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#okay read that again
niikaido · 4 months
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laios: "she probably wanted to eat them with you"
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posting this with absolutely no context
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verynonyideas · 10 months
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keii · 4 months
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Drew a nalu sketch bc for some reason my old ass art of them is making its rounds again on here lol
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arthursfuckinghat · 1 month
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Do. Do you. Do you ever think about John reading Arthur's journal. Do you ever think about it. Do you think about John reading all the things Arthur never spoke about. Do you think about John holding the last months of Arthur's life in journal form. Do you think about John learning his brother's secrets. Do you think about it.
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katabay · 9 months
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Robin Hood and Little John walkin' through the forest--
alright! so! early robin hood ballads and narratives don't have an origin story for little john, but a later ballad (robin hood and little john) does. they fight on a bridge in it, but I like looking at illustrations, so I've swapped out the bridge for that tree peaking out of the panel in the first panel bc I enjoy louis rhead's illustrations a lot.
this is some kind of introduction scene after they fight and climb out of the river!
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Robin Hood & Little John (edited by Stephen Knight & Thomas Ohlgren)
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myriam-draws · 2 months
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get back here lesbian
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mummer · 10 months
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just saw asteroid city last night, pls explain the proposed significance of the kiss!!
answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****
i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!
the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh
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whatevahwhatevah · 3 months
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Sorry for disappearing again, have some more kyman
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always-a-joyful-note · 7 months
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Enstars sure is an experience. Did I miss anything?
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dad-galaxy · 7 months
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🐊🦩
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cacaocheri · 7 months
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this was supposed to be one drawing!! ONE DRAWING!!!!!!!!! but every time i draw them i can't stop i need to keep going
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omaano · 6 months
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Rex meets R4 once he's somewhat recovered from his 200 years of dying-not-dying in the vacuum of space. I cannot wait for you all to read @dharmaavocado's The Old Guard AU fic they wrote for the @rexobibang!
If I Ever Leave This World Alive
Out in the vast well of space, Obi-Wan dreamed a man. He drifted from system to system, eternal and endless. Time and the cold had rendered the durasteel shackles around his wrists and ankles weak and brittle, and he had snapped them at some distant point in the past. Arms and legs free, he curled inward, knees drawn up to his chest. The man died. And then he lived. In which Obi-Wan and Rex may never leave this world alive.
Check out the other fantastic art pieces by @flowerparrish HERE and HERE and by @inqorporeal HERE !!
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crybaby-bkg · 1 year
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I know I've talked about bull and bear hybrid Bakugou, but has anyone ever talked about lion hybrid Bakugou???? I thought about this concept when I was still half asleep this morning but like,,,,
lion hybrid bakugou with his big ole head and even bigger mane of hair, all soft, colored like the sand you'd dig your toes into at the beach. he has a little scruff on his chin, but he never grows it out because he hates the upkeep of it.
he's always loud, growly yawns whenever you see him, his canines sharp and pointy when he opens his maw wide enough for you to peek in. he's so big and soft where it matters, lazes around all day everyday, and gets these big bursts of energy at the most random of moments. he's basically an overgrown cat basically
omg and he has this complex where he's just sooo high and mighty, like he's some king meant to be worshipped. but all you have to do is kiss his cheeks and rub a hand through his hair when he lays his big dumb head in your lap, and he's purring up a storm.
and and and lion hybrid bakugou whose tongue can feel so rough when he's feeling lazy about it, but somehow knows how to work it just right whenever he wants to lounge between your legs. gets so huffy and growly when you mumble that you can't cum anymore, just nudges your thighs a little wider with his shoulder as he nuzzles his nose against your mound. doesn't care to hear any of your complaining, because he's still eating and doesn't intend on finishing until he's ready.
omg and and lion hybrid bakugou whose favorite position is, of course, doggy style. but only because he gets to wrap your little dainty neck up in his powerful jaws and pin you there, likes how you whimper and shiver but go limp either way because you trust him with your life. he pins your arms beside your head and grunts so loud into your nape when he finally sinks his cock inside of you. he practically lays flat on top of you, just rutting his hips against your ass over and over until he knots you.
which is his favorite part because you two get to just lay there for what feel like hours, and you keep coming intermitally because he can't help but rut his hips a few more times, and hiss at the way his knot tugs at your clenching lips. sigh just lion hybrid bakugou who looks so mean and intimidating but he just loves you so much and can't get enough of you
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somegrumpynerd · 23 days
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Killer's nightmare
He has many, but the one he has most often is of coming out of stage 3 and finding he's killed his new family too alone again. Or maybe worse, that he'll never quite be without someone from his past.
Luckily, it is just a nightmare, and he has a different Nightmare he can see to help him calm down.
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comradekatara · 10 months
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“the southern raiders” is such a crazy (good) episode for so many reasons but the fact that it subtly reframes katara’s entire relationship to kya’s death is incredible. throughout the course of the show, you hear katara state that the fire nation killed her mother. but at no point, until she confronts yon rha, does she tell anyone why they killed her mother.
they killed kya because of her existence. kya died for her. it wasn’t just a senseless act of brutal violence, it was a targeted and deliberate act of systematic persecution. katara doesn’t just survive her as her daughter, she survives her as the sacrifice made in her name. she doesn’t just wear kya’s necklace as a memento, an heirloom passed down across generations as a testament to the courage of the women in her family (although yes, the fact that it was originally kanna’s is of course also hugely significant). that necklace is a reminder of what her mother gave up to protect her. it is the physical reminder she wears so that she can properly honor her memory every day.
even when she messes up, loses control or makes the wrong call, she is always acting in the name of what she believes is right. injustice shaped her, and her guilt and knowledge that she survived against impossible odds out of pure love wills her to act in the name of love at all times, to reproduce that love and that heroism and that unshakeable courage to do what’s right even when it seems impossible.
katara’s determination and hope is never not sensical, and never not inspirational, but in the eleventh hour of the series, we learn something shocking yet simultaneously unsurprising about the formative trauma that defines her. another layer is added to her grief and her driving motivation. it’s not just that she’s the only one who can carry on her people’s heritage. it’s not just that she is a victim of genocide and demands justice for the perpetrators of these grievous sins. it’s not just that she wants joy, adventure, friendship, strength, and revolution. her mother died for her. katara is only alive because the person she loves most in the world is dead. and she cannot let her death have been in vain.
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