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#oh and for me bonus: case of the week plots with character arcs as the other half of the episode writing

absolutebl · 3 years

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This Week in BL

March 2021 Part 4

Being a highly subjective assessment of one tiny corner of the interwebs.

This is a LONG ONE, it’s been A WEEK everyone.

Ongoing Series - Thai

Lovely Writer Ep 5 - a little slow this week, but at least Gene finally flirted back, and very cute flirting it was, too. Also we got Aey’s motivation, background, and love interest. Thank goodness for that.

Brothers Ep 8 - still pants, what can I say? Clearly I am a BL masochist. Very embarrassing for everyone concerned.

1000 Stars Ep 9 - the conflict over Tian’s father was REALLY well done. The plot of this drama is excellent, the leads are great together, and yes I totally cried. What, you didn’t?

Ongoing Series - Not Thai

Word of Honor (China) Ep 16-18 - big battle fighty fighty stabby stabby. Ep 17 switches to “this drama isn’t big enough for two chaotic-neutral godlings!” So what do they do? Drink together and bicker... A LOT. Then in Ep 18 we all get the dubious joy of really freaky puppets. (I HATE puppets.) Also how is China letting this be so SO VERY VERY GAY? Also, I wanna walk through the forest wearing a smanshy purple robe and waving a big fuck-off white fan around simply because I’m a pretentious fuss monger. And frankly, I feel like this is an achievable life goal for me.

We Best Love 2 (Taiwan) Ep 4 - not gonna lie, this is looking to be one of my top 3 BLs of 2021. It’s SO GOOD. Big bonus to this ep for treating stalker behavior like the mental illness it is and not as some dumb representation of enduring love.

The Most Peaceful Place is My Place (Vietnam) Ep 1 - finally dropped (find it under NƠI BÌNH YÊN NHẤT LÀ VỀ BÊN EM on O2′s channel). It’s got actors already comfortable with BL and looks pretty good so far. An angry tsundere uke reunited with his ex, a stoic chef, giving us lots of snap, crackle, and pop out the gate.

Dear Uranus (Taiwan GL) Ep 2 - I want to love it, but it is just moving too fast. There’s not enough character dev and then they’re throwing flashbacks in? It feels like a treatment rather than a show, and a rushed treatment at that. Bummer.

HIStory 4: Close To You (Taiwan) Ep 2 (AKA Ep 3-4) - let the cheesy popcorn continue! Idiot remains an idiot; ingenue remains an ice queen; nice gay guy remains nice and gay; obsessive stalker brother is getting ever more whackadoddle. Of course these last two have the best chemistry. (It’s caregiver codependency and the salvation trope. We got us a Leo/Fiat situation going on.) Plus lots of classic BL tropes because OF COURSE there are lots of tropes.

Occasionally, I am tempted to argue that shows like H4 or Cherry Magic or Ossan’s Love aren’t technically BL because of the office setting and age of the protags - but then they all behave like high school students anyway, so *shrug*

Stand Alones

Cute little Taiwanese micro BL Friend or Lover dropped, about bisexual realization within a friendship group. Normally these are too short for me, but this one did pretty good with its 15 minutes of charm, plus it’s abad boy + shy softy pairing.

Breaking News - Thai BL

Fish Upon the Sky released its actual trailer. The upside-down kiss is gone, which makes everyone sad, and it seems far less rivals to lovers than the first iteration, which makes ME sad. But it still looks good and a more classic BL than GMMTV has given us in a while. New trailer focused more on the makeover trope and they’ve upped Mix’s role (the object of everyone’s affection) now that he’s proved himself. (Or they are using him more to carry the trailer since he has a fan base form 1k*). Starts April 9 on GMMTV in 1K*’s time slot, probably with a 10 ep run.

2gether the movie is apparently coming April 22 to Thai theaters. F4 Thailand must be having issues or GMMTV just wants to milk the BrightWin cash cow. It’s rumored to be a combination of 2gehter + Still 2gether with some extra scenes and ending. Also, one assumes a lot will be cut out, if it’s movie length.

Call It What You Want released its updated trailer. If anything, it looks more scary than before. What are we in for? April 9th.

Nitiman got a release date, May 7 on One31.

I Told Sunset About You 2 got an updated release date of May 27 on LineTV.

Second Chance the series is coming to LineTV on March 29. I don’t know much about this one. Tons of familiar faces (mostly TharnType side dishes) and some nice looking new talent but a dearth of eng subs. I think it may take on Brothers’ time slot. Line did eng subs for Brothers so maybe they will do 2nd Chance too?

Close Friend the series is coming April 22. This is a combination of 6 couples with 6 story arcs as music videos (maybe)? It’s an epic fan service with familiar faces like OhmFluke (UWMA), MaxNat (LBC also in Y-Destiny), YoonLay (YYY also in Y-Destiny), KimCop (GenY), and JaFirst (TT2).

Y-Destiny starts March 30, and has starting dropping couple’s trailers. I’m still suspicious given the director but it seems like there is plot (or plots) and a theme. Looks to be a series of 7 single ep vignettes (amended, see comments, might be 2 eps each for 14 eps total), different couple each time, some with supernatural elements, all with decent chemistry and acting chops.

Sun MaxNat’s tutor/student arc

Mon jaded rich kid meets poor innocent

Tues sports romance enemies to lovers

Weds the messy realistic actual dating one

Thurs hot ghost boyfriend (sad)

Fri YoonLayPerth coping with loss and finding new love (sad). This one will all rest on Lay's acting so we know it’s in safe hands. Our boy is going to KILL it.

Sat time-slip memory loss reunion romance

I’m thinking we can’t expect any of these to end happy or be classic BL. They’re gonna be more slice of life-ish.

Gossip - BL Outside of Thailand

Scholar Ryu’s Wedding Ceremony AKA Nobleman Ryu’s Wedding (Korean historical BL) got a legit teaser (eng sub here). @curriculumvtae reports that it’s releasing April 15th on WeTV (Philippines & Thailand) and Idol Romance (South Korea), while Will of Thai Bl says it’ll be on Viki too. It’s a short run of 8 ep built on a fake relationship trope (arranged marriage variant):

Ryu Ho Seon’s (Kang In Soo from You Wish) arranged marriage turns out to be with his expected bride’s brother, Choi Ki Wan (Lee Se Jin from Mr Heart). Ryu tries to undo the marriage, but his ill mother opposes this saying the scandal would be too much. Meanwhile, Kim Tae Hyeong (Jang Eui Soo from Where Your Eyes Linger), a senior at Ryu’s school, comes to congratulate him and falls in love with Choi. Then one day, the original bride disappears.

Okay it seems a bit twisty turny for ONLY 8 EPS, but oh my goodness how excited are we? Our first intentional historical BL out of Korea!

We already knew Hong Kong was doing a remake of Japan’s Ossan’s Love under the same name (not my favorite Japanese BL but so very popular) but it’s now reported to be coming to Viu in June. Who knows how the CFA will take it. Depends on whether Hong Kong bows before the NO GAY KISSES regs or if they are going to use this as a political nose thumb... things could get cray with this puppy (the original has several kisses and s shower scene). Are we back in Addicted territory only with added comedy and civil unrest?

Speaking of Japan, Absolute BL (AKA Zettai BL ni Naru Sekai vs Zettai BL ni Naritakunai Otoko) dropped sooner than anyone thought, March 27. But being Japanese who knows how/when/if we get subs. Protag finds himself trapped in a world of BL, but being straight he fights against any hot guy that draws near, but the whole world (literally) is conspiring against him. It’s a parody adapted from a yoai.

What with Absolute BL from Japan plus Lovely Writer and Call it What You Want from Thailand, is 2021 the year of BL being ultra self referential? Sure feels like it.

In Case You Missed It

Faded a gay micro film from Taiwan from 2017 deals with parental acceptance and serves up a ton of BL tropes (piggyback, forehead kiss, etc). I’m pretty sure this was a propaganda piece for legalization of gay marriage, and it’s an interesting nugget of BL history as a result. Yes, it ends happy. It’s cute.

Next Week Looks Like This:

Some shows may be listed a day later than actual air date for accessibility reasons.

Upcoming 2021 BL master post here.

Links to watch are provided when possible, ask in a comment if I missed something.

Man there’s a lot going on right now! Spring has sprung... I suppose.

P.S. I cannot believe I missed Absolute BL as a blog name. Numbnuts = me.

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shellyb04 · 3 years

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And here we are, all caught up. You'll notice I fell into a bit of a Chinese drama and historical hole for these last ones! I will try to post as I finish shows so I can give a bit more of a review. Enjoy!

A love so romantic (Cdrama)-Girl pretends to be a long lost granddaughter of the Gu family and falls for the Gu family heir. 8/10 Very funny. The last ten episodes get a bit annoying with dumb amnesia and such, but overall really funny main couple.

The Greatest Love (Kdrama)-An A-list movie star with a heart condition meets former girl group member and now most disliked celebrity. Against all odds, he falls for her. 9/10 This is extremely funny and a bit tropey, but it gets major bonus points for the ending. There's no crazy amnesia or unreasonable misunderstandings. Their dilemma at the end makes sense and wasn't dragged out for too long. There was a bit in the middle where she was trying to reject him that dragged for me and I didn't like the other girl group members very much. But overall, really fun.

The Rebel Princess (Cdrama)-A princess is forced to marry a general turned prince instead of her childhood sweetheart prince. They ultimately fall for each other and endure war, kidnapping, betrayal, and every other kind of misfortune that can happen in a historical drama. 9/10 This drama was refreshing because the couple was so amazing together. They were kind as well as cunning. They were the only characters not seeking power and I just loved the way they worked. It does get a little draggy during some of the palace politics. I also think some of the villians didn't think through their plans. But overall, the leads made the show. Although there are some genuinely heartbreaking moments and too many women committing suicide.

Love Script (Cdrama)- A CEO gets into an accident and believes he's a Prince from the Ming Dynasty. A psychologist is hired and she becomes part of the palace staff in order to treat him. But she begins to fall for him. 8/10 I liked all the characters. It's a really light show and there's a couple of plot twists that ultimately made the lead romance work for me. There were a few too many flashbacks and I found myself skipping through them a lot.

A Girl Like Me (Cdrama)- Ban Hua has three failed engagements, partially because of her blunt manner and explosive temper. She begins getting visions of the future and uses them to save her family from trouble, along with Rong Xia who has his own agenda...but will he be distracted by Ban Hua!? 8.5/10 I really liked this one. The story moved along rather quickly. I love that the Ban family are perfectly happy in their little sphere of life. They adore each other and simply want their family to be happy. The only real negatives are that I don't think some of the villain plots made sense especially toward the end and I thought the last two episodes should have wrapped up the story not made more characters power hungry and foolish. Overall, I really liked it, especially Ban Hua and Rong Xia's banter and courtship.

My little happiness (Cdrama)-An intern lawyer and a successful neurosurgeon who were childhood sweethearts meet again as adults only she never knew his name. Watch the duo fall in love. 8/10 This is a pleasant little ditty with no big problems. The relationship between the main girl and her best friend feels super real to me. I love both main couples. It's a simple sweet sappy love story. There's never any doubt how it will end so just enjoy the sweetness.

Oh! My Sweet Liar! (Cdrama)-Historical- A female painter infiltrates the home of a noble family to paint a copy of a precious item. When her escape goes wrong, she fakes a pregnancy by the family heir to save her life. They make a contract marriage so he can escape an arranged marriage he doesn't want. But there are secrets and plotting people throughout the family home. 8.5/10 I really liked the majority of the show. It was a bit slow the second arc of the show and really the last three eps could have been a bit more streamlined, but I loved the Li family. It was so nice to see the love between the family.

Shopaholic Louis (Kdrama)- A wealthy heir gets amnesia and is found by a poor country girl newly arrived in Seoul to look for her brother. The two fall for each other while searching together. 8.5/10 Super cute. I loved the main couple the whole way through. The side characters grew on me as well. It was a nice sweet story overall.

Love in Time-Cdrama- Writer and a CEO were friends in Jr high but had a falling out. Present day they enter a contract marriage. 8/10 A point bump for 30 minute episodes. The story was sweet and simple with a few pleasant turns. The last episode is a bit dumb. I would've rather just had more epilogue than a faked amnesia plot. I liked the side friendships, but wish the "villain" had a better motivation. Just " I loved him and worked hard for him so he should be mine" obsession got old. The tropes were in full display so avoid if you hate those.

Love and Destiny-Cdrama- A young immortal wanders into the wrong place and awakens the God of War. He discovers a secret about her even she doesn't know. The two fall in love, but bad things happen. Can they overcome destiny with love? 7/10- This one seemed to be a bit long at 60 episodes and it took WAY too long to get started. But by episode 14 or 15 I was completely into the love story and most of the side characters. The two "villains" were annoying but ultimately I understood their choices even if I felt they were immature. Overall, it's good, but a little too slow in some places and the last ten episodes could have given me some more couple moments.

Divorce lawyer in love (Kdrama)- She's a tough as nails divorce lawyer and he's her office manager until she goes to far in a case and her license is suspended. Three years later she's the office manager and he's the lawyer and he sees his chance for some payback.. Enemies to friends to lovers. 8/10 It has its funny moments. I enjoy most of the "case of the week" stories. I thought the resolution to the main antagonist was a bit hand wavy, but overall, solid and enjoyable with mostly fun side characters.

The Sword and the Brocade (Cdrama)- A concubine's daughter marries a Marquis in an arranged marriage. She has to deal with conniving concubines, controlling mother and mother-in-law, as well as a family that doesn't want her around, and a rival family all while trying to continue her embroidery career. 7.5/10 Started out fairly strong but toward the end it felt really drawn out. I feel like the last two plots should have been more combined cause it really dragged the pace of the show down. The characters were good. I liked most of the characters a lot, but a few began to make weird decisions toward the end.

The Eternal Love (Cdrama)- Modern woman sucked to alternate past where she has to share her doppelganger's body. The two with the help of their maid try to figure out what's going on. But things are complicated as each soul is in love with a different prince.,-6/10 The story is okay, although the last four episodes are weird. Chemistry with the leads is fabulous. Really not great production quality. I couldn't get through Season 2.

Eternal Love/Ten Miles of Peach Blossom (Cdrama)- Bai Qian and Ye Hua are star crossed immortals who fall in love in three different but intertwined lives. 9.5/10 Started off slow, then got wonderful about ep 10, then pain and misery for a few eps before back to joy and falling in love and back to pain. But one of the best revenge scenes by Bai Qian! I sort of hated that basically every other couple seems doomed. I tried to watch the pillow book before this and just got bored. I may go back to it someday as I love that couple.

General's Lady (Cdrama)- independent noble sent to marry the "demon" general at the border only to fall in love with him. However there are factions trying to harm them. 9/10 Super light and sweet with lots of kisses. I got a bit bored a little past the middle of the drama when they went back to the capital. But the last several episodes brought me back around and I laughed out loud multiple times. Love all the couples throughout and how it showed there were multiple ways to be a strong woman.

#kdrama #cdrama #A love so romantic #The greatest love #the rebel princess #Love script #A girl like me #My little happiness #Oh! My sweet Liar!#shopaholic louis #love in time #love and destiny #divorce lawyer in love #the sword and the brocade #the eternal love #tmopb #eternal love #General's Lady

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pochapal · 3 years

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I hate doctor 11 but ive never been able to explain why in like words lmao. He feels like such a mary sue character imo and like theres something about his characterisation that was always just really ineffective (like the stuff about fishfingers and custard or whatever it was). Imo i'd love to hear you give top 5 worst things about the 11 era because i rlly just love when it gets torn apart

i hold nothing but a seething contempt and loathing for that man. every time he appeared on screen i felt ready to snap like a riled up chimpanzee in my enclosure. i am frothing at the mouth and overcome with a desire to start flinging heavy objects. this might be incoherent and inconsistent but i started this rewatch in feb 2020 and only finished this week so i got through 11′s episodes last august/september time and i refuse to revisit it to jog my memory or fact check anything i’m saying here because this man does not deserve the space in my mind for that.

the first thing is i can’t fucking STAND the quirky whimsy timey wimey bit he has going on all of the time. i can’t even say this is because this is a kids show and i was a teen and then adult when i first properly watched him but actually!! when i was eleven years old i’d sleep over at a friend’s house most weekends and it always coincided with the airing of a new season 5 episode and i remember we watched the finale with the dumb time hopping to get out of the box prison that was never explained and didn’t make sense and i thought at the time “this is really stupid”. and before that my only other doctor who exposure was watching the david tennant christmas specials with another friend and throughout childhood my only opinion on doctor who was “this is a tv show that is not for me but is one that all the boys i am friends with like so i will put up with it to maintain our friendships” but at least those episodes were both suspenseful and engaging enough to keep me watching all the way through. like who the fuck does an end of the world sci fi plot and approaches it with an “oopsy woopsy i am a funny little alien man who is going to stop you all by making you do a hecking silly” like it’s unneeded and self-parodies an already cheesy show to the point where it becomes unwatchable and makes it impossible to ever take this man seriously.

next thing that downright sucks ass so badly is the stupid fucking overwritten constantly escalating plotlines. like everything from season 5 up until his regeneration at the end of season 7 is meant to be this grand interconnected cosmic plot about how...the doctor trying to bring back his planet will end the universe or something so all the top powers across all of reality tried again and again to stop him from doing that except he doesn’t know what’s going on so he keeps thwarting these people who supposedly mean good?? i mean i sure don’t fucking know what they were trying to say!! like for some reason we never get the doctor suddenly becomes this superdemon that threatens everything so these people (whoever they are) decide to, in sequence: suck him through a time rift to erase him from existence, trap him in a prison and remake a universe without him, take his companion’s baby and turn her into a perfectly trained doctor killer, form two(!!) secret societies to hunt him throughout history that are only stopped by his companion splintering herself across his personal timeline to protect him, and repeatedly cause reality collapsing events because it’s a kinder outcome for the universe than what he will do. this grand and terrible event turns out to be...he spends a few hundred years chilling by a rift that leads to his home planet and protects a few generations of children from monsters which convinces them to give him infinite regeneration power then fuck off back to their pocket universe. and it’s like!! what is the point of anything that happens in this man’s era when everything is always “the darkest moment” or whatever the fuck!! i don’t care!! we never get a compelling reason to believe this bumbling clown of a man could ever be a universal threat!! the whole thing is so dumb i hate it!!!

thing number three i hate is how the eleventh doctor is ALSO characterised as this abrasive egotistic male supergenius to the point where he becomes genuinely indistinguishable from bbc sherlock. genuinely who enjoyed seeing this guy constantly tell people their tiny human minds can’t comprehend what he’s doing and then basically just wave his magic wand to solve whatever problem each episode is facing. 2012 is the year of human sin because this fucking shitsmear character archetype somehow became both a redditor role model AND a tumblr sexyman and it’s like!! nobody is enjoying this stop making this seem cool! him saying timey wimey thing any time he does anything is frustrating and dumb and locks the viewer out of giving a fuck about anything that is happening! smartest man in the room syndrome is a disease and the eleventh doctor is terminal with it. like remember how they established river as an accomplished scientist (when she wasn’t being a child soldier or a time paradox or whatever the fuck) and every time that came up mr doctor eleven man was like “oh this thing is obvious because i’m a genius and you didn’t realise because your brain is tiny so get out of the way and let the grownups think” or that time it turned out amy had been replaced with a slime clone for half the season and the doctor chewed rory (audience surrogate) out for somehow not realising this fact we didn’t know right from the start and like. this served no purpose other than to draw into severe question why the doctor is also this super beloved magical figure implicitly trusted by all children everywhere like. mr steven moffat is totally allergic to writing and solving mysteries in his tv show and fuck you for wanting to figure things out as you go along based on the new evidence you uncover at strategic plot intervals just let this asshole man use magical thinking to reveal he knew the answer all along and you’re a fucking idiot for not also realising this thing which had no basis or precedent anywhere else in the show.

speaking of dumb things let us not forget the absolute shitshow that was minority representation in this era. i’m not even talking about the low hanging fruit of how genuinely unironically sexist amy and clara were written where each episode moffat either seemed to loathe them or was incredibly horny over them and they had no character growth or arc or fucking anything. i’m talking about how fucking shit terrible the incidental representation was. god remember how every single fucking gay person who appeared in this era was written as one incredibly fucking stupid joke and how the women were all either sexy dominatrix, feeble girl in love, or Mother (or all three in some really terrible cases) and i’m not qualified to talk about this but also how incredibly white this era was and how on two separate occasions we had monarchs reimagined as sexy girlbosses with a gun played by black women who the doctor leched over. nothing about any of this was good ESPECIALLY coming off the back of rtd who was surprisingly forward thinking for 2005 and did a really good job of positing travel with the doctor as queer allegory. in comparison moffat gave us THE MOST heterosexual shlock i’ve ever had to endure. amy and rory could have been interesting characters were they not hemmed into this domestic bickering young straight married couple bullshit that was in no way changed or altered by traveling with the doctor except for the quasi incestuous river song reveal that was dumb and bad and stupid.

the last major mega gripe i have with the series is moffat’s fucking jingoistic boner for british military aesthetics. this carried over throughout his entire tenure as showrunner but was super terrible vomit inducing in eleven’s era. the unironic admiration for ww2 britain and winston churchill is downright wretched. are you incapable of telling a second world war story outside of churchill’s london and plucky blitz fighters. shit gives me hives so badly. and then!!! that weird church owned army that features in the future that end up being bad not for the concept of what basically amounts to an imperialistic intergalactic rendition of the fucking crusades but because they’re part of the nonsense go nowhere puzzlebox narrative that says the doctor is a not good man who will do bad things to the universe :(. remember how rtd’s doctor was a freshly traumatised man hot off the war criminal press who time and time again vehemently refuses to engage in military violence, but who tragically inadvertently turns every one of his companions into soldiers in his own personal army, and he has this moment of complete horror at the realisation and it is this which causes the downward spiral that ends in 10′s regeneration. and then how there’s this cringe line about how there’s a force of people who are “the doctor’s army, always ready to fight his battles when he’s not around” or some shit and then it turns out this is actually massive literal military operation and we’re meant to celebrate this. fuck off.

bonus round because this needs to be said but i have never hated anything like i hated that fucking human tardis episode. everything about it induced violent anger in me from the sickening overindulgence of that softgoth dark whimsy helena bonham carter tim burton aesthetic to the bafflingly terrible evil carny stereotype of those junk scavengers to the overblown sudden tragic shipbait romance of human tardis and the doctor. every word out of her mouth was trite shit and the fact that the death of her body was presented as this super emotional dramatic scene despite there being no buy in or incentive to care and the fact that every single person on tumblr in 2012 ate that shit up like it was fucking gourmet. i loathe every single thing about that episode so much.

#Anonymous #hi bestie here's 1500 words of me getting mad about the worst television experience i had in my life #why the FUCK was this man tumblr's favourite back in the day. what the fuck did anyone see in any of this shit #i never want to think about dr whom ever again

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straightfacedstrangeness · 3 years

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Not that anyone asked (but seriously I’d LOVE for someone to talk to me about PokeSpe (just no spoilers past vol 13)) but since I made an offhand remark about my Top 5 favorite characters, it occurred to me that I actually DO have approximately 5 top favorite characters, and I’m procrastinating on work, so I’m gonna ramble

**just in case, note that a lot of this will revolve around my childhood experience with gender in a “I’m AFAB (and present-day me still identifies as a cis girl) but I don’t fit in with what media is telling me girls are like” way, a brief childhood feeling of homophobia, and probably general TMI about my opinions and emotions throughout my life, haha

1. Yellow

Okay, so, I was a little kid when Pokemon Adventures started coming out in English, back when manga was released as single-issue monthly comic books instead of complete volumes. So I was rereading the same chapters over and over while anxiously awaiting the rest of the story (and wound up missing a bunch of issues anyway)

I enjoyed the RGB arc, I thought it was fun, but I didn’t LOVE the series until Yellow showed up. At that age my ideal crush was “a cute boy my age who would be nice to me” and Yellow was presented to the reader as a cute boy my age who was sweet and kind and gentle, but also good in a fight, as all shounen protags must be. Extra bonus points because they had just a few physically weak Pokémon and tried to fight battles in a way that minimized damage to their own and the opponent’s Pokémon, which meant they fought in a particularly smart and clever way. And I was considered “smart” for being good at school, so being a SMART cute “boy” my age who would be nice to me, Yellow was PERFECT. I mean, I loved the arc in general because of the clever battles, and the mystery of what had happened to Red, why these people were after Pikachu, why Yellow was so secretive about themself and their mission, etc was really engaging. But also I adored Yellow as a character and partly in a “I wonder if ‘he’ would like me??” kind of way X’D So to my tiny child self who didn’t even know it was possible to like-like someone of the same gender (because I hadn’t read Cardcaptor Sakura yet XD ), the reveal that Yellow was a “girl” was devastating—I had to cross out floating hearts on at least one drawing of us holding hands (scandalous!) and, while kind of stunned and shaken for a while, decided that what I’d felt all along was a deep, intense desire to be friends X’D (which probably wasn’t too far from the truth since I was pre-puberty and later turned out to be asexual)

(Also note that I never got the RGB issue that had the chapter where Red helps a little ‘girl’ capture a Rattata—later proven to be Yellow’s backstory—so the gender reveal really came out of nowhere for me.)

But anyways, I still love Yellow as a character for all the above reasons, without the crush aspects because I’m way older than them now.

Also when I reread the series ten years ago, I finally realized “wait, aside from surprising the reader, there’s no real plot reason for Yellow to pretend to be a ‘boy’ except that Green told ‘her’ to—so why did ‘she’ do it?”...and because at that time I didn’t even know that nonbinary genders existed, I decided it was cus they had low self-esteem and pretending to be a different person gave them courage (the same reading I had for Mulan at the time). These days I’m more inclined to “yeah, I think Yellow’s nonbinary,” but that other interpretation was deeply relatable to me and only made me love Yellow even more.

2. Bill

Bill’s definitely a character I’ve grown to love more as an adult, since I’ve gone from seeing myself as “a protagonist doing cool things” to “a side character just living their life who hopefully gets to do something once in a while.” But as a kid and now, I like him mostly for the slapstick and goofy expressions and the (early chapters Viz translations) outrageous accent X’D My brain desperately craves endorphins and the best way to get em is through a good laugh.

But also, I liked that he was introduced as a goofy character-of-the-week who got into ridiculous trouble and had to be rescued, but then kept being brought back, was slowly built up to be the “smart sidekick who explains things,” and eventually got to the point where he was participating in big battles (the Yellow finale on Cerise Island). I rambled about this in the tags of another post, but I liked that he was a character who was “weak” without being “useless.” As a kid who was good at school, I was obsessed with being good at things and had developed a black-and-white view of the world where either you were “strong/smart” or “weak/stupid” to the point that failing or just being not-so-good at anything was devastating (it still kind of is), because that meant I was actually “weak/stupid” when I was supposed to be “strong/smart.” So it was kind of awesome that this guy who kept getting into trouble and having to be rescued—and didn’t even want to BE part of the final battle—managed to hold his own and get through it and help out instead of being a burden that dragged everyone down. Seriously, he used a MAGIKARP effectively—the Pokémon everyone makes fun of for being “useless” and he used its one attack to save his life!

(Bonus points for all this happening in contrast to my devastating childhood experience of stanning The One Girl Character in every popular shounen series, waiting desperately for her to get to do something in battle, and then her one spotlight episode revolved around her struggling because she was so weak...not only was that actually happening to a boy for once, it was actually happening in a more satisfying/empowering way :’D )

3. Gold

I have extremely specific tastes when it comes to “the dumb shounen/action movie protag,” because as a kid I hated it when the main character was “dumb” because I was “smart” (re: good at school) and people who were “dumb” shouldn’t deserve to be the main character and have all the cool powers and save the world and stuff. As an adult, I hate it when male characters are dumb and/or jerks but it’s treated as fine or even sexy(??) and the other characters fawn over them, and I generally still kind of hate it when characters who are dumb and/or jerks get the big important role when there’s a female character RIGHT THERE who’s more competent (and OF COURSE she has to wind up falling in love with him)

But anyway, I have extremely specific tastes, and Gold is it X’D He’s the perfect combination of “unshakably confident in his own stupid/egotistic views” and “treated as annoying and/or comic relief by the rest of the cast” with a bonus dash of actually being really clever in battle (so my inner child goes “Ah yes, technically, he is ’smart,’ and therefore...worthwhile“) Making me laugh while also impressing me is like the key to my heart.

4. Crystal

I’m too lazy to look it up, but when Viz was publishing Pokemon Adventures as monthly comics, they must have switched to publishing it as trade paperbacks only and/or had a huge gap between the end of Yellow and the start of GSC, because for YEARS I’d thought Yellow was the end of the series and was shocked the first time I saw later volumes. (My dad was buying us the monthly issues at the local comic store, and either they wouldn’t have ordered the trade paperbacks or he wouldn’t have thought to check those shelves.)

Anyway, that’s a long lead-in to the statement of “Crystal would automatically be my #1 or #2 if I’d read her arc as a kid.” She’s a girl, she wears pants, she’s EXTREMELY smart (genius-level “book-smarts” about every Pokémon’s behaviors and weaknesses PLUS being clever in a battle), was tough as nails (she KICKED her Pokéballs!!), had no interest in romance or her appearance, AND had a short arc about losing her confidence and training herself back up to full power. I would have KILLED for a character like that when I was a little girl being told that “girls don’t like action shows like Dragon Ball Z” (but I was a girl and I did???) and that girls were supposed to be pretty and obsessed with fashion and dating, and that girls were never the main character of action series, just side characters who either did nothing or got one chance to do something and were pathetically weak (see above, and/or Sakura’s fight against Ino (Naruto), those couple filler eps where Téa/Anzu played Duel Monsters (Yu-Gi-Oh), Videl getting pummeled by Spopovich (DBZ), etc).

So anyway, she’s awesome, she’s exactly the type of character I would’ve loved as a kid. The only reason she’s behind Gold here is because at my age, “makes me laugh” > “the kind of main character I used to wish I could be”

5. Green (the girl trainer...I’m just too loyal to the Viz version to call her “Blue”...)

I’m trying not to rehash the same “I’m a girl but none of the girls in my shows/comics are like me!” childhood woes over and over, haha, but as much as I always enjoyed Green for being extremely clever and outsmarting the boys and being funny when she did so, she always lost points with me for being “pretty” and flirting to get her way, because that put her in the box of “girls are supposed to be pretty and desired by boys and obsessed with their appearance and romance” that was so foreign and disheartening to me as a kid.

But her staredown with Ho-oh at the end of the GSC arc TOTALLY got me. As a sad adult with anxiety, watching characters who are absolutely terrified overcome their fear, watching characters who are completely beaten down struggle back to their feet and keep fighting, is like my ultimate power fantasy. That sequence genuinely had me in tears.

Also her bond with Silver is super precious, especially since that’s like the first time in the series we’ve seen her be genuinely emotional and vulnerable with someone instead of teasing or manipulating them.

Honorable mention: Sapphire

I haven’t gotten up to R/S in my reread yet, and I only read that arc once over like a weekend ten years ago, but I’m pretty sure she’s gonna be a Top Fave cus again there’s that “I'm not like other girls!” childhood feel (last time I’m saying it, I promise)

It’s a story arc where one protag wants to fight the gyms and the other protag wants to win the beauty contests, but the one who wants to fight the gyms is the girl!! And she’s the typical “dumb but extremely good at fighting” shounen protag but she’s the girl!! She’s feral and illiterate and a total tomboy and wins all her fights and she’s a GIRL!!!!

Anyway, those are my kids and my dude and my probably way-too-personal reasons why. If you wanna reblog, reply, or send an ask about your own faves...please

#pokemon adventures #rambling #crackpotawesomes #spent like an hour and a half on this oops

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twdmusicboxmystery · 3 years

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TWB 1x09/1x10: A Template for the Daryl/Carol Spinoff and a Bethyl Reunion

So, what did everyone think of TWB finale? I really enjoyed it. As I’ve been teasing, I had a HUGE lightbulb moment about this series and what it points to symbolically. I know many in the fandom are asking what the point of this series is if we don’t see Rick. Well, I think I know. As I’ve said in Asks, I think plot-wise, we may still see Rick (or even Beth) in S2. The characters aren’t actually inside the CRM yet, but at least Hope and Silas are going there, so there will be more opportunity for them to run into Rick or Beth next season.

***As always, spoilers abound below for TWB 1x09 and 1x10. Don’t read until you’ve watched!***

So, what was my big lightbulb moment? Here it is:

Symbolically, this is foreshadowing what will happen with the Daryl/Carol spinoff, Rick, and how Daryl and Beth will reunite. The good news is, I’m more convinced than ever that she’s close. You’ll see why as we go along. The bad news is, we really probably won’t get a Bethyl reunion until the spinoff, which will come after S11. That’s a ways off. I was just praying we’d see her either in the flagship series or in TWB or FTWD before then, and then the news broke that she’ll be in the bonus episodes in flashbacks. I know that doesn’t prove she’s alive, but it was still kind of an answer to a prayer for me. Okay, so here goes.

This will be long, as I have a LOT of things to talk about here. Let’s establish names, first of all, as I’ll be referencing all these people. Iris and Hope’s dad is Leo. The woman with him (the same female scientist we’ve seen in the codas) is Lyla Belshaw. Felix’s boyfriend’s name is Will.

So, we finally met Will in ep 9. We see him in flashbacks. We see when he and Felix first met (which incidentally was when he first met Huck; that’s important). Then there’s a bedroom scene where they’ve obviously been in a relationship for a time. We see Felix talking to Will about how he really wants to go with Leo, but Leo has asked him to stay behind with Iris and Hope. Then we see Felix find out Will was going with Leo instead (which kinda crushed him) and then we see them all say goodbye.

This is a funny thing to say, but it was the bedroom scene that made it all click for me. Lol. It was because of the sleeve Felix wears on one arm. My fellow theorists tell me that they talked about this earlier in the season, but I either completely missed it, or it went in one ear and out the other. Hey, I’m human, too. ;D

It reminded me of the plaid sleeve on Daryl’s coat when they went to Oceanside in 7x15 to take their guns. Remember that?

At first, I thought he was missing the sleeve of his jacket. But then someone told me it was actually just that a different sleeve was sewn onto the jacket. As though someone had put it together piecemeal. Well, same thing, only this was black rather than plaid. Now, we’ve seen parallels between Felix and Daryl before, especially in the beginning. He talked about how he had a not-so-happy family background and specifically how his dad (like Daryl’s) was just not cool. He’s also like Daryl in that he’s kind of the badass protector of the group, right? So when I first noticed the sleeve, I went, “Okay, another Daryl parallel. Hmm.”

Then Will had an interesting line. As they got up, he said, “I’ll make pancakes if you made dinner later.” I went, “pancakes!”

Cue first lightbulb moment. (Reminder: pancakes/Bisquik is a Beth/resurrection symbol.) Felix = Daryl; Will = Beth. That’s what these symbols are pointing to. And it actually makes perfect sense in a way I hadn’t really thought of before. Think about it: at the beginning of this series, we had Felix who was once in a romantic relationship with Will, but the two of them are separated. Felix hasn’t talked to, seen, or heard from Will in a long time, right? So, it’s a separation thing. You could even argue (and I think I did back in ep 1) that Felix keeping and wearing Will’s coat lines up with Daryl having Beth’s knife. At the end of ep 10, Felix runs into Will and they have a huge reunion. I’ll come back to that in more detail in a minute.

So here’s the thing: the more I thought about this, the more lightbulb moments I had. What do we know about Felix’s backstory, especially where Leo (Iris and Hope’s dad) is concerned? We know Felix and Leo became friends, Leo kind of adopted him, and Felix became part of the family, right? Well, that’s pretty much exactly what happened with Rick and Daryl. If Felix = Daryl and Will = Beth, Leo = Rick. Think about that. Leo left to join the CRM/helicopter group. Felix was left behind to protect his children. The biggest difference in TWD is that Rick didn’t go voluntarily, where Leo did. But other than that, same situation. Rick was taken into the CRM, and Daryl is now raising and protecting his children.

My next lightbulb moment came later in the episode. Felix gets hurt. He can’t walk very well. Huck says she has to leave him behind. Everyone is upset and saying goodbye and Felix hugs Huck and tells her he loves her. And of course this isn’t romantic love because, well, he’s gay. And THAT’S when it hit me.

From a Daryl standpoint, who is a woman Daryl loves, but not romantically? Carol. Gals, if Felix is Daryl and Will is Beth and Leo is Rick, then Huck is Carol. And think about it: if you set Iris and Hope and the boys aside for a minute, this entire story line is about the Daryl character (Felix) and the Carol character (Huck) taking off together to look for Leo. (Otherwise known as the Rick character.)

Boom. This entire thing is a foreshadow and parallel/proxy of the Carol/Daryl spinoff storyline. I guess you could say that my official theory now is that it’s new of Rick that will pull Daryl and Carol away from the community. They’ll go to find him. That’s why they’ll leave together after S11. But what happens here for Felix? On his journey to find Leo, he runs into Will, his love interest, who represents Beth.

So, Daryl will leave to find Rick, and somewhere along the way, he’ll finally find Beth and they’ll have their reunion.

Couple of thoughts/details here, just for clarification:

1) I’m not sure Huck’s exact arc here will be Carol’s. She’s a member of the CRM, which Carol is clearly not. And she really betrays Felix with all this. In the finale, the two of them get into full-on hand-to-hand combat, which I REALLY don’t see being the case with Daryl and Carol. But we also know Carol has betrayed TF in various ways over the years (Karen/David, letting Negan out of his cell, Connie) so it may be more about the type of character than about the exact arc.

2) I’m not sure how the kids fit in. Even though we’ve always thought Iris and Hope might be proxies to Beth and Maggie (and I still think that’s true) overall, I think they MORE represent Judith and RJ. Only because of Leo = Rick and they’re his kids. Now, obviously Iris and Hope are much older than Rick’s kids, and Judith and RJ aren’t going to take off to find Rick. So I don’t know if they’ll figure into this or not. It’s hard to say because in this show, Leo’s kids are with Felix. So will it be a matter of Judith and RJ being taken, or will he leave them behind? I honestly don’t know.

What I said above about Felix meeting Huck and Will at the same time? It just struck me as yet another parallel. Even though Daryl knew Carol before Beth (because S1), S2 was only days after s1. So really, he met them around the same time. And while he became besties with Carol, the romance lies with Beth. Same with Felix. Besties with Huck. In love with Will. Just saying.

Oh, and something @frangipanilove reminded me of: Tom Sawyer Theory. There have been tons of Mark Twain/Widow Douglas/Tom Sawyer references around Carol. Now this character’s name is Huck, and it’s a nickname that comes from Huckleberry Finn because she was found on a raft.

Okay, moving on. Um…let’s talk Percy for a minute.

Remember that I said last week he was a major Beth proxy, because he seems to have staggered off, wounded, and everyone assumes he’s dead, but there was no body.

In this episode, Elton finds him and guess what? He’s been shot. So in keeping with the Beth parallel (no body, staggered away, presumed dead) he was also shot, not stabbed. Not in the head, of course, but in the chest/shoulder. But it was important for Elton to find that because it made him realize Silas didn’t do it. Silas didn’t have a gun.

Another thing I found interesting is that Elton was sure Percy would die. His hallucination of Percy kept saying, “you know I’m going to die, right? I’m not going to survive.” And things like that. But low and behold, Percy actually lives. So, yet another way to round out the Beth parallel. Got shot. Staggered away. No one correctly understood what actually happened there. But he runs into someone who helps him and saves him. And, he lives.

So then Elton and Percy find Silas. And this was super cool from a TD standpoint as well. Silas accidentally starts a fire. The smoke from it, while less, looks EXACTLY like the smoke from the moonshine shack in Still. (Ah foreshadows.) Elton sees the smoke and follows it, hoping to find Silas, which he does.

And here’s where, again, it gets interesting. They have a small but sweet reunion. Elton runs up and hugs Silas really tight and says that he found him and also that he brought Silas’s bag and that he found his walkman and headphones in the road.

It was the way he said that that caught my attention. He found them in the road. Last week, we totally compared the headphones to the music box, but I didn’t think about the fact that he dropped them in the middle of the road. I didn’t think to compare them to Daryl finding the green jasper in the middle of the road. But Elton found Silas’s MUSICAL DEVICE in the middle of the road and brought it back to him. Also, Rock in the Road story/theory. And @wdway pointed out Daryl’s line to Beth in Alone: “Go up the road a ways; I’ll meet you there.”

So, think about this. We have this rock-in-the-road reference, and a reunion between Elton and Silas. In the same episode, we see Felix, out on the road, walking through the woods, stumble onto his romantic partner, who he hasn’t seen in a LONG time. They hug, have a reunion, both are crying, and Will cries out, “I thought you were dead.”

Let’s talk about Leo, Iris and Hope’s dad. In terms of the plot, I actually have a lot of questions, but I suppose that’s the point. In ep 10, we have lots of scenes of Iris and Hope’s dad. The woman from the codas, Lyla is in them, too. She and Leo are in a romantic relationship. But it’s obvious that she’s a plant by the CRM and that she’s feeding them information. I wasn’t sure if these scenes were meant to be present day, or flashbacks. I THINK they’re present day. So, he’s actually fine and not really in any danger.

We were right in thinking that Hope is the asset. In this episode, they say they just want her for her smarts, to help her father in his research. To some extent, it’s like she’s Eugene for this show (except for real, lol). Her dad says of her at one point, “maybe she’ll save the world.” Which feels like a foreshadowing. So maybe she really will find the cure or something. We’re also wondering if there’s something more they aren’t telling us. Like some sort of immunity thing. But they haven’t said anything like that in this episode.

The other reason I’m not sure about what Hope’s role will be is that she is obviously a proxy for Beth on her own. (In one flashback, everyone is eating dinner together and she says, “I made the carrots.” So yeah, self-proclaimed Beth proxy.) Carrot Theory Here.

So maybe she’ll find the cure and save the world. Or maybe all these characters will die at the end and she’s just functioning as a Beth proxy. Beth isn’t the super-smart Eugene type that will save the world in that way, but I do think the fact that Hope is the “asset” and the CRM wants her is probably a proxy for Beth in some way. Just not sure how it will play out.

So, back to the dad. In these Leo scenes, it’s obvious that he’s suspicious about things having to do with the CRM. He says that he recognizes they do good things, but he’s suspicious about the military. He says that Will’s scouting mission should have been back days ago. (Yes, Felix’s Will.) But he’s not. And Lyla just passes it off as “lots of things can happen that might have delayed him.”

So, I wasn’t sure if Will’s group, which we only see for a few seconds at the end, is part of the CRM and has just been delayed in returning, or if they’re purposely not returning because they know what the CRM did to the people at the university and have become a rebel group. My first impression was that they were rebels, hanging out in the forest, but they honestly don’t tell us much, here.

Well, that was because, the first time through, I missed the coda at the end of episode 9. You guys gotta see this shot! What happens is basically that we see Will running. He trips and falls by this walker, stares at it a moment, and then jumps up to run again. We see CRM soldiers running after him. So, that confirms that he’s now a rebel. Hiding from and rebelling against the CRM because he saw what they did at the University.

And the only reason that even matters is that we’ve conjectured that Beth might be leading a rebel group against the CRM. This is a confirmation of that theory (because Will = Beth).

But look at this shot:

It’s a blond walker who’s literally rising from her grave. If that’s not confirmation that Will = Beth, I don’t know what is.

Oh, let’s go back to Silas for a minute. I said last week that he might be headed toward Beth, right? Yeah, I still think he might be. So, after Elton, Percy, and Silas reunite, Silas is happy to know that he didn’t kill Tony or hurt Percy. Huck did. But he and Elton want to go find the girls and tell them about Huck. Before they can, the CRM soldiers arrive. They probably followed Silas’s smoke, and also at one point Percy talked to Huck, very briefly on the walkie on an open channel.

So, the CRM knows they’re around and is looking for them. They try to sneak away, and come to a chain-lined fence with a locked gate. They unlock it to go through, but Percy is still bleeding a lot from his GSW. He tells them to leave him behind because he’s slowing them down and the dripping blood will be a trail right to them.

Silas makes a choice to save his friends. He pushes them through the gate and turns himself into the CRM, even cutting his hand to account for the dripping blood. He locks it so they can’t come back in and says, “go save Iris.” The CRM does take him into custody and Elton and Percy get away. So again, if Rick and Beth are inside the organization somewhere, he really could run into them.

What this really reminded me of was Sasha and Rosita. Major parallel there. Which, sadly, makes me wonder if Silas will die next season. A proxy, just as Sasha was. I thought it was interesting that Silas cut his hand across the palm. It’s a Christic wound and he sacrificed himself for his friends. But he’s also inside the CRM now, which means he could potentially run into Rick or Beth next season.

I wrote down other, smaller symbols. Things we always talk about like dialogue and background symbols. There’s a part where Elton kills some walkers and a bright red leaf flies across the screen. One of our red objects, I think. And that’s while he’s saving Percy, who should have died, but lived. Percy calls Elton Corduroy at one point, which is a bear reference.

Oh! Here’s an interesting one, though it’s not directly related to Beth. At one point, when Felix gets hurt, he and the ladies (Hope, Iris, Huck) go to a particular building. I believe it used to be a retirement home, though it honestly doesn’t look medical at all. More like a manor house. Like Hilltop, only in major disrepair. When they go in, Iris says, “This place feels haunted.” And Hope says, “the whole world is haunted.”

That’s a shockingly exact echo of Tyreese saying that to Carol in 4x14. He said, “the whole world is haunted now.” It’s so lovely and sad, it was always one of my favorite lines. So, I sat and thought about what the parallel is supposed to be.

I think it may be about the truth coming out. Because the biggest thing about 4x14 was Lizzie and Mica’s deaths, but nothing happened in this episode to really mirror that. No one died. But Carol also told Ty the truth about her and how she’d killed Karen. And remember that Huck is the Carol character. Here, they all find out who Huck really is and what she’s doing. It’s like, deceptions fall away and the truth is revealed. So yeah, not really a TD thing, but I thought that was super interesting.

One other thing: at one point, Hope and Huck run into walkers on the road and have to fight them. Hope has Felix’s gun, but she drops it. They’re standing on a bridge (Bridge Theory) but it’s not a huge bridge or an overpass. It’s one of those little wooden bridges over a pathetic little stream. Like, literally four feet down and they could jump off the bridge without being hurt, right? Well, when Hope dropped the gun (because she’s fighting a walker) and it slid down off the bridge and into the stream.

Visually, it reminded me a lot of when Beth kicked the gun down the elevator shaft in Coda. So I watched closely to see if they would retrieve it. They didn’t. Huck even said something like “well, the pistol is gone, so let’s just keep going.” And I had to laugh at that. Not realistic at all. The pistol isn’t gone. It’s right there. They just had to jump down and get it. No way the little bit of water would have been enough to carry a metal gun away. So yeah, I feel like that was a purposeful parallel to Beth at Grady.

That’s most of the big stuff. My overall theory, following the template TWB is laying out for us is this: Daryl and Carol will take off together after S11, either because they have word of Rick or something to do with the kids. Just as Will is inside the CRM with Leo, Beth is inside the CRM with Rick. Somewhere on that journey, Daryl will run into Beth on the road. What happens next season in TWB will give us a better idea of what will happen where Rick is concerned in the story. But this is definitely a foreshadow of the spinoff and how Daryl and Beth will reunite.

And now, with word of Emily being in the bonus episodes, even if they’re just flashbacks, it makes me think we’ll see her in the second season of TWB. The flashbacks are priming the audience for her true return. I literally wrote the above to @wdway and @frangipanilove on Friday morning. Friday afternoon, news of Emily being in the bonus episodes broke. For me, it was just everything falling perfectly into place.

Thoughts?

#beth greene #beth greene lives #beth is alive #beth is coming #td theory #td theories #team delusional #team defiance #beth is almost here #bethyl

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choices-and-voices · 3 years

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hi sorry if this has already been asked somewhere but im was wondering if you had any tips on how to get the best experience without having to pay ?

Hi there! Don’t worry, this question hasn’t been asked before, and I am honestly super flattered that you value my opinion enough to ask it ☺️ I’m not sure how helpful my tips will be because I don’t exactly consider myself an expert in this, but here are some things that came to mind! I’ve gone into quite a bit of detail, but if you want a quicker overview, just stick to the bold headings. Also, if any of the people reading this have good tips of their own, please lmk! I’m always learning new things about how to do this too 💕

1. This one’s a bit obvious, but still – take the opportunities that the game gives you to earn free diamonds. That means watching the bonus ads every day (5 diamonds/day), playing through chapters as often as you can (including replaying old books if there are no new releases – 2 diamonds/chapter), and watching ads at the end of book chapters for an extra diamond. Obviously, all this is a bit of a balancing act – you want to be playing Choices often enough to build up your diamonds, but not so often that it takes over your life and makes you feel frustrated, because what’s the point of it if it’s not fun anymore, y’know? So I’ve always been careful not to overdo it. Even if all you do is watch the bonus ads every day, that’s 35 diamonds/week – basically, one big diamond scene a week – which is honestly not too shabby.

2. At any one time, only play 1-2 books that you’re really invested in, and try to supplement that with another 2-3 books that you’re not really invested in or are replaying just for diamonds. As tempting as it can be to rush through every good-looking book in the app all at once, that just leads to a situation where a) you’re trying to divide your free keys between waaay too many releases, and b) there are so many demands on you for diamonds, you never get to consistently spend them on anything. So I personally think it’s best to only read a couple of good books at once, and instead of marathoning them, break them up with chapters from less-good books – this builds up your diamond stash for spending on the good books. Which leads into my next point:

3. Don’t zip through books too fast – even if most of the chapters are already released, spreading them out helps you earn more diamonds for them in the meantime. I’m really lucky to have been playing Choices for so long that almost all the books were presented to me in weekly release format – if I downloaded the app for the first time today, and saw all the fully-released books on there, I feel like I would be way too overwhelmed to play. So I reckon that, even if a book isn’t technically a weekly release for you, make it a weekly release! You might decide to play all the books you’re really invested in on a particular day when you have more free time – say, a Sunday. Then, you have Monday-Saturday every week to earn diamonds for those books, and something to look forward to at the end of it all. As for what you do with those diamonds:

4. Be smart about what you spend diamonds on. There are a couple of different components to this tip – it involves things like a) figuring out which types of purchases are worth diamonds in general, b) figuring out which types of purchases you want to prioritise in certain books, and c) planning ahead before you start playing a book chapter about where you might want to spend diamonds. To address each of those things one-by-one:

a) Figure out which types of purchases are worth diamonds in general. Off the top of my head, there are 6 main types of diamond purchases in Choices: ‘friendly’ scenes with LIs (12-25 diamonds), ‘steamy’ scenes with LIs (25-30 diamonds), scenes with your whole friendship group, collectible items (e.g. the tapestry pieces in Bloodbound, the clues in Veil of Secrets, etc.), outfits, and pets. Your mileage may vary a lot on which of these are most important to you, so take my opinions with a grain of salt. But my general advice would be to i) prioritise group scenes above LI scenes, ii) prioritise ‘friendly’ LI scenes above ‘steamy’ LI scenes, iii) avoid collectibles, and iv) go for outfits and pets only if you really like the look of them. This advice is based on the fact that, firstly, I think you get a better experience of immersion in a book if you know a bit about all the characters around MC, rather than just about one LI; secondly, ‘friendly’ LI scenes tend to tell you more about the LI than ‘steamy’ scenes, which are often 80-90% copied-and-pasted erotica despite being more expensive; thirdly, collectibles are a massive drain on diamond stores, and almost always unlock quite short, generic scenes that it’s easy to find on Tumblr or YouTube; and fourthly, both outfits and pets don’t do much except appear in the story at key moments, which can be a really nice touch but is still only needed in moderation. Of course, there are exceptions to these rules, and you might find that those exceptions are sometimes book-specific. Which leads me to Part B of this point:

b) Figure out which types of purchases you want to prioritise in certain books. It’s all well and good for me to say that group scenes are usually better than LI scenes, but when I’m playing a book with an amazing LI but a pretty meh supporting cast (*cough cough* Myra Dixon carries Baby Bump on her shoulders *cough cough*), I obviously may need to adjust my spending habits slightly. Moreover, by focusing all your diamond spending on just one main thing per book – like Myra’s romance in Baby Bump, or the party’s side-quests in Blades of Light and Shadow, or the posse in Queen B – I think you end up with a much better playing experience, because you feel like you’re seeing at least one facet of the story in-depth instead of getting a patchy surface view of lots of different facets. For the most part, the purchases you prioritise in a book can mostly depend on personal taste, but there are a few books where some background knowledge might be helpful in the decision. Four things that I think are worth flagging are that i) the ‘competition books’ (America’s Most Eligible, Queen B, Hot Couture) do require regular outfit purchases to win, although winning isn’t that much better an experience than being runner-up; ii) Veil of Secrets and Nightbound are two books where it’s worth saving 30-35 diamonds for the final chapter, because your MC is forced to leave the small-town setting if you don’t; iii) Across the Void is a book that frequently invites you to spend diamonds to save characters’ lives, but their death arcs are honestly much better-written and more sensible than their survival arcs; and iv) the It Lives series is the only one where characters can die due to an accumulation of choices you make throughout the story, so maybe it’s worth keeping some diamonds in reserve for that one. Which just leaves us with one more sub-point:

c) Plan ahead before you start playing a book chapter about where you might want to spend diamonds. I want to take this opportunity to thank whichever people in the fandom maintain the Choices wiki, because oh my gosh, they are lifesavers. For the last year or so, my response whenever a new Choices chapter is released has been to wait a few hours, Google ‘[book name] choices’, open the wiki result, and skim through to check how many diamond choices are available & how much they cost. Because all the wiki includes are the possible responses to every choice presented – it doesn’t even state the wording of the choice itself – this is a relatively spoiler-free technique that helps a lot with big picture planning. For example, you might decide not to buy an early group scene because there’s a nicer-sounding LI scene later on, and come to think of it, you should replay a few more chapters of another book first to save up the diamonds for that scene. If you don’t mind encountering just a few more spoilers before you play the chapter, you can also scout out its diamond scenes in more detail by searching the relevant book or character tags on Tumblr, or by looking for a chapter stream on YouTube. You may decide that you don’t need to buy a diamond scene if you’ve already seen it played through by someone else, or alternatively, you may decide whether or not to buy a diamond scene based on how good it looks in an existing playthrough – in either case, these techniques can help you thoughtfully ration out the diamonds you have, instead of being caught off-guard whenever a diamond choice comes up.

5. On the subject of the Choices wiki, it’s also a great way to maximise your success in books without using diamonds. Whenever there’s a ‘right’ option to a choice that gives you a better outcome later in the chapter, that’s indicated in the wiki. So with a bit of pre-reading of the wiki before you play the chapter, and/or with the wiki open on a separate screen as you play, you can get the best outcome without having to buy that outfit or bonus scene that promised you ‘an advantage.’ Obviously, your mileage may vary on whether this method is actually worth it, or whether it takes all the fun out of Choices by ‘cheating’ at the gaming aspect. I personally view Choices as more of an interactive story app than a game I’m trying to beat, so I have no issue with this method, but opinions may differ and that’s okay.

6. If you’re really feeling like a lack of diamonds is limiting your playing experience, it may be best to start out with ‘cheaper’ books until you have more diamonds stored up. In this case, I’m using ‘cheaper’ to mean books where there are fewer diamond scenes, where diamond scenes are less expensive, and/or where diamond scenes don’t play as big a role in the plot. It can be hard to identify which books fit this bill, but as a general rule, it’s more likely to be the earlier-released ones or less-popular ones. Some which I’d recommend are the first few books of the Freshman series, the #LoveHacks series, the High School Story series, the Perfect Match series, Most Wanted, The Heist: Monaco, Wishful Thinking, Bachelorette Party, and The Royal Masquerade.

7. Finally, a really quick tip for making the most out of free keys – keys are used up as soon as you start a book chapter, and refresh ~every 3 hours. This means that, even if you don’t have time to play chapters every 3 hours, you should try to open the app roughly that often and just click to unlock a chapter. When you finally have time to play, you’ll have a whole lot of chapters ready to go plus another two refreshed keys, and you can power through them at whatever speed you need to fit in them into your break time or to earn diamonds for an upcoming release. Once again, this is a tip that may need to be practised in moderation, because you don’t want to be constantly interrupting your life to load up an app on your phone. But even if you just log in and unlock chapters every 6 hours, or every 12 hours, that’s still 2-4 extra chapters ready for you at the end of the day plus your two free keys.

I think that’s about all for my tips! Thanks for reading, and I hope it helped at least a bit ❤️

#playchoices #choices: stories you play #asks #asked & answered #original post

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makeste · 5 years

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BnHA Chapter 245: The Second One

Previously on BnHA: We kicked off day one of New Internships with a fun-filled morning of shenanigans. Highlights included: (1) an old bearded man gallivanting around town telling everyone the world is going to end (and making a surprising amount of sense); (2) Bakugou and Deku attempting to rough up a group of impassioned hobos, only to have their thunder stolen from right underneath their noses; and (3) Hawks, the thunder-stealer himself, who proceeded to be all “what’s up fellas, hey Endeavor did you miss me?” Endeavor, who totally did miss him, pretended like he had not, and meanwhile Hawks introduced himself to Endeavor’s new trainees: Finger-Smashing Kid, Kid Who Used To Work For The Guy You Just Murdered, and Shouto (Just Shouto). Then he pulled out a copy of Re-Destro’s book and was all, “hey Endeavor have you heard of this book which was really important to the plot in the previous arc? I think you should read it, for reasons!!” and Endeavor just kind of stared at him, which wasn’t exactly inspiring. Anyways let’s see if these two idiots can manage to pull this off.

Today on BnHA: Hawks shoves the Liberation Army’s book into Endeavor’s hands while staring at him with the intensity of a thousand suns, and then, to avoid suspicion, proceeds to hand out another 500,000 copies of the book without even being asked. He then flies back to the PLF headquarters and is all “good news gentlemen, I gave out copies of the Army’s book to everyone in Japan!” and they’re all “that’s great, Hawks!” because somehow it turns out that this was actually a good plan. Back at the Endeavor Agency HQ, the kids meet Endeavor’s 30+ other sidekicks, who are all “now let’s all stand around and wait for Endeavor to tell us what to do.” Over in his office, Endeavor shrewdly deduces that Hawks was trying to tell him something, and pieces together the hidden code Hawks left in his book, which basically reads “IN FOUR MONTHS WE ARE ALL GOING TO DIE.” Back at the PLF, the League cheerfully discusses their plot to blow up the entire world come Springtime. Which apparently everyone is on board with. So, uh, does anyone else feel like they accidentally fell asleep during a really important part of the movie, because uh. What.

(All comments are my unspoiled reactions from my initial readthrough of the chapter. I did a quick edit for grammar and clarity afterward, and added a few ETAs in the process, but aside from that there are no changes.)

okay so two things: (1) as I mentioned in a previous post, Caleb Cook reported that this chapter took him more than 4 times longer than usual to translate. so like, what does that mean?? guess we’re about to find out!

and (2) HAWKS’S REAL NAME. I started typing up this recap early just so I could liveblog my reaction, since it seems that the databook has leaked, and I figure I’m going to stumble across this sooner rather than later. so I’m just going to look it up now here goes!!

AHHHH TAKAMI KEIGO AHHHH

lol. I have no idea what that actually means. let me look up some more stuff about this

oooh thank you reddit!

ooh damn, I love it!? “hawk” + “vision” lolol HORIKOSHI BACK AT IT AGAIN. but “watchman” is a really nice bonus what with how it relates both to the whole spying biz, and in a more general sense toward what he is trying to do as a hero trying to protect society. plus the name “Keigo” just has a really nice sound to it in general. kind of a boyish, youthful sound. not too hard or soft. idk. I like it. that was my favorite character in Bleach too

also apparently both of the kanji used for “Keigo” mean “enlightenment” oooh. my god I could analyze this all day. this being Thursday night, I’ll have some time to ruminate before I read the chapter tomorrow, so if I have any epiphanies I will add them in later!

(ETA: no additional thoughts on this right now, but there is now a ton of other content out from Ultra Analysis, so let’s take a quick look at some of that!

Haagen Dazs’s gender: I now feel vindicated in continuing to refer to him as a “he” even after the face reveal! let this be a lesson to everyone never to judge a shounen character solely by how pretty they are. not that it wouldn’t have been nice to have another female villain! anyways the important thing is that I still don’t have his name memorized and never will!

Thirteen’s gender?!: now this, I don’t really like. Thirteen was already in the previous databook IIRC and their gender was ambiguous. which to be frank was awesome. having a canon nonbinary character was sick. why you gotta do this now Horikoshi smdh.

Reason for Shouji’s mask: nooooo poor Shouji. people in quirk society are jerks! lol I get the arms being scary, but his face?? now I really want to see what he looks like though. it would be cool if he became more accepting of himself as a result of hanging with his chill classmates and decided to ditch the mask. anyways my boy needs a hug.

and there’s a lot of other stuff, including a whole series of cute segments showing the characters’ relationships with each other, but I think I’ll save those for another post because otherwise this would get way too off-track. but man, so far I’m really loving this.)

okay kiddos. it is now Friday, and time to take our horse to the hype town road. I have been waiting all fucking week for this shit so it had better not disappoint!

“Rising to Action” ooh, nice. guess this is not much of a “sit still” gang, here

okay so we’re picking off right where we left off, and guys, I just need to know, does anyone other than me find this kind of hilarious

like, I don’t know why but just. Endeavor’s face. omg. he just looks like he’s trying so hard to figure out what’s wrong. I think what it is is that this is the exact same bemused/perplexed expression that Shouto gets on his face all the freaking time, and it just tickles me to no end that the apple apparently doesn’t fall far from the tree. ahh Shouto I know you don’t want to hear this but damn boy you look like your dad

anyways. I think we can all agree Endeavor should not be looking this adorable and what the hell. let’s move on

LOOOOOOL

why is this so funny ahhhhhhh. they’re so fucking serious please stop. I mean, but of course they’re serious, though. the weird one is me, right? whatever!

so now here’s the handoff. between these two super-serious dudes

Endeavor you had better not do like me and be all “of course I’ll read it!” fully intending to follow through (really!) but then you never do and everyone is super disappointed and you start to read something else instead, all the while feeling incredible guilt! my point is, Endeavor, I hope you don’t have ADHD or we’re all fucking screwed omg

lol though thankfully we have a backup!

“oh boy!” clamors Deku, a gleam of excitement in his eye. “homework!”

OH MY GOD

WHO ARE YOU, OPRAH

ff now he’s just SLAPPING THEM INTO THEIR HANDS omg. this is amazing

love how Katsuki is keeping an extra 1.5 meters of space in between him and the others because cooties. or something

anyways! I really want them all to read it actually so this is awesome! KACCHAN YOU ESPECIALLY. I want you to read it and then give it a disgusted 1 star review on goodreads. show me how much you’ve grown kiddo

lmaooo

Todoroki Shouto. god’s perfect idiot. bless this child. someone explained Occam’s razor to him one day, and he just sat there nodding like “yes that makes perfect sense” and proceeded to apply it to every fucking thing in his life from there on out. “what’s Hawks doing carrying around 10,000 copies of The Book of PLF and just handing them out to strangers like an old lady on Halloween? processing... processing... oh I see, he probably just REALLY LIKES THE BOOK how keen”

this is what Hawks is up against. this squad of certified morons with two whole brain cells shared among them on a good day. boy literally brought three backup secret messages just in case Endeavor was too dense to figure this out, only to watch these kids exclaim, with perfect sincerity, “GOSH, HAWKS MUST REALLY LIKE THIS BOOK, HUH”

and meanwhile the best Endeavor can do is “............something.......... feels.... off.......” fml. we’re all gonna die. Hawks, I’m sorry. you tried!! next time give Momo your secret message instead!

so now he says that he’s actually recommending this book to all of his acquaintances omg. don’t tell me this handsome canary is actually going around handing out books to every single person he knows?? all to cover up this one action of giving Endeavor the book with the secret message highlighted in it?? okay guys help me decide: is this brilliance or stupidity? like, what is even going on inside Hawks’s head. “I’ll just fly around handing out copies of Atlas Fucking Shrugged to everyone I meet. that’ll seem really natural”

I s2g Endeavor if you don’t follow up on this...! THE WORLD IS COUNTING ON YOU YOU BIG MEATHEAD. GET TO READIN’. MAKE LEVAR PROUD

and now Hawks is flying away with his hands in his pockets

godspeed you dramatically casual bastard

now Deku is all “you know, he’s not much older than us, but he really seems like he’s got his shit together!” which, yeah. don’t you hate that? the truth is though it’s all an act, and he’s actually just as screwed up as the rest of you! the moral is: never trust any 22-year-old who seems like they’ve got their shit together. because, no. he sits on a throne of lies

Endeavor are you actually being thoughtful??!

oh my god. we may actually have a chance here. praise be

now we are cutting to the Endeavor agency! guys, fucking look at this fucking ‘E’, though

ngl that shit is dope. I’m mad. I would buy his merch just for the logo and I hate that about myself

holy shit

the... flaming hot... oh my god

holy shit there’s so many of them

(ETA: hold up -- “Bakugou” and “Shouto”? this is a crucial detail here; they’re using Bakugou’s last name, but Shouto’s given name. so either they’re calling him Shouto because they know his pop, or -- more likely -- they’re calling him “Shouto” because that’s his hero name. in which case, “Bakugou” most likely also refers to “Bakugou” as in the hero name, not his actual name. meaning that still is his hero name. meaning he is still undecided. fucking... Katsuki. honey. why.

ffff and the new databook seems to support this too. instead of a hero name, Horikoshi just wrote “XXX” indicating he still hasn’t made up his mind. welp. looks like it’s back on that slow burn character development train, folks. maybe by the end of this arc, though? please? Horikoshi? Horikoshi damn it look at me.)

so this is how the number one operates, huh. meanwhile All Might only ever had one sidekick, and reluctantly at that. he really was so far out ahead of everyone else that he was basically untouchable. crazy

anyways, yes! they don’t know anything about anything so please teach them!

good grief this girl says Endeavor has over thirty sidekicks?? lmao and her name is “Burnin’.” please tell me the missing g is an actual part of her name please I need this

wow, Burnin’ really went and tried to pick a fight with my famously hot-tempered son knowing full well what his personality is like. and just look at him keeping his cool and firing back though

oh, Katsuki. [hair ruffle] he will thrive here

damn these guys are passionate

Endeavor seriously picked these people as his sidekicks? that Endeavor? they didn’t annoy the shit out of him?? that man is an enigma

btw can we all just stop here for a moment and give a shoutout to this horse-looking dude because. look at him. amazing. new fave

anyway so now the mummy-looking guy is explaining how they organize their shift schedule

so professional. this really is the big leagues

yoooooo my boy is FIRED UP. READY TO SAVE SOME BITCHES! YESSSSS WIN AND RESCUE LET’S DO THIS

LET’S FUCKING GOOOO omg I love him so much. Kacchan you need to cool it or I’m going to spend this whole fucking chapter ruffling your hair

(ETA: incidentally, here’s something I neglected to point out earlier: in spite of being a belligerent asshole in general, Katsuki for the most part is actually surprisingly respectful to most adults, especially heroes. so it’s interesting then that so far, this doesn’t seem to apply to Hawks. he almost seems to consider him another rival rather than another mentor/teacher-type figure to learn from. I wonder if this is because -- as Deku pointed out earlier this chapter -- Hawks is much closer to them in age than the other heroes. it’s interesting that that was pointed out -- and that in the very next panel Katsuki was grumbling about how Hawks pisses him off, at that.

anyway. this BakuHawks rivalry seems to be an established thing now, so I’m very curious to see how this develops.)

lol now Mummy Guy is all “that’s great! now we just need to wait for Endeavor to tell us what to do!” and Kacchan is like “WHAT”

I mean, he’s got a point lol. “we’re so busy!” “great let’s get to work!” “actually we don’t have any work yet!” like, what a fucking tease. don’t worry Kacchan, they’re just waiting to make sure they assign you boys a job that’s plot-related so we don’t waste any time

ahhh, and now we finally come to the moment we’ve all been waiting for! the part that apparently took four hours to translate! ENDEAVOR READING A BOOK

yeah he was acting like he had a freaking gun to his head. why don’t heroes have secret code phrases they can use to let each other know some weird fucking shit is up? or maybe they do, but since he’s being recorded and since PLF has some heroes on roster who probably know those same codes (looking at you, Slidin’), Hawks didn’t want to risk one of them figuring it out. that makes sense

ahhh, here we go

don’t tell me Caleb tried to translate this whole thing. though I gotta admit I am hella curious

anyway. so the rest of this page is Endeavor metaing about Hawks, and it’s some good stuff, ngl

he really is fond of him, huh. look at all those pictures. how many mental snapshots did you take of this kid smiling?? he’s so adopted it hurts

and look at the concern in that last panel! “why is he acting so weird, that’s not like him, I’ve got to get to the bottom of this.” damn, Hawks really did put his trust in the exact right person and it’s paying off

ENDEAVOR STOP MAKING THESE SOFT WORRIED FACES ABOUT HAWKS RIGHT THIS INSTANT I DON’T HAVE TIME FOR THESE FEELS

god damn!! I don’t know why, but I continue to be surprised and impressed at how the character development of Endeavor is actually a subscribe and save deal and not just a one-time purchase. fucking look at Todoroki Enji, proud annual recipient of a different “world’s worst dad” mug every Father’s Day, actually caring enough about another human being to notice the subtle changes in his behavior and realize something is wrong. bruh. good for you!! human compassion is a damn good look for you, negl. fucking growth right here and I’m here for it

anyways, on to the hidden code!

and here are all of the highlighted portions for your code-breaking pleasure

fucking feel like I’m reading Detective Conan right now. yeesh

oooh!

BINGPOT LOOOOOL WHY DID I GET SO EXCITED OKAY LET ME GO BACK AND READ!

“the” “enemy” “liberation” “army” ahhhhhh! HAWKS YOU SNEAKY SON OF A BITCH. GOOD JOB ENDEAVOR!

and now we’re cutting back to Hawks, nooooo I wanted to see Endeavor’s reaction! come on!

lmao although it’s worth it to see Hawks mentally roasting Endeavor exactly like I was mere pages ago omg

his fucking face omg. that’s right Hawks, he’s not the brightest crayon in the box. not the sharpest tack in the bulletin board. he’s a few fries short of a happy meal. the elevator doesn’t go all the way to the top floor

but give him some credit, though! because he did figure it out! not necessarily because he was clever, but because he knows you!

oh shit lol

OH SO YOU PLANNED THAT PART TOO. WELL OKAY THEN

goddamn. he really is a clever bastard. and okay but in all seriousness, I fucking love that he has enough faith in this weird connection between them that out of all the ploys he could have gone with, this is what he chose. he seriously put all his eggs in the “Endeavor will figure it out from my face” basket. and it fucking paid off. this is awesome

AHHHHHHHHHHHH HERE WE GO

LOOK AT HIS EYE OH MY GOD. YOU CAN SEE THE EXACT MOMENT WHEN HE REALIZES HOW SCREWED THEY ALL ARE, YES, FUCK, THIS IS WHAT I’VE BEEN WAITING FOR OH GOD

and we’re cutting back to Hawks again! I’ll just assume the rest of his message went something like “we” “are” “boned” and Endeavor’s face was like :o

BACK AT THE OL’ VILLAIN HOTEL!!!

LOL WHAT IS THIS

THEY HAVE A FUCKING COUNCIL NOW

whose seat is that over on the left? Hawks’s? is Gigantomachia actually wearing a shirt?? AND SHOW US TOMURA’S FACE HORIKOSHI YOU COWARD

lmao oh my god are they really buying this shit

look at him. so trustworthy. nothing to suspect over here! just a 100% sincere born-again villain committed to the cause!

AHHHHHHHHHHHHHHHHHHHHHH

NOOOOOO MY BABIES ARE EXPOSED. HORIKOSHI YOU BETTER PROTECT THEM I SWEAR TO GOD!!!

wow is the whole conversation just shifting over to the topic of Deku now, seriously?

oh my god oh my god oh my god. like. it’s been so long since the forest lodge and Kamino that I almost forgot that the League already knows these kids. they did fight Deku and Shouto briefly in the woods, and then they had an extended fight against Katsuki later on, although Dabi was unconscious for that part. anyways, shit. just like that they’re on their radar again I’m getting chills omgggg

(ETA: at least they’re underestimating them, though. “looks like he hasn’t gotten much stronger.” boy have you not heard about his bloop? that bloop will fuck you up just you wait!)

so now have some weird panels of Hawks walking through a door

(ETA: ohhhh you can see the door closing on the tip of his wing close-up! sneaky!)

ooh! wtf are you serious he can use his feathers to eavesdrop?!

(ETA: it only just clicked on my second read-through that Spinner of all people appears to be the mastermind behind this plan? like, am I reading this right? is he Tomura’s second-in-command now or what? damn, boy, good for you.)

okay, question. if he could do this the entire time, why did they even need him to pretend to join the League at all? I guess you never know when having a man on the inside who can possibly influence their decision-making will come in handy. but still, it seems to me like he could have easily done the spying bit without ever having to join up. ehhh but I guess there’s probably a range limit, and too much risk of the feathers getting caught and destroyed... eh, fine. I’ll allow it

AHHHHHHHHHHHH

WHAT THE FUCK WHAT EXCUSE ME WHAT?????

AND OF COURSE THAT’S THE END OF THE CHAPTER, LOL, FUCK. EXCUSE ME WHILE I GO STAND IN A CORNER AND SCREAM

lol “danger lurks” fucking you think?? what the hell! so they have an actual plan already, with the details outlined to the extent that they actually have a freaking timetable and everything? and the Liberation Army is on board with this whole thing too? the “destroying everything” part and all? this is too much to process all at once fuck me I can’t

okay! so four months from now is also when the kids will enter their second year! so that means Shinsou can get in on this action too. I’m trying to think of other significant plot things this could potentially imply, but none are coming to mind right now, other than it’ll be the anniversary of USJ. but that’s basically it. -- oh, wait, this also means that there’ll be a new first-year class of students at U.A. too! so that could be interesting. some potential new characters, and a chance for Deku and the others to be senpais. incidentally, to the best of my knowledge the kids will all stay in the same class and Aizawa will continue to be their homeroom teacher in year two. so nothing will change really aside from them becoming 2-A rather than 1-A. and Shinsou joining them, as mentioned. omg

anyway! let me see, any other stray thoughts before I wrap this up? I guess it’s worth noting that Toga’s eye is fine. the League has healed up pretty nicely in general actually. like, that’s seriously impressive for a group that doesn’t have Recovery Girl on staff. how long has it even been since Deika? a few weeks? this is almost ridiculous

and the “boom” -- is that literal? like they’re actually planning to blow everything up? or is that a metaphorical boom. fucking what kind of plan did they come up with where they actually think they can destroy THE ENTIRETY OF JAPAN all at once? is there a doomsday device?? what exactly is this “power” they’re talking about? HAWKS WHY DIDN’T YOU PUT THAT IN YOUR STUPID MESSAGE YOU BOOB

hahaha. anyways. it came down to the last two pages, but that certainly was a reveal worthy of all the hype. to sum: yikes

#bnha #boku no hero academia #bnha 245 #hawks #endeavor #bakugou katsuki #midoriya izuku #bnha spoilers #mha spoilers #makeste reads bnha #I honestly can't even think of anything to put in the tags you guys #four months from now!!#BOOM #well all right then!#I'm sure deku can master the rest of ofa in four months #this is fine #anyways #everyone running from the plot now as it barrels toward them like the giant rock in indiana jones #god help us

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ariaadagio · 4 years

Text

TSSKSF Update!

So, it’s that time again! Current word count: 64,960. Completed chapters: 10. Chapters in progress: 3. I had a three-day weekend for the NaNoWriMo kickoff, and I admit I had delusions of getting like ... 15k words done.

But alas, that did not happen.

As you may or may not be aware, NaNoWriMo isn’t a rigid contest or anything. It can be adjusted to fit your needs. But they do recommend starting something brand new on Nov 1, so you’re not weighted down by the baggage of an ongoing project. Since I was already working on TSSKSF, I accepted the possibility of the baggage problem and decided to plod onward, anyway. I had an outline. I knew exactly what was supposed to happen in my story the second the calendar switched to Nov 1, and I could start working on it. I was all set.

Narrator: Reader, she was not all set. Hoo boy did she get weighed down by that baggage this weekend. I mean, wow, what a spectacular THEY-TOLD-YOU-SO crash and burn.

Shut up, narrator! I’m talking, here.

Narrator: ...

Aaaaanyway. As I was saying. What was I saying.

Right.

So, baggage hit me like a club. I was barely eking out the minimum daily goal for NaNo (1667 words), and I didn’t like any of them. The characters weren’t speaking to me. Everything felt forced. Something just wasn’t right.

Until I realized I was trying to stick to an outline that my story had already veered intensely off the rails of. The outline, which I wrote before I had any idea what I wanted to do with Ella for this story, contains no arc for her, just question marks. And, of course, I never once expected Chloe & Lucifer to take ten. Chapters. Of setup. Before they even started their case (which I finally got to start writing yesterday! YAY!). Lucifer’s headspace at the start of this casework is a tad different than I imagined as well.

Once I realized I was letting my plans stifle me, I decided to throw plans out the window. I remain aware of all the major plot bullet points I want to hit, but the actual outline is toast. I stopped trying to write what I’d projected would happen and wrote what actually felt right for everybody’s current character developments. Things got better immediately, and I was able to start writing things I was really happy about.

In retrospect, I kinda wish I’d spent the last week before NaNo updating my outline instead of writing a bunch of fluff with Lucifer & Chloe shopping for suits and ridiculously expensive cologne. That way, I would have been able to write the shopping this week, and count it toward NaNo. Ah well, live and learn.

I ended up with 6963 words done this weekend. About half of what I wanted, but still better than the minimum 3-day goal of 5001. Yay!

Oh! And I decided to try something different for this story. Instead of using song titles for chapters, I’m making titles out of dialogue like the show does. Which is fun. So, here. Have a preview of my work this weekend, AND a preview of my tentative titles thus far as a bonus!

TITLES:

PREVIEW:

Cheers!

#aria writes #nanowrimo #tssksf #lucifer fanfiction #deckerstar #lucifer on netflix

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shadowsong26fic · 6 years

Text

The Handler AU

As requested by @tigerkat24.

(I do also have fulltext for one scene in here, which will be posted and linked here in the near future, probably tomorrow, after I clean it up some.)

Right. So. A couple of notes before I get started:

1) This AU prominently features Lavinia, and also super self-indulgent. Gonna say that straight-out. This is me and my OC and a bunch of tropes I adore. It is not the most self-indulgent piece I’ve ever put together, but it’s probably up there. I say this because, while I am pretty much past the point as a fan/content creator/whatever where I’m ashamed of my self-indulgent BS, I understand that it might not be everyone’s cup of tea, especially when it’s as obvious as this piece is. And I like people to know at least in general terms what they’re getting into when they open a piece of mine. So, you know, bear that in mind as you move forward.

2) Because of the way I work/develop AUs/OCs/etc., there are certain personality traits/satellite characters/plot points that are common to all/most of Lavinia’s storylines (...yeah, it’s a Thing I do, with OCs yeah but also with OC-free AUs and AUs of AUs and ‘hey what if I changed this plot point here, or put OC B in this situation instead of that one, or stuck Canon D in...look, y’all have seen my Distaff variants, you know the kind of thing I’m talking about; I don’t always stop at a single layer of canon-divergence, but then there has to be a thread connecting everything, or it becomes a totally different story/character, right? ...I’m not sure I’m explaining this very well. ...anyway, back on topic). As a result, despite being an AU of a completely different AU, this outline is therefore somewhat spoilery for a future Precipice arc. I mean, I’m pretty sure I’ve hinted at where I’m going with her in the fic proper and/or bonus content, or at least I’ve tried to, (plus, I know I’ve mentioned some things here on tumblr about particular narrative/character tropes I like), so it’s probably not too surprising? Or, at least, I hope it’s not. If it is, I need to get better at foreshadowing… Anyway, it is still technically a spoiler. To the point where I considered sitting on this (and a couple related AUs) at least until a particular event from Arc Seven that makes said future storyline about as clear as it can be until it actually happens. But…I decided ehhhhhh, why not (plus this was requested). But, you know, if that is something you want to avoid, might be best not to read this outline until after Arc…nine, I think? Just as a head’s up.

3) This is essentially a Kallus-centric Rebels fic (though, as mentioned above, also prominently featuring one of my OCs). And, other than that one bit in the Valdemar AU I wrote a month or so ago, this is the first time I’ve actually written Rebels content. (…granted, I’ve plotted more things--the closely-related Pellaeon AU features Rebels stuff pretty heavily, as does the middle arc of the Valdemar AU, which started as ‘Anakin would do really well as a Herald actually’ and has now turned into a massive three-part kudzu plot of a niche crossover and I should really redo that outline properly at some point, plus a few other things…) Anyway, the point is, I’m not necessarily super familiar with the conventions/etc. of this part of the fandom, and I apologize for any off-voice bits.

Okay! Now that I have warned for spoilers, inexperience, and self-indulgent BS…welcome to the Handler AU.

Oh, one more thing I want to mention—because this is, as stated above, super self-indulgent, Kanan is still alive because I said so. He got pretty crisped in that explosion and therefore missed the final battle, but didn’t actually die.

(Imperial records may have listed him as dead for a while, because No One Could Have Survived That, but he did survive.)

(How? IDK, maybe Ezra actually was able to do something from the between-place in this version.)

(Point is, we still have Kanan.)

(Ezra and Thrawn are still on a road trip with a bunch of space whales, though.)

ANYWAY. On to the good stuff.

It all kicks off like two months after Yavin.

Some timeline notes:

Because timelining anything in Star Wars is A Project, I am making some executive decisions here.

We’re approximately a year after the Rebels series finale.

(Meaning Jacen is like 3-4 months old, depending on exactly how pregnant Hera was at the time.)

This is also about how long Zeb and Kallus have been explicitly dating.

(There was SO MUCH PINING going on for a while there.)

(But it took that long for either of them to actually do anything about it.)

(Kallus figured out pretty early on that he was interested, but didn’t really think he deserved this/had earned it yet/that Zeb could possibly be interested in him, and therefore decided to bury his feelings Like A Goddamn Professional Okay.)

(Zeb took a while longer to clue in, and then couldn’t figure out if this was just him or what--see above re: burying things; worked a little bit too well--plus he has his own issues to work through.)

(And then there were some frantic Confessions and so-glad-we’re-alive sex and…)

(Yeah, this is a thing now.)

(Exactly zero people who have spent any time with these two dorks at all are surprised.)

(As is so often the case, the last people to clue in that this was A Mutual Thing are the two idiots involved.)

(There may or may not have been a pool or three going.)

(Hera won at least one of them.)

So. Kallus has made himself useful wherever he can since openly defecting, really, but generally works analyzing intelligence reports and training field agents for potential undercover missions. Even if his specific information is getting more and more out of date (few, if any, of the codes, etc. that he knows are still valid at this point), some things aren’t going to change that quickly, and his background is useful here.

Anyway. He gets called in--

“We’ve been approached by a would-be double agent deep in Imperial territory; received three transmissions in the past few weeks. So far, everything we’ve been sent checks out/has been useful, but.”

“But you’re wondering if this agent is an ISB plant.”

“Exactly. She calls herself Vector.”

“She?”

“Yeah. The scrambler she’s using is doing its job, which means we can’t actually use a voice print to ID her, but vocal pattern analysis got us that much. And that she’s likely Coruscanti, Human, and under thirty. That’s about all we know.”

He goes over the data and the recordings from the first three contacts and nothing jumps out as a red flag/any of the tricks he’s familiar with.

On the first call, there’s some dancing around; as if Vector’s trying to make sure of who she’s talking to. What he’d expect from either a plant or a genuine defector, really. Not particularly helpful.

The other two are fairly brief/straightforward, and start the same way each time--This is Vector. I have a data file for you. Do as you like with it. Also not particularly enlightening, given the question he’s been asked to answer.

The data itself, though, is--interesting. Not easy to access, for the most part, and not necessarily all from the same source. Parts of it are the kind of thing ISB would use as bait, but just as much of it is not. Some of it provides useful context for intel the Alliance has received from other sources (some covert, some not), which is not the kind of thing an ISB plant would send.

So, he goes back to his superiors and tentatively reports Vector as probably genuine. He wants to be on hand for her next transmission, though, to be sure.

(He wonders, idly, who they had evaluate his initial transmissions like this, or if using an established codename and protocol was enough…)

(He’s Concerned it might be the second.)

(There are some worrying gaps in Rebel Intelligence’s security that he can only do so much to patch.)

Of course, there’s a slight problem with that. Vector’s transmissions haven’t exactly been regular--the second one came four days after the first, and then it was nearly two weeks to the third.

And when they do come, they’re very brief, so if Kallus is, say, busy with a training exercise on the opposite side of the base…

(Or otherwise occupied in a supply closet.)

(He does have, y’know, a life when off-duty.)

(...which is something that still sends him into weird brainspirals of “how did this happen” and “i don’t deserve this” and “when is it going to blow up in my face” on occasion, but that is a separate problem. One that he buries. Like A Goddamn Professional.)

(no that’s not a habit of his why do you ask.)

IN ANY CASE, this means that it ends up being her sixth message, close to three weeks after Kallus is initially brought in, before he’s able to listen in live.

(Transmissions four and five, after he reviews them, don’t really change his analysis, but still.)

Transmission six comes in while Kallus happens to be in the tiny corner of the current base that Intelligence has claimed.

It starts like the others did--This is Vector. I have a data file for you. Do as you like with it.

Once the file transfer initiates, he responds.

“Vector, this is Fulcrum.”

(Okay, technically, he probably should be using a different handle now, since it’s really supposed to be for field agents only and he isn’t one anymore. And there are similar shared code names for Intelligence agents primarily on base duty, or he assumes there are, but even after over a year of not using it, it’s still the first one that comes to mind. Reflexive, almost. And now it’s going to stick.)

There’s a beat of silence from the other end, and Kallus is briefly concerned that he misjudged the situation, that she’d going to panic and cut the transmission.

But, “I can’t leave the link open long,” she says.

(Part of him thinks she sounds...almost relieved? Like she’s been waiting to be challenged like this, and the longer things went on without a test, the more nervous she got.)

(He can understand that worry. That sense of just waiting for the other shoe to drop.)

(And, yes, other Rebel Intelligence agents probably could have tested her like this, and if he hadn’t been around as a resource they almost certainly would have, but given that he knows exactly what to look for, the Powers That Be had decided to leave it in his hands.)

“Of course,” he says, and asks her a few questions, rapid-fire.

(He’s less interested in the specific details of her answers--and he’s not really asking her questions about her identity--then how she approaches answering him. Not necessarily something he can explain, which is part of why he didn’t coach any of the other officers and get this taken care of on transmission four or five, but just trying to get a sense of her.)

(One thing he does is privately revise the estimate of her age--he thinks she’s younger than the previous guess, probably twenty or so. Sabine’s age, maybe, at the oldest. Which makes her even less likely to be a plant in his opinion; ISB wouldn’t put this much effort into setting up an agent that inexperienced, not on a mission this sensitive, even if she was inconceivably talented and precocious. As an in-person infiltrator, yes, absolutely; but for this many layers of intrigue...no, they’d want someone Experienced.)

She ends the transmission somewhat abruptly, after about five minutes, but he was more or less expecting that and anyway he has what he needs.

“Well?”

“She’s genuine,” he says. “I’m as sure as I can be of that.”

“Good to hear.” A pause. “...you’ve run undercover agents before, correct?”

Kallus shuts down the knee-jerk paranoid response as fast and hard as he can.

(There are almost certainly people in the Alliance who still don’t trust me but none of them are in this room. I know that. Calm down.)

“Yes, once or twice,” he says, cautiously. “For short-term assignments.”

“Congratulations. You just volunteered to be Vector’s handler.”

(Hence the name of the AU. AKA the one where Kallus adopts a baby spy who JUST HAPPENS to be Palpatine’s daughter.)

(...yeah, he didn’t really see that one coming.)

(...at some point, I should probably go through and outline Lavinia’s politics and her reasons for defecting in detail, but in the interests of focusing on Kallus’s end of things, which is much more interesting, a (hopefully) brief digression on the subject:)

(Lavinia was created and trained to be a spy/manipulator, to perform the kind of tasks and access the kind of information that Palpatine could as the avuncular Chancellor but cannot as Emperor, now that he’s thrown that mask away.)

(...apart from very specific, carefully staged moments, like with Ezra.)

(So, part of manipulating people means understanding them, which means Lavinia does a lot of research to put her targets into context, and in so doing comes across a wide variety of cultures/forms of government, at least in an academic context.)

(And that means that, once she starts thinking beyond “how can I survive until tomorrow” and starts thinking about broader impact/more long-range plans, it doesn’t take her very long to realize that her father’s government is...well, let’s call it deeply flawed.)

(What she does when she comes to that conclusion varies, depending on other circumstances--but she doesn’t necessarily defect right away. Mostly for practical reasons; in Masks!Verse, which this AU is a variant of, she has no Rebel contacts that she’s absolutely sure of.)

(Meaning, in this case, both “absolutely sure is an actual Rebel and not just sympathetic to their aims/politics” and “absolutely sure would be willing to work with me despite my parentage.”)

(And if she approaches anyone she isn’t sure of, it’ll get her or her contact or both of them killed. Defecting from a distance, while she can better protect her identity, has a much bigger risk of interception, which, again, would get her and/or her contacts and possibly a lot of other people killed. Or worse.)

(Basically, she doesn’t think defection is a viable option for her--there are some other reasons for this, but those play a distant second to these concerns.)

(But then Alderaan happens.)

(And these concerns carry a lot less weight.)

(It takes her a couple months to figure out how to make contact with Rebel Intelligence, let alone how to do it safely, but she starts working on it at that point.)

(...I think that’s the salient points here. Like I said, I have a fair bit more about Lavinia’s politics/etc. and the ways/extent to which she’s willing to defy her father in various AUs, but that’s enough for this one, I think.)

So, Kallus can’t really argue with the assignment (even if part of him kind of wants to? Not because he thinks he can’t do it, but because he’s concerned that being another deep-cover informant’s handler is going to dig up a lot of stuff he’d really, really rather keep buried.)

(Look, he feels like he’s finally found his equilibrium. He’s even, somehow, approaching happy with his life for the first time in what feels like forever which, guilt-induced brainspirals aside, he doesn’t want to give up.)

(Besides, handling Vector wouldn’t be his only responsibility, and if he does start losing that equilibrium, he’s not sure how much his other work will be affected.)

(On the other hand...)

(On the other hand, there are very few people who have done what he did and survived long enough to make it back to Rebel lines.)

(Oh, there are other deep-cover informants, sure; but the majority of them are plants inserted by Rebel Intelligence.)

(And while, even leaving aside the technicalities involved with Senator Mothma and others among the leadership who had previously served in the Imperial Senate, there are plenty of defectors--up to and including General Madine and some other persons of very high rank--for the most part, once they make that decision, defectors grab what they can and run.)

(The ones that don’t usually don’t survive as long as he did.)

(Or, alternatively, they don’t identify themselves to the Alliance or even necessarily work directly with them; they perform internal sabotage rather than espionage.)

(Those embedded defectors tend to last longer, but not by much.)

(Which means that he’s probably the only person--certainly the only available person--who has been where Vector is. Who better to help her?)

(As for his own issues...well, he is a Professional, dammit. He can damn well compartmentalize. He’s very good at that.)

(...yeah, this is kind of a running theme for him. Sometimes it’s a good thing, sometimes it’s...very much not.)

(It remains to be seen how much it’ll help or hurt when dealing with Vector.)

So, he accepts the assignment, and goes back to his quarters to tell Zeb and collect a few things--given the irregularity of Vector’s transmissions, until he can talk to her again and set up a better protocol, he’s going to basically have to camp out in Intelligence.

(Which he’s not looking forward to, but it is what it is.)

Zeb is already there when he gets back--their current shifts don’t entirely line up, which is fine; they have at least a few hours overlap most days which is better than some pairs can say.

After several minutes saying hello...

“Did I miss anything interesting?” Kallus asks.

“That Skywalker kid came by a bit ago,” Zeb tells him. “Looking for Kanan.”

Kallus blinks, halfway through fixing caf for the two of them. “...aren’t he and Hera off investigating a potential supply line?”

(Which is, of course, far below Hera’s current paygrade, but she volunteers for that kind of mission on occasion. An excuse to spend private time with her family, while still technically being useful and not taking actual time off.)

“Yep,” Zeb says. “Apparently, this is the third or fourth time something like that has happened. They keep missing each other.”

"Well, I’m sure they’ll link up sooner or later,” he says. “Especially if Skywalker’s actively looking for Kanan.”

(He hasn’t actually met Luke yet at this point, but he’s heard the rumors. He has no real doubt of this fact.)

“Yeah, probably,” Zeb says. “I think Kanan’s been trying to track him down, too. He’ll be sorry he missed him.”

(...yeah, we’re going with Anakin-and-Grievous levels of contrived coincidence to keep those two from actually meeting for a while.)

(Partly because it’s easier than figuring out all the timeline/plot implications that might have (and I’m lazy, and that is the focus of another story), but mostly because I think it’s funny.)

Kallus nods. “...did he and Hera take Jacen with them, or...?”

(He hadn’t seen any evidence the baby had been left with them, but that didn’t mean it hadn’t happened.)

But Zeb shakes his head. “Nah, Sabine has him this time. Why? Something going on?”

“I have an assignment,” Kallus tells him.

“Huh. Extraction?”

(Logical assumption--the bulk of the fieldwork he does now, all-hands-on-deck situations like Lothal aside, is extractions. Occasionally helping sell an insertion, but generally the reverse.)

“No, not this time,” he says. “The agent who reached out, the one I told you about--I’ve been assigned as her handler.”

(He has long since gotten permission to discuss at least surface generalities of his work with Zeb, and they both know where the line is.)

Zeb’s ears flick a little, and Kallus can practically see him weighing the same pros and cons that he himself did earlier--and probably several others he hadn’t thought of.

“So, I guess that means you’re camping out in intelligence for a while?”

“Unfortunately,” he says. “Of course, there is a difference between being on-call and being on duty. And my schedule technically won’t change.”

Zeb perks up at that and grins before kissing him. “Well, I’m sure I an find an excuse to be in the area. Sometimes. Just in case. You know.”

“Mm.”

Fortunately, call number seven comes less than a week later.

This is Vector. I have a data file for you. Do as you like with it.

“Vector, this is Fulcrum.”

A brief pause. “Yes.”

“I’ve been assigned as your handler.”

(He figures the best way to deal with someone who’s probably twitchy and paranoid and otherwise on high alert is to be as scrupulously honest as he can. That doesn’t mean telling her everything, of course, but it does mean being straightforward, difficult as it is, and not outright lying.)

(If he can. So far, he can.)

Another pause. “I understand.”

(She’s hard to read on this one, whether or not she finds it suspicious. She might even be relieved again, that she’ll have a set contact point, rather than a whoever’s-available sort of situation.)

“There are some protocols I’d like to establish, for further contacts.”

“I can’t call at a set time,” she says immediately. “Or at set intervals.”

"I understand,” he said. “But I’m going to give you a more specific frequency to call.”

“Yes,” she says, and that definitely has a faint note of relief.

“Can you, if nothing else, send an all-clear transmission every two weeks?” he asks. “It doesn’t need to be at a set time, but so we can gauge--” whether or not you’re alive and uncompromised “--how concerned we need to be after a long silence.”

She pauses. “...I think so. Yes. I can do that.”

(Definitely young, he thinks, maybe even younger than Ezra--would be.)

“That’s all for now,” he says. There are others he wants to establish, of course, but those are the most important and her file transfer is nearly complete.

“I’ll be in touch,” she says; hesitates a second; “Vector out.”

(...well, she’s signing off officially now, rather than just abruptly terminating the connection. Progress. I think.)

He goes back to his quarters, and life settles into a new routine.

He keeps up his old duties--analyzing reports, training potential undercover agents, etc.--and also keeps track of Vector and her reports.

That last one proves...well, his early optimism wasn’t entirely misplaced?

Vector is very, very good at what she does. Her files are varied in their content, and sometimes not as useful as she might’ve hoped, due to timing or other resource concerns, but the quality of the work she does never comes into question.

But part of being a double agent’s handler is assessing how they’re holding up under the incredible stress of the position. And she is frustratingly vague when it comes to anything approaching anything personal about herself.

In addition, there are two additional protocols he wants to set up early on--first is a way for him to reach her.

“Just because I have access doesn’t mean I have influence,” she says. “I can’t seed disinformation for you. Not without getting caught.”

“That wasn’t what I meant.”

(Though, of course, he had considered the possibility--as well-positioned as Vector seems to be, how could he not?--but while he doesn’t completely rule out the idea, he files it away under “only as a last resort.” Better to leave her in place as long as possible.)

“But if there’s something specific we want you to keep an eye out for--or if we need to warn you about something...”

“Right,” she says. “That’s fine, then.”

The second, though...the second is where they run into real problems.

“I also want to establish an emergency signal. If you need extraction, or if you end up captured by Rebel agents.”

(He still wonders, sometimes, if staying behind when Ezra came to extract him was the right decision. It had seemed so at the time, but...)

(He’ll probably never know. And fretting about it doesn’t do any good.)

(knowing that doesn’t make it any easier to stop.)

“No,” she says.

“Vector--”

And she hangs up on him.

Exactly why she’s so reticent to establish something like that, he isn’t sure--he has some theories, but...

It’s frustrating, to be sure. Makes it harder for him to do his job.

(And it makes him worried about her--if she’s working without any kind of exit strategy, that likely means she doesn’t think such a thing will be possible. Which, on the one hand, shows her dedication to the cause, but on the other hand...on the other hand, if she thinks getting caught is inevitable, she might get sloppy with her own security and that might well turn into a self-fulfilling prophecy.)

(The other alternative, that she doesn’t trust him, or the Alliance, with her safety if things do go wrong, is...well, probably more distressing, in all honesty.)

(Though not, perhaps, altogether surprising.)

He decides to seek Kanan’s advice on the problem.

(Kanan, after all, knows best what to do with unruly teenagers.)

(...well, so does Hera, but Hera’s advice would probably be less applicable/harder to apply to his specific situation. Also, she has better things to do than help him do his job.)

(Which is the other frustrating thing, that he can’t handle this by himself.)

Kanan’s advice is pretty straightforward--be patient, and don’t push her too hard. You can’t help her if she won’t let you.

(This is part of why I wanted him still around, incidentally.)

(Because there is something utterly hilarious about Kallus going to Kanan for parenting advice.)

(And that’s exactly what he’s doing.)

(Even if he hasn’t quite figured that out yet.)

So, taking this in mind, he backs off. A little bit. Decides to start from square one, and build a rapport, and go from there to get some of the other basics that he wants established.

Standard interrogation technique, technically. Not one favored by ISB, obviously, or really encouraged, but even they knew it had its uses.

Vector is still cagey about personal details, but she does start to soften a little as several weeks go by.

He brings up the idea of an emergency code phrase again, after about two months of this kind of sporadic contact.

This time, she says she’ll think about it.

Things hold in this pattern for about a year, and then Vector makes a call, as usual.

Or, it starts like a normal call, anyway.

“You probably won’t hear from me for a while,” she says, as the file transfer is wrapping up and they’re about to sign off.

“Are you in trouble?”

“No,” she says. “Nothing like that. And nothing related to the work we’ve been doing. But things are going to be...difficult. I’m not even sure I’ll be able to get an all-clear message out for a while.”

He doesn’t like this at all. “How long?”

“A month,” she says. “Probably. Maybe a little more, maybe a little less. I’ll contact you as soon as I can safely.”

It is one of the longer months of his life.

But, as promised, the dedicated comm he has for her lights up eventually.

This is Vector. I have a data file for you.

“Vector, this is Fulcrum,” he says. “Good to hear from you again. Everything all right?”

“Yes,” she says. And she seems fine, and he breathes a quiet sigh of relief.

When he tells Zeb about it later, though, is where it gets...interesting.

“Glad to hear your kid’s okay,” he says.

“My--she’s not my child, Zeb,” Kallus says.

“Really.”

“....”

“Look, you talk about her the same way Kanan talks about Sabine, when she’s off blowing things up on Mandalore.”

“I...wait, really?”

“Yep,” Zeb says, and grins at him. “I mean, it’s not a problem. S’kind of what we do in this family, isn’t it? Take in strays. ‘Bout time you got in on it, really.”

Kallus just stares at him. “I...what.”

Zeb waves a hand in front of his face. “Alex. Babe. You all right in there?”

He shakes himself. “Yes, of course. Sorry."

“Ehh, don’t worry about it. I mean, it’d probably have been nice for the two of us to talk about kids in general before we started adopting our own strays, but--”

Really, sometimes Kallus thinks that Zeb likes the expression he makes when utterly poleaxed like that.

(He does. He thinks it’s adorable.)

(Also, Zeb figures this is a conversation they maybe should have, because they’re clearly both in this for the long haul and he saw this opening and...look, no one ever said Zeb was good at broaching delicate topics gently.)

“...do you?” Kallus asks, when he recovers. “Want children, someday?”

“I mean...yeah,” Zeb says. “If you do. I mean.”

“I hadn’t thought about it,” he confesses.

(Because long-range planning is hard; because they’re at war, because he’s still waiting for the other shoe to drop, because he doesn’t deserve any of this and planning for a future he doesn’t deserve is just--a little much for him sometimes.)

“But...yes,” Kallus says. “I think so, yes. I would like to raise children with you. Someday.”

Zeb’s response to that is positive and enthusiastic and leads to things they will definitely not be discussing with their hypothetical children ever.

It’s a month or two after that that Kallus finds out who Vector is.

(…well, for a given value of ‘finds out,’ anyway.)

He and Zeb are babysitting--Sabine is back on Mandalore; Hera is on duty; Kanan was supposed to be finally meeting Luke but there was an issue at the spaceport and he’s stranded for the next few hours.

(Like I said. Anakin-and-Grievous levels of contrived coincidence.)

Zeb has just put the kid to bed, and Kallus is watching the news.

“You’re still watching that?” he asks, nudging Kallus to make room for him on the couch and drawing him to lean on his shoulder.

“I’ve told you before, dear, knowing what the Empire is saying, no matter how different that is from what they’re doing, has its uses.”

“Especially if you know how their propaganda is constructed, I know,” Zeb says, and nuzzles his ear. “Just thought you were almost done.”

Kallus smiles faintly and leans into the caress. “I am, I promise. I’ll shut it off in a minute. I just want to--”

He pauses. Rewinds the feed. Pauses it--pre-recorded coverage of some public event the Emperor’s kid had been at, with the newscaster commenting on the progress of whatever “public works” project it was supposed to kick off.

“…what is it? Something she said?”

(...something to do with whatever this “project” is covering up?)

“Hush,” he says, fiddling with a few buttons and calling up a printed transcript and skims through it before sinking back against Zeb, letting out a breath.

“Babe?”

“I think I know who Vector is,” he says.

Zeb stares at him for a minute, then stares at the paused footage--frozen on the Princess’s face, icy and composed.

“…her?”

“Her,” he confirms.

“Why…?”

“Little things,” he says. “The way she talks, some unique turns of phrase. And she fits the profile--young, Human, Coruscanti, close to someone powerful but essentially a civilian herself…and…when Vector disappeared on me last month, that coincided with a period where the Princess was more visible than usual.”

“Karabast,” he mutters. “When you put it like that…”

“It’s all conjecture,” Kallus points out. “I can’t prove any it. Not without digging deeper--which, if I’m right, risks compromising her cover--or asking her straight-out.”

(Which, of course, would also be a bad idea. It would probably seriously damage the trust he’s spent the past year and more building, and it might not even get him an honest answer anyway.)

“Right,” Zeb says. “…any chance someone else could put this together?”

Kallus makes a face. “Unlikely,” he says, though he doesn’t sound totally sure. “The recordings of our conversations are kept as hard copies only, for security. Not uploaded onto any networked drives. And a very small set of people have access to those copies. I doubt anyone could put it together without that access. Still…”

(Someone dedicated enough, who managed to access one of those recordings, or intercept a transmission along the way, or compromise the lines of communication from the other side…)

“Kriff,” he says. “Anything you can do about it?”

“Not really,” he says. “Other than brief Draven and keep doing what I’ve been doing.”

“Yeah,” he says, and studies the picture again; glances over at the morose look on Kallus’s face; feels his ears twitching. “Huh. Never would’ve figured the Emperor’s kriffing daughter to defect.”

Kallus jumps a little, drawn out of his thoughts, then rolls his eyes and gives Zeb a fond, exasperated smile (which was really the point, honestly; to needle him into a better mood), and rather dryly points out, “There was a time you would’ve said the same about me.”

“True,” Zeb says, and grins at him. “Guess it just goes to show, people surprise you all the time.”

“Indeed,” Kallus says, then reaches over to shut off the feed and changes the subject.

Six weeks after that, Vector goes quiet again. This time without warning.

When her two-week check-in goes by with nothing, he’s immediately concerned. She’s never missed a check-in before, not without warning. He decides to give her a day, and then ping her himself.

(He generally avoids doing that--only when he absolutely needs to speak with her about something time-sensitive that can’t wait for her to reach out.)

There’s no response to his message, either.

He reports the missed check-in, of course. Tries again the next day. And a third.

Still nothing.

(He knows a rescue won’t be authorized--technically, they don’t actually know for sure who or even where Vector is, and if his theory is correct, they cannot make a run on Coruscant for one agent, especially not one as visible as Princess Lavinia.)

(He keeps telling himself that. Over and over again. As he tries a fourth and fifth time to reach her.)

“Zeb,” he says, after a third full week has gone by since the last time he heard from her. “I need you to talk me out of doing something stupid.”

“Uh, sure, babe. What’s going on?”

He explains the situation as briefly as he can. “And I am this close to staging a half-assed unauthorized raid on Coruscant to extract her.”

“...nah, if we’re doing an unauthorized raid on Coruscant, it should be a full-assed thing.”

That...that wasn’t really the answer Kallus was looking for.

(In hindsight, he thinks, as he tries to redraw building plans from memory and plan this stupid, stupid venture, he probably should have gone to Hera if he really wanted someone to talk him down. Or possibly Kanan. ...no, Hera.)

(...it could be worse, though.)

(he could’ve tried asking Sabine.)

Fortunately, before they can actually run off and get themselves killed--

(or court-martialed)

(or in trouble with Hera)

--Kallus’ dedicated comm chimes.

“All clear,” he breathes. “That’s the all-clear. She’s...she’s alive.”

It’s nearly another week before he hears anything else, but finally a real call comes.

This is Vector. I have a data file for you. Do as you like with it.

“Vector, this is Fulcrum. Are you all right?”

(she doesn’t sound all right; it’s hard to tell through her scrambler, but she seems strained.)

“Everything’s fine,” she says. “I apologize for the delay, but things are settled now. My cover is intact.”

Which is good to know, but not what he asked.

“And what about you?” he says.

She doesn’t answer right away.

“Vector?”

“I’m here,” she says. “And everything is under control. You don’t need to worry about me. Nothing that--it wasn’t anything to do with this, I was caught on the fringes of something unrelated. It won’t interfere with my work going forward.”

Which still isn’t an answer.

(He’s pretty sure the non-answer is his answer, though. Damn it.)

(He knows the risks. Better than most. And he knows she knows them, too. It doesn’t make it any easier to hear, especially knowing that there is kriff-all he can do to help her.)

Into the silence, she says, “I’m your asset, Fulcrum. Not your friend.”

“......”

“I’m just--” She sighs. “I’m your asset. Not your friend. It’s...we should both remember that. It’s probably better, in the long run.”

And part of him is hurt; part of him is annoyed that he is being lectured on professionalism by a damned child; part of him is worried again--he did finally talk her into an emergency code phrase, in case of capture or other disaster, but here she goes again, hinting that she doesn’t have an exit strategy.

(Not like I did, either, he reminds himself. Can’t plan that far ahead. Not when you’re doing this kind of work. And even when Ezra came for me--)

(He buries it. Because he is a goddamn professional, Vector’s reproof aside.)

“It’s nothing I can’t handle,” she says. “And I’ve had worse.”

“........”

All right, that he likes even less.

“Vector--”

“I have to go,” she says. “I’ll be in touch when I have something else. And I’ll do my best to warn you if I have to disappear again. Vector out.”

And, in the interests of “good Lord this thing is close to 6k already,” we’re going to skip ahead quite a bit, about a year and a half, to just after the evacuation of Echo Base.

For the first time in a while, the whole family (minus Ezra) is back on the Ghost together.

(Kanan, Hera, Chopper, Sabine, Zeb, Kallus, Rex, and Jacen.)

(They’ve all been in touch and met up fairly frequently, but they’re no longer a discrete cell and they all have their own, often separate, duties with the wider Rebellion. So, while the circumstances leading to it are awful, it’s nice to have an opportunity like this.)

Orders are to lay low, and make their way by a prearranged roundabout route to the fleet rendezvous five days later.

The first night, they mostly spend catching up and letting Sabine fleece them all at cards.

(Except Rex. Do Not Play Sabaac With Rex.)

(They had all forgotten that rule.)

Hera is sending occasional messages back and forth to Command, to confirm/make adjustments/etc., but otherwise things are fairly quiet after the frantic rush of the evacuation itself.

(Fortunately, none of them were injured in the escape. It’s happened before, when they’ve had to leave a base in a hurry. That was a week no one wanted to repeat.)

It’s their second night of drifting, and Kallus is just starting to fall asleep (Zeb is snoring beside him; the noise honestly probably should have been annoying but is genuinely comforting at this point, to the point where he has trouble sleeping without it) when his comm beeps.

It’s Vector.

More accurately, it’s her emergency signal.

He extracts himself from the bed and slips out into the hall to talk the call.

“Fulcrum.”

“It’s Vector,” she says, unnecessarily. She’s not using her usual scrambler this time, but a more standard vocoder, probably cannibalized from a stolen helmet. She sounds drained, and slightly breathless. “I’ve been burned. I got...I got away. I had more..." She stops, clears her throat. “I got away. I was able to remove my tracker and I’m as--I’m as sure as I reasonably can be that I’ve lost anyone following me by other means. I-I pulled as much raw data as I could onto a couple of portable drives on my way out, but I’m on a...I’m on a sliced public terminal right now, I don’t want to keep the line open long enough to send them in the usual way and I...I don’t know what the protocol is now. Please advise.”

“Where are you now?” he asks. There are so many other questions he wants to ask, needs to ask, both from a personal and a professional standpoint--is she all right; how did she get caught; how did she escape; how long has she been compromised--but they can wait until she’s been located and brought in safely. He sets them all aside, and focuses.

(Like A Goddamn Professional.)

“Ixaly,” she says. “I’m on...I’m on Ixaly.”

He closes his eyes, mentally traces their route through hyperspace. Ixaly is in this sector, it shouldn’t be far...yes. If he’s counted right--they’ll be doing a navigation stop shortly, and dropping out of hyperspace. From there--a few hours to Ixaly, unless he’s completely turned around.

“There’s a cantina,” he says, “in the Diira district in Central City. The White Shale. Can you be there in six hours?”

A brief pause; he can hear her breathing. “Yes,” she says, at last. “Yes, I’ll be there.”

“That’s the fastest I can arrange a pickup,” he says. “I’m sorry.”

(If he’s right about how close they are, it might not actually take him that long, but there’s a balance between getting to her as quickly as possible and budgeting in time for something to go wrong. He doesn’t want to risk being late and having her move on because she thinks he’s not coming. He may not be able to contact her if something goes wrong; not if she’s relying on sliced public terminals to reach out to him. And he has no idea when she’ll be able to make contact again, or how long whatever data’s on her drives will stay viable...so, six hours. He’ll have to trust her to stay alive that long.)

“I’ll be there,” she promises. “White Shale cantina, Diira district, Central City, six hours.”

“Exactly. You know how to reach me if there are any problems.”

“Yes,” she says.

“It’s almost over,” he says. “You’ve done well, getting yourself this far. Just hold on for a little while longer, all right?”

“I will,” she says; takes a breath. “I’ll see you in six hours. Vector out.”

The line goes dead.

Half a heartbeat later, he feels the familiar rumble of the hyperdrive cutting out, switching over to sublight engines.

He’s in his window now, he doesn’t have time--

As he heads for the Phantom, he runs into Kanan.

“...what’s wrong?”

“Vector,” he says, clipped. “She’s had to run. She’s not far--”

“Go,” he says. “I’ll let Hera know. ...take Zeb with you. In case you need backup.”

(Which he doesn’t really need, and it might well spook his contact if he brings a team--he has run extractions like this before, after all, and Vector is particularly cagey--but he nods.)

“I will. Thank you.”

“How long do we wait before sending our own rescue party?” Kanan asks.

Kallus does some quick mental math--six hours to the meet; going by Vector’s history, she may need some convincing to come along (like I did, until it was too late; but it’s already too late for her, isn’t it?); she might be wrong about having a tail; they might run into unrelated trouble...

“I’ll send word once we leave the system. If you haven’t heard from me in twelve hours, that’s when you worry.”

“Got it,” he says, and starts off towards the cockpit to update Hera, when Kallus realizes--

“Wait,” he says.

Kanan pauses, half-turns back to him.

“I don’t know who Vector is, not for certain,” he says, “but I have considerable circumstantial evidence that she’s Princess Lavinia.”

Kanan takes that in, then nods slowly. “Right. Thanks for the head’s up. I’ll pass that along.”

“Thank you,” Kallus says again, and the two of them separate--Kallus goes to wake Zeb and then get the Phantom prepped and underway; Kanan goes to tell Hera what’s going on.

(...and corral his son.)

(Jacen has developed this habit lately of hiding on the Phantom when he thinks it’s going somewhere Interesting.)

(Which is usually whenever someone other than Mamma is driving.)

(He likes going on Adventures with his various uncles and Auntie ‘Bine, okay.)

(They go on the best Adventures.)

(But retrieving one of Kallus’s deep-cover agents whose cover was blown like a week ago at most is maaaaaaybe not the best Adventure for a three-year-old.)

Fortunately, Zeb isn’t hard to wake and grasps the situation quickly. The two of them head for the Phantom--

And find Sabine sitting there waiting for them, spinning idly in the pilot’s chair.

“...Sabine--” Zeb starts.

“Whatever it is that’s got you two running around frantically when we’re supposed to be lying low,” she says, “I wanna help. You might need backup.”

On the one hand, Kallus is pretty sure they won’t. And his prior concerns about spooking Vector if he comes in with a team still apply.

On the other hand, Sabine is one of the best people to have beside them in a crisis, if things do go all to hell. She’s creative and generally carrying an array of weapons that defies the very laws of physics.

Besides, he doesn’t have time to argue with her.

“Fine,” he says. “But you follow my lead--both of you. Neither of you has been on an extraction like this before, and this is what I do. All right?”

“All right,” Sabine says. “Who is it we’re extracting, exactly?”

“A spy, working under the code name Vector,” he says. “She’s been feeding us intel for close to three years now. Her cover was compromised, and she had to run.”

Sabine nods. “Got it,” she says.

“And, if I’m right,” he says--because if he is, Sabine will have to know before they get there, “she’s the Emperor’s daughter.”

“...all right, then,” Sabine manages, after a moment of stunned silence. “Let’s get this show on the road.”

They detach, and the Ghost disappears behind them back into hyperspace as Kallus sets a course for Ixaly.

And now, since I’m sure y’all are wondering the same thing Kallus is--i.e., how did she get caught/how did she escape--let’s backtrack and leave Kallus’s POV for another brief digression--

It all comes down to a man named Vedric Greer.

Vedric Greer is a Royal Guard. He’s been in that elite unit for over fifteen years at this point, selected more or less straight out of the Academy.

He’s been the head of Lavinia’s detail since she was twelve.

(Before that, he had a variety of assignments; he never got stuck with Vader, for which he is profoundly grateful, but he guarded a few valuable objects/locations, and he was on Tarkin’s detail for a couple of years.)

See, here’s the thing about Royal Guards. They’re put through a lot of conditioning, both physically and mentally, to become living weapons who are absolutely loyal.

And he is. Vedric Greer is an absolutely loyal man.

The thing is, to be a Royal Guard assigned to any living being other than Palpatine himself--Vader, Tarkin, Mas Amedda, Lavinia, a few others--means to be equal parts bodyguard and prison guard. Such a Guard is at least partly there to protect his principal from external threats, of course, but if said principal steps out of line or he’s given certain orders, he becomes their jailer. Or executioner. Or worse.

When he’s assigned to someone like Tarkin, of course, that isn’t much of a problem.

But a lonely, precocious twelve-year-old kid like Lavinia? Who, whatever traits she may have inherited from her father, has them tempered by an actual conscience?

...yeah, it doesn’t take a whole lot for him to bond with her, just a little.

(Throw in the fact that he has a lover, an Imperial Archivist who survived Scarif by being transferred to Coruscant days before Tarkin blew it up...well. Maybe the cracks in his armor aren’t only to do with the little girl he’s been made responsible for.)

So. Vedric Greer is a Royal Guard, and that means he is a living weapon, and absolutely loyal.

But over the past seven years--and especially the last three--maybe, just maybe, that loyalty has started to shift.

(He doesn’t even realize it, at first; and when he does notice the traces of affection, of tangential loyalty in himself...well, he reasons that Lavinia is all but an extension of her father’s will, anyway. Right? And if he conveniently fails to see certain signs...)

(Reynard, his lover, knows way before Vedric does where this is going, of course.)

And then, one morning, his orders change, and all those little things come crashing down.

(It was such a simple thing that screwed her over; Palpatine seeds bait among his minions constantly, little nuggets of information so that, if there is a high-placed leak, he can track it back to its source right away. Standard counter-intelligence, really; and everyone, everyone, is under suspicion. Everyone is tested.)

(Lavinia is normally very good at spotting this sort of thing--she has a natural aptitude for espionage, she was trained by the best, and she puts just as much effort into surviving her father and completing her mission as he did into taking over the galaxy. How else would she have lasted nineteen years as her father’s daughter--let alone three as a deep-cover Rebel spy?)

(But this time--this time she missed it. And now he knows.)

And Vedric Greer has a choice to make.

It’s surprising, in the end, how simple it is.

“My lady,” he informs her, “you are undone.”

He helps her cut out the tracking device implanted inside her ribcage (which is also fitted with a killswitch, of course, in case she ever tried to slip her leash); she asks him to come with her; he refuses.

(He is not a Rebel. He is not disloyal.)

(What he is, is her protector. What he is, is--hers.)

“I’m so sorry,” she says.

“So am I,” he says, and, “Go. I’ll buy you as much time as I can.”

“Goodbye,” she says, and disappears.

He sends a brief message to Reynard--hoping he’ll know what it means (he will; he always knew this might happen), and prepares himself to meet his death.

(Or, at least, that’s what he believes is going to happen.)

(...look, as I said before, this is Self-Indulgent BS(tm). Like I’m really gonna let Greer die. I mean, don’t get me wrong, I have no earthly idea how he survives but he does. Because this is my self-indulgent BS, dammit.)

Okay. Back to Ixaly, and the actual rescue/extraction mission.

(…by which I also mean forward, since it’s like a week later.)

Our Heroes reach Central City about an hour ahead of schedule. After a brief discussion, Sabine disappears into the district to be on-hand for immediate help, if needed; Zeb, who doesn’t blend in as well, will stay with the Phantom; Kallus of course goes to the cantina to find his contact.

He heads there more or less directly, taking in as much detail of the city and the specific neighborhood as he can.

He’s been here before, but it’s been several years; there is a garrison in place, but the occupation seems comparatively light.

Which means there’s a not-unreasonable chance that this will go smoothly.

(Of course, as soon as he thinks that, he starts coming up with all the potential problems that could still happen. For one thing, he or Vector or Sabine might be recognized…)

Security on the cantina itself; mostly local talent, just as it was on his last visit. This is a fairly middle-of-the-road place; just dishonest enough that he and Vector should blend, not so dishonest that they’re likely to get caught in the middle of any…unpleasantness. Part of why he picked this place. That, the fact that it isn’t particularly difficult to find, and is fairly close to his ideal landing site.

(Not the official port, naturally; while Kallus doesn’t doubt that they could bluff their way through, he’d rather not try it on such short notice. They’d landed the Phantom on the city outskirts, about fifteen minutes away by foot.)

In other words, things are about as well-situated as they could be, under the circumstances. He has three separate exit routes at least tentatively mapped out, of varying efficiency and difficulty.

(And, if it came down to it, Sabine or Zeb could create one for him, of course, but he’d prefer to avoid that if at all possible.)

(In any case, best to have backup plans; he’ll pick the best route of the three once he has a better idea of what Vector’s capable of at the moment.)

(He’s almost certain she’s hurt, and he doesn’t know how badly, and she’ll never actually tell him, so that’s the best he can do.)

Inside, the cantina is fairly crowded--which is a mixed blessing; on the one hand, more cover for their activities/conversation, but on the other, more people to see them.

It’s a varied crowd; mostly local shift workers, a few semi-legitimate traders and mid-level bounty hunters. Most importantly, though, there are no troopers that he can identify, even off-duty. Excellent.

He gets a drink (to blend in, primarily) and finds a table in the corner where he can keep an eye on the other patrons and watch the door without being obvious about it.

He’s not kept waiting long.

She blends in pretty well--she’s managed to dress herself in a slightly-outdated local fashion, one that helpfully comes with a cowl that doesn’t quite hide her face, but does enough to keep her mostly anonymous from a distance and make dodging any security cameras easier.

(A few other women in the cantina are dressed similarly; not many, but enough that she doesn’t really stand out.)

She doesn’t head straight for him. She weaves through the crowd for a minute, hesitates by the bar as if she’s considering something, orders a drink. Her attention drifts over the crowd; she doesn’t linger on him, but her hand twitches a little.

(Ah. She spotted him, then. Good.)

(He isn’t really surprised that she figured out which Fulcrum she was working with. And it does make things simpler--there are a few signals he could have tried, but there wasn’t time, when she called, to pick one of them and be sure.)

(An advantage, if a counter-intuitive one, to using the legacy code name with her, he supposes.)

She starts moving again; doing everything right--wandering as if she’s looking for a seat, gradually making her way to a small empty table next to his.

(The whole thing takes probably less than two minutes. It feels longer. Then again, it always does--this isn’t the first time he’s met a contact like this, and that never changes. Doesn’t matter whether he’s the first or second to arrive.)

He taps out a quick signal on his commlink--contact made, everything’s on track so far--and waits.

“I have a data file for you,” she says softly. “Several, in fact.”

He smiles faintly into his drink. “Well done.”

The way the tables are laid out, they’re sitting next to one another, both with their backs against the wall. It’s a simple matter for her to slide the two drives over to him, and just as easy for him to make them disappear.

(Leaving together discreetly will be a little harder, but he’s been doing this for quite a while. They’ll manage.)

“I have transport off-planet,” he tells her. “We should wait a few minutes, not get up right away, but it’s best if we leave sooner rather than later.”

She shakes her head. “I'm not coming with you.”

(He wishes he could say he was surprised.)

He doesn’t turn to look at her, as much as he wants to. “If you’re concerned about reprisals…”

“I’m not,” she says. “Not really. It’s just…not a good idea.”

...and in the interests of “good Lord this thing is probably pushing 10k and it’s not even the full fic it’s an outline,” I’m going to skip the rest of this conversation. Suffice to say, he’s right and she’s wrong, though she takes some convincing, but they leave the cantina together like fifteen minutes later. Also, he confirms that his theory as to her identity was correct somewhere in here.

Anyway, like I said, he talks her down, and she agrees to leave with him.

Once out of the cantina, he can get a better look at her, assess how badly she’s hurt.

(He knows she is for certain now; she’s breathing carefully, shallowly, and a little too fast--but he could only see her hands and the vague shadow of her cowl before.)

“Are you all right?” he asks; even though the answer is obvious; she’s favoring her left side and very pale.

“It’s nothing I can’t handle,” she says.

A characteristic non-answer, but a step above denial. He supposes.

“All right,” he says. “Let me know if you need help.”

(There’s not much else he can do here and now, anyway; they have some supplies back on the Ghost, and she can get proper medical attention once they rendezvous with the fleet.)

“I will,” she says, which is something at least.

They make it two blocks before they run into a squad of stormtroopers.

It’s a routine patrol; and, even with a wounded asset to escort, it wouldn’t have been a problem under most circumstances. He could avoid the confrontation, or talk his way past.

But the squad sergeant stiffens in a particular way, staring at him.

“Karabast,” he mutters.

(You’d think, after all these years, this would stop happening so often. But, no, it’s still even odds that, out in the field, someone will recognize him.)

Lavinia takes half a step back. “I can--”

“They’re not here for you,” he tells her, then drags her behind cover a split second before the troopers start firing.

Then takes a minute to take stock.

This is...not an ideal position for a standoff. And while they might be able to fight their way through...

Best plan is to stay put, hold them off as long as they can, and call in Zeb and Sabine for backup.

Good thing I listened to Kanan, he thinks.

He takes out his sidearm, then pulls his holdout pistol from his boot and offers it to Lavinia.

But she shakes her head. “Father kept my focus narrow. I’d do more harm than good.”

“...right.”

Even less ideal. But it’s all right. He can handle this.

He takes his comm, switches it to the voice setting.

“Specter Four, this is Fulcrum. We’re going to need a slightly more dramatic exit than I planned for.”

“Copy that, Fulcrum,” Zeb says. “Could use an opening, Specter Five.”

“And to think you boys wanted to leave me behind,” Sabine says.

“Yes, yes, can we save the ‘I-told-you-sos’ until after we’re clear?” Kallus says, firing off a handful of shots to keep the squad at bay.

“She does have a point, babe.”

“Not on open comms, dear, how many times...”

(Honestly, the little bit of flirting is at this point half an inside joke, after the one time they legitimately forgot to switch channels, and half a way to quickly gauge how serious the situation actually is.)

(Plus, it’s fun. They like flirting.)

“Thirty seconds,” Sabine cuts in.

“Right,” Zeb says. “I’m headed to your position. ETA two minutes.”

“Copy. Fulcrum out.”

Two minutes, under these conditions, is a long, long time.

But, right on cue, thirty seconds later, there is a magnificent explosion, which gives them some breathing room, and then Sabine slides down the wall to land next to him.

“Not my best work,” she says critically, watching the cloud on the horizon, “but it’ll clear a path. Hi,” she adds, for Lavinia’s benefit.

“Hi,” she says, softly.

“...she doesn’t have a blaster,” Sabine says, turning almost accusingly to Kallus.

“Because I’ve never had one before,” Lavinia answers for him. “And this really doesn’t seem the time or place to learn.”

“Well, we’ll fix that later,” Sabine says.

“All right,” Lavinia says, then ducks down as Sabine positions herself better to start shooting back.

The next ninety seconds go much quicker, and then comes the welcome sound of the Phantom’s engines on approach.

It’ll have to be a quick exit, and for a split second, Kallus wonders about getting Lavinia up the ramp fast enough without Zeb actually landing--

But then he sees that Sabine has her jetpack.

(He has never been so pleased to see it in his life.)

“Take her,” he says, once the shuttle is in sight. “I’ll cover you.”

Sabine catches his drift right away, and nods. “Hold on,” she tells Lavinia, who blinks, but does.

And then they’re off.

Kallus just keeps firing at the troopers until, based on the noise it’s making, he judges that the Phantom is close enough that he can make the jump.

He’s--almost right.

He comes within half an inch of missing, then Lavinia’s hands shoot out and grab one of his wrists; Sabine grabs the other and the girls haul him on board.

“We’re good, Zeb, go!” Sabine shouts, while Lavinia drags Kallus the rest of the way in and slams the hatch shut.

We did it.

He takes a minute to catch his breath--he knows it isn’t really over; there’s still a great deal of work to do once they get back to the Ghost and then to the fleet proper.

But for now--they’re all alive, they’re all safe, they’re all at least as intact as they were when they got to Ixaly; the extraction was successful.

Kallus decides to let the rest of the problems wait, and take the win.

He picks himself up and heads to the cockpit, to give Zeb a quick hug and send word to Kanan and the others.

For all the drama and the worry when it started, today turned out to be a very good day.

And I think that’s a good stopping point, don’t you? There is definitely more, featuring (in no particular order) the worlds most #Awkward Road Trip; Kanan and Lavinia meeting; Kanan and Luke finally meeting; Zeb and Kallus adopting a kid or three; Lando; Jacen being precious; and so much more.

But, uh, see all my notes above about “how long is this thing now?!”

(And, again this isn’t even fulltext.)

(This is just the outline.)

...so, uh, yeah, if you made it this far, thank you and I hope you enjoyed my Self-Indulgent BS(tm). <333333333

#shadowsong26fic #shadowsong writes star wars #shadowsong writes self-indulgent bs #au outlines for the win #tigerkat24

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aion-rsa · 3 years

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Supernatural: The Best Episodes

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This Supernatural feature contains MAJOR spoilers up to and including the series finale.

Over the course of 15 years, Supernatural aired an extraordinary 327 episodes, every single one of them starring the same two people, a quite incredible achievement (there were two attempts at backdoor pilots, but both featured Jared Padalecki and Jensen Ackles at least briefly).

In 327 episodes, of course, there have been some stinkers, and there have been moments of brilliance. Supernatural did scary episodes, gross-out episodes, funny episodes, tragic episodes, tragically funny episodes and episodes set on its own soundstage. Here are 25 of the very best.

25/327*. Carry On (Season 15, Episode 20)

*delete according to preference, and see “Dishonorable mentions” below

We’re being controversial right off the bat, as the series finale has fans split right down the middle between feeling pretty pleased with it and absolutely hating it. And for the many fans that hate it, they really, really hate it. If that’s you, we understand your issues with it – see our ‘Dishonorable Mentions’ list.

But for others, while this ending was somewhat marred by coronavirus restrictions (which are surely to blame for Sam’s wife being blurred in the background instead of clearly shown to be Eileen, and possibly for the absence of Castiel as well), there were also moments of emotional catharsis and beauty. Heaven has undergone some drastic improvements since we last saw it and the afterlife is no longer strangely lonely and depressing. The music choices for the episode are perfectly on point – it almost seems strange we haven’t heard ‘Brothers in Arms’ before – and finally the promise of ‘Carry On, Wayward Son’ is fulfilled, as “surely Heaven waits for you”.

Best moment: Hearing the voice of Original Bobby (not Apocalypse World Bobby) for the first time since Season 11.

Quotable: “Always keep fighting” (Dean, to Sam)

Watch if you like: Tragic melodrama, great music, Bobby

24. Devil’s Trap (Season 1, Episode 22)

Supernatural’s very first season finale set the tone for many more finales to come. The arc plot kicked up a gear, Winchesters pointed guns at each other, and the whole thing ended in a nail-biting cliff-hanger. This episode sets up much of how the show will work, including the important detail that demons possess innocent humans, which led to our heroes spending some years trying to avoid killing them where possible (before they eventually gave up on that one). Most important of all, though, this is the episode that introduces Jim Beaver’s Bobby Singer, who would become the Winchesters’ surrogate father, and whose particular brand of caring, with a hefty dose of calling them idjits, was always entertaining with a warmth underneath the humour.

Best moment: Sam refuses to kill his father – the first of many times this sort of decision will be forced on the brothers.

Quotable: “The storm’s coming, and you boys, your Daddy – you are smack in the middle of it” (Bobby)

Watch if you like: Family melodrama, demon arc plots, Bobby

23. All Along The Watchtower (Season 12, Episode 22)

Death and life have always gone hand in hand in Supernatural, and nowhere is that clearer than in this game-changing season finale. We lose one of the show’s few regular characters, Mark Sheppard’s Crowley, along with a newer, highly likeable, recurring character, Courtney Ford’s Kelly Kline, both in moving self-sacrifices that honor the characters and their development. (Oh, and Castiel dies again too, but of course that doesn’t stick). On the other hand, we gain two new characters. We meet Apocalypse World Bobby, and while he can never really replace the Bobby the boys knew and loved, he brings some essential Bobby-ness back into the show. And Jack is born, Castiel’s (and later the Winchesters’) adoptive son, whom Cas is convinced will create a paradise in the future. This episode is full of great character work featuring numerous fan favourites, along with genuinely exciting plot developments that left viewers itching for the next season to start.

Best moment: Castiel took an online doula class in preparation for Kelly going into labour, but it didn’t cover quasi-celestial beings.

Quotable: “Whenever there is a world ending crisis at hand, I know where to place my bets. It’s on you, you big beautiful lumbering piles of flannel” (Crowley)

Watch if you like: Alternate universes, self-sacrifices, Bobby

22. Don’t Call Me Shurley (Season 11, Episode 20)

This episode has shifted down the list since we last ranked it, as the plot developments of season 15 have robbed it of some of its joy, but the episode itself still stands up. It’s well known that Supernatural is often kind of a grim show, and one of the pleasures of watching it is that, however crappy your life is at that moment, it’s not as crappy as Sam and Dean’s. There are occasional moments of satisfaction (like the killing of Azazel in “All Hell Breaks Loose”) and there’s certainly plenty of humour, but real, honest to Chuck, joy? That’s rare, and the best example (Dean’s Heaven) required both main characters to be dead. So there’s something really special about this Season 11 episode, in which God finally comes back (and reveals that He has, in fact, been helping out on the odd occasion all along). The rest of the episode, in which Metatron makes the case for humankind to God, is a philosophical and meta-fictional treat as well, but it’s that conclusion that really makes it something to remember.

Best moment: Dean pulls his old amulet out of Sam’s pocket – signalling that God has returned.

Quotable: “You know what humanity’s greatest creation has been? Music. That, and nacho cheese” (Chuck)

Watch if you like: Philosophy, happy endings

21. Lebanon (Season 14, Episode 13)

Supernatural’s 100th episode (“The Point Of No Return”) was an arc-plot heavy drama; it’s 200th (‘Fan Fiction’) was a delightful and comedic take on the show. For this, the 300th episode, the series went in a different direction again, and focused on the Winchester family unit, bringing Jeffrey Dean Morgan back as John Winchester for the first time since the season 2 finale. Sam and Dean’s whole story has been driven by their broken family life, and before this the closest they’d come to being together as a family was a brief car ride with their parents’ unknowing younger selves while time travelling. Here, they get to spend some proper time together as a family, before it’s inevitably cut short – and as a bonus, we get to see Zachariah (not seen since the 100th episode) and Scary Castiel again as well.

Best moment: All four Winchesters, all alive at the same time, have dinner together. It’s lovely.

Quotable: “Now you live in a secret bunker with an angel and Lucifer’s kid” (John)

Watch if you like: Jeffrey Dean Morgan, family dinners, anniversary episodes

20. Roadkill (Season 2, Episode 16)

Many of the episodes on this list are major arc plot-related episodes, or hilariously funny format-bending episodes, or both. But it’s also worth celebrating episodes that offer just a really good Monster of the Week, and this is one of them. Supernatural was inspired early on by urban legends, and this episode is a sad, scary and effective take on a classic, the Vanishing Hitchhiker. Guest star Tricia Helfer does a great job as Molly, whose perspective we follow throughout the story, keeping her true predicament from both her and the audience until the twist ending. The episode’s conclusion was also the first time we saw a suggestion of something potentially positive waiting for human souls after death, giving all the many, many dead characters on the show a glimmer of hope.

Best moment: The reveal of Molly’s true nature isn’t really a surprise if you’ve ever read a ghost story, but it’s very well done.

Quotable: “Follow the creepy brick road” (Dean)

Watch if you like: urban legends, scary ghost stories, plot twists

19. Scoobynatural (Season 13, Episode 16)

By Season 13, inevitably some viewers had drifted away from the show, as people will when something runs as long as Supernatural has. “Scoobynatural” had a concept so enticing, it brought some of those viewers back (only out-performed in the ratings that year by the season opener). Not only was the idea of Sam and Dean in a Scooby Doo cartoon too good to miss, Supernatural also has an excellent track record in comedy episodes. These can be hit and miss on most shows, but Supernatural’s comedy misses are few and the hits are plentiful enough that six of them are on this list. Viewers trusted the show to make this work, and that trust paid off – the episode is both very funny and touching, as all the show’s best comedy episodes are.

Best moment: Sam and Dean trying to explain to the Scooby Gang that no really, ghosts are real.

Quotable: “We’ve been stopping real estate developers when we could have been hunting Dracula? Are you kidding me?! My life is meaningless!” (Fred)

Watch if you like: Scooby-Doo, crossovers

18. No Rest For The Wicked (Season 3, Episode 16)

The writers’ strike cut Season 3 short (yes, Supernatural has been going that long), which meant the planned story arc, in which Sam and Dean desperately tried to find a way to get Dean out of the deal he made with a Crossroads demon, also had to be wrapped up in fewer episodes than anticipated. The solution was truly shocking – they failed. Dean was sent to Hell and viewers were left with an image of him being tortured and screaming out Sam’s name. OK, no one really thought he was going to stay there for ever, but it was still a bold move.

Best moment: Sam joining along in a singalong to Bon Jovi’s “Wanted” with his brother, knowing they only had a few hours left.

Quotable: “Family don’t end with blood, boy” (Bobby)

Watch if you like: Dante’s Inferno, soft rock anthems

17. All Hell Breaks Loose, Parts 1&2 (Season 2, Episodes 21&22)

Like “No Rest For The Wicked,” this was a real watershed moment for the show. Sam’s death and the deal Dean makes to bring him back set in motion just about every major storyline since. But these episodes don’t make the list just for that reason. The “only one can live” set up Sam is dropped into is always an intriguing premise, and these two episodes make up a dramatic, satisfying season finale in which the bad guy of two years is dispatched, the Winchester men get some closure, and the mythology gets a bit more development.

Best moment: Sam’s first death. The regularity with which the Winchester boys die and come back to life is a long-running joke and has even been the focus of more than one episode over the years, so it’s easy to forget just what a huge, horrifying moment that first death is, back when they used to take it seriously.

Quotable: “That was for our mom, you sunnnuvabitch” (Dean, to Azazel’s dead body)

Watch if you like: The Hunger Games, Jensen Ackles emoting

16. Abandon All Hope… (Season 5, Episode 10)

Season 5 was Supernatural creator Eric Kripke’s final season as show-runner, and it was written to be the final season of the show. The story arc followed the boys’ attempts to stop the oncoming Apocalypse and recapture the Devil himself, with the stakes getting higher and higher as the season wore on. “Abandon All Hope…” is a turning point, hammering home the seriousness of the situation by killing off half the regular supporting cast, after which the story became increasingly grim until our heroes faced an impossible choice in the season finale. It’s also the episode that introduces Mark Sheppard as Crowley, King of the Crossroads Demons, who immediately cements himself as much more fun than your average demon.

Best moment: Ellen staying with a mortally injured Jo as they sacrifice themselves to save the boys.

Quotable: “Your choice. You can cling to six decades of deep-seated homophobia, or give it up and get a complete bailout for your ban’s ridiculous incompetence” (Crowley)

Watch if you like: Mark Sheppard as Crowley, tear-jerkers

15. Nightshifter (Season 2, Episode 12)

Sam and Dean spent much of the first few years of the series on the run from the law, despite having several police officers in their debt. This would continue until the police thought they were dead, only for the pair of them to turn up again, and the threat of jail time if they were ever caught and identified never quite went away. This episode, in which a shape-shifter is carrying out bank robberies, really notches up the tension as they come to the attention of the FBI in the worst possible way, as well as observing the tragedy of a well meaning civilian caught up in something he doesn’t understand.

Best moment: The brothers escape to the tune of “Renegade,” by Styx.

Quotable: “We’re not working for the Mandroid!” (Sam, to Ronald)

Watch if you like: Bonnie and Clyde, The Lone Gunmen

14. Death’s Door (Season 7, Episode 10)

The decision to kill off Bobby permanently in season 7 was controversial, to say the least, but it’s hard to deny his final episode as a living member of the team is a great one. Poor Bobby’s backstory is revealed to be even more tragic than we already knew it was, but more importantly, his bond with the boys and the reasons their relationship is so important both to them and to him are explored. It also prompts the show to explore a fairly obvious question – we’ve seen plenty of ghosts on the series whose bodies were burned, so even with hunters’ funerals, how is it we haven’t seen more beloved deceased characters return after death?

Best moment: Bobby giving his alcoholic father a proper telling off in his imagination.

Quotable: “As fate would have it, I adopted two boys, and they grew up great. They grew up heroes” (Bobby)

Watch if you like: Bobby and Rufus, daddy issues

13. Dark Side Of The Moon (Season 5, Episode 16)

The earliest episode to acknowledge how often the boys have died and come back to life, “Dark Side Of The Moon” sets its cards on the table by abruptly killing them both in the first few minutes. We finally get to see what happens when you go to Heaven in the world of Supernatural, and it’s a little weird and oddly lonely (with the exception of “soulmates”, everyone is off in their own little worlds – thankfully this is eventually rectified) but it’s a satisfying journey nonetheless. Not that Dean or Castiel would agree, as this is the episode in which they give up on searching for God, having been told He isn’t interested.

Best moment: Dean’s Heaven – playing with fireworks with Young Sam. It’s a truly joyful sequence.

Quotable: “Gentlemen, I don’t mean to be a downer, but I’m sure I’ll see you again soon” (Ash)

Watch if you like: Family drama, nihilism

12. Baby (Season 11, Episode 4)

The Supernatural team have always been clear that the Impala is the third main character on the show (sorry, Castiel) so this Season 11 episode shifts focus to tell a story entirely from the car’s point of view. No, this isn’t a Herbie or Transformers situation – rather, the entire episode is shot from inside the car. What this means for the story is that we get to see different parts of Sam and Dean’s day – while they’re off investigating, we see the Impala get taken for a joy ride by a car park attendant, and Sam and Dean’s traditional emotionally-charged conversations are given a little more space to breathe. This is how you shake a show up while keeping its unique feel after eleven years.

Best moment: All of Castiel’s hilarious phone calls.

Quotable: “Never use Swayze’s name in vain, OK? Ever” (Dean)

Watch if you like: Classic cars, Bob Seger’s “Night Moves”

11. What Is And What Should Never Be (Season 2, Episode 20)

Towards the end of season 2, as the series started to grow in confidence, Supernatural started to do slightly more experimental episodes that took us away from the straightforward “Sam and Dean hunt a monster” set-up. The first meta-fictional episode was the fun “Hollywood Babylon,” while this was an early glimpse of an alternative timeline – or, rather, an hallucination of Dean’s under the influence of a djinn. The result was a fun “what if” scenario and a lovely penultimate appearance from Adrianne Palicki as Jessica, but it culminated in a truly heart-breaking moment for Dean as he confronts everything he, Sam, and their father have had to sacrifice in their attempts to help others, and is forced to choose life at the expense of happiness.

Best moment: Dean breaks down at his father’s grave.

Quotable: “Look, whatever stupid thing you’re about to do, you’re not doing it alone. And that’s that” (Sam)

Watch if you like: Alternate timelines, wishes gone wrong

10. The French Mistake (Season 6, Episode 15)

In this episode, Sam and Dean are pulled into a parallel universe where they are the actors Jared Padalecki and Jensen Ackles, the stars of the TV show Supernatural. The story takes the highest of high concepts and makes it work beautifully, including an appearance from Padalecki’s real life wife and former co-star Genevieve Padalecki and Misha Collins sending himself up gloriously. There’s even a clip of a much younger Jensen Ackles on Days Of Our Lives thrown in. A joy from start to finish.

Best moment: Sam and Dean trying to act. They are not good at it.

Quotable: “You married fake Ruby?!” (Dean)

Watch if you like: High concept comedy, Misha Collins

9. The End (Season 5, Episode 4)

What better way to raise the stakes early in the season than to flash forward five years and reveal what the world will look like after the Apocalypse has come about? Funny and heartfelt in equal measure, this is a classic alternate timeline story with a twist. It is also a really important episode in the development of Lucifer as a character, here played with squirming intensity by Jared Padalecki, who gets to sit out most of the story while Jensen Ackles pulls double, only to come and steal the show at the end. It also features some advice from Chuck (i.e. God) to hoard toilet paper, which turned out to be remarkably prescient.

Best moment: The reveal of Hippie Future Castiel, who has taken a surprising attitude towards the end of the world.

Quotable: “When you get back there, you hoard toilet paper. You understand me? Hoard it like it’s made of gold. Cause it is” (Chuck – some people clearly took this advice too much to heart in 2020)

Watch if you like: Dystopias, toilet paper

8. Fan Fiction (Season 10, Episode 5)

The show’s 100th episode was an important moment in its then-current story arc, but it was the 200th that really celebrated in style. Watching a girls’ school put on a musical version of the Supernatural story (the Kripke years) sounds like a terrible idea but they pull it off brilliantly, making an episode that is both funny and sweet. Most of all, though, this is just a treat for long-term fans, full of call-backs, references, and in-jokes, and that finally ties up a loose end from “Dark Side Of The Moon” in an emotionally satisfying way.

Best moment: The lovely cover of “Carry On, Wayward Son” at the end of the show.

Quotable: “That is some of the worst fan fiction I ever heard!” (Marie, on hearing what happened after the end of Season 5 – a popular take on just about everything that’s happened since then in some quarters)

Watch if you like: Musicals, subtext

7. The Monster At The End Of This Book (Season 4, Episode 18)

Neither “Don’t Call Me Shurley” nor “Fan Fiction” would have been possible without the episode that introduced Chuck in the first place, though back then he was nothing more than a cowardly writer and (apparently) reluctant prophet. Supernatural had done a few meta-fictional episodes by this point but “The Monster At The End Of This Book” was the moment they took it to new places, creating the fictional Supernatural universe within the Supernatural universe and allowing the show to explore fandom, fan fiction, fan conventions and fan musicals further down the line. The whole concept is a real treat for the show’s real life fans.

Best moment: Sam and Dean discover online fandom and slash fiction.

Quotable: “They do know we’re brothers, right?!” (Dean)

Watch if you like: Fan fiction, meta fiction

6. Faith (Season 1, Episode 12)

This low-key Season 1 episode may seem like an odd choice for the sixth best episode ever out of 327. But there are two reasons for singling out “Faith” here. One is to highlight just how good Supernatural’s early ghost stories were. We could fill a whole list with classic examples of spooky tales done really well from the show’s early years (“Dead In The Water,” “Bloody Mary,” “No Exit,” “Playthings”). “Faith,” though not strictly about a ghost, centres around a faith healer’s wife controlling a reaper. But “Faith” is more than a good yarn done well. It’s also the episode that showed what the series could be, as it started to deal with the deep and complex philosophical themes the show would later explore in more obvious, explosive ways. There’s also a great guest performance from Angel: The Series’ and Dexter’s Julie Benz, and poor Dean finds himself dying from something fairly mundane – not for the last time.

Best moment: “Don’t Fear The Reaper” is put to great use here as the reaper hunts down a jogger.

Quotable: “You better take care of that car, or I swear, I’ll haunt your ass” (Dean)

Watch if you like: Theology, Blue Oyster Cult

5. Mystery Spot (Season 3, Episode 11)

The best comedy episodes of Supernatural are not only side-splittingly funny (and they are), they also have a dramatic punch, an element of real drama behind the comedy. “Mystery Spot” is based around a twist on the Groundhog Day concept, in which Sam has to relive a day on which Dean seems doomed to die over and over and over again, unable to prevent it. Dean’s many, many deaths caused by all manner of strange things (just how did he manage fatally to slip in the shower?) are very funny, but Sam’s increasing difficulty in dealing with the situation, and then his terrible three months without Dean (this was the first time that had happened since the series began) bring sincere emotions to the table as well.

Best moment: Sam working out that the Trickster is behind everything.

Quotable: “OK, look. Yesterday was Tuesday, right? But today is Tuesday too” (Sam)

Watch if you like: Groundhog Day, Final Destination

4. Pilot (Season 1, Episode 1)

Not too many shows can claim their pilot as one of their best episodes. But Supernatural’s Pilot really is a great episode of the show. It kicks off the series’ major plot arc, of course, but it also introduces the show’s humor and heart. On top of all that, the Pilot also features a classic Ghost of the Week that’s spooky and sad and ghoulish, as all good ghost stories should be.

Best moment: Our introduction to Dean’s “mullet rock” music collection, including two classics from AC/DC (“Back In Black” and “Highway To Hell,” of course).

Quotable: “We got work to do” (Sam)

Watch if you like: Mullet rock, ghost stories

3. Swan Song (Season 5, Episode 22)

The episode that would have been the series finale, if the show hadn’t been renewed and taken over (first by Sera Gamble, then Jeremy Carver, and finally Andrew Dabb and Robert Singer). “Swan Song” would have made a great finale as well – it’s thrilling, satisfying, tragic and funny all at once. The main reason it’s not higher on this list is that it is a little bit of a downer – if the series had actually ended there, there would have been a lot of Fix Fic out there online, sorting it out. Granted, that’s true of the series’ actual finale as well, but honestly, think about it, and take out the sequel hook shot of a resurrected Sam at the end of “Swan Song” which presumably wouldn’t have been there – this one is even more depressing.

Best moment: The opening narration, describing how the Impala has always been the boys’ real home.

Quotable: “Hey! Assbutt!” (Castiel, to Lucifer)

Watch if you like: Supernatural. Honestly, this one is the conclusion to five years’ story-telling – don’t start here!

2. Changing Channels (Season 5, Episode 8)

Is this the funniest comedy episode of Supernatural? It’s a tough contest, but the genital herpes commercial Sam is forced to star in might just give it the win. But “Changing Channels” is more than comedy. The reveal that the Trickster is actually the Archangel Gabriel in disguise really shouldn’t work, but somehow it does, and it brings a new dimension to the Trickster’s previous appearances (especially “Mystery Spot”) as well as a solid conclusion to this one. But really, the episode’s greatness lies in the fact that it’s just. so. funny.

Best moment: The Impala/Sam as KITT from Knight Rider.

Quotable: “Should I honk?” (Sam/the Impala)

Watch if you like: Grey’s Anatomy, CSI, Knight Rider, cheesy sitcoms, Japanese game shows, adverts for genital herpes treatments

1. Lazarus Rising (Season 4, Episode 1)

What with running for 15 years, Supernatural went through a fair few major upheavals and shifts that sent the show in a new direction, and several of them are on this list. Nothing, though, beats the appearance of real, possessing-someone-else’s-flesh-and-blood angels on the show. This was the episode that made Supernatural what it has become, for better or for worse.

But that alone isn’t the reason we’ve put it at Number 1 of 327 episodes. The episode is hugely emotionally satisfying – although Sam and Dean had both come back from the dead before by this point (Dean technically dozens of times) Dean coming back from being buried for months is undeniably huge. The series needed to show how much of a big deal this was, and they did. We immediately learn that angels are terrifying and that wherever they go, collateral damage follows (it’s easy to forget that the first thing Castiel does on this show is burn out an innocent woman’s eyes).

And then, we finally get to meet an angel face to face. Castiel, in his first appearance, is genuinely something to behold. The deep voice, before it became the subject of in jokes and deadpan comedy, was originally intended to convey gravitas and power, and it works. This is a force like nothing the boys have encountered before, and it is awesome in the classic sense of word – full of awe.

Later, of course, Castiel would become the third member of Team Free Will and one of the most important characters on the show, next only to Sam and Dean. Misha Collins has made the character funny and loveable and awkward and generally indispensable. We wouldn’t change Castiel for the world and certainly don’t mean to suggest that it’s all downhill from his first appearance. Indeed, that later legacy is part of what makes this episode so special.

But really, it’s that entrance we can’t get enough of. We get shivers every time.

Best moment: Castiel’s entrance, of course. Though the rest of the episode is very good as well.

Quotable: “I’m the one who gripped you tight and raised you from perdition” (Castiel’s first line)

Watch if you like: Castiel, angels

Honorable mentions

There were so many great episodes we didn’t have room for here – “My Bloody Valentine” (gory and funny in equal measure), “It’s A Terrible Life” (a classic Angel Shenanigans of the Week story), ‘The Born-Again Identity’ (Castiel’s return after it looked like they really had killed him off this time), “Houses Of The Holy” (the first references to angels on the show), “Everybody Hates Hitler” (a solid adventure during the course of which the boys discover the Bunker that has become their home), and “LARP And The Real Girl” (probably the best and most fun episode featuring fan favorite Charlie, played by Felicia Day) are just a few of the other greats.

Dishonorable mentions

We don’t want to spend too much time focusing on the negative, but we should probably acknowledge that, in 327 episodes, the show has occasionally got it wrong. Generally speaking, any time the show decides to feature dogs (the domesticated variety, not werewolves) the results tend to be less than excellent – “Man’s Best Friend With Benefits” is a real low point, and while many fans love “Dog Dean Afternoon,” we find it cringe-worthy. “Bugs” and “Route 666” (the one about the racist truck) are the two most often picked on by the writers themselves as examples of terrible episodes, though since both are from Season 1, they’ve long receded into most viewers’ long-term memories.

And of course, there’s “Carry On.” For every fan who found it a flawed but satisfying ending, there’s another who ranks it somewhere up there with Game Of Thrones’ and How I Met Your Mother’s finales in the All Time Terrible Series Finales Hall of Fame. There were too many people missing (largely the fault of COVID-19, but that doesn’t really help), especially Castiel and Eileen, whose absences were palpably felt. To leave Misha Collins and Castiel out all together after years of him sharing show-leading duties with Padalecki and Ackles seems very wrong, and many fans were disappointed that we never really see Dean react to Cas’s confession of love for him in ‘Despair’. Dean’s abrupt death felt anti-climactic to many, and the fact he was robbed of the chance to live a life free of Chuck was frustrating. And on top of all that, Sam’s grey-haired wig really was quite terrible. So all in all, while we would still say that for us it felt like a fairly well played conclusion to the story, we can understand that for many, it belongs at the top of the list of Dishonorable Mentions.

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lainahastoomuchsparetime · 4 years

Text

So that’s what I’m gonna do.

Let’s get the Night Vale presents stuff out of the way because I think those are the most well-known things, and, while good podcasts, probably the least interesting for a rec list.

Welcome to Night Vale is probably the podcast that got a ton of people, including myself, into podcasts in the first place. If you don’t know, WTNV is a fictional radio show about a little desert town and the strange things that happen it. It’s super queer, quirky, and has some really good creepy moments. Librarians scare me because of this show.

I don’t really keep caught-up on this, but I do listen to a bunch at once every so often and catch up. With 154 episodes, a couple bonus episodes, and a bunch of live-shows, you’ve got a lot of backlog to keep you busy. Start at the beginning, though.

Alice Isn’t Dead is a horror podcast about a woman who sees her supposedly dead wife on a news broadcast and sets off to try and find her. And it only gets weirder from there. This series has an episode that has creeped me out more than anything else I’ve probably ever listened to. There are three seasons with ten episodes each, plus some bonus episodes. The series has been completed.

Within the Wires is a dystopian science fiction series about a strange alternate reality world. Season One is told through a series of relaxation tapes. Season Two is a set of art museum tour tapes. Season Three is a collected group of audio notations from a man to his secretary.

I’m a pretty big fan of this one, honestly. I don’t love the second season, but it’s still very solid and the third is super interesting. This is a very strange world, and I really like it.

Each season tells a separate story, but they do all take place in the same world. Very queer, as expected from Night Vale Presents, honestly, with a neat bonus being season 3 being narrated by a trans narrator. Ten episodes each season, and season four started September 2019.

Let’s talk about some of my other favourite things!

The Black Tapes was one of the first non-Night Vale podcasts I listened to and it’s still one of my favourites. Funny story, I thought this was going to be a non-fiction podcast. I mixed it up in my head with… Lore! It was totally Lore. Oh, I forgot I listened to a bit of that. So, in my head, this become a non-fiction podcast about urban lengends the way Lore is non-fiction about scary stories/historical events/whatever Lore’s deal is, I didn’t actually listen to that much of it.

And, boy, was I confused after the first episode. Or two. Eventually I realized this is a fiction horror podcast about journalist Alex Reagan’s research into Dr. Richard Strand’s work debunking paranormal activity – specifically the cases he has not been able to debunk. (Strand is basically a fictional version of James Randi, who’s an interesting dude.)

It begins as kind of a Monster of the Week story, but eventually expands from that into bigger arcs in a very natural way. It’s one that manages to balance telling the story without losing sight of where they started out. The third season is a little underwhelming, which sucks as it’s currently also the last season, but I suspect they might be working on things behind the scenes. There’s rumours about NBC working on a TV series, and also rumours about a fourth season. I would support that. It’s one of my favourites.

There’s also a series that takes place in the same universe called TANIS, and I think RABBITS is in the same universe too, but I wasn’t really super into either of those. This, however, is a big favourite.

The Bright Sessions is a science fiction podcast about therapy for people with psychic powers, or as the podcasts says, the strange and unusual. I am also strange and unusual, so I liked this. This is a very positive podcast. It does go a whole lot into a strange world and has some really exciting plotpoints, but a lot of it is just about healing and growth. It made my heart do things a bunch. Not a scary one.

Relevant to my book people, there is a YA book featuring two of the characters coming out (whenever) and I have an eARC of it so you might be seeing a review of that soon. Hopefully.

This also has a ton of queer rep, including an explictly ace character. It also has a musical episode. Yes, that’s as cool as it sounds. There are 64 episodes, plus a bunch of bonus episodes. There’s also a spin-off series but it’s behind a paywall so I haven’t checked it out. This is a satisfying complete series without it.

ars PARADOXICA is a science fiction podcast about Sally Grissom, a physicist who accidentally invents time travel and sends herself back to 1943. And then it gets really weird. If you really like science fiction, this is the one I’d recommend the most. It’s very important to listen to this one in order, as it’s very plot heavy.

This is also way more queer than you’d expect a podcast set in the 40s to be. Sally is explictly asexual and heavily aro-coded, and there are several other major queer characters. Honestly this just has decent representation in general, and most of it is handled in a very sensitive way. A lot of things like racism or antisemitism aren’t just brushed aside as being “Well, it’s the 40s”.

Partway through this, there is a plot involving gun violence. The creators talk about their decision whether to include it or not, and they begin to give content warnings before each episode when needed. I really appreciated that.

This series is complete at thirty-six episodes, with a couple bonus episodes. There’s also a crossover episode between this and the Bright Sessions.

Now, if you’ve never listened to a podcast before and you’re a little intimidated by the idea of getting into something really long and involved, I’d recommend this next podcast.

The Message is basically a mini-series. It’s a science-fiction podcast that, and no one is going to get this reference, kind of reminded me of the movie Scooby-Doo and the Alien Invasion. My brain makes weird leaps sometimes. We all kind of just need to run with it.

Produced by GE, it tells the story of a college student making a podcast following the team tasked with decoding a message sent to earth by aliens seventy years ago. There are only 8 episodes, and most of them are only about 10 minutes, so this is a very good beginner podcast.

Not a super queer podcast, but there is a nonbinary character among the main cast.

I also listened to GE’s second podcast, Life-After, but I wasn’t as big a fan of that. The two are not related storywise.

The Far Meridian is another one I think is pretty approachable for beginners. The episodes tend to be under twenty minutes. And this one is more of a fantasy podcast than science-fiction like a lot of the others have been. I would almost say this has a bit of a magical realism theme, and the writer has talked about being influenced by that genre.

The main character of this, Peri, is an agrophobe who wakes up one morning to find her lighthouse has begun traveling the world. Over the course of the show, you begin to realize how weird the world she’s exploring actually is. The second season especially does some things I personally found super creepy, and I loved it.

It deals with a lot of trauma and anxiety, especially in the second season, but it’s handled so well. They end every episode with “May you always find your way”, and I find that really fitting and also comforting. It’s not a fake Instagram type of positivity. It feels hopeful.

Peri is a Latina woman and I believe most of the cast are people of colour. Peri is also queer, but generally does not want labels put on her yet. She’s okay not knowing. This, also, happens in a scene where another character defines her own bisexuality as being attracted to “cool girls and people who don’t really subscribe to that whole gender thing” which is great.

Overall, I’m a big fan of this one and I can’t wait for the third season in January 2020. Oh, hey, pro-tip: The Google Play feed for this doesn’t have the full second season for some reason, so you have to switch to iTunes or Spotify for the rest of it if you listen to your podcasts there.

Now this one I just finished listening to!

The Bridge is a science fiction podcast set in an alternate-world 2016 where a giant bridge (shocker) has been built across the Atlantic Ocean, taking place within one of the watchtowers on said giant bridge, which has been mostly abandoned and left to rot by the mainland.

Okay don’t make fun of me, but I’m kind of a new introductee to the idea of Lovecraftian lore/mythology? For some reason I kind of missed that whole thing until pretty recently. I only got semi-familiar with it because a Let’s Player I watch played a Cthulhu game, and then a youtube channel that talks about book adaptations I also watch did an episode about one of Lovecraft’s books.

So I’m gonna say this is kind of based on Lovecraftian stuff, but I don’t know enough to say if it’s inspired by it, or actually based on a specific work, but it has that kind of feel. The world in this is really interesting, with things like haunted houses and possessed puppets. They also do a great job with world-building of the way things were back in the heyday of the bridge.

One of the main characters, Bertie, is canonically queer, and talks about his fiance who passed away, and others have been confirmed queer by word of God, but I can’t find said word of God, so I don’t know who they mean and therefore can’t really talk about that. There’s been basically no focus on romance, though, so it not coming up hasn’t felt unnatural.

This has 14 episodes and a bunch of mini-episodes, and while there hasn’t been an update since October 2018, their twitter leads me to be it will be soon. I really like the world of this one, and can’t wait for there to be more.

Parts of it actually reminded me of:

Girl in Space, which is a science fiction podcast about a girl (duh) in space (duh) with only an artificial intelligence system, various birds, and a goat to keep her company… until she sees something on the horizon.

This is still a baby podcast, with only one season (the last episode of which I still need to listen to) but it’s interesting. There’s some things they’re hinting at that I am super excited about seeing explored in season two, and the worldbuilding is really fun. The sun is probably alive, y’all. And I mean, like, it might be sentient.

I have a couple of minor gripes with a similar thing to the Bridge, where characters have only been said to be queer outside of the actual show, but if the words “Cheese is delicious science” appeal to you, check this one out.

And speaking of mixed feelings:

The Box! The Box is a horror podcast about a college drop-out that finds a strange box (again, shocker) in the bookstore she works in, her discovery that it’s full of strange journals, and her search to uncover the truth about them.

There’s a lot I actually like in this. When I started listening to it, I was really missing the Black Tapes and they have the same sort of feeling at the beginning. I like this kind of podcast where a narrator tells you a story every episode, and then the world builds on top of that. It’s not everyone’s thing, but I’m into it. It’s a good premise, and for quite some time into the show, I enjoyed it.

And then it gets weird. And obviously it starts weird, most of these podcasts get weird at one point, but it starts to be strange in a way that I wasn’t enjoying. I started to find it more silly than scary.

There’s also a romance that I found dull as doorknobs, and there’s a thing that I would like to complain about, but I can’t confirm it exactly, and there are not transcripts so I can’t check something without re-listening to the whole podcast. As there are forty episodes and bonus episodes, I’m not about to just jump into that. So I’ll just complain about a lack of transcripts instead.

The Box also has times where the sound design is just terrible. There’s one episode where, in-world, it’s being recorded on a broken recorder, parts of it from another room. And, yes, it makes sense in-world. But to actually listen to it, I had it on full blast as high as I could and I still could barely hear it and missed a lot of the episode. And, again, no transcripts to read with it. And my hearing is okay. If you have any kind of auditory processing issues, that episode basically just says “screw you”.

However, I do like how they work social topics into the stories. At times it can be a bit clumsy, but I give them kudos for trying, at least. There’s an episode that includes real-life audio from something related to a real death of a black person by police brutality. I believe it’s in the episode Strange Fruit but I don’t remember and again, no transcripts. I find this especially frustrating when it comes to potentially triggering material.

This one’s currently on hiatus and I’ll probably check it out whenever it returns (it’s a show prone to long hiatus), but I wouldn’t recommend it unhesitantly. It does a lot of things I like, but I definitely have mixed feelings overall.

Palimpsest is another horror podcast. It tells a new, standalone story each season, with all their stories relating to memory and things that haunt us. I liked both, but especially the second season.

Season one is about loss and memory and forgiveness, and what it means to be haunted by something. It’s largely about the relationship between the MC and her sister and the romance is very minimal, but there’s some (what I call) incidental queerness. It’s not in a way like a Night Vale Presents thing is, or the Bright Sessions, or something like that, but it’s nice not to have it ignored.

GIANT trigger warning for gun violence and child death. Also, there’s thing on-going theme about the creepy sound of a wooden swing in the backyard and, as I was listening to this when I went for walks, I realized I walk past three different wooden swings.

Season two is set in the late 19th or early 20th century or so, and is based in Irish fae mythology which is totally up my alley. This is also the series where the idea of immigrants and people being raised by immigrants having accents confused someone so much I almost didn’t listen to it based on their review. I’m not salty about that, obviously.

Season two is also really freaking queer. Overall this isn’t a really scary horror podcast – it’s more eerie and a little sad. And eerie and a little sad is my favourite mood for ghost stories. My only real complaint is this also doesn’t have transcripts available.

Spines is a pretty recent listen for me, one I really enjoyed. This is kind of like a mash up of all the things I liked about The Box and Darkest Night and Archive 81 without any of the things I didn’t like in any of those. It’s definitely horror, with some body horror elements, and some… is tasteful gore a thing? Body horror and gore elements are used very tastefully and sparingly, and to great effect.

It’s the story of Wren, who wakes up in an attic covered in blood, with no memory at all, and some weird cult ritual surrounding her. She runs, and starts the podcast in an attempt to find her friends, who she’s sure were in the attic with her, and her other half, Zachary, the only name she can remember.

It’s weird but good weird. Solid world-building and really good character building. There’s a particular message that I appreciated that being someone’s “soulmate” didn’t mean you didn’t have a choice in whether or not you wanted to be romantically or sexually involved with them. It’s subtle but again well-handled.

Also, Wren is queer and this is really trans inclusive. There are several times where the show goes against the usual cisnormative thing most media would say in a similar situation, which honestly makes sense as it’s written by a trans writer. There’s also a very significant canonically intersex and nonbinary character, voiced by the writer of the show.

This is a creepy, weird little podcast that made my heart very happy. It’s complete at three seasons of eight episodes each and honestly quite underrated. Big recommend.

Finally, let’s talk about my favourite podcast.

I recently learned that the term “weird fiction” exists as a genre label. Mabel is very much weird fiction. In Mabel, Anna Limon begins a new job as a home health caretaker to an elderly woman named Sally. The house is… strange, and Sally is strange, and Anna probably shouldn’t look too deeply at any of that, but of course she does.

It is a horror podcast with deep folklore/mythology roots, possibly also somewhat Celtic/fae based, but it’s such a blend of things that I can’t draw any hard lines of things I specifically recognize besides one or two things, and that makes it so unique.

Listen to Mabel in the fall. Listen to Mabel when it might rain, when it’s a little windy, when the leaves are crunchy under your feet. When the air smells just a little like decay. Or, you know, whenever, because it’s great, but it is an amazing fall podcast. It’s also super queer, fyi.

Mabel has forty seasons currently, with I think five seasons? There is also a five-part bonus series. It’s really cool. If you don’t listen to anything else I recommend, listen to this.

I also listened to Limetown but I feel like everyone’s heard of that one, and I’m currently listening to Ghosts in the Burbs which so far is kind of interesting, but I’m only like two episodes in.

Alright! Have you listened to any of these? What did you think? What podcasts would you recommend for me? Did you enjoy this post at all? Comment and let me know!

Peace and cookies, Laina

I kinda just wanna talk about podcasts So that's what I'm gonna do. Let's get the Night Vale presents stuff out of the way because I think those are the most well-known things, and, while good podcasts, probably the least interesting for a rec list.

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mejomonster · 5 years

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ok so i love how zhao yunlan is like “hey look at all these old books, all for u” and then goes “oh my grandfather can rest in peace now” ripping off the girl who sold the book to him’s lines

and shen wei just going “ah well how interesting ur grandfather is a student, also I am the one who DONATED these books to the library like a week ago, look i wrote a mark in all of them” and just staring zhao down, looking through the lies without even trying

and damn cat saying earlier, “man you really want to ‘buy’ him huh”

also, when shen wei really pointedly is like “do NOT go up to the northwestern mountain this week while i’m doing a professor trip up there. no matter what, do NOT” and just as soon as shen wei’s on the road, up the mountain, his car broke down, guess who should arrive? Zhao Yunlan and his whole crew, stopping to FIX his car, then Zhao just using his charisma +60 points to subtly pry information from the students, which Shen Wei is at least impressed enough about to be like “okay bro, ya got me, that was smooth, getting info from them when u knew i wouldn’t reveal a sliver” but then Zhao’s like “WELL IT SURE IS DANGEROUS, LETS GO THE REST OF THE WAY TOGETHER, I’M DRIVING YOUR CAR PROFESSOR. WHAT ARE YOU WAITING FOR PROFESSOR SHEN, GET IN THE CAR :D”

Zhao is not actually the strongest of the two of them, regardless of how much he realizes that yet, but wow does he just shove his way closer into Shen Wei’s life by trying to hide behind excuses of chivalry.

bonus to the scene where they’re in the woods, and the one guys like “was that a ghost soldier?” and Zhao is clearly catching a cold or Something, but he’s still like “Shen Wei. Wear my jacket. I don’t want you to get a cold. No, really, put it on. Fine I’ll put it on you myself. There, now I’ll finally stop pushing the issue uvu.” And then like, the whole rest of the mountain trip, Shen Wei just... keeps wearing and putting on Zhao’s coat. It’s his coat now.

It’s not like Zhao wouldn’t be the type to start ranting and re-pushing the issue if Shen Wei just tried to turn it back down later...

It’s cute as all get out when Shen Wei tries to sneak out after the trio who go to find Wang Zheng, and Zhu Hong intercepts him trying to leave RIGHT after he yanks on Zhao’s jacket to bail out.

Also every scene where Zhu Hong gets clearly jealous and suspicious of Shen Wei and is like “our boss is a cold hearted player, I’VE NEVER seen him genuinely this sweet on ANYONE” and she’s like “speaking of banes of my existence,” and just GLARES at Shen Wei. And all the scenes where Da Qing and Lin Jing and Guo all have to hear her doing this, and end up gossiping? Doesn’t feel like subtext so much as just actual text, that she likes Zhao a little, and we’re clearly supposed to assume Zhao likes Shen Wei A TON.

i’m also... not sure why i had heard people say the side characters weren’t written or developed too well in the show...? Maybe in the novel version they get a lot more attention? (Which i assume is true for the whole story in general.) Because... I feel like so far, all the characters have been getting at least as much development as like... Angel the Series, or Xena Warrior Princess, or The X Files, ever happened to focus on side recurring character growth or moments. Like... I can definitely see that we’re learning more about these characters over time. Guo and Chu in particular we see actually changing, and Wang Zheng and Lin Jing got their own kind of episodes to get focused on a bit. And the other recurring characters at least, we’ve been learning more pieces about them each episode...

I really happen to like the pacing so far... it’s very “here’s A plot focused on the special investigation(s), here’s B plot that’s more character journey driven, and occasionally here’s bits of Main Villain/Main Arc buildup throughout.” Which is a lot like any typical case-of-the-week series that also weaves in a main plot arc (like Buffy, Angel, How to Get Away with Murder, Person of Interest, etc). Yeah... some episodes it feels like less busy things are happening, whereas like Wang Zheng’s focused episodes feel like they’re like 5 minutes when you watch them, the pacing is so much tighter in them (to me). I feel like, very similar to person of interest, the show is trying to parallel and highlight aspects of the main story/main character arcs USING the cases of the week, so even A plot revolved around characters-of-the-week/case-of-the-week don’t feel unnecessary or like they take away from other things too much.

#guardian lb #..anyway thats just... my opinion on the pacing...#its EASIER for me to get through than Angel #and i get to learn more about some of the side characters A LOT faster than Angel in my opinion #and for a show with only 40 episodes i think it does pretty great at keeping things going forward #and if i sat through angel i can Definitely sit through this #i like this show... a lot

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talietikasero · 3 years

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I went in aware of the (possible) retcons and shit but I watched the whole thing anyway. It’s some ungodly hour way past when I should’ve slept and here’s what I thought. I’m trying to be fair here when I give GG Strive’s story a 6.8/10

Visuals: This game is beautiful. 12/10

Voice cast: I enjoyed the dub. Not as much of a corny anime dub like Sign was, but the returning cast improved from that game -- or at least I thought so. 8.75/10

Soundtrack: One word: Incredible. The duo of Naoki and Aisha on vocals for all character themes -- ok they're only a duet on Ramlethal's [Necessary Discrepancy] but you know what I meant -- was a perfect choice. My favorite themes from when I played the second open beta back in mid-May were Giovanna's [Trigger] and Potemkin's [Armor-Clad Faith], but Leo's [Hellfire] really grew on me the most. 15/10

Game itself: Arcade mode was a fun challenge because I’m an idiot who did all 15 but I got really tired of fighting Nago over and over again. I’m not that great so I’m not worrying about getting the “Messiah Will Not Come” trophy where you fight him but he’s got an infinite blood gauge. Survival gives a good chunk of the lifebar back without making it too easy -- and the “mysterious challenger” at stage 10 being a shadowy Sol with neon red was an okay way to signal a checkpoint. 9/10 I’m not doing online any time soon because I don’t have a wired connection but I hear it’s ass and the tower placement is a complete lie.

Anywho, now on to the real post:

For a finale, the story was... slightly below average. But I’ll be honest here, I kinda had high expectations because of the hype from the past two (?) years, five if you count the total time between Rev2 and Strive's release dates.

The last time I was this critical of a sequel’s story was the gap between Borderlands 2 and 3, which was seven years. I'm going off on a tangent here but I'll sum it up so if you're not familiar with Borderlands you'll have an idea of what I'm taking about. In Borderlands: the Pre-Sequel, the Watcher (Eridian? that saved Athena from execution after telling Lilith and company of her adventures on Elpis with Nisha, Wilhelm, Timothy, Aurelia, and Claptrap) warned "Now's not the time for bickering, Vault Hunters. War is coming, and you will need all the Vault Hunters you can get". BL3 rolls around and there was no big war. Instead, we got a poorly delivered dumpster fire of a main campaign that spanned five planets and the main villains were some bratty livestreamer Sirens that run a planet wide cult. Seriously? The cast was poorly handled there too but I'll stop here.

In the case of comparison to another fighting game’s story, the game that comes to mind is Tekken 7 because if they aren’t a Mishima or Kazama or someone else in that fucked up family that’s plot relevant, they were given a shitty one-fight episode. Sure Nina and Claudio were in the main story mode but that's the thing: they were just there. The returning (dlc) series veterans, such as Anna, Lei, Marduk, and all the way to Zafina plus the newcomers Leroy, Lidia, Fahkumram, and Kunimitsu II weren't given much aside from a brief story snippet. Dare I say it but SFV did their new seasons newcomers and returning fighters justice as they all got episodes of their own. You read that right. Street Fighter V was better to its cast than Tekken 7 and Guilty Gear -Strive-.

Unlike the Xrd games, watching the story does not get you any money. The only difference I saw right after was that the Strive correlation chart updated. For what it’s worth, they could’ve done something like DBFZ’s story clearance unlocking a new character, or do an alternate costume where the outfit Frederick wears in the ending (and upon further inspection is the very same one he wore in the flashback) is useable in fights (it’d be hilarious but a good detail added in if you were to select that option but the name plate doesn’t display “Sol” lmao). If Ky has a palette that puts him in an open button white shirt, jeans, and what look like work boots, then let me play in the ending's lab coat, tanktop, and jeans dammit.

I kept track of how many of the playable cast showed up and played some part. Everyone except Ramlethal, May, and Faust appeared in the story -- these three were reduced to credit image cameos >:( Ram’s seen with Elphelt and Sin, while Ky and Dizzy are in the background. May’s with her crew, and Faust is in the desert somewhere or some shit with Chronus.

But even if they did show up, nobody else except like five people did jack shit. Giovanna, bless her heart, was absent for a long period then showed up to fight Nagoriyuki (who eventually sided with the good guys) but got her ass beat after he faked surrender. Potemkin helped but spent most of his time cruising at high speed trying to get to the White House. Ky and Jack-O didn’t arrive until the end either. Axl -- or should I say Will -- finally got to see Megumi again at the cost of I-No’s defeat. The dude got his girlfriend back at the loss of someone he considered a friend but the delivery felt forced as it was confirmed as she was dying -- wasn't part of her character that she has no recollection of a past? Her suddenly remembering a past boyfriend and being able to describe his appearance didn't really make much sense.

Chipp and Anji were in that comical highway chase scene, but then Anji's just wherever while Chipp's in the Pentagon control room. I get that someone had to stay behind and watch from the other side -- this role landing with Leo as he, Millia, and Zato were overseeing commentating on events from the castle’s war room like Brock and Misty during Ash's battles in the OG season of the Pokemon anime, while Daryl was at the G4 conference and Ky was on his way to the fight -- but the pacing and usage of the cast in this story was a mess. Yeah sure it has most of the GG cast in this installment's playable roster present but it didn't feel like a GG story -- really it felt like the live action Resident Evil movies where the source material's characters are sprinkled in, acting more as a "here ya go they're here don't expect much!" type thing.

Honestly, a step down from Rev because at least everyone in that arc were somewhat present with maybe one or two exceptions? Hell, even though they were added as dlc or in Rev2, Dizzy, Haehyun, Baiken, and Answer were in the main story. Being hopeful here when I say that I hope we see more of Goldlewis or get to play as him because his design is badass and so is his coffin flail weapon. On the side of fairness though, I have a feeling this isn’t exactly what Ishiwatari intended (this is unlikely but it's probably Katano's directing? Whatever in any case)? The general reaction I saw from others who’ve watched the story was that the subplots were half baked and the plot as a whole was pretty rushed. Happy Chaos / the Original as the main villain was Calypso Twins from Borderlands 3 level cringe and every time HC appeared on screen I wanted to mute it. There is the bonus story coming later this year, along with the dlc slots, so ehh? The interactions between Colin and Frederick were one of my personal favorite points even if this did turn into “Neon Genesis White House Down”.

“Brown bears don’t give birth to pandas.“

I’m sure like the others who actually paid attention to the story from the end of Xrd to Strive, my main question was this:

After the Justice / Jack-O fusion -- recall the “newly revived” Aria had purely red hair and Jack-O’s halo disappeared. During the mid-credits of Revelator, former friends turned sworn enemies turned frenemies Asuka and Frederick pretty much have one last declaration of war against each other, with Sin, I-No, and Raven as their witnesses -- Asuka even said “take good care of Aria”. Naturally from all of that, she’s not Jack-O anymore, right? Wrong. According to the game, what's inside of Jack-O is only a fragment / shard of Aria mixed in with Jack-O's projected personality (I think). How did they go from "let's do the fusion and guaranteed she'll return" to "yeah nah she ain't comin' back bro"

Xrd Revelator: "Pull this off successfully and Aria will fully revive as a human."

Strive: "Nah bruh. We lied. It just turned Jack-O human and what's inside her is only an unstable shard of Aria -- not the whole thing."

Back to the “final battle”, they don’t fight, rather Asuka removed the Flame of Corruption from Frederick's body (and somehow he got a haircut too). So really what was the fight in Rev2′s [After Story - A] for? Did he get nearly the life beaten out of him from Ky fighting dirty and left that crater in the park for nothing? Seems that way. Asuka lives on the moon and he's got a radio show now because (*bong rip*) that makes sense.

I’ll admit it’s a little cute that the feelings are mutual between Jack-O and Frederick -- he sees her as herself and not just a genetic copy but they expect us to think in the three weeks they've known each other that "oh shit I'm in love with this person" is believable -- and they live in the woods near a presumably 200+ year old space shuttle complete with the launchpad but come on now. That's some Russo Brothers level writing right there -- y'all remember Avengers: Endgame and how when he went across space and time to return the Infinity Stones, Steve Rogers threw everything away just so he could go back to his original era? The now depowered-so-he's-human-again Frederick Bulsara (the ex-gear and world's savior x times over formerly known as Sol Badguy) living in isolation away from his newfound family and friends gives off the same vibe. Especially after that one and only flashback where it's Aria's birthday and he was going to propose but the ring wasn't ready in time so he had that "error" to show instead.

#guilty gear strive #gg strive #don't mind me i'm just being really nitpicky #this isn't the first time i've been down about a sequel's story #and it won't be the last #hell even if it's dated because two seasons worth of cast have been released since then sfv's story was more enjoyable! imagine that #i was writing a fic that i set before strive but now i'm gonna go back and add in some stuff #mostly that flashback because it was cute yet sad

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vampirebiter · 4 years

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Hey what’s mdzs?

thank u for giving me an excuse to rewrite my big post i did a few weeks ago and im sorry for writing an essay for a 3 word ask

its kinda a romance/supernatural/mystery/horror/drama/kinda tragedy story?

13 years (or 16 if its the drama) before the start of the story one of the main characters, wei wuxian, died after getting real into necromancy and pissing off everyone in charge. he’s brought back from the dead and the story covers what happened leading up to him becoming the most hated man in the world and after he comes back it follows a supernatural/political mystery type thing. it also shows his romance (or ““friendship”” if its the drama (still called soulmates though)) with the second protagonist lan zhan.

There’s the book which is 113 chapters long with 13 bonus chapters. This is what all the other versions are based on. It does have wei wuxian and lan zhan in a romantic relationship but the relationship is not very well written most of the time imo. It has good scenes here and there that i really love but it’s bl written by a straight woman who is very obviously homophobic and fetishy at best and at worst writing weird rape porn (seriously if you read the book do Not read the incense burner bonus chapters. The chapter between them, villainous friends, is perfectly fine but those two are so bad they literally almost made me stop liking any version of this story). The main story itself also has some consent issues with the romance every now and then and those scenes suck but i like the scenes that dont suck enough for it to kinda balance out. Not to make it sound like it’s okay that its written that way because like. It isn’t. I can just put up with it for the most part.

I like the way the book has some of the story elements better than the other versions I’ve gone through so far but it has the issues with the romance like i said and the translation isn’t very good so it made it kinda a weird read for me. Overall i did like the book and will probably read it again eventually but it does have a lot of problems.

There’s also an animated version (also officially on youtube), a comic (both of which are still ongoing), and two audio dramas (one in chinese and one in japanese which i think hasnt actually come out yet or just started coming out?). I haven’t finished any of these versions yet but I’ve gone through some.

I’ve watched about 7 episodes of the animated version and tbh i dont really like it so far. I don’t like the art style, there’s been a handful of changes to the story that i just kinda don’t like very much and the characterization of pretty much everyone just feels kinda weird. To me it really feels like one of those shows with a target audience of 14 year old girls so if that is the case the fact that im a 20 year old gay man might have something to do with why it’s not really my thing. It’s not the worst show i’ve ever seen and it does seem like it’s mostly sticking to the book so far though.

I’m barely into the comic but it’s fine so far. It seems like it’s going to follow the book pretty well and I’ll probably keep reading it. I like it’s art better than the animated one at least and so far it hasn’t changed any of the things that other versions have that i preferred in the book.

I know nothing about the audio dramas but they’re out there and you can probably find them with subtitles on youtube or something.

The drama (also officially on netflix and youtube)has a different name (the untamed) and diverges from the original story kinda a lot and doesn’t have the relationship be explicitly romantic but it’s still very gay and is still very much a romance imo. Tbh i actually think it handles some parts of their relationship better than the book since it doesn’t have the bl tropes or consent issues in the way.

There’s a decent amount of structure and plot changes between the book and show, most noticeably a whole new storyline revolving around the wen clan and the yin iron, changing who invented demonic cultivation from wei wuxian to a show only character, and general changes with him being morally gray and a necromancer because of censorship issues. It also changes the order things happen in sometimes or has characters that weren’t involved in something be involved for some reason. Oh also if you do watch it as a first just know that the whole dumb second flutist thing is show only and it sucks lmao. Most of the changes are perfectly fine tbh they’re pretty much just to streamline the story or for censorship so i understand why most of them are there even if a handful of them i don’t like.

It’s also got two spin off movies, the living dead and fatal journey. Living dead wasn’t very good tbh it kinda just felt like a rehash of an arc we’ve already seen but worse and not focusing on characters you actually know and care about. Points for giving the villain guy really good eyeshadow at the end tho. Fatal journey was pretty good though. I liked it.

#sorry for weird capitalization i wrote it in a google doc and cant be fucked to type right or go back and change everything to be how i actu #so you get this mess #replies #johnny.txt #Anonymous

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techpriestanon-blog · 7 years

Text

Okay so I don’t know why I was suddenly thinking about this in the shower today, but you know what grinds my gears? Peripheral mystery plots in non-mystery shows. Handled right, they’re a neat exploration into an unknown element. Handled incorrectly, they’re a pulsating tumor hanging off the plot and making you wonder why the hell they bothered introducing it in the first place.

I enjoyed shows like Hyouka and Ghost Story because, honestly, I enjoy mysteries. Never been much good at solving them, but watching someone else do it has always been really fun for me. (Side note: I think I’m bad at them because I lack the lateral thinking ability required to make the evidence jumps. Or maybe people are just bad at writing them sometimes, because I can more or less first-try most Phoenix Wright cases).

I’m going to pick on Attack on Titan even though I’m not a fan of the show, haven’t read the manga, and only watched like six episodes of season 1, because I still think the way they handled the mystery of what Titans are and how they work really poorly. Feel free to blow up my inbox and inform me of what an idiotic plebian I am for not worshiping at the feet of our giant naked cannibal overlords.

See, they establish really quickly that Eren’s dad did . . . something to him involving a needle, and one of the driving motivations in the early arc (beyond Eren’s near-suicidal need to kill every single Titan he lays eyes on) is getting back to his hometown to find out what dad was keeping in his creepy medical basement. Then we get sidetracked by a million years of basic training and character development. Okay, sure. Then we get sidetracked by ten million years of retaking Trost. Alright, sure, Girl Genius took five years to recount the events of about two in-universe days. Then Eren turns into a Titan.

What.

Honestly, if they’d just said “oh, yeah, sometimes people do that” I probably would have accepted it. Special powers in anime is nothing new, and the main character having special powers in anime is about as old as the art form itself. But no, they tied it to Daddy Yeager’s creepy needle thing, so now that secret is probably locked in a basement accidentally buried by giant naked cannibals, too.

Then other people start doing it, too, but they’re evil and work for a doomsday cult. Because apparently every near- and post-apocalyptic setting has a bunch of people crazy/stupid enough to consider suicide on a racial scale to be a good idea. So maybe the whole “I can turn into a giant, intelligent naked man” power isn’t locked up in Daddy Yeager’s murder basement?

Who knows. I don’t think they ever explained why, and I think the little explanation they’ve given literally was “yeah, sometimes people do that,” but still seemed like it was implying that there was something deeper and darker to it than that.

I guess between this and the fact that it’s just too grim kinda turned me off of the series.

Infinite Stratos can also get raked over the coals for this (and many other things). I’ll admit that, years ago, I was actually something of a fan. Dug up the light novel translations and read as far as they had (which was right when things got irritating, oddly enough), watched the anime, whole nine yards. Never read the manga, though, so I guess you can still crucify me for that.

But after spending most of the series as your average “harem comedy with a certain schtick to flavor the extra non-harem-related bits” they abruptly introduce this whole huge evil organization with nebulous goals fielding some kind of opposite-sex clone of the main character. Or possibly just a younger clone of his older sister, established to be the baddest ass of all the badasses in the world. What are their goals? Who knows! What do they do? Steal ISs to advance their goals! Lose their experimental ISs in largely pointless attacks against the main characters. Vanish into thin air to do it all again next week on another continent.

The biggest mystery in the first season of the anime was “what the hell was like, half of episode 12 supposed to be?” Because NGE did the whole “self-reflection with the soul of the robot” thing, but at least had the excuse of the robot being a biomechanical alien cyborg powered by the soul of Shinji’s dead mother. But the ISs haven’t been established to be alive, or even self-aware. Self-modifying, sure, but that was shown to be a chunk of adaptive coding and some very complicated hardware. Then it never comes up again.

The biggest mystery of season 2 is “who are these people and what do they want?” This is not answered, or even really addressed. They just show up, wreck shit, get their shit wrecked, and vanish. I guess the other mystery is “who the hell let the guys who made the Rosario+Vampire anime in here?” but that’s a different bag of fleas altogether.

As much as I enjoy Neon Genesis Evangelion, it can get lumped in here, too. So many questions are raised about the nature of the Evas, the nature of the Angels, the nature of the Human Instrumentality Project that it begins to feel like A Series of Unfortunate Events, or a poorly-knit sweater of dangling plot threads. And the worst part is that I’ve been part of the fandom for years. I’ve watched the show, I’ve watched the Rebuild movies. Never got around to digging up End of Eva, but I’ve read enough about it that I don’t really think I have to at this point. But the worst part of it is that, even with all of the published material, all of the bonus content, all of that -- we still don’t have a concrete idea of wtf any of it actually means. Fans have assembled good enough guesses to write internally-consistent fanfiction of it, but interpretations differ between authors and any attempts to get the Anno to actually explain this shit mostly results in him waving Death of the Author in the interviewer’s face.

Which is, y’know, kind of irritating. Postmodernism has never really been my thing, and so the idea that the intentions of the author are irrelevant compared to what interpretations can be deciphered from the text can lead to some really weird shit. Like the theory that Dracula knew how blood types worked years before medical science did, and so his repeated draining of Mina Harker was actually him saving her life. Or that . . . fuck, what are their names? Two characters in The Outsiders are gay for each other (which led to a hilarious shitstorm on Twitter when somebody asked S.E. Hinton about it and she said no, that’s not how she wrote them).

I guess, what I was getting at when I started this whole thing, is that if you’re not a mystery show, where answering the plot-driving question isn’t the point of the plot, you need to progress your mystery on a time scale that isn’t best expressed in geologic eras. I don’t care how kickass your fight scenes are, or how involuted your political intrigue plot is; if you’re going to introduce a mystery element, do something with it in a timely manner, and for the love of all things holy, give us some concrete answers when you do.

#holy shit steele #why

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