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#rob keating
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mads198-9 · 1 year
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Fade into you
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clean-and-claire · 1 year
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I’m sorry but you can’t tell me Rob Keating doesn’t look like Pinocchio from Shrek
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randomrichards · 2 days
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THE NINE LIVES OF OZZY OSBOURNE:
Factory worker
Gave the world heavy metal
Ups and downs of fame
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doomed-syko · 24 days
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You can't been waiting for this day!! Like I'm not okay omg Bobby I love you but please bring back your brown hair honey 🤞
oh believe me i have been WAAAAITINGGG!!
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fanfixes · 1 year
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Going down the Rabbit Hole & Why being a Fan Girl is sorta a Saving Grace
How it all began:
I’ve been on Tumblr for years. It started in high school, about 7 years ago and I’ve opened and deactivated multiple accounts across this period of time. There’s some sorta pattern that flows with my sudden resurgence each phase and a licensed therapist would declare it a coping mechanism - and I’d agree.
But it is what it is, isn’t it - an escape. If I could trace FURTHER back, to when I watched my first movie and “escaped” I probably understand why writing fan-fict, deconstructing characters, spending hours reading about other works of the same lengthened that space to ignore the outside world and its mischiefs.
And funnily enough, Tumblr has always provided this safe space. Twitter, Instagram, Facebook doesn’t cut it for me. The kind of security I receive from this platform is different - I feel heard yet not exposed and I can’t put my finger on it but its just... it’s special. 
It’s a place for creatives, the lonely girls, the hyperactive ones who need to let that energy out onto a page and interact with people who could appreciate their fanaticism. It’s a shared experience, yet also somewhat, incredibly personal.
Coming home:
About a year ago, I lost someone very important to me. This was during a time where there was already so much loss. Grief settled in the air and as I felt my consolations unworthy of attention seeing that everyone had someone they lost, I kept it in, “soldiered through”. My friends checked on me, and they created this list of stuff for me to watch BUT while I sifted through the recommendations, there was a sort of anticipatory anxiety attached to the idea of starting new shows / movies, so I didn’t.
My biggest mistake was pouring myself into my work which felt natural since most of my nights were spent finalising assignments and my days were spent answering my employers. That fragment of curiosity, imagination and fantasy that lived in me dwindle off and can I just say, it was probably one of the dullest times of my life. It was a disappointing time to be alive. 
Work was definitely an excuse, because the first time I tried relaxing, it was chaotic. And I felt awkward trying to be something I wasn’t and allowing myself to be someone I was. 
The Viscount who Loved Me:
It started with Bridgerton, and knowing a little about the show, as I mentioned before in my previous posts, I could somewhat tame that anxiety I had in starting anything new. And GOD did it pay off. 
I loved what they did with Bridgerton. I identified with Kate, I could understand Anthony’s loss and as a struggling artist myself, I got what Benedict was going through. I connected with the show in ways I didn’t think I could. 
There was so much character complexities to drown yourself into and as someone figuring herself out, being able to watch parts of yourself interact with parts of yourself started conversations I wouldn’t have had, if I didn’t first see it. 
That’s sorta how writing fan-fict came about. I couldn’t get Benedict out of my head, so I put him on paper. I devoured the Bridgerton series and well, tweaked the fict to fit my idea of what I’d love to see play out. 
CAST INTERVIEWS & Thank you Luke Thompson:
Cast interviews were somewhat instructive, not just about the characters they played or the dynamic but, being able to just tap into what made the characters their own felt therapeutic. 
Luke Thompson has this interview on the YouTube Channel “An Actor Despairs” and it is my favourite interview of the year. It was inspiring to hear him talk about his journey and that raw dedication to his work renewed my mind on what it was I wanted from my life. How I wanted to build it. How to allow myself to just go with the flow and live.
So it was clear that falling in love with a show came with the territory of falling in love with the actors, especially when they are so passionate about their work. 
That to me, is what differentiates their job from being just entertainment to becoming a vocation. 
You do learn a lot about life and personalities when you are working on these projects. Just diving into An Offer from a Gentlemen for the sake of the fict I wrote, brought me into seasons of understanding Benedict beyond what was written.
Coupled with my deeper dive of Luke Thompson’s process allowed me to get where he was coming from and provided a clearer vision on what Benedict meant to the Bridgerton storyline.
Robert Aramayo nerd-ing out:
Robert Aramayo, is the second actor this year who’s looped me into his vortex. He just fell in love with the legendarium (as he often says) and poured himself into becoming Young Elrond, so much so, that they now feel like two separate individuals. Rob Aramayo disappeared into the world Rings of Power created and as I go through Tolkien’s works now, I can understand why he was so engrossed with it in the first place.
Both these actors made me appreciate acting for more than just the shallow concept I used to have of it - reading lines and conveying those conversations in a convincing enough manner to not look fake. I didn’t appreciate the art enough to get it many years before, but now that I do, it’s such a beautiful form of expression and self-identification.
I can’t help but be engrossed in these new worlds, in my private space and love it for what it makes me feel. I am thankful for all the creations and different forms of entertainment they bring and the heartfelt discussions on the characters which remind us of some people we meet or are. Bridgerton and Rings of Power aren’t the only shows I’ve watched the whole year, I have to add - ANYTHING AND EVERYTHING about this universe of ART, FANTASY & MOVIES/SERIALS are what make people feel alive, are what made me feel alive.
As John Keating said in Dead Poet’s Society:
“WE READ AND WRITE POETRY BECAUSE WE ARE MEMBERS OF THE HUMAN RACE. AND THE HUMAN RACE IS FILLED WITH PASSION. AND MEDICINE, LAW, BUSINESS, ENGINEERING, THESE ARE NOBLE PURSUITS AND NECESSARY TO SUSTAIN LIFE. BUT POETRY, BEAUTY, ROMANCE, LOVE, THESE ARE WHAT WE STAY ALIVE FOR.”
We dive into these worlds of imagination because of its relationship with our minds, these are what gives life a meaning. The mechanics of making money, succeeding in the financial and lucrative sense is monotonous and dry - there’s nothing much to it but stacks of papers and detachable figures. There is nothing more exciting than finding something to be excited about and as the days passed, I realised I wanted to be more in touched with a part of me that I felt needed to be suppressed after surpassing a certain age. That inner child shouldn’t have to vacate the premise simply because I’m 25. After all, I was probably the closest to being my truest self back then than I am today. And I wouldn’t have known it... if not for this saving grace.
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mazzy-rockstar · 3 months
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Once again thinking of Inhaler’s cover of That’s Entertainment
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badmovieihave · 3 months
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Bad movie I have Greyhound 2020
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robascoltayoutube · 1 year
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6 Luglio 2021 Il primo video di Rob Ascolta
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killersfool · 7 months
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fluff w bobby! idk smth like hurt/comfort. maybe she’s had a bad date and goes to bobby and they like confess , idrk but i think that’d be cute
Comfort | ROBERT KEATING
thank you for the request !!
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PAIRING: robert keating x f!reader
WORDS: 3.4k
SUMMARY: reader goes on a terrible date. she calls her old work friend, rob, who comforts her and opens up about some hidden feelings.
GENRE: hurt/comfort, friends to lovers, fluff
WARNINGS: references to eating disorder
The worst date of my life occured on a Tuesday afternoon, starting at exactly 8.43pm. For starters, the guy was late, 13 minutes late on the dot. Never trust your Tinder matches. I guess I should've figured out what a mess the whole thing would be. I'd sat down at a window seat in Nando's. Sun glowed gently across the table. It gave me a positive outlook on the whole thing. But by the end of the evening, as I left that dreaded restaurant with a soggy bag of chips in my right hand, I was holding back tears. Rain was pouring. My umbrella had broken. Dark clouds had appeared in the sky. Pathetic fallacy. I could hardly even breathe as I sat down in the train. 
My first port of call — for some odd reason — was my old work friend. Rob and I had worked together in a restaurant just down my street. We'd been through hell together. My worst memory was when I dropped about ten glasses across the kitchen floor, accidentally smashing them to pieces. The manager heard the crash ring out through the entire restaurant. He ran through the kitchen doors. They swung open as if he was a wild beast prepared to eat me whole. Bones and all. This was the first time I'd made a major mistake as a kitchen porter. I was trying to prepare myself for the incessant shouting to soon ensue. But before I could even build a wall around me, a hand grabbed mine and pulled me out of the kitchen. I wasn't sure who it was grabbing my pinky finger or why they were helping me escape but I didn't complain, I just let them lead me through the main restaurant where guests were staring at us with patient eyes. They really believed we were running around just to ask for their order.
The long mane of curly hair made me realise who was dragging me alone. Robert Keating. The waiter who's sarcasm was off the charts. Each time he came into the kitchen, he'd be going on a rant about how stupid the job was and how much he hated the manager. Most of the chefs agreed. But they'd make sure to put on cheery faces whenever Mr Jacob came in to check everything was alright. Robert had worn Doc Martens to the beach when they had a dinner party to celebrate 10 years of the restaurant. I had made sure to come along with my best dress on and trainers. Robert had appeared with some Doc Marten boots, red shorts and Joy Division shirt, assuring everyone that his boots were 'made for walking on sandy terrain'. Then he complained about them for the entire time. He didn't make any sense.
Once we'd escaped through the front door of 'Jacob's Pizza', we continued running down the street until we got to the park. I knew by that moment I'd sure be fired. No one was running after us. No one really gave two shits about us. We weren't a necessity to the work force. We were just there. Looming.
Rob had sat down on one of the kid's swings (the tiny ones that you can't get into once you grow out of them). He allowed his infinitely long legs to dangle off the edge—not putting them through the holes because he'd surely get stuck which would've been a very Rob thing to do. The park was empty. It was a Tuesday evening. Stars lined the sky. Rob patted the swing next to him, asking me through his motions to join him. I complied. Awkwardly slotted myself in a mildly comfortable position onto the swing. I grabbed onto the rusty chains which had been there for dozens of years. Paint ripped away by years of use, years of bad weather.
"Mr Jacob didn't deserve us. We were too good for him." Sixteen-year-old Rob always thought quite highly of himself—not to the point of being a show off—but just enough to make you shake your head. The use of the collective pronoun was different for him. A change to usual. He was including me in his declaration of greatness. His blue eyes were shining and he'd thrown his apron to the ground. Black button-up shirt and black trousers. His smile was a lighthouse, illuminating that stretch of grass before us.
"I fucked up. Sorry, Rob." I'd looked away from him. Wrung my fingers together, picked at my nails. We'd been working there for months. Of course I had to be the one to make a mistake.
"Hey, don't worry. There's loads of jobs around here. I'm sure you'll find somewhere else," he assured. He reached out a hand between the two swings, let it linger on my shoulder. I followed suit with him. Chucked my apron into the nearest bin. One of those bins that never get emptied. Overflowing with fizzy drinks and sweet packets.
I allowed my head to drop down onto his hand. His fingers took a short hike through my hair. 
He then started to laugh. "How the fuck did you drop all those glasses? I swear you purposely tipped the tray over."
"What if I did?" I smirked. It had been accident. Or maybe my irritation at the place just wanted to come out. 
Rob was pressing his shoes to the ground, trying to make the swing fly upwards. He'd smiled to himself at my words. "Then I thank you for your service. I'd been trying to get out of there for a while. My band are getting way more gigs and the job was getting in the way of everything."
"Your band? You've never told me about that." I was intrigued. I had no idea he played an instrument. I knew that he loved The Strokes as he'd always put them on the kitchen playlist. I couldn't imagine him on a stage. Performing. Making music. It was the last thing I'd expected he'd do.
"Yeah. We've called it Inhaler. An ode to Eli's asthma—"
"Hewson? He's in it? Fuck no." I'd never been the biggest fan of Elijah. He'd dated my friend and left her heartbroken. I'd never personally spoken to guy but from a distance, I was the slightest bit terrified of him. 
"I had no choice! He forced me into it."
"So he's singing, right? Then you're playing what?"
"Bass."
"Really? That's..."
"So sexy. I know."
That's when I shook my head, smiling. His face was serious but as my teeth appeared, so did his. We were both laughing at nothing, giddy because of the air cooling our cheeks. Just his presence, him being next to me, made me feel so much warmer.
Now my eyes are teary, my throat is raw. I'm sat in the corner of a train compartment. Toddlers are screaming at their parents, music is blasting in my ears and the fields turn to blurs of green as I lean back into my seat. 
The guy was a prick. A self-centered waste of time who thought the whole world revolved around him and only him. I was asking all the questions. He didn't want to know anything about me. His mouth would never stop moving. I hardly got a single word into any conversation. He showed off about his job, his money, the university he went to and he joked about how much I ate. He'd stared at my stomach when I stood up, as if he was trying to measure my waist with his eyes. That's when I just walked out of the place, taking my remaining chips with me. I don't know why I even agreed to go. He wasn't even nice on the app.
Phone ringing. Hand over my stomach. I had gained weight. I'd started eating more than I had months ago. Food was a comfort, food was a memory-store, food was something to keep me going. There were all kinds of flavours that would bring me back to figments of my past. Eating was a way to reminisce and a way to make new memories. It had irked me—that look in his eye, the raise of a brow. I was skinnier on my Tinder profile. But back then I wasn't happy. Constantly focused on my calorie intake, on how much exercise I had done in a week. 
"Hello?" Rob picks up. His words play through my headphones. His voice hasn't changed since I last saw him. It's still low and raspy.
I sniffle, finding it hard to even get my words out. I can see in the train window that my skin is blotchy and red. My bottom lip is quivering. I'm trying to hold everything in. I'm like a bomb on the verge of explosion. I don't like crying. I especially don't like crying on a train where eyes are glancing over in my direction.
"You alright?" He whispers. It's 10pm and I'm wondering what he's been doing. Has he been at a show? I've been trying to keep a track of where they've been going on their tour. Right now he could be absolutely anywhere. The last I heard he was in Scotland.
"What are you up to?" I try to divert the conversation to him. I just want to hear him talk. Anything he tells me, I'll listen.
"I'm back home in Dublin. Eating mince pies. I know it's early but my Ma is too obsessed with Christmas for her own good. It's what, 2nd of November? And she's already got her tree up. Tinsel and everything. What's up with you? You sound different. Has Eli been giving you shit again? That gobshite needs his head knocked in."
He's in Dublin. I'm in Dublin. 
"I miss your Ma." I remember the one time we walked home from work together. His Ma had given me a lung constricting hug. She'd thought I was Rob's girlfriend. Told me that he non-stop talked about me. I didn't believe her. I still don't believe her. I could never see Rob having a crush on anyone, let alone me. "It's nothing to do with Eli. Although I agree, he is a little bitch. It's actually this shitty bloke I met on Tinder. He thought he was all that. Most boring guy I've met in my life."
"Instagram, please?"
"I don't trust you with anyone's Instagram."
"At least tell me his name. I want to make fun of him."
"Albert."
"What a name. Honestly, I'm thinking about getting my name legally changed to that. Albert. Wow. I'm impressed." 
"He told me his nickname was 'Alby'. I almost laughed." I smile to myself, wiping tears away. I hear Rob snort through the phone. 
"Found his Instagram. That was easy. He looks weird. Shit hairline."
"Rob!!! Keep away from his DM's please."
He went silent. He was most definitely already sending him stupid messages. I didn't really mind. The guys deserved shit after what he put me through. Two hours of nonsense. At least the food was good. Nando's is my favourite.
"Aren't you in Dublin? Do you want to come play some bird bingo? It's been a while since I saw you. We've got at least a years supply of mince pies."
I'm cheesing. Sucking in quick breaths as my tears stop falling. The train comes to a halt in the station. My head is leaning against the window, my mouth opens wide as I see a figure sat down on a bench. That familiar mop of hair, those shining eyes, an entire bass guitar case sat beside him. I'm gobsmacked.
The call ends before I can try to speak. Before long, my legs are moving and I'm shuffling through crowds, trying to find the exit. Maybe I was just imagining him. Maybe I just wanted him to be there. But then I'm outside the train, walking down the platform and two arms wrap around my stomach. 
"Hey," is all he says, straight into my ear.
He isn't usually this touchy. We used to go for coffee and he'd never hug me. We weren't that kind of friends. Now his arms are holding me flush against his chest and his hair is tickling my ear and I just want to close my eyes and blow the world away.
I turn around to face him. His hands are still on my waist, scrunching the material of my jumper. He has a cardigan on, his eyelashes are so long, he's watching me with worry etched upon his features. 
Then I break down. I can't deal with it anymore. I can't hold it in.
"Sweetheart..." He pulls me straight into his chest, hands cupping my head like it's going to split into two. I sob into his cardigan. My palms are against his shoulderblades and his head is on my shoulder. I can feel his nose smush into my skin and he mumbles quiet comforts into the air. "He doesn't deserve you. He's an idiot. Piece of shit." Words of comfort are usually just insults from Rob—but they still make me feel way better.
I don't know what I would've done without him. I keep imagining myself going home and crying into my pillow, no one there to tell me it'll be okay. I'm so glad he's here. I'm so glad he's holding me.
"Let's go home?" He pulls me away the slightest bit just to see my face. His thumb jumps just beneath my eye, wiping away the falling tears. He then gently kisses my nose. I'm shocked and confused. The warmth of his lips against my freezing nose is a welcome relief. I'm sure a sigh escaped my lips at the gesture. 
I'm not sure which home he means. His or mine. But wherever we're going, I'll follow him. I want to be somewhere warm. I want to eat some nice, warm food and forget that guy ever even existed. Rob still has an arm around me as we walk through the station. He gives me a packet of tissues and buys me a hot chocolate from Starbucks. Even whilst carrying his entire bass along on his other shoulder, he makes sure to keep an arm around my back, fingers curled over my waist. 
"How come you've got your bass?" I taste the hot chocolate. It burns my tongue. My spare hand points along the rather massive case which is definitely heavy.
"I was practicing with the band. I was about to head home when you called me so I ran to the station instead."
"So you lied about the mince pies?"
"Oh no. That is very true. You'll see when we get back. I just lied about where I was—you know, for the surprise element."
His then. We are going to his. I've never been inside his house before. I've only walked down his street and glanced through the windows. He'd always have the best Halloween decorations. The Keating house was always a go to in order to get the best sweets. His mum would come out dressed in the most flamboyant costume possible. Rob would always be standing beside her, forced forwards with a bag of sweets in his hands. 
Up past his parents' cars. Still some Halloween stickers on the windowsill and pumpkins next to the welcome mat. He twists his key in the door. It clicks and opens up to a corridor. He was right about the Christmas decorations. Snow globes on a bookshelf,  wreath on the door, Christmas tree lights are colourful through the window. The whole living room is dark green.
The house is silent. The dishwasher is wildly spinning and wind is wailing. Other than that it is extremely quiet. And warm. So very warm. I can actually feel my fingers now. 
Rob takes my hand once I've pulled off my shoes. He pulls me along into the living room, we crash down onto the sofa.
"Tell me everything," he says. He stretches out his legs and places his feet on the coffee table. He has fluffy socks that have the face of a red robin. "All the nitty gritty. Get it all out of your system."
"I don't even know where to start." I pull at the skin of my cheek, look up at the ceiling. "We went to Nando's. It was my idea. I got there bang on time but had to wait for ages for him to get there. He was late—"
"First red flag."
"Right? I should've just left. Anyway, he came in. Blamed his lateness on traffic when he literally lived in the town I went to. Like wouldn't you just walk? He ordered hardly any food then got all weird when I ordered my usual. I had a pudding too. He was just so judgy. He told me about his degree in Maths and how he was doing a phD. He didn't seem to impressed about my Law degree. He barely even let me talk. Then the last thing, the cherry on top, was when he stared at my belly when I stood up as if I had some kind of disease. I felt ill. I've never been so insecure in my life."
Rob's mouth was open wide, jaw dropped. He kept his eyes on mine. Listening. It was so nice to have someone just hear what I was saying for once. 
"You're the prettiest, most intelligent girl— I'm going to have a right word with that nob— I'm going to have a right fucking word with him. He thinks he can just..." His burst of emotions makes him stand up and pace around the room. I smile at his compliments but frown when he starts to get angry.
"It's fine. I'm here now. I don't have to think about him again."
Rob sits down again. Then his head falls onto my stomach. He closes his eyes. His arm reaches over for the coffee table. He grabs two mince pies. One for me, one for him. Bending his arm and extending it, he passes one up to me. I gratefully take it. I peel off the metal then take a bite. It’s delicious. Rob is smiling up at me. There’s a little pastry on his chin. I wipe it away with my thumb. My finger seems to have a mind of its own. It starts to trace lines along his face. Beauty spot to beauty spot. Like his skin is paper and I’m doing a join the dot. My thumb lands back on his lips and I trace along the two pink shapes. A little chapped, warm and soft. He opens his eyes again. 
Then I’m hit by this weird feeling. Like I’m reaching a high. Or I’m slamming the accelerator. Or I’m at a claw machine and finally win a prize. That hum of euphoria, singing through your ears. He’s twisting his head on my belly like it’s a pillow. My thumb is still at the corner of his mouth. My heart is beating in my ears. There’s something clicking. A realisation.
I’m in love with Rob. I’ve always been in love with him.
“Look, I know this is a really bad time to say this,” Rob speaks. His words a gruff. I listen intently. 
“What’s up?” I brush his hair out of his face. Curls between my fingers.  
“You’ll think I’m stupid.”
“I won’t.”
“You will.”
Rob closes his eyes again. He breathes out. He looks for my other hand and places it on his chest, his hand resting just above it. I can feel his heart pounding like crazy. I never knew a human heart could move so quickly. I never knew that here, in this dimly lit room, after my heart has been torn into two separate pieces I’d be feeling Rob’s heart under my fingertips.
“Geez, Rob. Am I that scary?” I stroke his hair again, his fingers now grazing my knuckles.
“Yeah, terrifying.” 
“Just tell me. What is it?”
“I love you.”
The whole room falls apart. My whole body feels like it’s been ripped into two then sewn back together. His eyes close again but he peeks a little with his left one just to gauge my reaction. I’ve stopped moving. My brain isn’t working. 
“Christ. Really?” I whisper.
“Yes. I think of you every time I buy pizza, every time it’s Halloween, every time I’m drinking from a glass. Everywhere I go, you’re there. Whenever we went for coffee, I’d feel empty when you left. It just—even when you told me about this date. I was jealous at first. I want to take you on dates and fall in love with you even more.”
He sits up. He grabs onto both of my cheeks.
“I love you too,” I say before pulling him into a kiss.
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cyb3rnephilimsarchive · 10 months
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sirenlulls · 11 months
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satellite → r. keating (b. skeetz)
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pairings — robert keating x fem!reader
summary — what bobby skeetz would be like as your annoying boyfriend <3
spinning out, waiting for you to pull me in. i can see you're lonely down there. don't you know that i am right here?
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i feel like you'd be a long-term relationship (like teenage years long term)
ik they went to some fancy all boys school so let's say you went to an all girls school near theirs that would often go on trips together (pls tell me that wasn't just my school that did that)
either that of you'd meet through extra curriculars or overlapping friend groups
EITHER WAY met when ye were young (13-14) and got together when ye were 16-17
tbh most people thought you'd only last a few months bcs it was a teenage relationship after all but you're so chill with each other that it became very clear very quick that ye were just different
major "my girlfriend's my best friend" vibes
because of that, every inhaler fan knows you
you're no longer referred to by your name
you're just "mother" now
it's low-key a problem
like in any of your instagram posts or cute little tiktoks, at least half of the comments have a silly little inhaler pfp and are calling you mother
anyways
he's so annoying
definitely a very playful relationship
mocking eachother and all that
telling anyone else (outside your friendgroup) to fuck off if they do the same
he himself wouldn't be very public with the relationship
like you wouldn't be the face of every instagram post but you'd be in a story every few weeks and you'd pop up in the middle of a photo dump here and there
the inhaler_on_tik account however....
fans play where's wally with you in the tiktoks
usually hiding in a window reflection or the hem of your jacket poking into frame
enough to know you're there
you'd be best friends with all the fans
gigs are your opportunity to make new friends
they all adore you
so many fan tiktoks from gigs just have you dancing away with them
they'd bring you flowers <3
but yeah even if bobby himself doesn't post you a lot, fans would get pictures of you two together and they'd be so cute 😭
most of them are taken before gigs when he's helping you out of the bus or ye're walking into the venue together
but someone got a picture of you two once at some silly little market in spain and you were looking at flowers and he was looking at you
they posted it to tiktok and you asked them to send it to you
it was your lockscreen for a bit x
BIRD BINGO!!!
if you're ever traveling without him, you'd take pictures of any birds you pass and send them onto him
i really need to make sure it's known that he'd be annoying
like imagine you're just lying in bed, reading or on your phone, and he just bellyflops on top of you
no warning
no escape
you're trapped
i said the same in my eli headcanons but i don't really get spooning vibes from him
no matter what way you fall asleep, at least some part of him will be touching you
whether he's full on wrapped around you or just got an arm thrown over your torso
it helps him sleep better
you're best friends with the band ofc
i mean, you practically grew up together
you and rob never have a moment of peace with them on tour
you could be curled up in bed, and all of a sudden, elijah's busting down your door and lying down beside ye to tell you about a new song idea
you finally think you're free for a moment having a smoke by the back of the bus? nope, ryan's there now purely because he wanted to annoy ye
josh is nice on ye though (not really) (he makes fun of ye all the time) (he's my little pookie bear angel) (he can do no wrong)
they love having you around
and even if you leave the tour bus to get some snacks and come back to them trying on your dresses and robert doing josh's eyeliner you love having them around too
you're starting to get the mother thing
they do feel like you're hyperactive little children
bobby skeetz, the man that you are, you'd be a great boyfriend
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orangeinecstasy · 6 months
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would love to see a bobby fic!! maybe a friends to lovers? adore that trope , and maybe it’s like a party and one of them gets jealous?? then it leads to them arguing and confessing 🤭 ( maybe a bit of 😏😏 near the end? up to you!! ) love ur work btw!!
an: omg friends to lovers is one of my favorite tropes ever! AND WITH BOBBY UGH!!!! it's so perfect for him. thanks so much for your suggestion and hope you enjoy!
halloween party ࿐ ࿔*:・゚robbery keating
paring: robert x fem!oc
summary: at Kat's halloween birthday bash, robert has to decipher whether his feelings for kat are purely platonic or maybe something more.
wc: 950
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*reblogs, notes, and feedback are greatly appreciated!!
The music in the house was so loud. Too loud if I was being honest with myself. It bombarded my mind as I was dragged through the dimly lit living room by my friend Niya. She decided that this year I should live a little and somehow convinced me to throw a party for my birthday. However, my birthday happened to be Halloween, so I was in a mini skirt and corset vaguely resembling Marie Antoinette. At least that’s why Niya said when she gave me the outfit and told me to start getting ready earlier that night. 
“I have a surprise!” She said, her smile looking too close to a smirk for my liking. “Please don’t tell me it’s something crazy like a dude with a monkey..” I could feel the knots in my stomach grow tighter. Something about this night felt so different from all my other birthdays. 
“Surprise!!!!” Niya yelled as she pushed me in front of her, squeezing my shoulders gently. That’s when I saw him. His hair was all messy, and where the fuck was his shirt? “Happy Birthday, Kat,” Robert said with a smile as he started to light the candles on the cake I didn’t even notice he was holding. “Make a wish.” 
Just knowing his blue eyes were on me made my body ache in the most primal way. My eyes glanced down at the lit candles before back at his, closing my eyes for a moment before thinking of a wish and blowing them out. Everyone cheered, my lips curling up in a smile as Robert set the cake down on the table, pulling me into a tight hug. 
He smelled like smoke and leather, and his skin was so warm. And my god, his hands, they were so big and warm and gripping my waist so tightly. “What’d you wish for?” he whispered in my ear, breath hot on my neck. “If I tell you, it won’t come true,” I gave him a tight squeeze, my hands lingering on his forearms as I pulled away from him. The party quickly returned to its noisy-colorfully lit atmosphere. 
“I thought you couldn’t make it tonight?” 
“I couldn’t miss my girl’s birthday,” His eyes moved down my body slowly. He wasn’t even trying to hide it. “Princess?” 
“Marie Antoinette, actually. Sid Vicious?” I cocked my eyebrow, reaching up to gently tug on the chain around his neck. “Ding ding ding!” 
“It suits you.” 
“Kat, come on, I need to introduce you to someone,” Niya said, grabbing my arm. “I’ll see you later. Have fun!” I smiled, giving Robert a wave before being pulled back into the crowd of people by Niya. 
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The night continued on, my mind fogged with one too many vodka cranberries. Time felt like an illusion as my body moved on the dance floor. I didn’t know whose hands were roaming my body, and I didn’t care. I just wanted to feel skin. To feel warmth. 
“Fuck, I’m dizzy,” I mumbled, pulling away from my faceless partner and wandering outside onto the patio. The cool air sent shivers down my spine as the sound of passing cars on the street below mixed with the muffled music. “Kat?” I turned to face with Rob once again. 
“Bobby!” the drunk flush on my cheeks grew darker. Even in the dim lighting, I could see his jaw clench. “I’m really sorry I got pulled away from you earlier.” 
He shrugged, pulling a pack of cigarettes from his jacket pocket. “It’s whatever,” he placed one between his lips, taking a long drag from it. 
“Bobby, I can tell you’re upset.” I stepped closer to him, arms slipping around his neck. “Come on, tell me what’s wrong.” 
He didn’t budget. Instead, his hands moved down, pulling my grip away from him. “It’s nothing.” 
“You don’t have to be such an asshole, Jesus,” I huff, arms wrapping around my body to provide some warmth. 
“Me, the asshole? What the fuck ever.” He shook his head, taking another long drag off his cigarette. “I went out of my way to come to your birthday party because I care about you and you're fucking people on the dance floor.” 
I scoffed, shocked by the sudden change in his behavior. What happened to my sweet Rob? The guy who was always there and ready to do something stupid or to make me feel better when I was crying over God knows what. 
“Robert, what the fuck is your problem? It’s my party. I’m allowed to have fun.” 
“Oh yeah, I forgot the princess gets everything she wants.” he was becoming even more defensive than before. 
“Fuck you! Why do you even care?”
“Because I’m in love with you, Kat. Are you thank fucking thick in the head?” 
My chest tightened, his words echoing in my head for a moment. “You what?” My heart was beating so fast I thought it would fall out of my chest. “I’m in love with you,” his voice got quieter as the words fell from his lips. 
“Robert I,” my chest was too tight. It’s like the universe was telling me not to confess. “I love you too,” My arms wrapped around him, tugging his body closer to me as our lips crashed into a kiss. I could feel his hands on my body, the warm, familiar skin radiating through the costume’s fabric, only making me ache more for him. 
We broke away, breath heavy as his forehead rested on mine. “Your lipstick’s all smudged,” He said with a soft chuckle, thumb swiping over the corner of my mouth to try and clean it up. 
“Why don’t you smudge it some more, hmm?” 
“I think I can do that,” He said, clearing the air between our mouths once again. 
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an: i hope you guys enjoyed! i really wanted to get this out there for all my inhaler readers, so sorry if it seems a bit rushed. there will definitely be a part two.
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doomed-syko · 1 year
Note
this is the rob tattoo they were talking about
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oh slay thanks 🫶🏻🫶🏻 i think it looks pretty cool but i don’t know how i feel about the placement….
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rafaelsilvasource · 2 years
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Out100 Cover Stars Ronen Rubinstein & Rafael Silva Televise Queer Love
9-1-1: Lone Star's Ronen Rubinstein and Rafael Silva are setting network TV ablaze with their fiery queer romance.
BY RAFFY ERMAC | October 25, 2022
---
Tarlos is here — and ready to take over.
Coined by fans of Fox’s hit procedural drama 9-1-1: Lone Star, the affectionate “ship” name is a portmanteau of the show’s queer main characters: firefighter-turned-paramedic Tyler Kennedy “T.K.” Strand and Carlos Reyes, an Austin police officer. The LGBTQ-inclusive series centers on the lives of emergency responders and also boasts names like Rob Lowe, Liv Tyler, and transgender actor Brian Michael Smith.
Watching Lone Star, which opens a fourth season in early 2023, it’s easy to see why fans love Tarlos. Their relationship — which began in the pilot episode in an Austin honky-tonk and evolved into a roller coaster of casual hookups, breaking up, moving in together, and eventually getting engaged — is a story LGBTQ+ fans could only dream about seeing on network television just a few years ago. Seeing these two characters — with their movie-star good looks and boys-next-door appeal — navigate life and love in relatable ways gives fans giddy feelings with every new episode (which is why discussions of Lone Star continually trend on Twitter during the television season).
Fortunately, out actors Ronen Rubinstein and Rafael Silva have the chemistry to bring these two Lone Star boys to life.
“I can’t imagine doing this with somebody that (a) you don’t like and (b) you don’t mesh well with on set,” Rubinstein says of Silva. Since they started this journey as Tarlos when Lone Star premiered in 2020, the two have grown close as both colleagues and friends. “I can’t imagine doing that with somebody that you don’t get along with and you don’t respect and you don’t love as a human being,” he adds. “I can honestly say that’s how I feel about Rafael.”
“Ro and I are just so fucking different as people…. But it’s this sort of yin and yang thing,” says Silva. “Two of the same pieces of the same puzzle are not going to go together, they’re just not. They have to be different in order to complement each other, and I think we do that very well as actors and as people.”
One of the first scenes the two shot together was a sex scene, and like with any intimacy on camera, that required a lot of trust — even if at the time, they had just recently met. But the two used their real-life newness with each other to their advantage, as it paralleled how T.K. and Carlos were also just getting to know each other, creating a realistic pairing that the stans simply can’t get enough of.
“At that point, when you have a bunch of people just watching you make out and do that, you have to rely on your partner,” Silva says. “It’s like we only got each other right now, so let’s just do whatever happens here, just go with the flow. Let’s just go.”
Tarlos, with all their confidence and chemistry, is one of television’s better examples of an LGBTQ+ couple just getting to live their messy but meaningful lives without extreme trauma keeping them apart. A couple like Tarlos was a portrayal Rubinstein and Silva didn’t see a lot of growing up, and that helped motivate them to portray T.K. and Carlos in a way never before seen by generations of queer TV watchers.
Silva, who was born in Brazil and spent the early part of his childhood there, says he was raised in a very male-dominated, machismo-drenched culture with a stigma surrounding gay people. It wasn’t until he was a young adult attending Pace University in New York City that he was exposed to queer culture, and he was able to “actively, fully be myself” as a gay man. And it wasn’t until he saw Viola Davis’s badass bisexual Annalise Keating on ABC’s acclaimed How to Get Away With Murder that he felt like he saw something of himself represented on television.
Like Silva, Rubinstein, who spent his childhood in the U.S. but was born in Israel after his family left the Soviet Union following its collapse, had a similar experience growing up in a culture that taught folks being gay or queer was verboten. “It just wasn’t a thing that was ever brought into my world,” Rubinstein says.
That is, until he caught the acting bug. Going into Manhattan for auditions and exploring the West Village introduced Rubinstein to people and cultures that he had never experienced before, and that’s when he started to realize he could truly be himself and like both men and women. (Rubinstein publicly came out as bisexual in April of 2021 while Lone Star’s second season was airing.)
“I remember going there, just wandering around, and I was like, ‘Oh, wow, this is amazing,’” he recalls. “I think that was probably the first time where I started looking at men differently. Especially growing up, [I don’t remember] anybody talking about being bisexual. That wasn’t even a term that I even knew existed. It was just gay or lesbian.”
Though they didn’t have much representation growing up, Silva and Rubinstein are elated by how many people are touched by Tarlos. “It’s really all over the world right now, it’s unbelievable,” Rubinstein reflects. “I’d be lying to you if I said, ‘Yeah, of course I knew it would be like this,’ or ‘Yeah, I expected it.’ First of all, just for this storyline to even be birthed, it is so risky. Especially for a network like Fox. If it wasn’t for [creators] Ryan Murphy and Tim Minear, it wouldn’t be possible, and it’s still shocking me to this day.”
What was also shocking for Silva and Rubinstein (in a good way) was getting to see just how much love fans were ready to give in real life, as the two got to meet Tarlos stans over the summer at the Dream It Not at Home convention in Paris.
“We met a lot of people saying, ‘I’ve been saving money to come here, I’ve been working overtime,’ so all I could hear was, ‘I’ve been putting in effort in order to see you,’” Silva says of the experience. “When you hear that, you feel the responsibility to also take them in.”
And they’re not taking any of that love and support lightly. With season 4 of Lone Star on the horizon, and with more Tarlos promised to viewers after a breathtaking proposal scene at the end of season 3, Silva and Rubinstein are more committed than ever to nailing their parts as authentically as possible. And they can’t wait for fans to see what season 4 has in store.
“I’ve definitely been shocked and surprised already within the first couple episodes. There’s definitely been some storylines where I’m like, ‘What?’” Rubinstein says. “It’s hard to predict what’s going to happen on the show, especially with us, so that’s been really cool. It keeps you on your toes, and when I get a script, I’m literally flipping through the pages as fast as I can because at any moment, there could be a bombshell — and we’re definitely going to have a couple this season.”
“Right off from episode 1, we’re going to find out some things that are funny, but it propels on to several beautiful episodes after the first one, and it’s going to be intense,” Silva says. “It’s going to be fun to watch and fun to do. Like what Ronen said, you can’t really expect much because things change a lot. Whatever you think is going to happen, Tim always brings something better than what your imagination can perceive. I think the fun part is just waiting to find out what actually happens.”
“The biggest thing is all paths lead to the wedding,” Rubinstein adds.
As the actors reflect on the future of their careers beyond Lone Star, both remain optimistic that LGBTQ+ representation is only going to improve, and they both want to work on projects that push boundaries and are more inclusive of historically marginalized identities. For Rubinstein, that means seeing more projects with bisexual male leads, and for Silva, that means adding Latinx representation to mainstream American media.
“I would love to do movies and work with some of my heroes, whether it’s Brad Pitt, Leonardo DiCaprio, Christian Bale. I’ve been putting that out since I’ve started this journey, so hopefully it happens,” Rubinstein says. “I think, selfishly, I would like to see more male characters who are bisexual, especially in leading roles. It’s strange that it’s not happening more often. Maybe it’s going to take me to produce something or be the one that does it, but I’d love to see more of that. I think there’s a lot of stories to be told, but especially in the LGBTQ+ community.”
“If I’m going to dream, I want to do things that challenge me, that make me scared, but where I can also have fun and also, I’m going to say selfishly, where I can achieve a certain level in my career where I won’t feel like I have to explain myself,” Silva says.
talent RAFAEL SILVA & RONEN RUBINSTEIN @actuallyrafa @ronenrubinstein photographer COYOTE PARK for GOOGLE PIXEL 7 coyotepark.format.com @coyotepark executive producer & senior director TIM SNOW @snowmgz creative director RAINE BASCOS 1st assistant MASON ROSE masonrose.photography @masonrose__ light tech EVADNE GONZALEZ @evadnegonzalez digitech MERLIN VIETHEN video AUSTIN NUNES austinunes.com @austinunes producer STEVIE WILLIAMS x2production.com @beingstevie of X2 Production set designer ORRIN WHALEN orrinwhalen.com @orrinwhalen art assistant BRANDON LOYD @ohmylord stylist EDWIN ORTEGA edwinortega.com @edwin.j.ortega styling assistant BROOKE MUNFORD @brookesquad hair/groomer ABRAHAM ESPARZA abrahamjesparza.com @thisisbabe manicurist RILEY MIRANDA @rileymiranda.nails
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Breaking down the comics: Learning to Crawl (issue 35)
Moon Knight, Issue # 35: Second Wind
Written by Tony Isabella and drawn by Carl Potts
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Hey look! The X-men are in this one! And the Fantastic Four! That’s a lot of cross-over. As I’ve stated before, a lot of times when you have a ‘features’ on the cover, it means the characters show up briefly to do a one liner, then leave. A ploy to try to draw in more readers and sell more issues. Let’s see how much they all feature in this! 
And the plot summary? “Following last issue’s devastation, Moon Knight is at a crossroads on whether or not to continue his vigilante career. Guest-starring the X-Men and FF!” 
Now, keep in mind that this is a new writer (One that was acclaimed and recently retired that came out of retirement to guest appear) right after Moench left Marvel. So we're getting the character intro that feels more geared towards the writer than the audience. ALSO this is a cross over ultra long issue so they are hoping to have NEW readers that are here for the X-men and that will get interested in Moon Knight and then start reading regularly.
So we're not only going to get over intros of the characters, but we're also going to get a heavily watered down edition of the characters because the new readers aren't here for lore, they're here for X-men. 
We open at midnight in Manhattan. 
"It's Midnight when the man born Marc Spector (but who has long since glided into other identities as easily as he now glides over the city) spots the quarry that has brought him out into the darkness. 
Thus Marc Spector begins this in his identity as the costumed adventurer Moon Knight. When it ends he will know who he truly is...and why." 
His prey is "The Fly", who focuses on robbing rich vacation homes while the owners are away. 
After noting that The Fly recently went up against Spider-Man and lost, Moon Knight sneaks up on The Fly and immediately gets his ass kicked. He spends a lot of time on the ground. 
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He’s doing well. 
OH. OH NO. I know this comic! (it may come as a surprise to some of you that I do not read the comics then write these analysis. I do a life reaction.) I knew this was coming but it had completely escaped me that THIS was how it happened. Oh. My. Khonshu. This is embarrassing. 
As always, Frenchie is up above keeping an eye on things. When he spots "The Fly" getting away, he radios down to Moon Knight. 
Worried for his friend, he climbs down from the chopper and finds Marc laid out on the roof, unable to move and barely able to speak. 
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I must say, the art and colors on this issue are spectacular. 
Frenchie gets Marc to his chopper. 
"Moon Knight glides from pain to oblivion to delirium in no discernible pattern. Once he curses himself through agonized tears for being so sloppy this time. 
Once he wakes in madness to quote Keats. 'There is not a fiercer hell than the failure in a great object.'" 
Side note: We've seen Marc, specifically Marc, quote classical literature before. Marc is shockingly well read and it makes me wonder why he hides how smart he is. In later issues he talks about his struggles in school, but Marc Spector really is very smart. (An idiot but smart). 
John Keats is an English romantic poet. He is famously known for "Beauty in truth, truth in beauty".
Jean-Paul takes Marc to a private hospital that 'doesn't ask questions'. 
He undergoes surgery, but his spinal damage is great. They tell Marlene that they've done what they can and the rest lays in subsequent therapy. "I'm afraid it's entirely possible that Steven Grant may never walk again." 
We move to Paris where a young up and coming dancer is running for her life from some unseen danger. 
Her assailant is a woman who accuses her of abandoning Russia and taking all her gifts with her. The attacker uses the wind as her power and sends the girl off into the sky to meet a terrible fate. 
Back in Grant Mansion, we see one of the Moon Boys working on parallel bars to learn to walk again. The whole time, he curses himself for letting The Fly get away. 
Now, for the past couple of issues, Moon Knight has been facing another internal conflict of if he is doing any good. The people he was supposed to help turned out to be th villains and the villains turned out to be guided by circumstances and then paid a terrible price. 
"I'm not sure I should ever think about Moon Knight again... I mean, what if it's somebody else's life on the line next time I screw up?" 
Marlene calls an end to today's therapy session and helps 'Steven' back to his wheelchair. 
Samules, the butler, announces a guest and Gena busts in at full speed. 
"Guests, Sammy? We're family. Right Lockley?" 
"How's the kids, Gena?" (Jake is always such a sweetie). 
She gives him a hug and I may tear up. I love Gena so much. 
Crawley bursts in next. 
Jake's friends have always been his support and his heart. 
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Jake is worried about the boys. 
Gena is too. "This sure isn't the easiest city in the world to grow up in...Even for good kids." 
They reflect on the gangs always recruiting new members. 
They talk about how Lenny, from the Music box issue, is serving time despite being a good kid. They reflect on the gang that was poisoned and attacked Gena in her diner. 
"Those are the reasons I'm thinking of leaving. My brother has a place in Houston. He needs a manager. Hard decision to make." Gena admits. 
"Do what's best for you and the kids. But... If you can --stay. You've got family here too." 
It's hard to let go of friends. Especially someone as important to their way of life and joy like Gena. Jake relies so heavily on his routine. He visits the diner for breakfast frequently and he goes there when things are stressful or he wants to get away from Steven's life and people. 
Gena heads out, back to the diner. Crawley lingers to have a word. 
Moon Knight used to pay Crawley for information. Crawley has always had a gambling problem and he admits that he's been in it again and is out of cash and overdue on the rent again. 
"I...I was wondering if Moon Knight would be requiring my services soon." 
I'm not sure who is fronting at this junction, but he's giving Steven vibes so I'll say Steven. 
Steven admits that he doesn't know when he'll be up and able to walk again, much less Moon Knighting... 
"I'm not sure Moon Knight will be back." 
Marlene offers to put Crawley on a retainer and holds out some cash. 
"Oh, no. I'm afraid I've gotten to enjoy working for a living again. Not to worry, my dear, I'll be fine." 
Crawley refuses help and asks to be notified if his services are needed. He heads back to the diner.
Steven is angry. "He's my friend, Marlene, and for the first time I'm wondering if it hasn't been my needs as Moon Knight that have kept him down in the gutters--While I come home to THIS every morning.
Maybe it is time to retire as Moon Knight." 
He heads into the room that houses his Khonshu statue. 
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"What do you say, Khonshu, Old boy? Is the wheelchair and the legs that won't work some sort of sign that my tour of duty as Moon Knight is over? Have I paid for the crimes of my past? 
All the men I am... Can I put Mercenary Spector to rest? Can I stop driving Lockley's cab?
Can I finally be the man I want to be? I WANT to be Steven Grant, Marlene. He's a good man...The kind of man who could make you happy." 
"That would be nice. Let's talk about it...Sometime." 
"Right. Well, wheelchair or not, I've still got a life to lead. Let's get on with it." 
Narration: And if Khonshu has any thoughts of his own to add...He keeps his own counsel.
So we are dealing with Steven primarily in the chair. It’s interesting that Steven is the one dealing with the PT and learning how to cope. We get glimpses of Jake, but mostly it’s Steven wondering what sort of life he is supposed to follow. The desire to just be Steven. To be a good man. To make Marlene happy. 
Next we see Marlene and Steven going to a Ballet. Steven has sponsored the local ballet in an effort to be "just a good citizen doing what he can." 
Steven goes to meet the star, Sergey Valberg. He's brought along the media to help promote the company and get more people to the Ballet. 
As the media sets up, we catch a glimpse of the angry woman from before that sent the other dancer to space. 
Sergey has agreed to let the media record his rehearsal. They watch in amazement as he dances when suddenly...
A gust of wind knocks all the security around and the woman enters the room. "Sergey... Your dance is over." 
"Marlene... I think she's here to kill him! Try to cover me while I...I... Sit here like a helpless cripple." Steven is realizing he can't do anything.
Wind lady blows the chair over for his trouble. 
Sergey recognizes her. He calls her Bora. 
"I have heard...of a woman whose heart is as cold as the frigid winds she commands. I had hoped I heard wrong." 
She had once rehearsed under Sergey, dreaming of being a great ballerina. Then she found out that she was a Mutant as she not only gained wind powers, but she also grew to over seven feet tall! 
When she went to him for help, she found out that he had fled Russia to America. 
Her dreams of being a ballerina were over. 
"I awoke to find my long cherished goals thrust eternally beyond my reach, for what choreographer had ever conceived a ballet for a seven foot tall artist?!" 
So naturally she decided to punish all those who defected from Russia. 
She drops the temperature to below freezing as the winds swirl around them.... And Sergey starts to dance. 
"If I die, It will be as I have lived--Honoring life through my dance!" 
Steven is helpless to watch from outside of the rehearsal room as the temperature drops and the winds blow. 
"The Bora is a cold, dry wind. It can reach speeds of 125 miles per hour and has been known to overturn trucks. He lets the gusts catch him in mid leap.
His dance has become a language now... His movements its alphabet. The opposition of arms and legs create words. His dance speaks to Steven Grant. It speaks of courage unconquerable." 
Steven crawls to the glass and struggles to get to his feet. 
"The temperature in the enclosed studio is now sixty degrees below zero. The sentences form more slowly. Indeed, there is only breath left...for one... final... statement." 
Sergey takes a final leap. 
"The dancer is dead... But not his dance." 
The wind woman departs and Steven is left helpless. 
He has realized a truth. He asks Marlene to take him home. 
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Love the imagery of Khonshu’s statue behind Marlene. “Inside the mansion there is a cold silence. It reminds Marlene of a tomb…in Egypt.” 
"Because I have to be here. Because I'm needed." Steven sits in the wheelchair clutching at the Moon Knight cowl. "You know what's out there. It's a world in which the savages all too often rule our cities, our streets, our souls. 
The Good citizens... The Grants, the Lockley's...They fight that tyranny as best they can. They aren't always enough." 
Steven is starting to understand that as much as he wants to be the good person and the only person, he can't. 
"Moon Knight is more than a good man. He's a force that transcends the brutality and the fear that are the savages' main weapons--Because he can use those weapons himself. 
He's a savage on the side of the angels. A protector of innocents... A symbol of vengeance and hope. And, God willing, If he does his job well enough... He'll be the last savage." 
It's an interesting understanding by Steven. Viewing Moon Knight a a necessary violence force. But does he see Moon Knight as his own person, as Marc Spector, or as all of them working together? 
I know how Moench would portray Moon Knight, but with him out of the picture, how is Marvel going to let the character of Moon Knight advance? 
Steven attempts to stand. 
He fights through the pain. 
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For once, he’s not looking to Khonshu for support. Or a miracle. 
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"This is the truth learned. That being Moon Knight is not a curse... Nor a state of penance. It is simply who and what he was always meant to be." 
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So what is Moon Knight's first course of action? 
He goes to see Professor Charles Xavier's school for gifted youngsters. 
Alright. We are a little over halfway through the comic and we are finally bringing in the X-men. 
He speaks with the Professor himself. 
"The Russians have been unusually co-operative with the bare facts. She's fourteen, off her nut, and operating without their sanction. Not enough. I need to know how her powers work!" 
Moon Knight notes that there are four more defectors in the ballet company and he bets she'll strike again on opening night. 
Professor tells him how he thinks Bora's power works then asks if Moon Knight thinks one man can stop her. 
"I don't know. I don't see where I have any choice but to try. Thank you for your help, professor." 
Leaving, Professor X watches him go. 
"He has doubts. His injury--His recent failure....The pain that yet wracks his body. They all work against him. And still he strives to overcome. The man's determination is both inspiring and frightening." 
He calls in Colossus and Nightcrawler. 
Mostly because you can’t have a comic that boasts about an X-man crossover without the x-men. And any time there’s a one off X-men crossover, they tend to just kinda throw Colossus and Nightcrawler at the situation back in the day. (Current day it’s more like wolverine or some random side characters that Marvel wants to promote at the time for a smaller comic). 
Nightcrawler makes the argument that Mutants should deal with Mutants. 
"I would agree...Normally... But Moon Knight is at a crossroad in his life. He must be given the chance to prove himself to himself. He is a powerful force for good. 
Perhaps more powerful, in his own way, than we X-men. We will not interfere unless necessary." 
Yet... They do all agree that a night at the Ballet might be nice. 
Outside the school we find Frenchie chatting up Storm. 
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Opening night, the theater is packed! And what's this? The Thing! 
He says his hello to Nightcrawler. 
Nightcrawler admits that he's there as 'unofficial back-up'. 
Ben laughs. "I guess that makes yours truly and pals the "Official Back-ups, then." 
It would seem that Moon Knight knew he wasn't fully up to full strength so he called in a little extra help. 
"The Fantastic four!" Kirk turns to his row and admits "I, too, came with 'Pals'!" 
And there we see more of the X-men! I'm not a big X-men reader, so I only recognize two, maybe three of the ones there. 
It's also interesting that Moon Knight would specifically ask for help from the fantastic four. He's only had run-ins with DareDevil, Ben, and the Hulk up to this point. Inviting Dare Devil to the ballet would be... a bit off. And the Hulk wouldn't exactly be good backup. 
It's also hilarious that to this day, Ben still considers Moon Knight a friend and every single year will send him Hanukkah cards. In later issues, Moon Knight admits that there aren't a lot of Jewish heroes and that Ben needs to meet others besides himself, since he isn't exactly the most observant. But it's still touching how Ben said "This is my friend." and clung to him for so long.
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We see Moon Knight himself up in a box seat overlooking the stage. (And this image really tickled me for POTO reasons. If you know, you know.) 
"But if Kurt Wagner has gained new respect for the Moon's Knight of Vengeance, the object of that praise is himself still wrestling with doubts.
Bora has the power to level this theater. He was crippled by a glorified burglar. Memories of past failure assail him. The waiting is a battle in itself. And that he does not surrender to his doubts in those seemingly interminable minutes is a victory as great as any he has known." 
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Okay okay okay. Let's take a moment to appreciate the actual Ballet! 
"Laurencia" - A story of love and tyranny. 
A ballet by Chabukiani. As wiki informs me, "Created at a time when 'choreodrama' was considered in the Soviet Union the only acceptable form of contemporary ballet.' 
Basically it stresses that dance was an ultimate form of expression and all movement should serve as a purpose. 
So ballet at the time seemed to focus heavily on drama based plays. 
The story the ballet is based on is one of a peasant revolution. Which, if you know the most basic of Russian history, this was a big deal for the Soviet Union. 
Now, Chabukiani created his own form of choreographic language in Ballet where he focused heavily on the Male Dancer and created 'the heroic male dance'. 
The play is pretty simple. Village awaits the return of some grand Commander with his army. Meanwhile a girl and her admirer are flirting. The commander returns and immediately desires the beautiful girl. She rejects him so he leaves with his army. The admirer asks the girl to marry him but she isn't sure and doesn't answer. The Commander returns and tries to have the girl. She rejects him again and this time he leaves promising revenge. The girl marries her admirer but the commander interrupts the wedding and arrests her groom. Pretty pissed off, she rallies the village and they storm the castle. They kill the commander and free the groom. 
The original story was written in the 1600s and was based on a real story. 
Back to the comic! 
Bora interrupts just as the revolt against the evil Commander is taking place. 
Winds batter around the ballerinas as Bora steps on stage. 
"The winds of retribution have pursued you from the homeland you hae betrayed! They have decreed your punishment! And they have named Me Your executioner!" 
The X-men and the Fantastic Four hold off, wanting to let Moon Knight take his chance to redeem himself to himself. 
(It's also funny to watch a woman command the winds and have Storm be there like, "Oh she is not going to get away with this".) 
Moon Knight leaps down onto the stage. 
She immediately blasts him with wind. This gives the dancers time to make their escape as he fights against the wind storm. 
Professor X had guessed that Bora's powers were psionic in nature. She was not generating the wind herself like Storm does, but she was opening a sort of portal to harness the winds from their original location. 
Off stage, Marlene and Frenchie flip on the lights and buzzers, giving Bora a massive headache and thus she loses control of her wind. 
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The notion that Steven goes around building things ‘just in case Moon Knight needs them’ is hilarious. 
The Fantastic Four do their thing and ensure that the audience and fleeing Ballerina are not injured in the wild winds. 
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You gotta love cross-over comics. The X-men could have ended this immediately. Much less the Fantastic. Both in the same building? Come on. But this isn’t their comic. They are guests in this comic so they gotta watch Moon Knight, a man without a single ounce of power who just finished recovering from massive spinal injury crawl across the stage. Look at him go. He’s used to being on the ground anyways. 
We get to see the Various X-men like Kitty Pride and storm and Colossus do their thing to help people. We also see the Fantastic Four do their own thing. 
Pretty pissed off, Bora now focuses fully on Moon Knight and he's getting blown around a bit. 
"The temperature drops rapidly, a full degree per second. He cannot feel what he clutches in his hand. He does not stop. Ice daggers cut deep into his flesh. And still he does not stop." 
Nightcrawler pops in just behind her, giving her a start. The momentary distraction is enough for Moon Knight to get to her and...
DID HE JUST CHLOROFORM HER?!
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Yep. Sure did… 
Well... It worked. She passes out. 
Later, back at Grant Mansion Marlene and Steven talk.
"You're tired." "I am exhausted--and in excruciating pain--and feeling completely, totally wonderful!" 
"No more doubts?" 
"Lots. But I won't quit again. What we do is important." 
"I can live with that." 
And we end on Khonshu's statue gazing at Marlene and Steven embracing. 
OKAY. Coming from the future and gazing upon the past, we know what is to come in the comics much much distance from when this one was written. 
He does in fact quit again. He also ends up in a wheelchair again. What’s the difference? This time, it is Steven that handles it. In the future issue, it’s MARC that handles it. Another huge difference? In the future issue with Marc being left crippled, his friends have all left him and he suffers alone, angry, and in despair. This time, we see their friends rally around him. Steven is practical in how he confronts the problem, and Steven takes them through the rehab PT, he puts in the work, and he understands what it means to not be able to recover. He accepts potential failure and he makes peace with it. 
Marc does not. In that future episode, Marc pushes himself over and over again and suffers in miserable agony as he fails and fails and fails. Steven accepts that he is a good man and he can live with himself if he can’t be Moon Knight. Marc cannot. 
We also see the general use of ‘What WE do is important.’. He won’t quit again. He, being Steven Grant, acknowledges that he gave up too soon. He settled too soon and didn’t leave the others any say in the matter. He wrote off Jake and Marc and Moon Knight. Now he sees that he can’t do that. Moon Knight needs his place. 
What I also love is that this was again another show of a battle against oneself. We see him struggling again with his own failures and dip into self depredation. They suffer with imposter syndrome and doubt and depression. He acknowledges that the doubt is still there. That they are still struggling, but that they now know that they need to keep pushing on and forward. 
What I didn’t like about this issue? What happens to the girl? What happened to Bora after she is defeated? 14 years old and her dreams of ballet are gone and she is obviously not taking anything well. Do they just hand her over to the X-men to deal with? Also the main ballet dancer was killed! And the ballet just goes on? He was a pretty important figure it seems like! And the girl from earlier that was killed! I hate loose ends. 
Overall, I really did enjoy this issue, even if it was a cross-over with loose ends. This is the last we see of special guest writer Tony Isabella. In the next issue, we get our first full one from Zelenetz!
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