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#reverse sunrise
orangepajamas · 6 months
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stinky-sock kitsuragi and green chartreuse du bois
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midnightfrappe · 2 years
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‘‘Share?? But what’s the fun in that???’‘ 
I can’t wait to have more free time to draw more. Until then i have to settle with drawing simple things like these or sketches 
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Um… moon what is Roxy talking about in the letter?
(A reminder so you don't have to go digging through the posts, this is what the aforementioned note said: "I know that you tried to report me. I got lectured because of you!
Say it to my face, COWARD
12:10 tonight, atrium. I'll see you there.
-Roxanne)
Moon: sigh I found her vandalizing the daycare lobby. I recorded it and sent it to security. It's not like I had much of a choice. It would be impossible to clean all of it up before the daycare opened in the morning and I was not going to take the blame for something I didn't do.
Moon: Just one more thing I have to deal with...
Infected Sun: She's going to absolutely destroy you. I can't wait :)
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deimcs · 4 months
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A REPORT / BASILIK GATE, FLAMING FISTS HEADQUARTERS
Captain, the last patrol came back from the Szarr's residence early this morning. The main hall was strangely empty aside from a few confused guests who couldn't answer any of our question, as if they didn't know what they were doing there. The real carnage was found on the lower floors, I had to send the new recruits home to spare them the view and I'll admit even some of my most experienced Fists had to take a breather after that. Aside from the blood we found smeared on almost every surface and the various amount of undead's guts and bones that littered the floor, a nauseating smell of charred flesh saturated the air below. It was as if Lathander himself came down to drown the place in His light, burning everything in his path. Cazador Szarr's body has been identified but frakly speaking, it's not a pretty sight. I believe some powerful divine magic was at work here. Waiting for our next orders, in the meantime (and with your permission) I'll keep my guys as far from that place as possible.
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finelythreadedsky · 8 months
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Ἠῶ δ᾽ αὖτε | ῥύσατ᾽ ἐπ᾽ Ὠκεανῷ χρυσόθρονον???????? the time-traveling goddess Pallas Athene indeed
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raposarealm · 1 year
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Today is release day for the Mega Man Battle Network Legacy Collection!
WE MADE IT, FOLKS!!
Yes, I know we're celebrating the game's re-release, but I took a character from the anime for this event -- specifically, Oozono Yuriko, shown here in Cross Fusion. This piece is based on the final fight in episode 19 in Stream, taking place on the hospital roof. I... didn't know whether I could show other characters in the shot, so it's probably not as apparent, but for context, her opponent here not pictured was Bombman. Honestly, the whole scene is a lot shorter and less relevant than I thought (there's another unrelated fight in the same episode that kinda overshadows this one,) but it stuck in my memory regardless. [Insert a joke about my regular medical field-related rambles here.]
Yuriko isn't my favorite character, but she is still one I'm fond of, and one I feel gets picked on a little too much sometimes. Like a number of the anime cast, she kinda got the short end of the stick in terms of... everything, so I guess I'm doing my part to try to make up for that. Somehow.
This piece is super late, due to a number of issues; most notably, this month I've had problems both with chronic pain and mental health, and it's kinda hard to draw when you feel like you've been hit by a bus. The other issue was the good five or so drafts I had before landing on this particular composition, and the sheer amount of digital art and editing skills I had to learn very quickly. The sketch was drawn digitally here, but everything from the refined underdrawing to the coloring were done traditionally, with multiliners and alcohol markers. It's by far my largest piece in a couple years at least, possibly overall. (Yeah, I know it looks kinda simple, but inking buildings and other structures with a normal ruler is harder than it looks, I've learned.) There's a few errors here and there due to both exhaustion and expedience, but I think it's acceptable enough.
Here's to a new breath for the series, and here's to all the folks who've worked so hard on this collaboration!
Plug in, transmission!
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Sun tickling Moon infront of a mirror so he has to see how precious he actually is. He’s having a lot of fun with it as you can tell XD
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shinidamachu · 1 year
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I also noticed in my reread of the manga that the anime made Kikyo seem more powerful. In the manga Inuyasha easily parried Kikyo’s attack when she was first resurrected and chose to throw aside the sword to reason with her, and even got ready to strike her down and cracked his knuckles in order to bring Kagome back. In the anime he was easily overwhelmed by Kikyo and was only saved by Kagome waking up. I’m seeing Sunrise’s bias 🙄
And there's nothing wrong with making Kikyo seem more powerful. Inuyasha was constantly getting upgrades for Tessaiga without us as much as batting an eye over it.
The difference is that we were there when he found and got Tessaiga. We were there to see him struggle to master it. We were there for each and every single breakthrough. We know the how and we know the why.
Kikyo's power-ups, on the other hand, seem to come out of thin air most of the time. I'm sure she must have worked for it, but it wasn't shown, so there's a bit of a disconect between her journey getting there and the audience, which makes her achievements turn out to be not as satisfying as they could have been.
It's like, we know what the stabilished powers of a pristess are and so we think we know what Kikyo's powers are limited to, but then she does something new that doesn't fit that criteria and our only explanation is that she was the most powerful priestess of her time. Which makes sense, but also tells us that it's not important how she came to be so powerful, only that she is.
So why should we care when she uses a new trick? It's probably something she has known how to do for a while, anyway. We weren't rooting for her to get it right. We weren't anticipating it. We just roll with it.
The problem is that, in order to make Kikyo seem more powerful, Sunrise often gave her scenes where Kagome was originally the one kicking ass and taking names. And that's what I have issues with. Take this scene for instance:
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Kikyo is the kind of character who doesn't do anything without a reason, so why would she interfere? She doesn't really knows Koga. She has probably no idea of his connection to Inuyasha — and even if she had, I don't peg her for comeone who'd care, considering how she treated Kagome most of the time. Koga is a demon with two jewel shards. Why help him out instead of taking them from him herself or waiting Naraku's incarnation finish the job to sweep in and do it? Because in the manga, Kagome is the one who saves Koga:
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Which makes infinitely more sense and proves that there was no actual reason behind this "creative" change other than making Kikyo look cooler. The entirety of Sunrise's adaptation is full of these little shenanigans. Do you want to see a practical example of how this affects the general perception of the audience regarding the characters?
Here's Kagome diligently destroying a Naraku puppet to save an unconscious Kikyo. She actively uses the bow and arrow she didn't know how to shoot in the beginning of her journey to save someone she judges to be her love rival. And she suceeds without overthinking it or breaking a sweat.
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But Sunrise thought it would be better to just do this instead:
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The result? People naturally praise Kikyo for being the biggest girl boss in Inuyasha for stuff that was originally done by Kagome:
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Don't get me wrong, it's great that people will appreciate Kikyo — this was exactly what Sunrise was going for, anyway — but it rubs me the wrong way that it came with the price of Kagome getting constantly criticized for being a "damsel in distress" who never does anything.
When your adaptation changes the story so much that people wrongfully perceives your female lead as useless despite the many, many scenes you still animated of her saving the day — and specifically saving the life of her supposed rival, who they judge to be much stronger and independent than her — that's when you know you fucked up.
And the worst part is that people are either blissfully unaware of this irony — because they haven't read the manga — or straight up dishonest about it.
The funny thing is: Kikyo didn't need any of that. What Sunrise did was the equivalent of taking original scenes of her being kind or compassionate and giving it to Kagome instead. It wasn't necessary. Kikyo was stabilished as a powerful woman from her very first appearance:
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Kagome was the one who needed to prove herself in battle because she was the 15 year modern girl who was tossed untrained in the middle of a feudal era "life or death" situation. She was the one I wanted to see exploring and using her spiritual powers, because that's what her character needed to grow.
What Kikyo needed was humanization, glimpses of the ordinary woman she has always wanted to be. Empowerment is important, but it's also multifaceted and it falls flat when it focuses on power for the sake of power.
I'd gladly exchange any of those changes for scenes of Kikyo coping with taking a human life or using women's souls to stay on the world of the living. Scenes of Kikyo realizing she has become the very thing she used to fight against and how seeking for revenge affected the people she loves.
Scenes of Kikyo regretting decisions she can't take back, scenes of Kikyo bonding with Kaede both before and after her death, scenes of Kikyo acknowledging the part she played on the way her relationship with Inuyasha ended and apologizing for the hell she put him through over it.
That's how you make her character relatable and empathetic. That's how you highlight her complexities and makes her interesting. Kikyo being pretty while shooting arrows is absolutely stunning on screen, but it does little to create a truly emotional attachment to her character, at least for me.
As for the particular scene you brought up, Inuyasha was, in fact, easily overwhelmed by Kikyo in the anime. When she first attacks him, he just... lets her.
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While in the manga, Inuyasha is quick to dodge it.
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He does try to defend himself in the anime. However, Kikyo's arrow manages to stop Tessaiga's transormation and almost hits his heart.
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None of which happens in the anime, where Inuyasha not only defends himself but also actively pushes back.
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Sure, Kikyo still succeeds in zapping the hell out of him, but only because Inuyasha threw Tessaiga aside to reason with her, like you pointed out. When that didn't work, he cracked his knuckles in order to strike her down, before realizing he couldn't do it and then Kagome comes in with the save. In the anime, he didn't even try.
And the hug I mentioned, when he's attempting to appease Kikyo and she cries on his arms for a moment? Completely erased in favor of making her push her elderly sister aside twice and hurting Inuyasha more than originally intended while also referring to him as "beast", "monster" and "half breed."
I understand why Sunrise wanted to give Kikyo more screen time – she's a key character and people seem to have a good time drawing and animating her – but they focused mostly on making her look "cool" by kicking up a notch on the whole "vengeful spirit" thing and ended up shooting themselves on the foot by going too far.
They really thought the nonsense added scenes, like Inuyasha watching her bath or telling the audience they were always by each other's side – while actually showing them sitting far apart, Inuyasha being left to chase after the carriage she was in instead of being there with her, etc – would make up for the hug they cut out in order to give Kikyo more "badass" moments.
That's because they realized the couple had no substancy whatsoever and to remedy that, prioritized telling us that they were together for at least a couple of seasons instead of making the effort to show us this so called deep love. The hug was meaningful and made sense. Inuyasha dramatically laying on the ground while mentally screaming her name after telling her she needed to return the last piece of Kagome's soul – which is how Sunrise decided to end the episode – did not.
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Especially because in the manga, he checked on Kagome before...
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And after he left to try and get the remaining piece of her soul back – knowing what it would mean to Kikyo.
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Plus, while obviously sad about Kikyo's "death", he also seems to accept this was for the best and acts like he is pretty much ready to move on.
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Not to mention how he panicked when Shippo brought up the possibility of Kagome not being Kagome anymore and how absolutely relieved he was when he realized it wasn't the case.
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And if this wasn't enough, he spent a good three panels blushing over Kagome right after the whole ordeal.
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Those scenes had two purposes. One was to solidify, once more, Kagome as her own person to the audience and to Inuyasha, as well as a love interest. He had the opportunity to get Kikyo back and still wanted her to return the soul – even if it meant Kikyo would cease to exist – because he didn't want to risk Kagome not waking up or not being herself anymore, since he was already falling in love with her. Kikyo herself guilt trips him about it when he tries to convince her.
The other was to contrast Inuyasha's first reaction to Kikyo's ressurection and the information that they were both set up with his reaction after he was told that Kikyo died for him and therefore he owes her his life. The former consists on him standing up for himself and rightfully seeing himself as a victim, the latter consists on him blaming himself out of proportion based on a blalant lie. That's why in the manga he takes her "second" death so well, while the others really take a toll on him. In the anime, however, it's like he is already blaming himself when she falls off that cliff.
I attribute this change of attitude to another scene Sunrise thought fit to delete:
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Of course the anime also has Inuyasha denying Kikyo's accusations, but he is way less effusive about it in there. Originally, when he realizes they were fooled into thinking they betrayed each other, he acts like they were both at fault for distrusting each other and are, therefore, even. So when she "dies" there's nothing he can do but wish for her to rest in peace and move on despite how sad it makes him.
All of this really sucks, because as you can see, the changes they did in favor of Kikyo either didn't work on her favor at all or heavily impacted the characterization of others – Inuyasha and Kagome especially – in a negative way, in addition to creating huge inconsistencies plot and narrative wise.
TLDR: yes, Sunrise's bias is obvious. And ironically, I think if they had liked Kikyo less, she would have been a much better written character because they wouldn't be afraid to give her the development she needed.
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movedtodykedvonte · 2 years
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What’s your take on a reverse au for the twins?
If by twins you mean Sun and Moon, I think it'd be very interesting. (Also I don't see them as twins personally, it's wordy and I can explain it later.)
Ya see Sun and Moon aren't complete opposites to each other so reversing their temperments/personalities wouldn't just get you a yellow Moon or a red-eyed Sun. That's just a poor swapped au.
Sun would probably start acting like a very shy and down-to-earth pre-k or 1st-grade teacher. Imagine Ms. Honey from Matilda; soft-spoken but still enthusiastic about it's job, loves the kids but has a hard time getting their respect as they are too shy to assert themself, and subsequently the rules. Still loves making new friends but instead of being an excitable ball of nerves about it, they'd be structured along with a little timid. A to-do list on how to be besties.
Moon is a little trickier for me to nail. I think they'd be way more lackadaisical about everything, including naptime. Of course, it still wants the kids to go nap-time but it's way less big on its methods to get there are a hit or miss. (they'd just throw blankets and pillows around then hope a kid trips and knocks themself out, the end goal is the same). More smarmy and a bit rude, not like picking a fight but really snarky.
Basically, the daycare would be chaos cause Moon isn't putting them to sleep and Sun is probably off playing a very censored version of clue with a four-year-old.
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sunriseverse · 2 months
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funniest sunrise lore fact is that the inciting canon incident is the lead female character’s brother dying tragically* and this affecting her for the rest of her life.
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thatlostnerd · 3 months
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Waking up to see the sunset, Staying awake to see sunrise.
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greensparty · 1 year
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Preview: 2023 IFFBoston
To paraphrase Nirvana: “Spring is here again...IFFBoston time”!  It is now my favorite time of year in Boston! My favorite film festival in Boston, in Massachusetts and possibly the world is Independent Film Festival Boston (read my coverage here).  I have a special place for this festival: in 2014 my documentary Life on the V: The Story of V66 had its World Premiere at the festival, and in 2015 I was on the Documentary Jury. Due to the pandemic, the scheduled 2020 festival was canceled and 2021 was virtual, so last year felt good to be back in-person. The 2023 film festival is at Somerville Theatre (Somerville), Brattle Theatre (Cambridge), and Coolidge Corner Theatre (Brookline) from Wed. April 26 to Wed. May 3, 2023!
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2023 IFFBoston logo
Here are just some of the Official Selections that are on my radar:
Wed. 4/26/23: 
Opening Night Film is the documentary Love to Love You, Donna Summer. So fitting that the pop icon Donna Summer was from Boston and now she is getting the documentary treatment co-directed by Roger Ross Williams and her daughter Brooklyn Sudano and it is opening IFFBoston!
Thurs. 4/27/23:
Legendary writer/director Paul Schrader has been on a roll in recent years with First Reformed and the highly underrated The Card Counter (my #5 Movie of 2021). Now he’s back with Master Gardener with Joel Edgarton. In the modern comedy Free Time, a New Yorker decides to leave his job to re-assess his life, only to want his old job back.
Fri. 4/28/23:
Penny Lane has made some great docs in the past: Nuts! was one of my 10 Best Documentaries of 2016, Hail Satan! was one of the highlights of the 2019 Boston Underground Film Festival, and Listening to Kenny G. was really good too! Now she has turned the camera onto herself as she donates a kidney in Confessions of a Good Samaritan. Oscar-winning documentarian Davis Guggenheim (An Inconvenient Truth) has made a doc about one of the most well-liked actors of the last 40 years, Michael J. Fox. I’ve been a fan since Family Ties and Back to the Future and I’ve been hearing nothing but great things about Still: A Michael J. Fox Movie since it’s Sundance premiere. A Brooklyn brownstone in 1945 is the setting for a seance in Brooklyn 45.
Sat. 4/29/23:
The Student Shorts Showcase is on Sat. afternoon and it’s free admission! My buddy James Rutenbeck has his short Nixon’s Reversal in the Shorts Gloucester Documentary program. 
When I was making my V66 documentary a few years back, I interviewed members of Boston garage rockers The Dogmatics because they were popular on the 80s music video TV channel V66. Skip ahead to 2019, I had heard about a documentary being made about The Dogmatics, so I reached out to director Rudy Childs and producer Jada Maxwell. We met up, talked shop and I stayed in touch with them about the project over the years. A few months ago I was lucky enough to see an early screener of The Dogmatics: A Dogumentary and I am proud to be a Consulting Producer. It’s really great to see this band get the music doc treatment and that there is a segment in the doc about their popularity on V66! I’m like a proud parent!
Sun. 4/29/23:
Join or Die is a doc about Robert Putnam. Aurora’s Sunrise is a doc about an Armenian Genocide survivor, told through animation. One of my favorite documentarians Steve James (Hoop Dreams is one of the greatest docs ever) returns with A Compassionate Spy about controversial Manhattan Project physicist Ted Hall. Pod Generation stars Chiwetel Ejiofor and Emilia Clarke in a not-too-distant future as they explore a new technology for fertility. Never Be a Punching Bag for Nobody is a doc directed by and about Naomi Yang who was in Galaxy 500 and is now learning to box. Speaking of Boston music, Beautiful Was the Fight is about several Boston female musicians and their struggles.
Mon. 5/1/23:
Mary Tyler Moore was a true entertainment legend, especially Mary Tyler Moore Show (re-watch that Chuckles funeral episode if you don’t believe me). Now she’s getting the doc treatment with Being Mary Tyler Moore.
Tues. 5/2/23:
The doc Time Bomb Y2K looks back at the Y2K anxiety that was building closer to the Jan. 1, 2000.
Wed. May 3:
The Closing Night Film is the romance Past Lives.
I’m excited about this year’s lineup. For info and tickets go to: https://iffboston.org/
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nobrashfestivity · 1 year
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Yoshida Toshi Mendocino, Sunrise
with reverse
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I just got here, did son, throw moon into water or dump water on the moon, or did he hit his brother with a baseball bat?
Either way, if it’s one of the two, congrats son, you could’ve killed him
If I had a physical body right now, I would bap you in the face for pulling that little stunt
Infected Sun: Oh shut up. He didn’t die, stop being a drama queen about it. It was just a bit of water.
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teastyun · 4 months
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✧.* Abby and her strap headcanons
a/n: daydreaming about a buff woman and her strap reversing women's rights ❤️ masterlist
-> Abby who loves to fuck you slow and deep when you need the exact opposite, "you want me to go faster? huh, what a whore. beg for it then."
-> Abby who fucks you senseless when you're being a brat, "where did all that attitude from a few minutes go all of a sudden, huh?" ; "cat caught your tongue?" ; "you wanna be a good girl for me? my good girl..."
-> Abby who would always make you sit on her lap at parties and gatherings while her clothed strap beneath you drives you into agony, resulting in you pretending to be sick and get home early to fuck until sunrise (please, I'm on all fours begging)
-> Abby who always wants you to cockwarm her like it's her real dick, "stop moving, princess," ; "if you clench like that we'll never be able to rest," ; "fuck, I can't take it anymore."
-> Abby who always puts her strap on when you guys go on dates and bends you over whenever you're in private, plunging her dick deep into you while pressing her hand on your mouth to suppress your screams (one time somebody called the police because of your noises)
-> Abby who swears your pussy was made for only her to fuck, watching her dick slip in and out so easily
-> Abby who's in heaven when you blow her while she drives, your stifled moans and wet noises making her almost come on the spot, not caring about anyone catching you
-> Abby who manspreads when you're sitting across her and smirks when your eyes would catch several glimpses of her packed crotch, knowing you'll both get no sleep today
-> Abby who is railing you deep into the mattress when you bought her a breeding strap for her birthday, forgetting about any plans you two had with y'all's friends for the day
-> Abby who is by your two's first time using it extremely fascinated by it and can't stop filling you to the brim, watching the fake semen combined with your cum gush out of your pussy like a waterfall in repeat
-> Abby who takes polaroid pictures anytime you squirt and collects them in her wallet (her friends are making fun of her thick wallet, not knowing that in there are actually slutty pictures of you, not cash)
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This audio really encapsulates the dynamic between infected sun and uninfected moon
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