a womanizer.

Mr. Ling returns to pick up Sue-Lin and you really get the idea that Mike loved "chaperoning" her. Sure he does say out loud to Danny that he was more happy about meeting Nurse Warren, but I honestly think the movie should've skipped the romance altogether. Mike had more chemistry with Sue-Lin in that one montage than he ever had with any other woman. The scenes with Dorothy and Nurse Warren only shows how shallow he is with women. With Sue-Lin we see a different side of Mike where he grows to care for Sue-Lin like she's his own family member.

Danny manages to swing the duo a temporary home that was set up for people attending the fair. We get introduced to Barney "yoo hoo" Thatcher who Danny uses as his pigeon to get money. Mike talks about how to get with Nurse Warren and again all I can think of is just how shallow he is. Even if he does succeed, it doesn't feel satisfying here because it doesn't feel like he'll change.

"One Broken Heart for Sale" is such an unnecessary song. We don't need to be bashed over the head with the obvious fact that Mike is horny for the nurse. Mike doesn't even deserve to say his heart is broken. You can't say your heart is broken just because someone you just met didn't reciprocate your pushy behavior. It doesn't add anything and just feels so out of place since you also have the other old men magically know what he's singing. Just shows how even the best songwriters can have duds if they're not in the right context. It's a shame because Otis Blackwell and Winfield Scott have had great successes with Elvis.

We cut to the next day as Mike has a ploy to get Nurse Warren's attention. He pays a boy, played by an uncredited Kurt Russell, a quarter to kick him in the shin. I love how as Elvis screams in pain, you can see people in the background turn to see what happened. That's a sign that this was a genuine crowd and only makes the setting feel real. Given the extent of the actual injury I'm more amazed that the nurses didn't immediately call for an ambulance. If Mike supposedly can't walk properly that could possibly be a sign of a broken leg. Mike says he blacked out which if you're a nurse is a red flag. The head nurse even has him walk on it and you just have to wonder why they're doing this. They don't know Mike is exaggerating so they're doing a horrible job of insuring his safety when the head nurse suggests Nurse Warren escorts him home.

As Nurse Warren shows no sense of urgency we get pretty obvious rear screen projections as the two talk. Why are we doing this? Nurse Warren doesn't know that Mike's faking so why is she taking her sweet time getting him home? In fact, when Mike again lies about blacking out, instead of calling for an ambulance she instead helps him up to the real rotating restaurant. Why? A professional would've immediately called for an ambulance. You would never risk moving someone who feels that dizzy as you would risk causing them further injury.

His ploy seems to work though since Nurse Warren is in no rush to leave the restaurant. In fact based on the passage of time they've been in that restaurant for hours. Mike even sings a ballad about how he's in love with Nurse Warren. "I'm Falling in Love Tonight" is such a generic ballad that I have no idea why I'm supposed to support this budding romance. Nurse Warren falling for Mike is something I don't buy at all. If anything it's showing that so long as you get the girl, you can be as pushy and manipulative as you want. That's a terrible moral to have for what's supposed to be a family film. It'd make more sense if she's just going along with this until it all blows up in his face, but that isn't at all how it's presented

I do love how the extras have their own charm to the movie. These were legit patrons that had no idea of what's happening. Them clapping after Mike's song was real and I love it because it shows just how weird it is to have someone burst into song in a restaurant. Mike's ploy immediately falls apart as the boy from earlier comes back. He kicks Mike in the shin and I love the old man who's just like "oh my God what's happening". He looks realistically concerned.

As Mike tries to apologize to Nurse Warren, Sue-Lin rushes up to him. She tearfully tells him that her uncle didn't come back from a job. Given how she waited from 9 am to 3 pm for Mr. Ling to return, I'd say Sue-Lin handled the situation very well for a child. You always allow for some delay if someone's traveling because you never know what would happen. When it became obvious that something had to have happened, it's natural for her to be very concerned.

This is the most realistic acting from a child I've ever seen. A 7 year old girl possibly losing her only guardian is terrifying situation to be in. It really says a lot that she didn't go one of her neighbors since they were living in one of those temporary homes as well. In fact, I'm amazed that not a single adult noticed her wandering the fair alone and most likely in distress. It's like the movie wants us to believe Mike's the only adult in this movie who Sue-Lin can even trust.

He takes Sue-Lin home and the movie immediately got better again. Mike explains that he took every measure to make sure people know he has Sue-Lin. I love this as he could've easily been the buffoon that has no idea how to tell anyone that he's watching a child who would otherwise have no one. It seems like it's relatively late at night, so while you can question if Mike's doing the right thing, it's at least better to have Sue-Lin be in a safe space than drive around trying to find the authorities.

We get a sweet scene where Sue-Lin dresses in her traditionally Chinese pajamas. Mike even sings "Cotton Candy Land" as a lullaby. In the context that it's in, I know the lullaby is meant to be sweet, but I only get a creepy vibe to it. I'm not sure why but to me Mike singing it in a quiet voice and the music just makes me feel more scared than soothed. The sandman doesn't feel like this whimsical creature but more like a monster. I'm sure that was unintentional as I don't think it's a common opinion to feel that way.

After pretending to be sick so Mike can make up with Nurse Warren, she arrives to check out Sue-Lin. It's a bit distracting how the studio light casts a big shadow. You know that little night lamp isn't doing that. Sue-Lin tells Nurse Warren the truth and I'm amazed Nurse Warren didn't immediately raise an eyebrow. Then again this is the same woman who took what she believed to be an injured Mike up to a rotating restaurant when he said he was about to blackout. I can't take any expertise or authority a character like her should have seriously.

The movie clearly has no idea on how to handle their relationship as Nurse Warren starts to fall for Mike again when he serenades her. "A World of Our Own" is so unnecessary. Mike being nice to Sue-Lin and taking care of her doesn't eliminate the fact that he was pushy and manipulated her. The whole relationship just feels forced as I don't think this couple has any chemistry. Again there's nothing about Nurse Warren that makes her different since there's a clear difference between playing hard to get and having no interest. While the movie wants to tell you that she's the former, you really know that it's the latter.

Danny comes back from his card games completely drunk. You would think this would tell Nurse Warren that Sue-Lin living with Mike is a bad idea. But no. It's not even a thought that was uttered as she just drives home. How? She has the authority to report this to the authorities since Danny being drunk can lead to terrible consequences. Especially when you have a child in the home.

Danny meanwhile meets up with a guy named Vince who offers Danny a deal to fly up to Canada. Oh yeah they had a debt to repay. I almost forgot about that since that plot took a back seat to the conflict of Mike caring for Sue-Lin and the conflict of Mike getting with Nurse Warren. Vince outright agrees to pay them the whole amount that would allow the duo to get their plane back. So naturally you assume he's going to be the villain which can't possibly be a good thing since he's been introduced way too late in the movie to really do anything important.

Mike comes back from asking about Sue-Lin's uncle. We get a sweet moment where he watches her color before playing "How Would You Like to Be?" with the windup clowns. I love the song as it does serve a purpose. Mike is trying to cheer up Sue-Lin and it of course makes sense that Sue-Lin only sings along once she feels better. These aren't complicated lyrics to try to have a young girl learn so it feels realistic for her to join in. Her dancing along with Mike is sweet but the smirk he has does feel out of place. I would've used a different shot as out of context you don't think he's looking at a 7 year old girl.

A woman from Child Services arrive to take Sue-Lin away. Because after a couple days, now it's a problem for Sue-Lin to be here. The woman says "an abandoned child is automatically a ward of the state" which is a lie. Sue-Lin wasn't immediately taken by the police who had to have known she was with Mike. This whole plot point is terrible as it doesn't properly set up why now all of a sudden is it a problem. The woman claims that it was Nurse Warren who made the complaint which you immediately know isn't true. If Nurse Warren genuinely believed that Sue-Lin wasn't safe, that would've been conveyed in the previous scene. This is just terrible drama meant to turn Mike off of her. Also there's no way that woman from Child Services would straight up tell Mike who made the complaint. That would put the person who made the complaint at risk of retaliation.

This whole situation is gets even worse as for someone who's supposed to be in Child Services, she can't even keep track of one child. I understand that Child Services has a very legitimate job, but this movie doesn't paint them in a good light at all. Instead of taking this seriously, I just see Child Services as a joke in this movie. They're only now making a stink about custody of a child when not even the police mentioned it. Instead of making it a forced situation from the start, it was only "suggested" so I have no reason to buy this organization as legitimate. I can only think of the much later film Lilo & Stitch as it does a better job of setting up why Lilo could be taken out of the home.

So we have Mike now desperately trying to find Sue-Lin as he's the only one who would know where she could be. As irrational as it is that he wouldn't tell authorities where she would be, I 100% get it in this situation. The authorities have done nothing to prove that they are reliable. In fact, if Mike didn't find her, you already know Sue-Lin would just runaway again. It's really sad that a child feels more safe with Mike than the authorities meant to protect abandoned children. It's also frustrating that because of the situation, Mike's now being painted as if he's abducting her.

Mike and Sue-Lin manage to make it to the airport just as Nurse Warren arrives trying to find them. She tries to explain what happened but he naturally doesn't want to hear it. Mike is just so done with everyone as he immediately finds out about the smuggling scheme. I know that Vince being a criminal was going to be this twist but wow they really just dropped that fur smuggling scheme that quickly. It doesn't even give that much importance or tension as Sue-Lin actually does something by biting Vince's finger when he's holding them at gunpoint. A fight breaks out and again it's ugly. Just like a real fight between non-professionals. Mike at this point is running on pure adrenaline so it makes perfect sense for him to win. But it's just so anti-climatic because really? This is what you've been building Danny's subplot up to? This plot element of Danny being involved in a fur smuggling scheme is introduced and resolved so quickly that there's no point in it even existing.

They get caught by the police and it turns out Danny was the one who contacted Child Services. This is a stupid twist as there's no way he could've fooled the woman from Child Services into thinking he's a woman. Also why's he now deciding that Sue-Lin was a problem when he didn't want her being there in the first place? It's not like he cared about Mike's feelings for her.We then find out that Mr Ling was only 20 miles south of the town and was in an emergency hospital. 20 miles is not that far so I have no idea why it took them all these days to figure this out. If Sue-Lin knew where he was going that she knew he should be back by certain point, what's the mystery here? It isn't like uncle Walter got kidnapped and no one knows where he could've been taken. Again a very anti-climatic ending for something that took up a big chunk of the movie.

We time skip to Mike applying to NASA as he walks with Nurse Warren through the fairgrounds. He sings about how this is a happy ending with a very fitting title "Happy Ending". Danny and Sue-Lin with her uncle Walter are nowhere to be seen to share this moment and absolutely nothing was earned. Maybe I'm missing something, but I just don't think this couple is likable and Mike was better off forgetting about her. It isn't unrealistic to realize "hey my priorities have changed. Getting the girl doesn't matter to me anymore. All that matters is that Sue-Lin is safe." That's character growth.

But no this is an Elvis movie and regardless of whether it makes sense for them to be together, he has to get the girl. It just makes you wonder why we spent all this time on something only for it to be completely hand waved like it was nothing. Almost like they completely ran out of time with writing the script and just had to say "everything is magically resolved no matter how ridiculous it is".

This movie clearly tried to do too much and it shows. You have the conflict of Mike and Danny being broke and needing to get the money for their plane; Mike wanting to get with Nurse Warren and having to deal with her being mad at him because he lied; Sue-Lin's uncle going missing and people thinking she needs to go to Child Services; and a last minute fur smuggling scheme. None of these plots were resolved in a way that feels like thought was put into it. They were only resolved because it's an Elvis movie that has to have a happy ending as opposed to naturally fixing them. As a result, the whole film is messy and is a case of wasted potential. It seriously needs a rewrite to smooth out everything that doesn't connect together well.

That being said, I give this film a 7/10. I can respect the attempt at giving an Elvis character depth, but I still think more work needed to be done. I do recommend watching it simply because the fairground scenes act as a time capsule of what life was like back then. It's just unfortunate that the movie was rushed because it was a great concept. No matter how you look at it, you wouldn't have been able to get this movie out in time to promote the fair. You can't film before the fair opens because then you have nothing to serve as a background since it's being built. You definitely can't film it in April because then you have to worry about the massive crowds since it's a total novelty and you can't do what the directors chose to do and film near the fair's ending because then you won't be able to get it out in time to promote it. It's a lose-lose situation which is a horrible shame but I at least respect the fact that they tried doing something like this.

AN: Thank you to my discord bestie snaileyinsheff for suggesting this movie and providing input. Also shout out to @hooked-on-elvis for providing the link that I used to watch the movie.

Tagging: @eapep, @i-r-i-n-a-a, @atleastpleasetelephone, @huhhhhsthings, @jhoneybees,

@eptodaytommorowforever, @thetaoofzoe, @smokeymountainboy, @dragonkingsdaughter, @myradiaz,

@dnnenenens, @wildhorseinkansas, @lett-them-eatt-cake, @vintagepresley, @mercsandmonsters,

@velvetelvis, @arrolyn1114, @alienelvisobsession, @xanatenshi, @peskybedtime,

@peaceloveelvis, and @tacozebra051.

#elvis film #it happened at the world's fair #mike edwards #elvis film review #sue-lin #1963 #1962 world's fair

[lonestarflight]

Cancelled Missions: SA-11 through SA-14 (AS-106 through AS-108) Saturn I Block II

"September 1962 NASA planned to fly four early manned Apollo spacecraft on Saturn I boosters. Cancelled in October 1963 in order to fly all-up manned Apollo CSM on more powerful Saturn IB.

Launched: 1965 Winter. Number crew: 3 .

A key prerequisite for these flights was complete wringing out of the launch escape system.

The tentative Apollo flight plan laid out the following unmanned tests before a manned flight would be undertaken:

Pad abort: Two tests to simulate an abort on the pad. These tests would qualify the launch escape system

Suborbital (Little Joe II): Three suborbital tests to qualify the launch escape system and the command module structure. Tests would include maximum dynamic and high altitude conditions.

Orbital (Saturn C-1): Flights SA-6 (with SA-8 as backup) would determine the launch exit environment. SA-7, SA-9, and SA-10 would flight-test components of or the complete emergency detection system. Four manned flights would then commence with SA-11.

By January 10, 1963, MSC and OMSF agreed that an unmanned Apollo spacecraft must be flown on the Saturn C-1 before a manned flight. SA-10 was scheduled to be the unmanned flight and SA-11, the first manned mission.

Early concept art of the Apollo Block I Command and Service Module separation from the S-IVB.

Image from Space Horizons Vol. No. 1, Issue No. 1 (1965)

By the later summer of 1963 the value of the Saturn I missions seemed increasingly in doubt. The limited payload of the Saturn I meant that only partial systems could be installed. At a September 26, 1963 meeting in Washington, D.C., NASA's scheduling contractor, Bellcomm, was asked to develop an Apollo mission assignment program without a Saturn I.

Bellcomm quickly responded, recommending that the Apollo spacecraft flight test program should be transferred from the Saturn I to Saturn IB launch vehicles. The Saturn I program should end with flight SA-10. All Saturn IB flights, beginning with SA-201, should carry operational spacecraft, including equipment for extensive testing of the spacecraft systems in earth orbit. Associate Administrator for Manned Space Flight George E. Mueller recommended the changeover on October 26. NASA Administrator James E. Webb's concurrence came two days later. Development of the Saturn IB for manned flight would be accelerated and 'all-up' testing would be started.

No crew assignments were ever made for these flights; the first two groups of astronauts were fully committed to the Gemini program. The third astronaut selection, in October 1963, was simultaneous with the decision to drop the Saturn I flights. Had these flights occurred, they would have run from fall 1965 to the end of 1966, concurrent with the flights of Gemini 5 to 12."

Cancelled missions:

SA-11 (AS-106): planned launch Winter 1965

SA-12 (AS-107): planned launch Spring 1966

SA-13 (SA-108): planned launch Summer 1966

SA-14 (AS-109): planned launch Fall 1966

-Information from Astronautix.com: link

Posted on Flickr by Numbers Station: link

#SA-11 #(AS-106) #SA-12 #(AS-107) #SA-13 #(AS-108) #SA-14 #(AS-109) #Saturn I #Saturn I Block II #Rocket #NASA #Apollo Program #Apollo-A #Apollo CSM Block I #1965 #1966 #Cancelled #Cancelled Mission #my post

[samasmith23]

Apparently Mystique in the comics was once given Rebecca Romijn's design from the live-action X-Men movies for only two issues...

While Marvel & DC Comics often try to emulate their respective live-action movie counterparts by making alterations to certain character's designs, powers and even personalities (such as Spidey briefly adopting organic webbing to reflect the Sam Rami Spider-Man trilogy, or Iron Man becoming more snarky and jokey to reflect Robert Downey Jr.'s performance in the MCU), sometimes said-alterations either end up not working or even lasting long...

Case in point to the latter... back in the early 2000s Marvel actually tried to have Mystique (aka, Raven Darkholme) in the X-Men comics emulate actress Rebecca Romijn's physical portrayal of the character from the live-action X-Men movies, but it quite literally only stuck around for just a single issue! Specifically in X-Men: Forever (2000) #6 by Fabian Nicieza & Kevin Maguire, both Mystique & Toad were exposed to some kind of radiation device while teaming-up with various X-Men members, and in the process had both their mutant powers and physical appearances significantly altered to more heavily resemble their live-action counter-parts. Toad was given his elongated tongue (which he originally lacked during the Silver Age and solely had the leaping abilities), whereas Mystique was obviously given her naked scaly reptilian appearance from the movies as her new "default" form.

This issue came out in April 2001.

However a little over one-year-later in July 2002 when Mystique appeared in Uncanny X-Men (1963) #405 by Joe Casey & Sean Phillips, Mystique was suddenly back in her normal comic book appearance without any explanation. In fact, the only other time the scaly-reptilian design reappeared in comics was in a nightmare sequence from X-Treme X-Men (2001) #33 by Chris Claremont & Igor Kordey from October 2003, wherein a villain named the Reverent caused Rogue to suffer a vision wherein she transforming into her adoptive mother in both appearance and personality and sadistically slaughtering her fellow-teammates Bishop, Storm & Gambit.

Aside from those two examples, Marvel has never had Mystique in the comics adopt her design from the live-action X-Men movies.

Heck, the only other time Marvel tried to have Mystique emulate Rebecca Romijn's portrayal was in Wolverine #64 & #65 from 2008 as the finale to Jason Aaron & Ron Garney's awesome "Get Mystique" storyline, when in preparation for her final confrontation with Wolverine in the story's climax, Mystique utilized her shapeshifting powers to erase her clothing, fighting Logan completely naked in order to demonstrate to him that she's not a coward nor is she ashamed of herself. And even then, this time Raven lacked the reptilian-scales of her live-action movie counterpart, instead maintaining to her classic comic book design just without the white dress or skull adornments.

But yeah... just a weird bit of obscure trivia concerning Marvel's iconic shapeshifting femme fatale.

I wonder why Marvel suddenly ditched the live-action movie design after only introducing it for a single issue and describing it as her new "default form." I know there was a year in-between the publishing of X-Men Forever #6 and Uncanny X-Men #405, but still...

#mystique #raven darkholme #rebecca romijn #x men movies #x-men forever #uncanny x-men #x treme x men #wolverine #fabian nicieza #kevin maguire #joe casey #sean phillips #chris claremont #igor kordey #jason aaron #ron garney #toad #mortimer toynbee #rogue #anna marie lebeau #bishop #gambit #remy lebeau #storm #ororo munroe #james logan howlett #get mystique #triva #marvel comics #graphic content

[kwebtv]

TV Guide -  November 30 - December 6, 1963

George Campbell Scott (October 18, 1927 – September 22, 1999) was an American actor, director, and producer who had a celebrated career on both stage and screen. With a gruff demeanor and commanding presence, Scott became known for his portrayal of stern, but complex, authority figures.

Scott was in much demand for guest shots on TV shows, appearing in episodes of Ben Casey and Naked City. In 1962, Scott appeared as school teacher Arthur Lilly on NBC's The Virginian, in the episode "The Brazen Bell", in which he recites Oscar Wilde's poem "The Ballad of Reading Gaol". That same year, he appeared in NBC's medical drama The Eleventh Hour, in the episode "I Don't Belong in a White-Painted House". He appeared opposite Laurence Olivier and Julie Harris in Graham Greene's The Power and the Glory in a 1961 television production.

In 1963 Scott starred in the hour-long television drama series East Side/West Side. He portrayed a New York City social worker, along with co-stars Cicely Tyson and Elizabeth Wilson. Scott was a major creative influence on the show, resulting in conflicts with James T. Aubrey, the head of CBS. The Emmy Award-winning program had a series of guest stars, including James Earl Jones. The portrayal of challenging urban issues made attracting advertisers difficult, not helped by the limited distribution. Not all CBS network affiliates broadcast the show, and it was canceled after one season.

During the early 1970s, Scott appeared in the made-for-television films Jane Eyre (1970) as Mr. Rochester and The Price (1971), a version of the Arthur Miller play. For the latter role, he won an Emmy Award, which he accepted. He also directed a TV version of The Andersonville Trial (1970).

Scott appeared in a television production of Beauty and the Beast (1976), with Trish Van Devere.   In 1981 was cast as Fagin in the CBS made-for-TV adaptation of Charles Dickens' Oliver Twist (1982).  He starred in China Rose (1983) on television, and in 1984 portrayed Ebenezer Scrooge in a television adaptation of A Christmas Carol. He was nominated for an Emmy Award for the role. Scott played the title role in the made-for-television-movie Mussolini: The Untold Story (1985).

Scott reprised his role as Patton in a made-for-television sequel, The Last Days of Patton (1986). Based on the final weeks of Patton's life after being mortally injured in a car accident, it contains flashbacks of Patton's life. 

On television, Scott did The Murders in the Rue Morgue (1986) and Pals (1987; with Don Ameche). He also played the lead role in the TV series Mr. President (1987–88), which ran for 24 turbulent episodes. He was also on the Johnny Carson Show in March 1987. Scott starred in the television film The Ryan White Story (1989) as Charles Vaughan, the lawyer defending Ryan White.  (Wikipedia)

#TV Guide #TV #1963 #George C Scott #East Side/West Side

[kaiserrreich]

Happy 99th Birthday to Jimmy Carter! ❤️🎂

James Earl Carter Jr. (born October 1, 1924) is an American politician and humanitarian who served as the 39th president of the United States from 1977 to 1981. A member of the Democratic Party, he served as the 76th governor of Georgia from 1971 to 1975, and as a Georgia state senator from 1963 to 1967.

source of bio

10 Facts about Jimmy Carter:

"1. Born on October 1, 1924, in Plains, Georgia, young James Earl Carter Jr. was the first person on his father’s side of his family to graduate from high school.

2. Carter entered Annapolis during World War II. The future President graduated in the top 10 percent of his class in 1946, and he and his new wife, Rosalynn, moved frequently as his Navy assignments changed.

3. Carter gave up his military career to save the family peanut farm. And as a parent, Carter became involved in local politics when he served on an education board.

4. He supported civil rights, which hurt his early political career in Georgia. After a poor showing the 1966 governor’s race, Carter adopted a more centrist image, and he won the election in 1970. He became known as a budget cutter while in office.

5. Carter was a “dark horse” presidential candidate in 1976. The future President was tied for 12th in early polling, well behind former Alabama Governor George Wallace and former nominee Hubert Humphrey. He used his image as a Washington outsider to defeat Gerald Ford in the general election.

6. The Carter presidency was a study in contradictions. President Carter played a key role in the Camp David peace accords, but he also struggled with Congress and the media. The Iranian Hostage crisis proved to be a significant factor in his 1980 loss to Ronald Reagan.

7. Carter’s legacy grew after the 1980 loss. F. Scott Fitzgerald wrote there are no second acts in American lives, but Carter’s public career after the White House is an exception.

8. In 1982, he founded the Carter Center, which has played an active role in human rights and disease prevention issues globally. The Carters helped publicize Habitat for Humanity, also.

9. Carter received his Nobel Prize in 2002. He received the award "for his decades of untiring effort to find peaceful solutions to international conflicts, to advance democracy and human rights, and to promote economic and social development."

10. Harry Truman was Carter’s favorite President. Carter told The Guardian in 2011 that he admired Truman for not trying to profit off his presidency."

source for facts

#united states #us president #jimmy carter #famous birthdays #happy birthday #usa #us

[shayn-3]

Mad Girl's Love Song

by Sylvia Plath

She was born October 27, 1993, in Boston, Massachusetts, an American poet whose work had a lasting impact on the literary world. Her life was marked by remarkable achievements, as well as profound struggles, leading to tragic death at a young age. On February 11, 1963, at the age of 30, she died by suicide, where in the following years, Plath's work gained widespread recognition and critical acclaim. Also, one of the semi-autobiographical novel she wrote revealed to be struggling with mental illnesses, such as depression and anxiety. Her works became a classic of feminism, the representation of women's experiences, and Plath's legacy remained influential and continues to resonate with readers worldwide.

Moreover, the poem "Mad Girl's Love Song" was written in her third year at Smith College, and was officially issued on August 1953 in women's magazine Mademoiselle. As its title suggests, the poem deals with heartbreak, an emotional distress experienced when a romantic relationship comes to an end, often due to unrequited love. This can as well occur in other contexts, such as the loss of a loved one, the dissolution of a friendship, or even a significant disappointment. Its intensity can vary from person to person that has a challenging process until acceptance, as one tries to heal their wounds by resorting to coping mechanisms and support systems. Thus, it can also be considered a battle with mental illness, particularly depression since this is accompanied by a range symptoms such as overwhelming sadness, difficulty concentrating, changes in appetite and sleep patterns, and uninterested to participate in activities.

Generally, the speaker laments a lost lover even as she repeatedly suggests that their love was simply a figment of her imagination all along. That said, as with much of Plath's poetry its meaning is ultimately open to unique way of own interpretation. Those metaphoric expressions can be transformed into inspirations waiting to be discovered.

______________________________________________________________

Lines 1 - 3

"I shut my eyes and all the world drops dead;

I lift my lids and all is born again.

(I think I made you up inside my head.)

The first line is repeated throughout the poem as a sort of refrain, and it's evocative opening, to say the least, as referencing death with "Love Song" in the title immediately indicates that this would not be a typical ode. It begins on a solipsistic note, an idea that the only thing that a person can know for sure exists is themselves. This is when the speaker says the rest of the world dies as soon as she shuts her eyes, refers to the intense feelings of isolation. A sense of withdrawal from reality, and followed by the kind of relief that she views in death because it's too painful to go on existing without her lover. As a temporary escape, her eyes have been opened, and everything "born again" which is snapping back to reality. This suggests an ambiguous meaning that she is ready to confront that pain and willing to engage once again with other people, life in general. In addition, there is no denying a theme of girl's madness, since this stated that she "made … up" all of those shared memories inside her head or the "you" is only an imagination. It was never real, raising questions about the authenticity of their love, as she is confronting the truth of being alone all along.

Lines 4 - 6

The stars go waltzing out in blue and red,

And arbitrary blackness gallops in:

I shut my eyes and all the world drops dead.

It used personification to the stars, forming a representation of blue and red light in the sky that evokes intense passion. Reminiscing on the cherished memories they've had, such as the time "you" danced the girl around the room, whilst hugging her so tight that it left a scent. All was going too well, however, that was the last thing "you" ever gave, as this dramatically shifts when darkness randomly entered without a warning. It's like "you" have killed all the butterflies in her stomach, but she still loved him very much.

Lines 7 - 9

I dreamed that you bewitched me into bed

And sung me moon-struck, kissed me quite insane.

(I think I made you up inside my head.)

Even though they weren't together anymore because of the one-sidedness of their love, she talked about a dream-like scenario highlighting the high intensity of her emotions, to the point of being delusional. This is as well may be caused by the desired to be consumed by love, where the phrase "moon-struck" is a state of insane infatuation. What if it was all of that, and the relationship never even existed?

Lines 10 - 12

God topples from the sky, hell's fires fade:

Exit seraphim and Satan's men:

I shut my eyes and all the world drops dead.

Furthermore, the poem introduced a religious imagery, the girl was so confused that she envisions the falling of God from the sky and fading of hell's fires conveying a sense of upheaval. This further accentuates the departure of both heavenly angles, "seraphim" and followers of Satan caused an utter loss of faith in the order of world, in traditional teachings about good and evil. Then, she was skeptic about her belief system, particularly about true love that at the last closing of the eyes again is to reevaluate one's understanding on complexities of relationships.

Lines 13 - 15

I fancied you'd return the way you said,

But I grow old and I forget your name.

(I think I made you up inside my head.)

This expresses a longing for "you" to return, cling to the hope that they will fulfill their promises to be together forever, which signifies a deep commitment. However, as the passage of time is reflected, she admits to growing older or aging, which symbolizes the fading feelings between them. This can also resort to moving on when she referred "and I forget your name", her considering to let go of the past and opening oneself to new experiences.

Lines 16 - 19

I should have loved a thunderbird instead;

At least when spring comes they roar back again.

I shut my eyes and all the world drops dead.

(I think I made you up inside my head.)"

She now regrets not falling in love with someone who's like a thunderbird, a Native American mythical creature. In the context of relationship, it is the one that can communicate his intended meaning clearly to ensure shared understanding and avoid potential misinterpretations. This is will be more likely for her to find in the future, since she already knows the importance of being loved unconditionally and reciprocate it.

______________________________________________________________

The complexity of love lies in its ability to encompass a wide range of emotions, which makes it one of the most profound aspect in human experience. It comes in ways that we can easily overlook in our daily lives, but it is commonly expressed from singing an ode to your lover to dancing on the kitchen floor. The girl believing that "you" and her were made for each other, as she felt every heartbeat in his warmth. However, sometimes late at night their memories sneak out of her eyes, and all she can do is to shut it out.

Source: https://youtu.be/9f01uMJE98k l Puuung Animation

"I thought a love like ours would last a lifetime.

It was a happily ever after kind of love.

The kind where our laugh started to sound the same

And we knew each other by heart,

But somewhere along the way that wasn't enough

To keep love on our side.

'You' are my easiest hello and hardest goodbye"

#Sylvia Plath's Mad Girl's Love Song #Youtube

[cryptofmadness]

Al Jaffee : 1921-2023

by Chet Reams..

Al Jaffee, the famed American creator (comics artist and writer passed away on April 10, 2023. Born March 13, 1921 , Jaffee would go on to be a cartoonist and humorist throughout his life. Jaffee’s first professional comicbook work was the story "Squat Car Squad" in Joker Comics Vol 1 5, with a cover date of December 1942, and a street date estimate of September 1942.

He was most famously recalled for his creation of the “MAD Fold-In” feature in MAD magazine, which first appeared in MAD #86 April 1964.

Jaffee’s first MAD credit was for writing the article “Baseball... Science or Skill?” in MAD issue #25, Sep 1955. It was illustrated by Jack Davis.

Al Jaffee’s first MAD magazine cover idea/cover writing credit was MAD #82 October 1963, and it was illustrated by Norman Mingo

Al Jaffee not only contributed to MAD magazine but also was a contributor to 3 issues of American humor comic-magazine CRACKED , having done several pieces for CRACKED issues 5, 6, and 7.

In 2016, Jaffee won a Guinness World Record for "the longest career as a comics artist" at "73 years, 3 months” He held the record consecutively up to the retirement date of 06 June 2020, and still holds the title in passing.

Mad #014 (cover date August 2020 ) featured Jaffee’s final original work/contributions for MAD magazine with a cover concept/writing credit for a cover piece to be illustrated by Sam Viviano, and a new Fold-In “Why is the "What, Me Worry?" kid so worried? (Al Jaffee) “

Jaffee formally retired from comics work in June of 2020 at the age of 99.

Jaffee will be remembered by his colleagues, fans and many other people for his long and illustrious body of work, his personality, and his influence on many creators.

#Articles #Al Jaffee #MAD magazine #crypt of madness #May 2023

[oldsalempost-blog]

The Old Salem Post

Our  Local Tamassee-Salem SC Area News each Monday except holidays                                          Contact: [email protected]                              Distributed to local businesses, town hall, library.                            Volume 7 Issue 6                                                                                                  Week of January 15, 2024                https://www.tumblr.com/settings/blog/oldsalempost-blog                                                         Lynne Martin Publishing

EDITOR:  Church and friends can challenge us for new year changes.  I knew a lady who lived by the word “Joy” for a whole year.  She had pictures, plaques, and scriptures around her home that included the word “Joy.”  A sweet message at church yesterday challenged me to pick a word to help me through life’s changes, challenges, and the insane ways of this world.  “Trust” is the word.    Proverbs 3:5 ( KJV) says, “Trust in the Lord with all your heart, and do not lean on your own understanding.”  LMartin                                

Reverend Martin Luther King Jr. Holiday is a federal holiday recognized the third Monday in January. Born January 15, 1929, the 2024 observance falls on what would have been his 95th birthday.  King is remembered for his nonviolent activism for civil rights.  His most famous speech was delivered at the Lincoln Memorial, August 28th,1963 in hopes to end racism:  “I have a dream...that we hold these truths to be self-evident that  all men are created equal…”                                

TOWN of SALEM:  * Visit the Downtown Market every Sat 8am-12pm. *   Next Town Council Meeting Jan. 16th  at 5pm.  We will be  swearing in Leigh Roach, new member on Town Council.

SALEM LIBRARY:  January is National Blood Donor Month. Oconee County Public Libraries will be hosting blood drives at each of our locations in January, per the following schedule:    Tuesday    1/16/24      10:00a-2:00p      Walhalla                    Monday     1/22/24      10:00a-2:00p      Seneca                                 Monday     1/29/24      10:00a-2:00p      Westminster           Please give, if you are able.    Sign up for an appointment.        You may call the Blood Connection  864-751-1168.

JOCASSEE VALLEY BREWING COMPANY,(JVBC) & COFFEE SHOP* 13412 N Hwy 11 Open Wed–Sat 9am-9pm and Sunday 2pm-7pm. Events this week:  Wed:  BLUE GRASS JAM at 6:30pm. Thurs: Palmetto Trail Talks return at 6:30pm.  Fri: Food: unconfirmed Music: Matt Phillips at 6:30pm  Sat–Food: Lobster Dogs  Music: Neil Conway  at 6:30pm    *Featuring Pisgah Coffee Roasters

Jottings from Miz Jeannie  by Jeannie Barnwell                Harvard and Plagiarism I am not one to brag, but did you know that I taught English at HARVARD for 18 years! (That's Harvard on the Highway-- or what we called Greenville Technical College, situated on HWY 291!) Here is the LEAST that a student needs to know about NOT COMMITTING PLAGIARISM. 1) If you use another person's exact words, you need to put quotes around the words.  Then in parenthesis, list the name of your source referring your reader to your Works Cited page for complete information. 2) If you are paraphrasing the words of another person, then follow this example: Jesse Watters said that Claudia Gay's dismissal as Harvard's president was Not Racism; it WAS racism when Harvard hired her.      Happy  2024!!!! Miz Jeannie 

ASHTON RECALLS:  by Ashton Hester  

SALEM SCHOOL NEWS, OCTOBER 23, 1963 - (The following items were in the "Salem School News" column in the October 23, 1963 Keowee Courier). . .The Salem Chapter of Future Farmers of America met and organized October 9 for the 1963-64 school term. Officers elected were: president, Lynn Smith; vice president, Leland Talley; secretary, Roddy Smith; treasurer, Jackie Rankin; sentinel, Walter Hines; reporter, Kenneth Porter, adviser, John J. Rankin. The Salem chapter consists of 34 members. . .Linda Barker of the fifth grade and Harry Strickland of the third grade were crowned queen and king of the Halloween Carnival Saturday night. . .Our first grade children are working toward 100 per cent participation in the polio immunization program to be held at Salem School on Sunday afternoon, October 27. Old people and young people, we ask you to come get your Sabin oral polio vaccine. There are 37 boys and girls in our grade and each of us has a normal body. We ask you to help us keep it that way--help stop polio. . .The sixth grade has completed the annual "Progressive Farmer" magazine subscription sale. Over $100 was collected, which is the most of any of the past three years. . .Leon Patterson of the sixth grade had the misfortune to get an arm broken on the playground, but he hasn't allowed this to keep him out of school a single day. Maybe all of us need some of Leon's perseverance. . .Barbara Burgess of the second grade broke her leg Tuesday while playing at recess. . .Accidents seem to plague us. One of our teachers has a broken arm. . .Report cards were given out Thursday, and one little boy in the second grade went home crying because he made a "C." His family finally managed to calm him down, and he said, "I guess I'll have to study harder."

EAGLES NEST ART CENTER 2024 UPCOMING EVENTS            Tea Party in Winter? Sure! You are Invited to a Cinderella Tea Party at Eagles Nest Art Center January 18th, 12pm-2pm.  Hosted by Freda Tobias and friends.    Call 864-280-1258                                                                                   

January, 20th, 7pm Oconee Mountain Opry  Join us for Roots music on tap with a dose of cornball comedy as Dave Donor brings a set of Cajun music, Singer Songwriter Laura Jones plays some original tunes, and Ageless Acoustic brings a mix of timeless hits from the sixties and beyond.  Enjoy old fashioned comedy skits between the rotating sets. This is our own hometown variety show of local and regional artists like no other. Doors open at 6 show at 7pm. Tickets are $10 and can be purchased online at eaglesnestartcenter.org or at the door the day of the show.                                              Feb 3rd, 1pm-4pm   Women Encouraging Women. 2nd annual Afternoon Retreat for women to refresh and encourage your faith.                                            Feb.  10, 7pm  Trial by Fire,  A Journey Tribute,   $20 advance tickets  $25 day of  show                                                           March 2nd, 2pm-5pm Second Annual Alumni Gathering 2pm-5pm                                                                                                   March 16th, 7pm   Oconee Mountain Opry $10

ENAC will host the House of Raeford Farms Chicken Sale: You must preorder online in order to pick up your fresh chicken on Saturday, March 2nd between 9am and 12pm.  Type in House of Raeford Farms, Greenville, SC and scroll down to the preorder section.                                                                                                                                                                                                                                                                                                                 

*Visit our website at Eaglesnestartcenter.org for more 2024 events and ticket information.                                                               

 The Eagles Nest Treasure Store be open every Saturday morning 9am-12pm.  We are accepting donations during that time or call 864-557-2462.  Information on sponsorships, events, volunteering, donations, or rentals call 864-280-1258.      

                                         CHURCH NEWS                      Bethel Presbyterian Church (PCUSA), 580 Bethel Church Rd Walhalla, 29691, worships at 10:30 a.m. . Like us on Facebook:  Bethelpresbyterianchurchwalhalla  Love to sing?  Love to be in charge? Come lead! All worshipers are welcome.                                                                                                                                                          Boones Creek Baptist Church, 264 Boones Creek Road, Salem invites you to join us for regular worship service on Sunday morning with Sunday School at 10am and followed by worship at 11am.                                                         Salem Methodist Church: 520 Church Street, Salem.  9am for breakfast, 9:30am for Sunday School, and 10:30am for Worship.  You may tune in to our live service on Facebook or view it later on our website.

11th Annual BELLFEST 2024:   FRIENDS OF LAKE JOCASSEE will host BellFest 2024 at Devils Fork State Park on Saturday, March 16 from 10am-3pm.  Celebrate the rare Oconee Bell, Shortia galacifolia, local harbinger of spring.  Learn about its  history and view it blooming in the park.   Interpretive Bell Trail walks* Oconee Bell story presentation* Music each hour* Exhibits* Local vendors* Food Trucks* Kid and Family activities* Silent Auction to benefit FOJ * Park entry fees apply $8 Adult, $5 SC Senior, $4 Children age 6–15, 5 and under free.  Find us www.friendsof jocassee.org  or email us at [email protected]                                                                      Happy Birthday Freda! LRM                                                                       

[honda-hatch]

Reviewing the First 14 Issues of Amazing Spider-Man Because Nobody Asked Me To But I'm Procrastinating From Editing a Presentation Video for a Grad Class (Scattered Spoilers)

The Amazing Spider-Man #1 (March 1963): What a strange issue this is. Admittedly, I'm new to older comics, so this multi-chapter meandering story really kept me from trying to get further in for *years.* Now having actually read it, its still a weak story, but not straight-up garbage or anything. Spidey saving astronauts isn't particularly exciting, but the fight with the Fantastic Four is -- it sets the stage for many of the webhead's fights where he's obviously outmatched, but holds his own with agility and quick thinking. Pete is obviously very early in his career at this point, but it serves as an excellent display for his potential, not to mention it highlights his desperate need for money (the F4 note that they can't give salaries, but like, Jesus Christ do they clearly have money. Maybe if Johnny didn't buy a new car every week, they could pay a salary). Then, we have the final plot, Spidey vs. the Chameleon. The first of many plots where the city initially turns against our favorite wall-crawler due to his framing. It isn't executed very well here, due to the cramped size of the story, but it is a fun concept, and we get to see the first of many times Spidey conveniently runs out of web-fluid. A solid issue overall, if not the best possible introduction to the character, imo.

The Amazing Spider-Man #2 (May 1963): Here we are introduced to Peter Parker's first "real" super-powered enemy (for lack of a better term). The Chameleon is just good at disguises. While Peter's first fight with the Vulture isn't all too memorable, it does establish the concept of the "chase fight," a troupe critical to the book. If you're unfamiliar with what I mean, I'm referring to fights that bring the webhead and his adversary up, down, and all around the Big Apple over the course of the fight. Pete's clever solution is an interesting display of the scientific prowess that he'll develop throughout the series. The second story, our first introduction to the Tinkerer... is goofy as hell. Sure, an old guy in a Vulture costume might seem silly, but the Tinkerer is a straight up alien who runs a discount repair shopo so he can sneak alien transponders into consumer electronics. I guess it fit the tone of Marvel at the time? I don't know.

The Amazing Spider-Man #3 (July 1963): Finally, a book-length story. This is an excellent issue. Now no longer cramped into half or quarter length stories, we get an excellent introduction to Doc Ock. He promptly beats the shit out of Peter, who has had a relatively easy time winning fights so far, to the point that he questions if he should give up the mantle of Spider-Man. After a random human torch pep-talk, he returns to fight again, concluding the issue with a triumphant victory, managing to put two of Doc Ock's arms out of comission and getting in close to finish him off. An excellent issue, and definitely a cut above the first two.

The Amazing Spider-Man #4 (September 1963): Another solid issue. Though Sandman doesn't get presented as the highly sympathetic villain he'd later become, he's still very entertaining. The highlight of the issue is a chase fight through midtown high, culminating with the (admittedly silly) solution of Spidey attacking Sandman with a drill, causing him to break into sand to avoid the attack, then getting sucked up into a vacuum. Another incredible victory for the wall-crawler. It's still a fun read.

The Amazing Spider-Man #5 (October 1963): Finally, ASM is a monthly book! What a pleasant surprise. That being said, having zero context for Doctor Doom's powerset, I didn't really understand why he kept breaking out random decoy robots and trap holes. Overall, a bit of a bland issue that quickly fades from the memory.

The Amazing Spider-Man #6 (November 1963): Why does the Lizard need to be based in the Everglades? Who cares! It makes for a fun change of location. Even if the Lizard's design is a bit rough at this stage, he's an intimidating villain with power greater than the wall-crawler's. His sympathetic backstory serves as a twist for the issue, and our chase sequence for the issue takes place in the Everglades, and then... a castle in the Everglades. Regardless, its great fun with a happy ending (even if not for Pete).

The Amazing Spider-Man #7 (December 1963): What a way to finish 1963! This issue is fantastic. We see Vulture's escape from prison, and then we get to see him beat the crap out of Spidey as his original solution obviously fails. The issue culminates in an incredible chase fight through the Daily Bugle, with setpieces scattered throughout. We even get a nice little touching note to end on with Betty Brant and Peter. What a guy, what an issue.

The Amazing Spider-Man #8 (January 1964): Looking at this cover for the first time, I expected this to be a real slog of an issue, but its actually great fun. The Living Brain/Flash fights are a good time, and its entertaining to read Pete's inner monologue as he tries not to turn Flash into a grease stain on the gym floor. The Living Brain is less interesting, but is another entertaining interior fight. The Living Torch section confirms that the F4 could absolutely pay Peter if they wanted to, and that Pete can still thoroughly outmatch them if he's really trying. A fun issue.

The Amazing Spider-Man #9 (February 1964): An excellent example of the personal drama that makes this hero great. Sure, Electro is a big threat, but Aunt May's health is in a rough place for the first time of many. Peter gets bodied by Electro, but he's still focused on helping his aunt first. Frankly, he beats Electro rather nonchalantly, but the May plot makes it a worthwhile issue.

The Amazing Spider-Man #10 (March 1964): Another excellent issue. While the Enforcers themselves are literally "big guy, small guy, and guy with lasso," they facilitate a fight that lsts for half the entire issue, with Spidey fighting off what must be a dozen different goons aat once, with everything in the environment being used. The issue closes out with two twists: an amusing reveal of the "Big Man," as well as some interesting characterization for JJJ. A standout issue among these early entires to me, along with #7.

The Amazing Spider-Man #11 (April 1964): Another issue in a series of bangers. Intrigue with Betty Brant! Spidey has to go to Philly! Doc Ock returning! A massive fight with a bunch of guys on a boat as well as Doc Ock! An accidental death on the wall-crawler's hands! Oh, the humanity! Not to mention Pete gives himself a damn sprained ankle early in the issue. The guy just can't catch a break.

The Amazing Spider-Man #12 (May 1964): Our first immediately continued story from the last issue, and it doesn't really let up. Doc Ock returns to New York and demands to fight the webhead, even kidnapping Betty Brant in the process! Luckily though, she escapes, as apparently, one of Pete's biggest weaknesses is the fact that a regular virus absolutely wipes his spider-powers. Who knew? Anyhow, he gets unmasked, but it doesn't really matter. The issue concludes with another exciting fight with Doc Ock. The guy just generates entertaining issues. Really does seem to be Pete's nemesis at this point.

The Amazing Spider-Man #13 (June 1964): Finally, the city *really* turning on Spider-Man! Mysterio really gets Spidey up in a bind, but the actual resolution for the issue is a bit weak. How can Spidey clear his name? Well, he uses an audio recorder when Mysterio is monologuing. How can Spidey beat Mysterio's spider-sense jamming smoke/sonar? Swinging randomly. Bah.

The Amazing Spider-Man #14 (July 1964): My God! The return of my beloved Enforcers! The introduction of Green Goblin?? And the Hulk's here too?? Yeah, sadly this is a lame issue. For whatever reason, the Green Goblin's first of many conniving schemes is... luring SPidey out to Hollywood with the help of a producer so that he and the Enforcers can kill him while they film... Why not just... gang up on him in New York? Why, so they can randomly stumble into a cave where the Hulk is, of course! Yeah, idk. The randomness is nuts with this one. Not to mention Green Goblin's friggin... broomstick. Hm. At least the Enforcers fight was kinda fun. Still a lame issue, though.

That's it for now. Perhaps I'll review them in 14 issue blocks for no reason. I am trying to read everything chronologically, ish, so it might not just be ASM next time! We shall see. If that happens. lol

#spiderman #amazing spider man #comics

[maria13squash]

Saint John XXIII, born Angelo Giuseppe Roncalli, was the 261st Pope of the Roman Catholic Church. He served as Pope from 1958 until his death in 1963. Here are some key points about him:

1. Early Life: He was born on November 25, 1881, in Sotto il Monte, Italy. He came from a humble background and grew up in a devout Catholic family.

2. Ordination and Early Career: Roncalli was ordained a priest in 1904. He served in various roles within the Church, including as a papal diplomat, bishop, and cardinal.

3. Papacy: He was elected Pope on October 28, 1958, taking the name John XXIII. His papacy is often remembered for his efforts to promote dialogue and understanding both within the Church and with other religious traditions.

4. Second Vatican Council: One of his most significant contributions was convening the Second Vatican Council (Vatican II) in 1962. This was a major ecumenical council that aimed to address the Church’s relationship with the modern world and bring about various reforms.

5. Pacem in Terris: In 1963, he issued the encyclical “Pacem in Terris” (Peace on Earth), which addressed the need for peace, justice, and human rights in the world.

6. Legacy: Saint John XXIII is widely regarded as a Pope of openness, inclusivity, and pastoral care. He emphasized the importance of dialogue, mercy, and charity.

7. Canonization: He was canonized as a saint by Pope Francis on April 27, 2014. He is remembered as Saint John XXIII, and his feast day is celebrated on October 11th.

8. Notable Quotes: Some of his famous quotes include “Consult not your fears but your hopes and your dreams. Think not about your frustrations, but about your unfulfilled potential. Concern yourself not with what you tried and failed in, but with what it is still possible for you to do.”

Saint John XXIII’s influence continues to be felt within the Catholic Church and in the broader world. His commitment to openness, dialogue, and compassion remains an inspiration for many.

#saints

[savage-kult-of-gorthaur]

THE CROSSOVER THAT NEVER HAPPENED -- WHEN TWO OPPOSING COMICS UNIVERSES COLLIDE!

PIC INFO: Spotlight on a grotesquely illustrated splash page of Rob Liefeld's comic-book creation, Shaft, and a huge reveal as far as comic-book limited series' go, from the pages of "1963: The Tomorrow Syndicate" Vol. 1 #6. October, 1993. Image Comics.

"The end of the line? Why, you retrograde little runt! You really don't have a clue, do you? This isn't the end of the line! In fact, it's quite the reverse... this is where things start to get interesting!"

-- SHAFT (of Image Comics' "Younglblood" super-team) to a kidnapped (no pun intended) Tommy Baker, a.k.a., "Kid Dynamo" of Mystery Incorporated

Super-spatial script by Affable Al Moore

Paradoxical pencils by Roarin' Rick Veitch

Infinite inks by Dashin' Dave Gibbons

Parallel polychromes by Musty Marvin Kilroy

Source: https://comiconlinefree.net/1963/issue-6/full.

#TheTomorrowSyndicateVol.1 #1963Vol.1 #1963 #ImageComics #1963ImageComics #RobLiefeld #Shaft #Shaft Youngblood #1963:TheTomorrowSyndicateVol.1 #1990s #AlanMoore #ExtremeStudios #RickVeitch #TheTomorrowSyndicate #1963Comics #YoungbloodVol.1 #DaveGibbons #90s #TomorrowSyndicate #1963ImageComics30 #Youngblood #1963:TomorrowSyndicate

[melchiorsencarney22]

Dr Greg's No Diet-diet Program And Products 5, Sandton, 2191

Together they have set a high normal of serious scholarship within the examine of architectural historical past in Johannesburg. In 1991, Mokgatle joined Eskom as a senior authorized adviser and moved up the ranks to be the first black particular person and first lady appointed as MD of the utility's transmission group, which she turned from lossmaking to worthwhile inside a year. She was involved with the restructuring of the Electricity Distribution Industry and chaired the board of the Holding Company. She has additionally been concerned in Energy Regulation in South Africa and was Deputy Chairperson of the Board of the National Energy Regulator. From 2003 to 2005 she was CEO of state rail parastatal Spoornet, now Transnet Freight Rail. The US president on the time, Ronald Reagan, came underneath fire for ignoring the rising AIDS crisis and when he finally addressed the epidemic — in 1987 — nearly 23,000 individuals had died of the disease. He met and married Mary Chambers in England, and dedicated the following fifty two years to caring for her - she was wheelchair-bound having being identified early in their relationship with a quantity of sclerosis. Ironically, Lonsdale himself suffered a stroke in 2010, which confined him to a wheelchair. His wife survives him, as do his two daughters and 6 grandchildren. Former Senior Lecturer in Physiology at Wits, Professor Ralph Ernest Bernstein died on 19 October 2013, aged 99. He held BSc (1934), BSc Hons (1936) and MSc (1937) levels, and an MBBCh (Cum Laude) (1940) from Wits. He labored part-time at University of Wisconsin and again on the University of Massachusetts, Amherst, where he accomplished a master’s in mechanical engineering. His marriage fell aside at this stage and Lance went to his grandparents in Italy to be raised as an actual Italian American. Dr Mankowski didn’t shine academically and left school a little bit of a dropout. He had a four-year spell at Fort Ord in the army (where he volunteered). There he met one or two mature younger males who inspired him to suppose about studying additional and an African American instructor who impressed in him a love of maths. She hosted countless University features during Ellison’s tenure as Dean and as Deputy Vice-Chancellor. She tirelessly provided editorial assistance during her husband’s 50-odd years as editor of the South African Law Journal. A stalwart of the Jewish neighborhood, Lissoos was a founding member of the Victory Park Synagogue and previously served the King David Schools and Jewish Board of Education. He lectured and wrote on subjects of Jewish and common historical curiosity and delivered the keynote tackle at the opening of the South African Jewish Board of Deputies “Jewish Johannesburg 120” exhibition in 2007. Amongst a number of papers which he wrote and offered, was one within the South African Medical Journal in May 1963. In 1963 he went to work for General Electric finally moving to British Rail the place he rose to the rank of Assistant Chief Mechanical Engineer primarily based in Derby. He later joined Brush where he remained till his retirement in 1991. Dr George St Ledger Warren (MBBCh 1942, Master of Surgery 1955) died in Parkmore, Gauteng in 2007, aged 91. Born in Johannesburg, Warren matriculated from Jeppe Boys High and studied medication at Wits, where he was president of the Students Representative Council, the Students Medical Council and a founding member of the squash club. He served as a medical officer in Italy during WWII and joined Anglo American as a medic thereafter. It was while working as a GP in South West Africa (Namibia) that he got interested in the emotional issues encountered generally practice. In 2004, he established Voiceless, an animal rights advocacy organisation, with his daughter Ondine. He was also a connoisseur of fantastic food and wine and cultivated friendships with many people who served him at their well-appointed tables. He also took a lot delight in the reality that he saw himself as the Austin household historian. In 2013 he was awarded a Gold Medal for his contribution to the university and community of Azaadville. In 1955, Dr Uys left for England together with his new bride Midge, a midwife. He spent three years at St Mary's in Manchester, and in the Canterbury and Isle of Thanet Group in Kent. He gained his MRCOG in 1958, and accomplished his coaching at King Edward VIII Hospital in Durban. Unlike his three brothers who joined their legendary father, Archie, in stockbroking, Ian chose to go into regulation. He joined I Mendelow and Browde in 1977, changing into a partner in 1981, and remained with the agency in its numerous guises until he joined Fluxmans in 2012. Nisbet grew to become a consulting engineer of the Anglo American Corporation in 1972, and a deputy managing director of the Gold Division in 1974. He joined JCI in October 1980, and was appointed an executive director in 1981 and chairman and managing director of its Gold and Uranium Division in January 1982. He was described as “a humble man of science and historical past, a trainer, a philosopher and a devoted husband and father”. Dr Beorn Cloete Uys (MBBCh 1952) was born in Amersfoort initially of the Great Depression. He moved freely in, and made contributions to circles the place the only value of entry was excellence and intelligence. Ramquar Ramasar was a life member of the South African Medical Association (SAMA). He recalled that at the first ever medical affiliation meeting that he attended, he, having sat within the entrance row, was advised throughout a break that he could not do so, and needed to have his tea in a separate room on the grounds of his race. He acquired the Dr KM Seedat Fellowship Award for long and dedicated service from the Family Practice Association in 1996. In his skilled capability he served as honorary medical advisor to the Natal Blind and Deaf Society and the Friends of the Sick Association (FOSA), an organization devoted to the care of sufferers with tuberculosis. He was additionally President of the Umzinto and Districts Indian Child Welfare Society. Dr Gregory Facebook This research proved to be the seminal work of his career, demonstrating the necessity to manage such fisheries on a multispecies foundation. He taught fisheries biology on the University of Papua New Guinea and started research into big clam progress rates. His analysis in this area contributed towards main aquaculture and re-stocking programmes of those near-extinct species. Dr Gonasilan Chetty (MBBCh 1992) died of a coronary heart attack on 10 August 2009, aged forty. Born on 26 April 1969, the previous Eastern Cape physician was a successful specialist in Johannesburg.

#Dr Gregory Hough South Africa #Dr Greg Hough South Africa #Dr Gregory #Dr Greg Hough #Greg Hough #Dr Gregory Hough #Dr Gregory Images #Dr Greg Hough Images #Dr Gregory Facebook #Dr Greg Hough Facebook

[dan6085]

There have been countless speeches throughout history that have inspired, motivated, and moved people to action. While it is difficult to narrow down the list to just 20, here are some of the greatest speeches of all time:

1. Martin Luther King Jr. - "I Have a Dream": Delivered on August 28, 1963, during the March on Washington for Jobs and Freedom, this speech is one of the most famous in American history. King spoke about his dream of a future where people of all races would be treated equally.

2. Winston Churchill - "We Shall Fight on the Beaches": Delivered on June 4, 1940, during World War II, this speech inspired the British people to keep fighting against Nazi Germany, even in the face of overwhelming odds.

3. John F. Kennedy - "Ask Not What Your Country Can Do for You": Delivered during Kennedy's inaugural address on January 20, 1961, this speech challenged Americans to work together to achieve great things for their country.

4. Abraham Lincoln - Gettysburg Address: Delivered on November 19, 1863, during the American Civil War, this brief speech is considered one of the greatest in American history. Lincoln spoke about the importance of preserving the Union and the sacrifices made by those who fought in the war.

5. Malala Yousafzai - "Address to the United Nations Youth Assembly": Delivered on July 12, 2013, this speech by the Pakistani activist and Nobel Prize laureate called for universal education and empowerment for young people, particularly girls.

6. Nelson Mandela - "An Inaugural Address": Delivered on May 10, 1994, during his inauguration as President of South Africa, Mandela spoke about the need for reconciliation and unity in a country that had been torn apart by apartheid.

7. Susan B. Anthony - "On Women's Right to Vote": Delivered on July 1873, this speech by the women's suffrage activist argued for the right of women to vote in elections.

8. Barack Obama - "A More Perfect Union": Delivered on March 18, 2008, during the 2008 presidential campaign, this speech addressed issues of race and national unity in the United States.

9. Elizabeth I - Speech to the Troops at Tilbury: Delivered on August 9, 1588, during the Spanish Armada, this speech by the Queen of England rallied her troops and inspired them to defend their country against invasion.

10. Sojourner Truth - "Ain't I a Woman?": Delivered in 1851 at a women's rights convention, this speech by the African American abolitionist and women's rights activist challenged the notion that women were inferior to men.

11. Ronald Reagan - "Tear Down This Wall": Delivered on June 12, 1987, during a speech at the Brandenburg Gate in Berlin, Reagan called for the dismantling of the Berlin Wall, which had divided the city for decades.

12. William Jennings Bryan - "Cross of Gold": Delivered on July 9, 1896, during the Democratic National Convention, this speech attacked the gold standard and called for the use of silver as currency.

13. Franklin D. Roosevelt - "First Inaugural Address": Delivered on March 4, 1933, during the Great Depression, this speech reassured Americans that their country would recover from the economic crisis.

14. Patrick Henry - "Give Me Liberty or Give Me Death": Delivered on March 23, 1775, during the American Revolution, this speech by the Virginia lawyer and politician called for resistance against British rule.

15. Winston Churchill - "Blood, Toil, Tears, and Sweat": Delivered on May 13, 1940, during his first speech as Prime Minister of the United Kingdom, Churchill spoke about the challenges facing his country during World War II.

16. Mahatma Gandhi - "Quit India": Delivered on August 8, 1942, during the Indian independence movement, this speech by the nonviolent activist called for the end of British colonial rule in India.

17. J.F.K. - "Cuban Missile Crisis Speech": Delivered on October 22, 1962, during the Cuban Missile Crisis, Kennedy spoke to the American people about the threat of nuclear war and the need for a peaceful resolution.

18. Susan B. Anthony - "Women's Right to Suffrage": Delivered on May 12, 1868, this speech by the suffrage activist argued that women should have the right to vote in elections.

19. Emma Watson - "HeForShe": Delivered on September 20, 2014, during a speech at the United Nations, the British actress and activist spoke about the importance of male allies in the fight for gender equality.

20. Theodore Roosevelt - "The Man in the Arena": Delivered on April 23, 1910, during a speech at the Sorbonne in Paris, Roosevelt spoke about the importance of taking risks and striving for greatness, even in the face of failure.

[james4roger]

Romero Britto: The Life, Art, and Legacy of a Pop Artist

Romero Britto is a Brazilian artist whose vibrant and colorful works have captivated audiences worldwide. With a unique style that blends elements of pop art and cubism, Britto has created a body of work that is both accessible and profound, speaking to the human experience in a way that is both universal and personal. In this article, we will explore the life, art, and legacy of Romero Britto, examining his influences, techniques, and impact on the art world.

Early Life and Influences

Romero Britto was born in Recife, Brazil, on October 6, 1963. He showed a talent for art from a young age, and his parents encouraged him to pursue his passion. Britto studied at the School of Fine Arts in his hometown and later at the Parson School of Design in New York City. During this time, he began to develop his unique style, drawing inspiration from a wide range of sources, including Picasso, Matisse, and Warhol.

Britto's love for art started at a young age, and he began to paint on any surface he could find, including scraps of cardboard and newspaper. He sold his paintings on the streets to help support his family.

Style and Techniques

Romero Britto's art is characterized by its bright colors, bold patterns, and playful imagery. His use of cubist-inspired shapes and lines creates a sense of movement and energy, while contrasting colors and patterns add depth and texture to his works. Britto employs many media, including acrylic paint, sculpture, and digital art. His results can be found in various settings, from public installations to private collections, and have been featured in galleries and museums worldwide.

Impact on the Art World

Romero Britto's art has had a significant impact on the art world in terms of its style and accessibility. His bright and playful works have brought art to a broader audience, making it more accessible and less intimidating for those who may not have had exposure to the art world before. Britto's art has also sparked a renewed interest in pop art and cubism, inspiring a new generation of artists to explore these styles and techniques.

Britto's art is characterized by its bright, bold colors and festive themes. He often incorporates playful images, such as hearts, flowers, and butterflies, into his work. He has been commissioned to create artwork for many high-profile clients, including Absolut Vodka, Pepsi, and Disney.

Legacy

Romero Britto's legacy extends far beyond his art. Through his foundation, he has worked to bring art education to underprivileged communities worldwide, using art as a tool for social change and empowerment. Britto's art and philanthropy have earned him numerous accolades and awards, including the keys to Miami and Rio de Janeiro.

In addition to his work as an artist, Britto is also a philanthropist. He has donated artwork to charitable organizations and created public art installations to raise awareness about critical social issues.

Conclusion

Romero Britto's life and art are a testament to the power of creativity and self-expression. His unique style and bold use of color have inspired countless artists and art enthusiasts worldwide, while his philanthropic work has helped bring the benefits of art to those who might not have access otherwise. Through his art and activism, Romero Britto has left an indelible mark on the art world, and his legacy will continue to inspire and enrich the lives of others for generations to come.

FAQs

What inspired Romero Britto's art?

Romero Britto drew inspiration from various sources, including Picasso, Matisse, and Warhol—his unique style blends pop art and cubism elements, creating a playful and vibrant body of work.

2. Where can I see Romero Britto's art?

Romero Britto's art can be found in galleries and museums worldwide, in public installations and private collections. His foundation also brings art education to underprivileged communities, using art as a tool for social change and empowerment.

3. What is Romero Britto's legacy?

Romero Britto's legacy extends far beyond his art. Through his foundation, he has worked to bring art education.

#bidsquare #antique #vintage #painting

[ultraheydudemestuff]

Olive Branch High School

9710 W. National Rd.

New Carlisle, Ohio

Olive Branch High School was a public high school Bethel Township, Clark County, near New Carlisle, Ohio. In 1873, a brick structure known as "No. 3" was built to house the Olive Branch School, for grades 4 through 8. In 1878, the Legislature of Ohio passed a law authorizing township Boards of Education to establish a school of higher grade than a common school. A decision was quickly made to create Olive Branch High School, but due to lack of funds, the new school wasn't established until October, 1880, when one room of the existing Olive Branch School was put into service for a high school class headed by teacher Robert H. Taylor. Courses taught at the school included Latin, Algebra, Geometry, Science, and others. The first class started with five students, but grew to seven by the time its members graduated from grade 11 in 1883.

In 1884, the school became a four-year institution with the addition of a grade 12, so the pupils who graduated in 1883 came back for another year—with a new teacher, as Robert Taylor left after his third year—and graduated again with the class of 1884. That same year, a Superintendent position was created and filled by Mr. Taylor's brother, W.S. Taylor. In 1886, a second teacher was hired, but the faculty was reduced back down to one teacher the following year. The building was also expanded around this time.

By 1900, the Olive Branch School building was overcrowded and in disrepair. Some of the repairs mandated by the State Inspector were completed that year, and the Bethel Township Board of Education spent the next six years discussing whether to continue repairs or to construct a new building. Construction of a new building was approved in 1907, and bonds were issued to raise the $30,000 needed to build the new school. The new building was completed in 1908, and all the students were moved to it. This structure, designed in the Craftsman style by architect Charles Insco Williams, was the first to be named Olive Branch High School, although it also still housed the lower grades of sub-district

Known locally as the "little round school house," "little round building," or "little round O.B.", this building had a unique circular design with four classrooms that pointed inward to face a central cafeteria and gymnasium. The building was destroyed when a boiler in the basement caught fire on November 10, 1913. Classes were held in a barn until a replacement building was finished in December 1914, at a cost of just under $15,000, for which $7,000 in bonds were issued earlier that year. Built on the same foundation, it was identical to the original building, but had doors added to each classroom so students could easily exit the building in case of fire.

From 1910 to 1916, the school had two teachers. In 1916, a third teacher was added in order to comply with a new state law requiring high schools to have three faculty in order to retain its standing as a 'first-grade' high school. At the time, Olive Branch was one of only two rural schools in the state to retain its standing. A Smith–Hughes agriculture course was added in 1922. In 1928, a new, larger brick building was constructed to house Olive Branch High School on land adjacent to the "little round" school. In 1952, Olive Branch High School closed and its grade 10–12 students enrolled in the newly completed Tecumseh High School, one hundred meters away. The brick building which last housed Olive Branch High School then became Olive Branch Junior High School (grades 7 through 9), and in 1981 became Olive Branch Middle School (grades 6 through 8), before being demolished and replaced by Tecumseh Middle School in 2007.

Meanwhile, in the 1950s and early 1960s, the "little round" building was used for overflow, temporarily housing classes from Tecumseh High School. In 1963, the building was used as an overflow elementary school, and then for art classes. In 1972, it ceased housing classes, and since then the well-maintained building has been used for storage. The building was placed with the National Register of Historic Places on July 23, 2009, and was rededicated at a ceremony in January 2010. Since then, funds have been sought to restore the building as a museum and board office.

[daydreamerdrew]

Comics read this past week:

Marvel:

the Iron Man stories in Tales of Suspense (1959) #85-97

In this batch of Iron Man solo stories, all of which was written by Stan Lee and penciled by Gene Colan, I went from October 1966 to October 1967.

There was noticeably very little of Pepper and Happy in this batch despite the fact this is coming right after Happy realizing that Tony Stark is secretly Iron Man and Pepper's opinion of Tony considerably improving from previously thinking very negatively of him. What we did see of them had Tony note that he hadn't seen very much of them lately and that he and Happy never really talked about Tony being Iron Man. Also when Iron Man interacted with Pepper he acted purposefully cold and rude to her, contrasting with their previously positive dynamic, because apparently he believes for secret identity reasons that Iron Man and Tony Stark can't have positive relationships with the same people. To top it all off, it's revealed that Pepper and Happy got married off-panel when they briefly visit Tony and give him the news, seemingly settling the love triangle that was before a pretty core part of the series very quickly.

The ongoing issue of Tony being pressured by the government to reveal Tony Stark's secret identity was also resolved very quickly with Senator Bryant briefly showing up to tell Tony that he's decided to drop it.

In this batch both Iron Man and Tony Stark had positive public reputations which it itself fun. It's charming seeing people tell Iron Man "that boss of yours... Tony Stark... must be a genius!" and "I wish Stark himself were here, so we could tell him how much his help in weaponry has meant to us! But we’ll have to count on you to give him that message!”

the Hulk stories in The Rampaging Hulk (1977) #4-9

This was a black-and-white series that took place in the gap between The Incredible Hulk (1962) #6 and The Avengers (1963) #1. I chose to skip it in my Hulk readings and then go back and finish it all together, rather than read it as it was coming out alongside the Hulk’s other appearances in his own title and in The Defenders (1972), because I didn’t find the stories to be that interesting. Though it needs to be said that the art in this series was consistently great. There were also back-up stories starring other characters in each issue which I didn’t read.

The Hulk story in issue #4 was scripted by John Warner, plotted and penciled by Jim Starlin, and inked by Alex Nino. The Hulk stories in issues #5-9 were written by Doug Moench and then the Hulk stories in issues #5-7 were penciled by Keith Pollard, in issue #8 by Herb Trimpe, and in issue #9 by Sal Buscema. And the Hulk stories in issues #5 and #8 were inked by Alfredo Alcala, in issue #6 by Tony DeZuniga, in issue #7 by Jim Mooney, and in issue #9 by Rudy Mesina.

DC:

Human Target (1999) #1-4

This 1999 miniseries was written by Peter Milligan, drawn by Edvin Biukovic, and colored by Lee Loughridge.

Reading this mini was sort of strange for me. The approach here to Christopher Chance as a character felt less like a natural evolution from his appearances written by Len Wein in the 70s and early 80s than the current The Human Target (2021) limited series written by Tom King does. Those earlier appearances are all short detective stories based around Christopher's job and in them he's framed as this cool suave guy and he's not portrayed as having any qualms about his work, his tragic backstory is only relevant to the stories in which someone from it briefly appears in Christopher's life, and the only other recurring character is Luigi. This mini introduces completely new characters who Christopher has established relationships that are used to explore how the concept of the Human Target as a character who regularly disguises himself as other could lead to identity issues, which is a new element to his stories. Christopher is in a worse place in his life, now no longer being satisfied with his work and only taking on jobs if they look like they’ll be interesting for him and he’s in therapy, apparently because his work has messed him up, though there’s no reference to his tragic backstory at all. And Luigi is dead before the story begins. The drastic changes to Christopher’s mental state and lifestyle made me feel a bit like I had accidentally skipped something in his character’s history. And I wasn’t too interested in how this new approach to Christopher Chance was executed here but I’m still intending to continue on to Human Target: Final Cut (2002). I’ve liked Len Wein’s Human Target and I’ve liked Tom King’s Human Target and it’s yet to be determined if I’ll like Peter Milligan’s.

The Swamp Thing (2021) #1-16

This 2021-2022 limited series was written by Ram V and primarily drawn by Mike Perkins and colored by Mike Spicer. Issue #5 was drawn by John McCrea.

Both this and The Many Deaths of Laila Starr (2021) were good, well-written comics with interesting premises and great art but I just didn't really get super into either of them. What I've read about Ram V's approach to comics has made me really respect him as a creator and I'm just sort of looking/waiting for that work by him that I'll connect to. Though, barring the ending, I did really like his short story "The Nature of Fear" in Batman: Secret Files (2018) #1. I think I'll reread The Swamp Thing at some point in the future, after I have checked out earlier Swamp Thing comics, and at that time I'll try to borrow a physical copy of this book from the library and see if that makes it work better for me.

Harvey Comics:

the Black Cat stories in Speed Comics (1939) #21-33

In this batch of Black Cat appearances I went from August 1942 to July 1944. To the best that I’ve been able to find, the stories in issues #21-25 were drawn by Arturto Cazeneuve, in issues #26 and #29-30 by Al Gabriele, in issues #27-28 by Bob Powell, in issues #31 and #33 by Joe Kubert, and there’s no information on the artist of the story in issue #32. I enjoyed the stories by Arturto Cazeneuve and Al Gabriele best. There were also text stories with the Black Cat in issues #29 and #33 but there's no information on who wrote those.

I feel that each different creator has shifted the relationship between the Black Cat/Linda Turner and Rick Horne a bit and what we're left with at the end of this batch is that Linda and Rick are somewhat of friends, though they don't really seem to me to be particularly close so much as that they happen to be repeatedly drawn together by the events of the stories, when they previously didn't know each other and that the snarkiness and flirtiness of the Black Cat and Rick's dynamic is a bit subdued in comparison to how they started out.

Of note is the Black Cat story in issue #23 because, alongside the Black Cat and Rick Horne, the story also starred the other Speed Comics characters Captain Freedom, Pat Parker and the Girl Commandos, Ted Parrish, and Shock Gibson.

#comics read this past week #my posts