#saying something along the lines of “They have to know what it feels like for real. Know how debilitating it really is.”

[youvebeenlivingfictional]

the pro

Pairing: Art Donaldson x Reader

Rating: Explicit - 18+ only. minors, please get off my lawn.

Notes: My brain chose violence this morning. Not beta-read because when is it ever.

Length: 4.8K

Warnings: Slow burn; unhappily married reader; divorced Art Donaldson; infidelity; oral sex (female receiving); vaginal sex; unsafe sex

Summary: Every lesson becomes an exercise in self-control. You force yourself to try, really try, and not make silly mistakes for the sake of Art coming closer, grasping your arm or elbow, pressing close and redirecting your swing. You don’t know what you crave more these days: his praise or his touch.

He's the biggest men's tennis star since Andy Roddick.

That’s what your husband says, as if it’ll entice you. As if you know anything about tennis, about the pro that your husband says will be coming to the house to teach you to play.

It’ll be good for you. You need a hobby. 

You don’t gripe or argue. You don’t tell him that five months into your marriage shouldn’t have you looking for a new hobby. You should still be in the honeymoon stage, spending all of your time with him, hanging off of his arm, off of his every word. But he works so much and he’s away so often—

I don’t want you to get bored. 

It’s a sweet gesture. The maid handles the housework; you have a chef that handles most of the grocery shopping and cooking, unless you insist on making something yourself; you have a housekeeper that arranges for anything you need—dry cleaning, maintenance. And it’s no wonder that with all of his money, his power, he can just order a retired pro tennis player up to your house, like you’d order a pizza. There’s a tennis court in the back of the mansion, a few feet from the pool. You’ll get some new outfits, the best sneakers, the nicest rackets. You’ll finally have something to do to fill your days. 

Art Donaldson. 

You know his name before the lean, fair-skinned patrician man turns up at your front door. He trails you through the house, politely declines your offer of a beverage. 

“You ever played tennis before?” He asks. 

You haven’t. Before your husband arranged this for you, you hadn’t so much as given the sport more than a passing thought. You don’t have the heart or confidence to tell that to a man that’s made tennis his whole life, so you just give him a small, guilty smile and say no, you haven’t. He nods, waves you off, insists that it’s fine. 

“We’ll start with the basics.” 

-- 

Two months of lessons on the basics make your arms tired, and your hands sore. But where your swings are clumsy and your grip is weak at first, you can see improvement in the way that you move. Your steps are less clumsy when you go after a ball; you’re more aware of the service line and the base line; your forehand stroke from contact to your left shoulder is smoother; your rotation and follow-through on your backhand is coming along, but has a long way to go. 

Art’s instruction is calm and steady. He explains technique as much as he demonstrates it. When you get something wrong, he doesn’t scold, just lightly corrects. When you do something well, his encouragement is constant and free-flowing. Every accurate move and motion is met with, “Nice,” or, “Perfect,” or, “That’s it.” 

On the days when you don’t have a lesson with Art, you practice. You order a tennis ball machine to work on your forehand and backhand. You attempt (and fail) to learn how to slice on your own. You try anyway—you can only imagine the way his eyes might light up if you manage to surprise him. 

You’ve tried to ignore the rising interest that you have in Art, but you can’t help the little…Crush that’s developed. He’s just so attentive, and kind. When you find yourself smiling these days, it’s often because of something that he said, or did. You can’t remember the last time your husband made you feel giddy this way. It was probably when you started dating—before you’d made the decision to marry for comfort, rather than love. Your husband is practical, rarely physically affectionate, more heavily involved in his job and social circles than with you. 

But you’ll have to find a way to thank him. He’s given you a hobby, and a man that grins at you like you just painted the goddamn Mona Lisa when you serve your first ace. 

-- 

“So, tell me about the Mark Rebellato Academy.” 

Art smiles, dipping his head as he reaches for his coffee. It’s taken a few months, but you finally convince him to have something to drink with you after practice. Your chef is blessedly out shopping for ingredients for dinner, so you have the kitchen all to yourself. Art has watched you putter around, seeming surprised that you know where everything is. You can’t blame him; the kitchen is chef-grade, and you don’t cook much these days. 

“Did your husband tell you that’s where I went?” 

“No.” 

“Then how do you know?” 

You’re too embarrassed to admit that you’ve done some googling, and watched a couple of clips of him interviewing before and after his matches. 

“I’ve just heard,” You fib. “Tell me about it?” 

He leans back in his seat, eyes skating across your face as he seems to consider something. 

“What do you wanna know?” 

“Did you enjoy it? I mean—” It feels like a dumb question once it’s out, and you hurry to redirect, “With what you know now, if you had the choice, would you have learned how to play tennis somewhere else?” 

He considers for a moment, trailing his finger over the side of his cup. Your gaze flits to his fingers, and your own flex around your mug handle. You’ve spent far too much time looking at and thinking about Art’s fingers—their length and quickness; the slight roughness of his calloused hands; the lingering tan line from where his wedding band used to sit. 

“Yeah,” He admits, drawing your full attention back to his face. “I would. It was foundational, you know. I’ve been thinking of sending Lily there.” 

“Lily?” 

A bittersweet smile twists his lips. “My daughter.” 

“Oh!” It catches you off-guard.  

“Tashi, uh—” He clears his throat, “Lily’s mother, my ex-wife. She and I are thinking about schools.” 

“I’m sure they’d be glad to have her. Does she play tennis?” 

“Little bit. She didn’t start until last year, but she's a natural.” He clears his throat again, presses, “Are you and your husband planning on having kids?” 

“Oh god no.” You blurt it out, and realize as he raises his brows that you’ve spoken too quickly. You lean back in your seat, stirring your coffee quickly to distract yourself from your growing embarrassment. “He actually has kids already. Two girls, seven and ten. They’re at boarding school and they stay with their mother when they're on vacation. I haven’t gotten to spend much time with them.” 

“...He seems to be pretty busy.” 

“He is.” 

“So it’s just you in this big house?” He tips his head to the side, brows knitting with curiosity. “What do you do all day?” 

“Play tennis.”

He grins, chuckling, and your stomach flips at the sound. 

“It shows, you know,” He says. 

“What do you mean?” 

“I can tell you’re practicing without me. And,” He leans across the table, running his fingers lightly over the exposed skin of your bicep, “You’re getting stronger.” 

You wonder if he can see or feel the goosebumps that break out across your skin at the gentle sweep, his gaze heavy on yours.

“I have a good teacher,” You murmur. Art’s lips twitch with a soft smile, his hand gently cupping your arm. 

“Just good?” He plies. 

“The best. A real pro.” 

His smile widens, and the flash of his tongue sweeping across his lower lip makes your face go hot. You know that you’re caught when Art’s touch becomes firmer, pulling your arm toward him just a little. 

The sound of approaching footsteps startles you, and you hurriedly tug your arm away. The sight of your husband makes your heart leap into your throat. 

“There you are,” He smiles. “Art, how’s she doin’?” 

“She’s killing it.” 

You don’t dare look at him, but you can feel the weight of his attention lingering on you still. You just give your husband a smile, tipping your cheek up obligingly as he leans down to kiss it. 

“Actually, Art,” Your husband straightens up, hands resting on your shoulders. “I’m glad I caught you. There’s a charity event for a local club this month. It’s for uh…What is it?” He squeezes your shoulders for answers, and you have to keep from rolling your eyes. 

“It’s a charity tennis match to raise funds to fix up the local courts. They need resurfacing and they’re raising funding to keep the fees down.” 

“We could use a sponsorship from the foundation,” Your husband adds. 

“Honey,” You glance back, wary of insulting Art. But—

“I’ll do it,” Art agrees. “Send me the details.” 

“Excellent,” Your husband grins. “Maybe we could coax you into a match or two.” 

You don’t chastise him this time—not when you see something light up in Art.

“Maybe.” 

--  

You haven’t seen Art play before. You’ve specifically avoided it. You’ve known that when you saw it, you would be too intimidated to do a damn thing on the court with him. But now, you can’t stop watching him. You don’t even care that you probably look so out of place—where everyone else is watching the ball, you’re just watching him. 

His movements are so neat, so precise. It’s like watching a dance. He’s running the poor guy on the other side of the net up and down the court. And the sounds that he’s making—god. Every little grunt and groan is weaving increasingly filthy thoughts in your mind. You already know that you’ll seek out the memory of those sounds, as you reach between your legs later. His shirt clings to his chest, showcasing the muscles that you’ve always suspected he has. Strands of hair plaster to his forehead as sweat drips over his cheekbones, down the bridge of his nose, over his jaw. 

When he scores a match point and he looks toward the cheering crowd—when his eyes land on you instantly, without having to search—it’s like you’ve been hit by a bolt of lightning. You can’t think, or move. You barely have the focus to applaud, but you manage to raise your hands and clap. 

-- 

Every lesson becomes an exercise in self-control. You force yourself to try, really try, and not make silly mistakes for the sake of Art coming closer, grasping your arm or elbow, pressing close and redirecting your swing. You don’t know what you crave more these days: his praise or his touch. 

Coffee becomes a post-lesson ritual. He starts to stick closer and closer to you as he follows you into the house until he begins to rest his hand on your lower back, guiding you to your door. He keeps nearby when you’re making it, brushes droplets of sweat off of your forehead or neck. Every touch is electrifying; you have to make a concentrated effort to keep your hands steady, your face neutral as your heart pounds and your stomach floods with butterflies. 

He pushes you harder on the court, and you force yourself to meet the level that he sets for you, even when you don’t feel confident in it. But you want to make him proud. 

It spurs you to lunge a little too far. 

The sharp stabbing pain in your left ankle makes you shriek, and you tumble to the ground, dropping the racket with a clatter. You hear the pounding of his feet, glance up just in time to see him clear the net before he’s on the ground at your side. 

“What hurts?” 

“My ankle,” You grit out, hissing softly as he helps you straighten your leg out. He smooths his hands over your calf, leaning over you and gently guiding your foot in a few different directions. You whimper as he starts to guide your foot to the left. 

“Okay, okay,” He soothes, “Let’s get you inside.” 

For as much as you damn the throbbing in your ankle, you thank it a little, too. You lean heavily against Art, making the slow, arduous journey back to the house with his arm wrapped tightly around your middle. 

When your husband comes home, he finds you with on the couch with Art coming back in from the kitchen, an ice pack in your hand. 

You’d hope for concern, but your husband frowns, glances at the swelling knob of your ankle, and simply asks: “What did you do?” 

“She lost her balance.” Art sits down on the other end of the couch, soothing you as the chill of the ice pack makes you shift with discomfort. 

“Are you going to be able to walk tomorrow?” Your husband presses. “We have dinner at the Fineman’s.”

“I'm still going, don't worry about that."

“...Tomorrow might be a bit soon,” Art warns. 

“I’ll be okay. It’s just a sprain, right?” You tip your brows up, hoping, praying that he’ll agree for your sake. His fingers flex around the ice pack, jaw ticking as he clenches it. He doesn’t say a word as your husband sighs heavily, grumbles, “I hope so. Still, we should put a pause on the lessons until she’s fighting fit again.” 

Art finally tears his eyes from yours, a tight smile on his lips. 

“Of course.” 

-- 

“How’s the ankle?” 

It takes you a moment to scrounge up an answer. You can’t believe that he called. You knew that Art had gotten your number when you started taking lessons with him, but he’s never used it beyond texting to confirm a lesson time now and again. 

You look down at the still-swollen flesh as it strains against the thin strap of your slingbacks. 

“Fine,” You lie, “It’s um—” You glance over your shoulder, listening for your husband. “It’s not that bad.” 

“Good enough to walk on?” 

Hardly. 

“Yes.” You think you’ve gotten away with it, but when you hear Art sigh and chastise, “You should rest,” You know that you haven’t.

“I have,” You insist, “All day.” 

“Are you sure you’re alright?” 

“Yes.” 

“You can tell him no, you know.”

Your mouth works wordlessly, body going hot with indignation. You can’t think of a thing to say. You can’t tell him that he’s wrong, that your husband’s connections are the lifeblood of his business. You can’t tell him that if your husband’s business falls apart, you won't be able to afford those tennis lessons, and then how the hell are you supposed to see Art again? 

You just yank your phone away from your ear and hang up. 

-- 

I invited Art. 

It shouldn’t be a surprise, but your husband’s statement makes you feel like you’ve swallowed your tongue. You haven’t seen or spoken to Art in nearly two weeks. Your doctor recommended putting off any physical activity, which your husband surely relayed to him. He was the one whose name was on Art’s checks, after all. 

Your husband has always thrown a massive party to kick off the summer. Every year, 150 of your husband’s closest family, friends, and business associates flooded into the house. It shouldn’t be such a surprise that your husband invited Art after the performance he had given at the fundraiser—$25,000 from the foundation, and ticket sales went through the roof when it had been announced that the Art Donaldson would be making an appearance. Your husband owed Art a lot, and probably saw this as an opportunity for him to network, to take on more clients. He had been evangelizing Art’s training to any of your friends that would listen—how good you are on the court, how engaged and energetic you seem to be these days. 

It’s one thing to know that you’ll have to put on a happy face for the crowd, but to know that Art will be among them makes your insides twist with nerves. You can’t stop thinking about the way that he had spoken to you when you were hurt; his calm, steadying demeanor as he’d gotten you inside; the careful coaxing and gentle touch that he’d used as he’d taken your shoe off and examined your ankle more closely. 

You think about it now, as you strap on another pair of heels. Your ankle really is doing well, though you have a little lingering pain in shoes like these. You’ll likely be on your feet for the length of the party; it’s going to be a long night. You look over yourself in the mirror, self consciously tipping your ankle from side to side for anything that he may spot or catch out. But there’s nothing, you reassure yourself. You slide your hands over the skirt, plastering on a smile as your husband pokes his head into your dressing room. 

“Almost ready in here?” He asks. 

“All set!” 

-- 

He doesn’t come over to you. On the crowded patio, you can feel him watching you—you’ve gotten so used to seeking out the sensation that you can’t ignore it now. The first true look at him is agony. He watches you from just a few feet away, a glass of champagne in hand as he speaks with your husband and the Finemans. He openly looks you over, eyes drifting over your body to the flash of ankle revealed by the slit in your dress. He tips his head to the side just a little, squinting before his eyes flit back up to your face, lips twitching with a small smile. 

You want to hate how good it feels; you want to be angry with him for his smug knowing, his insistence of You can tell him no, you know. But it feels so goddamn good to have his attention again that you can’t bring yourself to be annoyed. You know that you’re staring—that you both are—and you force yourself to turn away and excuse yourself from the conversation you’re in. You go inside, murmuring your thanks for the waitstaff that pass you along the way.

The house isn’t nearly as busy as the patio, and you're able to slip into your darkened study unnoticed. You leave the lights off, certain that if you turn them on, people will be drawn in to bug you, like moths to a flame. The party’s lights and music filter in through the partially-closed blinds. 

You lean against the desk, circling your ankle and wincing a little. You’ll hide for a few minutes, let it rest—

Your breath catches in your throat as the door opens. You expect your husband, ready to scold and usher you back to the guests. 

You only have a second to get a look at Art before he shuts the door behind himself, plunging the room back into darkness. Your fingers tighten around the edge of the desk as you use it to ground yourself. 

“...Do you need something?” You ask, voice wobbling with nerves. 

“Wanted to come say hi.” 

“Well. Hi.” 

You hear him chuckle, his footsteps muted by the carpet. 

“Thanks for the invite.” 

“It wasn’t my idea.” It’s not polite to admit, but you want it to sting him, just a little. Maybe it does; in the dim of the room, you can’t see Art’s expression as he comes to a stop just a couple of feet from you. 

“Do you want me to go?” He asks. You know what you should say, but you can’t bring yourself to say it. 

“No,” You whisper. You feel the heat of him as he comes closer, his hands resting on the desk and caging you in. You bite your lip as gently brushes his nose against yours. 

“He isn’t taking care of you.” 

“My ankle is fine.” 

“I’m not talking about your ankle.” He lifts a hand, smoothing it over your hip as your breath mingles. Art’s fingers drift from your hip to stroke over the apex of your dress’s slit. His fingers slip further down, and you nod as he palms your thigh. Before you can say or do a thing, Art sinks to his knees. He curls his hand around your left calf, lifting it. You shiver as his lips press a gentle kiss to your ankle. His hand and lips travel up, easing the fabric of your dress higher with each second. The first brush of his knuckles against your panty-covered clit makes you jolt. Your hands dig into the wood of the desk as his fingers hook between the fabric and your skin. You lift your hips without a word, allowing him to draw them down. 

Art presses a kiss to your mound before he lowers his head, giving your lips a sweet, sucking kiss. You gasp softly as his tongue swipes across your clit. You look down despite the fact that you can’t see him well. You can just make out his blissful expression, his eyes closed as his laps broadly across your aching cunt. You lower your hand to his neat hair, winding your fingers through it, unable to help grasping it. His heady moan vibrates against you and you nearly cry out at the sensation. You manage to just catch it, the sound dying in your throat as Art buries his tongue inside you. He sweeps his thumb over your clit in rush, harried circles, panting against your heated flesh. You rock your hips down against his lips, tightening your grip on his hair as you guide him. He lets you do as you please, whining against your skin as your movements become less controlled.

“Art,” You warn, “I—Oh, oh god—” 

He hums in encouragement, sucking your clit back between his lips and lashing it with his tongue. Your jaw drops open, your hand shoving Art even more tightly against your skin as you cum suddenly. A stunned, breathy moan slips from your lips as Art leans back, smearing his lips against the inside of your thigh. 

You use your grasp on Art’s hair to draw him back up off of his knees, giving him a crushing kiss as he catches his balance. You swipe your tongue across his lips, whining against his lips as you taste yourself on him. He presses close, his hard cock straining against the fabric of his pants. You reach down, palming and squeezing his length as you trade slick, messy kisses. He steers you back onto the desk as you fumble to undo his belt, button, and zip. 

“Condom?” He asks. 

“Pill,” You reassure, shoving his pants down. You lap broadly across your palm, grasping Art’s length and guiding him closer. He brushes the tip of his cock against your still-throbbing clit, smiling as you whine. You’re going to ache tomorrow, but you’ve never been so happy to be sore.

“Art.” 

“Sssh.” 

“Please—” It’s hardly out of your mouth before he shoves his hips forward, seating himself fully with a single thrust. You bite down on your lip to quiet your moan, curling your arms around your shoulders. He rocks into you with firm, quick strokes, his mouth covering yours. You can hear things on the desk rattling with each thrust, kisses growing less controlled as he hoists your thigh up around his hip. 

“Oh, god,” You breathe, “We have to be quick—He’ll come looking—” 

“Not until you cum for me again,” He urges. “I need to feel it, sweetheart.” 

“Art—” 

“When’s the last time he did this? Hmm?” He presses, “When’s the last time he made you cum? When’s the last time he tasted you?” 

“Never,” You admit with a shiver. It seems to renew Art’s passion, his thrusts and hold growing more intense. You squeeze your eyes shut, hands hooking tightly in the fabric of his jacket. He yanks the front of your dress down, bowing over you and drawing one of your nipples between his lips. You whimper as he toys with the bud, tugging it gently with his teeth before swiping across it. You arch into the slick heat, using your leg to tug him even closer as you chased the swelling curl of your orgasm. 

“Just like that,” You urge, “Ffffuck—yes, yesyesyesyes—”

Your eyes squeeze shut as your hips buck down against his, pussy pulsing as he spills into you. Your heart pounds in your chest as the two of you slow and still. Art rests his forehead heavily against your neck, peppering gentle kisses across the exposed skin. You have to move—now. You don’t know if anyone heard you, but if someone did, you’re screwed. If no one did, your husband will probably be looking for you anyway, ready with a scold for neglecting your hostess duties. 

“...I have to go,” You warn softly. It takes Art a moment to move, but he does, gently drawing himself back from his still-throbbing cunt. You hear the clanking of his belt buckle as he tucks himself away, and you reach down, righting your dress where it’s been pulled away. You take up your panties from where they’d been discarded on the floor, tugging them on before you straighten your skirt and hurry out of the room. 

--  

“Can I see you?” 

It’s only been an hour since the last guest has left, and you are so, so fucking tired. You glance toward the bathroom door. You know that you locked it, and you’re certain that your husband can’t hear you over the shower running, but you can’t help but be paranoid.

“You just saw me,” You remind him. 

“Tomorrow,” Art clarifies. 

“Where?” 

“I’ll send an address.” 

You bite your lip, toying with your earring. Your pussy is still aching from the stretch of him, your ass sore from getting fucked on the desk. 

“...You regret it?” He asks. 

“No,” You don't give your answer a second thought.

“I’ll send an address. Whether or not you see me is up to you. Just…think about it. Okay?” 

“Okay.” 

You lower your phone, hanging it up and watching his contact information blink away. It’s only a moment before a text with an address lights up your phone. You don’t have to think about it. You already know what you’re going to do. 

--  

You know that you’re staring, but you can’t bring yourself to stop. Art has spent so much time in your home, so you feel entitled to look around a little bit. You eye the row of trophies on his mantle, photos of him playing when he was young. You come to a stop at a picture of him with a young girl, a racket in her hand and a medal around her neck. 

“Is this Lily?” You ask. 

“Yeah,” He nods. “First competition.” 

“Already getting gold,” You smile. “The Mark Rebellato Academy isn’t ready for her.” 

Art chuckles, nodding as he steps around you.

“You, uh…You want something to eat, or drink, or…?” He trails off, tucking his hands into his pockets as he takes a couple of steps back toward his kitchen. You turn to face him, taking him in more fully. 

“Art?” 

“Yeah?” 

“Why am I here?” 

He doesn’t answer for a few moments. You can see him weighing his options before he comes closer. 

“I…I’ve been thinking about last night.” 

Fear shoots through you, but you force yourself to stand tall. “Okay.”

“I could lie and tell you that it should be a one-time thing, but I can’t remember the last time I got through a day without thinking about you. And I think you’ve been thinking about me, too.” Art stops as the tip of his shoes brush against yours, and you let your eyes slip closed as he rests his forehead against yours. 

“Tell me I’m wrong,” He pleads. “Tell me to fuck off right now and I will never say another non-tennis related thing to you again.” 

-- 

When he fucks you, he curls close, chest pressing against yours as he catches your lips in a kiss. You sink back against his pillows, your head cradled by his broad palm as he rolls his hips achingly slowly. You don’t bother to hide your whines and moans, and you revel in his. Every grunt and whimper and groan that Art lets out lights you up. 

And when you cum, you don't have to quiet yourself. His name tumbles out of your mouth, cushioned between expletives as your nails dig into his shoulders.

--

"What time is he home tonight?"

You don't want to think about it. You want to stay in this cozy little bubble, trailing your fingers over his muscled chest as he massages your nape and kisses your forehead.

But you know that you'll have to let the world back in sometime.

"I don't know," You admit. "Late."

"...Could stay."

"He'll be suspicious if I'm not home when he gets there."

Art sighs softly, running his hand down to rub between your shoulder blades.

"This isn't going to be easy, is it."

"What?"

"Letting you go every day."

"Every day?" You tease, pushing yourself up to get a better look at him. "Don't get greedy, Mr. Donaldson."

He smiles, raising his hand and cupping your cheek. "Is it greedy to know what I want?"

You shake your head a little, lowering your lips to brush against his.

"Not when I want it, too."

Tag list: @missredherring ; @fantasticcopeaglepasta ; @massivecolorspygiant ; @blueeyesatnight ; @amneris21

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#Art Donaldson x Reader #Art Donaldson x You #Art Donaldson/Reader #Art Donaldson/You #Art Donaldson fic #Art Donaldson imagine #the pro

[ode2rin]

new boyfriend rin would never ever, under any circumstance, admit that he likes the pet names you call him. well… unless you would stop doing it. (also me pushing the bffs to lovers pipeline)

You must be upset with him, Rin is convinced so. It’s the only logical and sensible explanation behind this unusual behavior. 

And he's going mad about it. Itoshi Rin is going mad any second now if he can't get to the bottom of this, he’s certainly convinced.

Every instinct screamed that your recent behavior was a reaction to something he'd done, but what? Was it the late replies to your text messages? No, you knew he was at practice and you told him you didn’t mind. Was it about the souvenir he brought back home to you from Paris? Sure, you teased him about its impracticality, but nothing that warranted this icy distance.

Or maybe it was something he said now? It must be, right? Everything boils down to his reckless poor choice of words, he supposes.

Slowly, Rin approached you by the couch you’re seated in. With your attention preoccupied by the selection of shows you’re browsing, you settled on looking at him briefly through your peripheral vision. Amused by how he’s slightly tiptoeing around, you let out a half-suppressed laugh to yourself. 

He looks like a cat sometimes, you thought from the sight. And acts like one too. Like a big black cat who would hiss at you if you looked at him funny, or one that would bite your hand if you stopped petting him to sleep. Funny how Rin could be like that too.

The moment Rin settles into the plush comfort of the couch, he gazes at you through lowered lashes, trying to read the play of emotions on your face, if there’s any. 

There’s nothing worth noting, and he doesn’t know if that should assure or bother him.

“Are we… alright?” he drawled.

What the fuck. He did not just sound like that. 

He did not just ask that and sounded like an anxious pathetic wet cat who just had a new home waiting for its owner’s permission over anything (highly specific because he’s a bit dramatic). Just what kind of loser have you reduced him into, really.

Oblivious of the internal turmoil in Rin’s mind, you turn to him, “Hmm? Yeah? Why’d you ask?”

“Nothing,” he grumbled. It’s enough that he already humiliated himself for the way he asked if the two of you were cool— doing it again by exposing himself that he thinks you’re mad plainly because he hadn’t heard you call him a pet name (like you always do) would be mortification in its final form.

“Okay, Rin.”

That’s it. This needs to end. Forget humiliation. He would rather choose to feel pathetic over any day than continue with this charade.

“Are you mad at me?” 

“Why would you think that?” you asked back instantly, shocked and extremely confused because of your boyfriend’s question. You’re literally just looking for a movie the two of you can watch— how is that any indication of being mad at him?

“Just answer the question,” he fumed, impatience settling on the furrow of his brows.

You said in the beginning of your relationship that you didn’t appreciate the silent treatment and guessing games, so don’t you think it’s hypocritical of you to do the same to him? (You’re not, but he just doesn’t know that.)

“I’m not mad at you, Rin.”

“You so are!” 

“I am not! But you, yelling and instigating it are making me right now!” you countered, voice hinted with irritation, “What is your problem, Rin?”

There it is again. Rin rose from the couch to face your sitting form, as if standing would better prove his point. “See? You’re calling me Rin!” he blurted.

“Well, maybe because it’s your name?!”

“Not to you, it’s not!”

A beat of surprised silence. Until your lips grew to such a wide smile that made Rin physically feel his heart melting. 

Yet, in Rin’s true fashion, he’ll never let you know how much air you knock out of him because of your beaming smile. Instead, he’ll say something along the snarky lines of, “Stop smiling like that.”

“Did my big bad grumpy Rinnie here thought we’re on a fight because I hadn’t call him baby?” you ask, purposely stressing out the words to disarm him more.

With a feigned exasperation, he comments, “I forgot how annoying you are.” 

“And I forgot how childish you can get sometimes,” you countered.

“I’m not childish.”

“You don’t mind me calling you Rin then?”

Rin rolled his eyes at you, but you know better than to put meaning to it. He lowered himself onto the couch beside you. With a swift tug, Rin pulled you closer, closing the distance between you effortlessly. His arm found its way around your waist, drawing you snugly against his chest.

“But I don’t see why you need to…” Maybe he could be a bit childish.

“I thought you didn’t like it,” you shyly muttered, drawing shapes in his arm. “The pet names, I mean,” you clarified, sensing the confused look he’s probably giving you behind.

“What the hell are you talking about?” He is baby. He is Rinnie. Fucking hell, that’s so loser of him to even voice it out in his own mind. 

“What? You call me by my name!” you defensively pointed out.

“Doesn’t mean I don’t like your nicknames of me,” he mumbled, the words barely audible.

The pet names— they were more than what they served. It was important to him more than what he would admit. 

They were a secret language, a way you marked him as yours. A reminder that he wasn't just Rin anymore— just your friend.

He was now something more, something special.

A ghost of a smile tugged at the corner of his lips. “Besides… I love your name,” he whispered, his voice velvet against your hair.

It’s tender— no, it makes him tender. Saying your name has been the softest, kindest, and most tender way he’s used his words for. 

Maybe it’s a little pathetic, feeling this undone by a name. But then it’s you. 

It was your name— a name he could whisper with adoration, a name that belonged only to him to claim. 

You melt to his words, leaning deeper into his chest. A contented sigh escaped your lips, the sound swallowed by the warmth of his embrace.

Looking up at him, your eyes held a softness he often found himself getting lost in, “I love your name too, but I also like calling you pet names. Is it okay?”

“Whatever you decide.” He’s yours, either way.

note. this is basically rin being "my nameeee is whatever you decideeeee and i'm just gonna call you mineeee i'm insane but i'm your baby!!!!" yeah that song basically.

#☁️ my ode to you #i have more drabbles like this i am fucking insane about him #itoshi rin x reader #itoshi rin #itoshi rin fluff #itoshi rin x y/n #blue lock x reader #blue lock imagines #blue lock fluff #bllk x reader #bllk imagines #rin itoshi x reader #rin itoshi

[bi-writes]

can't stop thinking about dark!simon with a sunshine!curvy!fem!reader, it's gnawing at my brain. (18+)

greeting him when he comes home in a little apron with dough smeared across your cheeks. you're bouncing in the kitchen, giggling as you wrap your arms around his neck. one burly arm hooks around your waist as he palms one side of your ass, and you kiss his lips over his blood-soaked mask again and again as you coo, "missed you so much, made you chocolate chip..."

you talk and talk and talk and talk. you're always talking. you're always whispering in his ear and chattering as he drives and telling him some story about something he missed while he was gone as you tidy up the flat. you never stop talking, never run out of things to tell him, and despite the monotone voice and the lack of response, he hears every single word that you say, and he forgets nothing. when he makes his way back on base, johnny is waiting, eager to hear an update about the receptionist at your work and if she is actually sleeping with your manager.

you wash his clothes without even blinking. you're at the sink, a bucket of cold, suddy water there as you scrub at his shirt. there's peroxide at the side, and you use a delicate hand as you scrub at the stains on it. ghost watches from the doorway as you hum to yourself, in a little pair of shorts with your hair tied up as you rinse the shirt clean. blood runs down the drain, and his shirt is clean as new.

you always find some kind of weapon around the house. you bend down to brush crumbs off the kitchen chairs, and you scold simon with a glossy pout because he left a bloody knife taped under the table. you whine when you find a grenade sitting in the same drawer you keep your tampons in. you complain when you take out the jar of rice to make dinner, and there's a small handgun hidden between the grains. but your face always softens when he cups your cheeks with two big hands, kissing you warmly, muttering, "gotta keep y'safe, luvvie...know there's a bloody line waitin' for a taste of y'r cunny, baby."

you visit him on base once in light wash denim and a white tshirt, sneakers hitting the linoleum and purse swinging as you wave at him. he's standing in front of a line of privates, watching them do jumping jacks, and his eyes light up a little when he sees you waving at him enthusiastically. when he finally makes it to you, he shoves you into the nearest supply closet and tugs your jeans down just enough to fit his cock between your thighs. when he's walking you out, the boys watch as you cling to simon's arm, a lovesick grin on your sweaty face as you flutter your lashes up at him.

he loves when your manicured hands touch him. scratching along his scalp, tracing the edge of his jaw, cupping the bulge in his pants. you're so sweet, the most giggly girl, and he loves tasting the strawberry of your gloss as you make him cum with your hand, cooing against his lips about how strong he is, how much you love him, how you would do anything for him.

he loves it most when you see him for what he really is. when he comes home battered and bruised, bloody clothes sticking to him, a snarl to his voice and the adrenaline of an op still pumping through his veins. he loves that nothing about him scares you. that even like this, you lean up on your toes and kiss him softly, that you get some of the blood and dirt smudges on the pink of your pajama pants, and you don't care, that he strangled a man with these very hands only hours ago, and you still want him to touch you.

he loves that you love him. that when he feeds his cock into you that night, in nothing but your baby pink lingerie, that you barely need any prep at all from how wet you are. thick thighs spreading apart, sticky slick shining on your skin, cunt nice and ready for him because you have missed him that much. he loves that no matter how ugly he feels, you always find him attractive, that no matter how many people he tells you that he killed tonight, all you do is smile and pucker your lips, and tell him, "it's okay, teddy bear, they deserved it, didn't they?" and yeah, they did, cause it is kill or be killed, and there is no universe where ghost does not fight to get back here, to get back to this pretty pussy, to get back to the bed he shares with you so he can watch those pretty tits bounce every time he fucks his cock into you.

ghost loves his pretty girl. all smiles. all soft, so cute, just perfect. ghost casts a shadow over the room, and you just brighten it right back up. ghost tracks blood into the house, and there you are to cover it all up with citrus and soap.

yeah. always just sunshine and smiles at home.

#i want to elaborate on this so much #just like #responding to every nasty thing he says with a laugh and a smile #calling him pookie when he licks the blood off his knife #squeezing his cheeks after he cracks someone's skull open #kissing his bloody knuckles when he comes home from the pub #yeah yeah yeah yeah #simon ghost riley #simon riley #simon ghost riley x reader #simon riley x reader #simon riley x you #ghost mw2 #ghost cod #ghost call of duty #ghost mwii #ghost x reader #cod #call of duty #simon riley smut #simon ghost riley smut #dark!simon #simon thoughts

[murdrdocs]

masturbation mention; handjobs; college!art; fem!reader; no spoilers MDNI 18+ w/ ART DOANLDSON

when art donaldson gets a boner, it's nearly impossible for it to go down. he's tried everything in the book. well, everything in patrick's book—taking a cold shower, thinking about his grandmother in her underwear, changing his position. but nothing has ever worked, leaving him to excuse himself at inconvenient times so he could fist his cock until he was satisfied.

but being here with you, art can't do that. he's already flaked on your study sessions one too many times and he really, really doesn't want to have to flake again. for a reason as trivial and embarrassing as a boner at that.

he really didn't mean for it to happen. but he just happens to be in your space, surrounded by your trinkets, watching you move around in a pair of shorts that reminded him of the pair tashi wore that night. which got him thinking about the situation he was in just a year ago. which made him imagine you and him in a situation similar, perhaps even with tashi and patrick there.

you're speaking to him. your hands are moving in patterns that art should recognize, and you're lips are moving, too. but he's distant. distracted.

he blinks twice, shaking the overgrown blond curls out of his face as he fixes his gaze on you again.

"'m ... i'm sorry. what were you saying?"

you drop your hands and place them in your lap. you look disappointed.

"dude. i'm really trying to pass this midterm."

art drops his head. he initially does it in an act of shame, but then he notices your hands resting along your glistening skin and he's suddenly made aware of his boner once more. he groans, resting his elbows into the decorative pillow covering his lap as he covers his face with his hands.

"i know, i know. i'm really, really sorry." he sniffs, straightens up, and focuses all of his attention on studying with you. but now it's you who's distracted.

you tilt your head and eye him up and down. art, worrying that you might have fucking x-ray vision or something, adjusts the way he’s sitting. he thinks he's being casual, but then he clears his throat and looks off to the side and he can hear your small 'oh'.

“haven’t tried thinking about your grandmother?”

art, embarrassed at having been caught, says nothing.

“want me to help you out?” you offer. you say it like a joke, so art laughs. but then you don’t laugh, too.

you’re staring at him, a small smile on your lips as you push your weight into your hands behind you. the twin XL bed can only allow so much room, so even as you’re leaning away from him art feels like you’re right there.

“you’re joking, right?”

you take a second, and then you shake your head.

and that’s how art ends up digging his hands into your sheets as he watches your hand glide over his cock through heavy eyes.

you’re sitting with your feet tucked under your butt, one hand scratching through art’s hair and the other working on his cock.

art’s free hand is pressing into the line of skin between your top and shorts.

you’re doing so well, making him feel so good, but you still ask for confirmation through a low voice.

“does this feel good?”

and your face is so much closer to him than he thought. your voice is right next to his ear. it travels down through him, making even more blood rush to his cock if even possible.

art nods, tearing his eyes away from your hand wrapped around his cock to look at you. but you’re already looking at him, your hand pulling on a loose curl of his while you smile. art smiles back, just before you pull him closer and press your lips to his.

kissing distracts you, so art takes over. he shifts his cock up into your hand, doing the work for you. he circles his hand around your back and pulls you closer until he can feel your breasts pushing against his arm through your shirt. whatever bra you’re wearing must be thin, because art can feel your nipples poking him.

he means to warn you. he wants to let you know before it happens. but you regain some of your focus and your thumb presses into his tip, and he’s thinking about how you told him he had a pretty dick, and he can feel your tits and suddenly his hips are lifting and cock is twitching and he’s cumming all over your hand and his thighs.

#art donaldson x reader #art donaldson x you #art donaldson smut #challengers smut #celeste writes challengers

[wosoamazing]

Newest Signing

Part 1 - Fire on Fire Series A/N: This is the first part of my new Leah Series, I have already started writing and planing parts of it but if you have any ideas let me know and I will try and include them.

Leah sat on her phone scrolling through various social media platforms, it hurt to see so many other people happy, with their partners when she wasn't, she had never had a successful relationship, to her no one was right, no one was the right match, she didn't feel like they clicked. So many of her exes told her that she had 'too high standards' or that 'soulmates don't exist' or something along the lines of 'you aren't perfect so why do you expect someone else to be perfect'. However she wasn't looking for a soulmate, she wasn't looking for someone perfect, she was just looking for the someone who was perfect for her.

She had started to think that maybe she was just asking for too much, and that her standards were too high, but that was until the day Jonas introduced the team to Arsenal's newest signing.

"Girls this is Y/N Y/L/N, she is our newest signing, and yes she did sign outside of the transfer window as approved by the FA due to issues at her old club, but no further questions on that please. She isn't going to be fully joining training until our Portugal training camp, just so she has some time to settle in but also a well deserved break, but you will see her in the gym and around the place, so please make her feel welcome. I think she is going to be really great for the team."

Her eye's immediately connected with the brunettes, she was tall and muscular, her face held the dreamiest blue eyes, and her smile was perfect, she continued watching the girl as she hugged Stina, the way her hair flowed, her body flowed, it was safe to say Leah was mesmerised.

"Stop staring, you creep" McCabe whispered in Leah's ear, causing her to break from her trance, giving the Irish women a playful smack on the shoulder. "I'm going to the gym," she said as she stood up and headed out, everyone around her making eyes at each other.

_____

You walked into the locker room behind Jonas and as he introduced you to the team, a certain blonde's eyes connected with yours, you couldn't help but notice the small smile her lips created when she saw you, but you quickly diverted your gaze to your best friend. Walking up to her and hugging her.

"I'm glad they let you sign out of the transfer window," Stina said, sounding relieved as she released the hug, "yeah I was worried they wouldn't but once I explained to the FA what was happening they were horrified and told me they would reach out to whatever club I wanted to, within reason, and see if they would sign me. Apparently there are going to be investigations."

"Good, they shouldn't be doing that. But where are you staying? You can crash at mine until you find a place if you need."

"Thank you, but I'm all good, Moster and Tante said I could stay with them, as they are in Paris for the next however long, however it was more a non-negotiable, I think they also meant I was going to be staying when they came back, again non-negotiable, but I'll see."

You and Stina continued talking until it was time for the girls to go to their meeting. You had an appointment with one of the physios just so they could check your range of motion and get some base lines in case you were to injure yourself before your first fitness testing session. As you walked into the gym, you saw a certain blonde in the corner, working away at some exercises which must've been set for her. As you worked with the physio completing the activities and exercises he wanted you to do you couldn't help but notice the way the blonde kept glancing over to you, almost as if she wanted to talk to you.

_____

You sat down at a table with Stina and Frida, Caitlin joined you and wanted to catch up with you and also trying to help you integrate with the team more easily, Caitlin's presence meant that Katie and then consequently Beth sat with you too. You knew the Aussies already due to having spent most of your childhood and your very early twenties in Australia, due to your Tante's work.

"Steph," you called out as you saw the very flustered Aussie walk into the dinning hall, she turned her head around to you, just about every emotion passing through her face.

"Y/N?" she questioned as she walked towards you, "what are you doing here?"

"Well if you weren't late you would've been here when Jonas said I was transferring here," you weren't normally one to say anything about your teammates being late, especially new teammates, however you are Steph had been teammates a long time ago, making your senior team debut for Melbourne Victory exactly a year after she made hers, and she also had a mark on her neck, so you were waiting to see how bad her excuse was.

"Sorry yeah I slept in, Calvin was up barking most of the night. It's so nice to see you again though," she explained as she pulled you in for a hug.

"That mark of your neck would indicate otherwise," you whispered in her ear, she just groaned knowing everyone would've already seen it.

You spend the rest of the lunch talking to mainly Steph or Stina and Frida but occasionally others would make some small talk with you.

After lunch you said your goodbyes to the team, and started to make your way out, when you heard someone call out your name, you turned around to see Leah moving towards you. "Would you like to join me and some of the team for dinner tonight? We are just going to a local pub," she questioned.

"Umm," you filled the air as you hesitated not sure what the goal of her invitation was, "if you don't want to, that's totally okay, I mean you're probably busy anyway," she quickly spat out trying to backtrack.

"Oh no, I would love to, it's just that I don't currently have a car," you told her as you fiddled with the ring on your finger.

"Oh, I can drive you if you want, you can just message me your address later," you nodded and mumbled a quiet thanks before you both went your separate ways.

____

You were just about to put your shoes one when you received a message.

From Leah: I'm just out the front in the car, no rush though. I know I'm early.

To Leah: Hey, all good, I'm actually just putting my shoes on now, I'll be out in a second.

You're pretty sure Leah's eyes widened as you walked out of the house and to her car. You opened the door of her car and saw her eyes run over your body before she said "You look nice," "Oh, thank you, it's nothing," you blushed slightly climbing into the passenger seat, but in truth it was nothing. You had a pair of light blue skinny jeans on, with a cropped country road rugby jumper on. You also have a black puffer vest in case you needed it but you placed that on the floor as you got in.

"You look nice too," you said as an afterthought, almost regretting it instantly, it probably wouldn't been better to say nothing at all than say that.

"Thanks," she smiled at you softly before she began to drive.

---

It was safe to say by the end of the night you hadn't once regretted your decision to come, all the girls there were super nice and it was a really great way to get to know them all, outside of soccer.

"Um, we're about to head home and we just thought to offer to take you home, since, um," Beth gestured over to where Leah was a the bar, you couldn't help but feel a small wave of warmth travel through your body at the fact that the team already seemed to care about you.

"Oh um, yes please that would be great," you followed Beth and Viv to their car, making small talk with them on the way home, when the car pulled up outside your home you didn't miss the look the couple sent each other, you quickly hopped out and thanked the two women profusely, before walking up the stairs of your home and collapsing onto your couch, noticing a message from Stina.

From Stina: Hey, I hope the night out with the girls went well. What would you say to a movie night at yours tomorrow night? In the theatre?

To Stina: Hey yeah it went well, Beth and Viv took me home, will explain why tomorrow night at movie night in the lounge room, you can invite Frida if you want too.

From Stina: Okay. I'll be over around 5. From Stina: Wait, why the lounge room?

To Stina: See you then, I'll make pasta.

#woso #woso community #woso fanfics #woso imagine #woso x reader #arsenal wfc #awfc #awfc x reader #leah williamson x reader #leah williamson #wosoamazing fireonfire

[princessbrunette]

how would stepbro!rafe react if his friends were ogling you and making gross comments about how badly they want you when they come over to hang out with him 😳 he’d be so angry and torn between telling them they’re not allowed to talk about you like that because he’s your protective older stepbro orrrr taking you upstairs and letting them listen to why he’s actually protective over you

i luv this idea w s1!rafe because he’s got more of a temper n the whole thing just seems more icky <33

︶︶︶⠀𓏸𓈒𓊆ྀི❤︎𓊇ྀི𓈒𓏸⠀︶︶︶

you were used to the stares from rafe’s friends — the ogling that wasn’t much different from the looks you received from your stepbrother himself. that distant look of amusement, the unabashed way they’d drag their eyes all the way down your body and back up as you speak — like you were a zoo animal behind glass. you barely noticed it anymore, the whole concept of ‘boys will be boys’ having been drilled into your head from rafe’s behaviour. after marrying ward, your mother had even noticed the way rafe looked at you, she’d even raised it with ward himself — who simply shut the whole thing down by telling her “hes a guy, honey. and… she’s a young girl walking around in a bikini i mean of course he’s gonna look. he just has to get used to the way things are around here. in no time, he’ll be seeing her as a sibling and treating her as poorly as he does sarah, trust me.”

but the looks didn’t go away, and with time you started to look back. enjoy his attention. to the point where you’d secretly end up on your back, with your big step brother ‘teaching’ you things that no other guy could, or would be allowed to teach you. your dirty little secret.

you knew rafe’s friends didn’t know — which surprised you, considering you thought rafe would jump at the chance to brag on something so pornographic. you figured they had suspected something was amiss with the two of you, from the way he would take any chance to put his hands on you to ‘mess with’ you, or from the way his eyes would drop to your ass when you’d walk away — but he hadn’t said a word, which to his friends meant it was free game.

after you’d walked out the room, having had a brief discussion with rafe about dinner plans — the eyes followed you until you disappeared into the hallway.

“shit, i nearly got up and followed her.” kelce fills the silence with a joke, causing the room of guys to erupt into laughter of agreement, even topper — the boy who prided himself on being the most ‘respectful’ slapping at his arm and nodding, chortling out something along the lines of “hey you said it not me!”

rafe chuckles himself, understanding the hype. you were smoking hot, and knowing he secretly had the girl they all wanted to himself filled him with a sense of sick pride. “yeah, alright.” he drawls, hoping to end the conversation there and then as he walks back around the couch and slumps down, chewing obnoxiously at his gum.

“you see the way that ass moves, man? shit i get hypnotised everytime she’s walking away.” another comments, followed by another chiming in with “hate to see her go, but love to watch her leave!” which of course had the room erupting into more laughter.

rafe got in his head pretty quickly after that. they were laughing, and not at you — at the idea that you were so easily accessible, and yet untouchable. perhaps they were laughing at the fact rafe wouldn’t be brave enough to make a move on you, due to the odds you’d been dealt — which couldn’t be further from the truth, but rafe didn’t enjoy the insinuation of disrespect. his smile slowly slid off his face, staring ahead, continuing to chew to curb that coke craving that his irritation fed him.

he feels a hand on his shoulder, some red faced try hard from the club that had tagged along back to tannyhill with barely an invite. he sucks in a breath of excitement, unable to continue what he was about to say through his laughter and rafe curls his lip up a little bit in disgust.

“bro, if that was my step sister… things would have got real pornhub in this house, i can tell you that for fr—” his words are cut off by rafe violently shoving the boy a little too hard off him, the guy crashing off the couch onto the floor. quiet falls over the group, now noticing rafe’s sudden change in mood. he doesn’t wanna seem too bothered, so he clears his throat and adjusts his polo collar.

“s’my fuckin’ stepsister you’re talkin’ about… alright? watch your mouth.”

the group decided to drop the topic after that.

︶︶︶⠀𓏸𓈒𓊆ྀི❤︎𓊇ྀི𓈒𓏸⠀︶︶︶

#anon #rafe cameron prompt #stepbro!rafe #tw stepcest

[maraudersmyloves]

hii! i have a request i thought of a few days ago, fem!reader x slytherin boys (mainly mattheo riddle) where they noticed something wrong with her and she lies about it and mattheo says something along the line of “cut the bullshit”

CW: cussing, Angst, insecure reader, screaming, Arguing

You've been hanging out with the Slytherins less and less, not eating with them or hanging out at Blaise's Dorm after class.

That Fact alone wouldn't be unusual. It's exam Season after all and you often spend that time holed up in your Dorm, Studying and Eating what your Roommates bring you up.

The Problem occurs when you stop coming to Sunday Hangouts.

It's not an actual Agreement or anything, but it's become a Routine never broken.

Never.

No matter what's going on, on Sunday at around 9 PM you all meet at the Greenhouse.

Mattheo's always the first there and Tom's the last.

Pansy never figured out a certain time she would arrive while Draco always turns up at exactly 9:06:56

Down to the motherfucking Second

Blaise always brings a Book he doesn't read, Theo always forgets the Snacks he's supposed to bring and brings the sweets only he likes instead, while you always bring a Sketchbook.

It's 9:34 and you're not here.

You weren't there last week but Blaise convinced the others to talk about it Today.

Mattheo was stressing about talking with you and got into an all-time high of fights all week.

Now, you're not here.

Everyone is here

Except for you

It's pissing Mattheo off and at this point, the others are just as peeved

You are in your room crying

You know you should be at the Greenhouse rn, and doing anything else feels weird

The last 3 years you have spent every Sunday at the Greenhouse

For two weeks you haven't

The Slytherins loudly knock on your door and you quickly wipe away the tears, taking a few deep breaths to seem more collected

Mattheo sees your red eyes and is immediately worried although anger quickly overcomes him

Why didn't you tell him something was wrong?

God, why can you never just talk to him??

"Oh, hi guys!"

You force a smile but they see through it

"Wtf, y/n. Where have you been, what's going on???"

"I've just been studying, you know how i get"

"Cut the crap, wtf is actually going on?"

Blaise pulls him back a bit to not make you feel cornered

Theo steps forward, missing the point of Mattheo getting pulled back "We worry!! You can't just cut contact for two weeks. We excused you not coming to hang out last week but two times in a row?!"

"Calm down guys, I'm sure there's a reasonable explanation to all of this, Right?" Pansy says, but the last words have some venom you didn't expect.

Not from her

Your best Friend

Hot tears fall from your eyes and Tom pulls Pansy to the side while Mattheo steps closer, his eyes filled with worry

"Mi Vida? Can I hug you?"

His Voice is soft and his open Arms look so inviting.

You want to step back and say no so badly when you remember the words that caused this, but you can't bring yourself to do so. Silently nodding

He wraps his arms around you in a matter of seconds pulling you as close as he can.

You can hear Blaise's annoyed voice talk the others into leaving you alone

He is the only one smart enough to realize how overwhelmed you are

One after the other they usher out

All with various amounts of Backtalk, while you and Mattheo stay still. Standing in the middle of the now empty room, Papers and Books scattered all around you, Mattheo buries his Head in your Neck.

"Wanna tell me what's wrong, baby?"

Pt. 2 with Backstory and more Angst?

#headcanon #fluff #writing #fanfic #harry potter #mattheo x reader #mattheo riddle #mattheo x you #mattheoxreader #mattheo x y/n #mattheo riddle x reader #slytherin boys react #slytherin #slytherin boys x reader

[silverwhittlingknife]

OKAY SO i have been rereading dustorange's wonderful post here about Dick in an UtRH-esque scenario where he dies & then comes back to life

AND I HAVE INCOHERENT BRAINSTORMING THOUGHTS:

so first, i think Robin!Dick would be just as hurt by the discovery that Bruce has a new Robin, and brood about it - but i think the shame of having died would stop him from confronting Bruce about it the way Nightwing!Dick does in canon.

and I do NOT think that he would expect Bruce to kill anyone for him (or even be upset that he doesn't? I just don't think this would be a consideration for Dick. he's gonna be fixated on "I failed." so he'll be upset about being replaced but not about the lack of revenge. and if Bruce did take revenge, i think he'd actually feel angry and betrayed about that because it'd feel like the choice was taken away from him, a la how upset he gets when he thinks Bruce has arranged to have Zucco killed - even if he intellectually knows that Bruce wasn't deliberately undermining himbecause he didn't know Dick was gonna come back to life.)

anyway so what WOULD he do??

what comes to mind is something along the lines of "Dick obsessively keeps an eye on Batman & Robin even while telling himself that he's not"

and then - say - if it's Robin!Tim (i feel like this has to be Tim because in the world where Dick dies there is no way that Bruce is voluntarily picking a new Robin), then maybe the moment when Dick steps in is when Bruce is in danger & he's furious / critical of Tim for not protecting Bruce well enough

and i feel like that's how he'd channel the hurt feelings - it'd all be deflected under shame and obligation, and then translated into the anger of "you replaced me & yet you're failing to do the job that you're supposed to do" (which is actually about projection/self-hatred because Dick would actually be mad at himself for having died & not doing that job anymore)

and Dick wouldn't want to see Bruce at all because of the shame over dying & subconscious fear that Bruce doesn't want him back, plus every little thing that Tim does differently would drive him NUTS because it implies that maybe the way Dick did things wasn't good enough for Bruce

i'm actually kind of fascinated by this now. because i am me and i have (1) obsession i am mostly invested in the dick & tim side of it sdfsdfds

so i'm picturing Tim very stung by whatever critical things Dick said to him & tracking this mysterious vigilante down, and then Dick doesn't want to spend ANY time with him BUT he's also subconsciously desperate for news of Bruce!!! so then something something Dick starts sorta training him a la Tim's various contacts with edgy non-batman-aligned vigilantes, and Tim's very defensive about how he IS a good robin so THERE but of course he's also defensive because he's secretly worried he's not good enough.

normally i would have tim Recognize dick since recognizing dick is tim's most basic skill HOWEVER i think it would be much more fun if tim doesn't recognize him so he can give dick a speech about legacy & the first robin: "i do x and such because that's how the first robin did it so it is Objectively Correct." which Dick will find incredibly infuriating but will be unable to counter since he cannot counter with 'the 1st robin was ME'

…hmmm i do think Dick ought to be angry about SOMETHING about batman's methods/attitude just because that's more dynamic? I feel like in order to make the adaptation work, there ought to be SOME kind of argument with Bruce right before he dies that he can still be mad about, a la the garzonas fight for Jason and Bruce. unsure what though?

okay let's see: I feel like Dick's main arguments with Bruce aren't about vigilante issues per se so much as they're about working in a team - so e.g.

1) Bruce being controlling/demanding, and 2) Bruce being secretive and doing stuff behind Dick's back, and 3) Bruce not allowing Dick enough autonomy, 4) just generally a perceived lack of trust.

SO maybe whatever The Frustrating Thing that bruce was doing when dick died is a thing he's STILL doing with this new robin, and dick is getting frustrated all over again sorta on tim's behalf but mostly on his own behalf because he never got to resolve this with bruce

but anyway that way when Bruce finally spots disguised!Dick, then they can have the fight again before Bruce realizes who he is <3

#extremely good ideas / extremely bad ideas #there should be utrh!dick + robin!tim fics. i've decided now #sorry jason fans i love you i don't know where he is in this scenario #maybe uhhh he moved to metropolis. i don't know #anyway i do NOT believe dick would ever ever ever take on the Red Hood identity in a million years though #jason's got a whole 'i confront my worst fear via becoming it' thing going on #but i feel like dick's angst would be more about Me & Bruce rather than directed at the joker or any particular enemy #so no Red Hood #he does need a new costume though so i'm picturing him in the Renegade costume from the mob arc

[shares-a-vest]

Just a Shirt (Read on ao3)

wc: 1.9k | Rated: T | cw: Mild descriptions of Steve's s4 injuries (mostly the scar on his neck), Hospital mention, Brief mention of nightmares

Tags: Eddie Munson Loves Steve Harrington, Steve Harrington Needs a Hug, Post s4 Fix-it (Everyone Lives), Hellfire, Fluff and Angst (Happy Ending), Love Confessions, Injury, Cuddling

Eddie makes Steve a customised Hellfire shirt, just for him. Based off this ficlet/headcanon. But the BIGGEST thank you goes to @tangerinesteve (formally babydollbaron) for their incredible tags below. They gave me the biggest and softest brainworms. I hope I did your wonderful ideas justice!

“Here-p,” Eddie mumbles, pushing a too-neatly folded shirt into Steve’s hands.

“Uh, thanks,” his boyfriend hums, quirking a brow in confusion.

Eddie shrugs the whole thing off for good measure because it’s just a shirt – that’s all it is.

... But not really.

Like, at all.

He looks away, avoiding Steve’s gaze. While their relationship isn’t too new for gifts, it might be too fresh for a t-shirt that screams, ‘You are part of me and I can see that you are in pain and I think I can fix it. Nay, I need to make you comfortable’.

Yeah… it’s perhaps a little too premature for something that says all that.

So Eddie looks at the floor, his beige sock blending into the similarly-coloured carpet that lines Steve’s bedroom. His foot really only looks like an actual foot and not a patch of carpet thanks to the hole in his sock that is currently exposing his pinky toe.

It’s just a shirt, he desperately reminds himself as he catches Steve unfurling it out of the corner of his eye.

It’s just a shirt.

A customised Hellfire shirt he made especially for Steve.

One that is two sizes too big, made of the softest cotton and led to an emptying of his wallet to obtain. A Hellfire shirt that has short sleeves and a loose, scooped neck Eddie fashioned himself after borrowing a sewing book from the library. A neckline he sewed on Mrs Pemberton’s machine after crossing the trailer park and answering a slew of questions from an all too inquisitive Max Mayfield.

It’s a Hellfire shirt in its logo only – despite what his friends might think. Or the fuss all his pea-brained lost little sheepie buddies kicked up along the way.

They have been a total nightmare these past few weeks, scheming and plotting and sabotaging like a little hoard of gremlins. But Eddie supposes he can really only blame himself.

He should have never said anything, never asked Gareth for the original master copy of the Hellfire logo he knows his best friend keeps filed away in secret on the rare occasions they let in new members. Or to get new t-shirts printed in instances of spilled beverage-based stain emergencies. But then Gareth of course squealed to Jeff, who teased Eddie mercilessly before blabbing to Freak, who, well… Freaked about the possibility of a jock joining Hellfire.

The shock. The horror! Oh, the humanity!

And then came what was nothing short of a campaign via Dustin, Mike and Will, all collectively working to not only prevent Eddie from something he wasn’t even going to do in the first place but to also create a drama so seismic that rumours got around the whole of Hawkins that one Eddie Munson would no longer be running his little ‘demonic’ social club.

Or at least that’s what Wayne said Ernie at the plant had told him that his son had said.

The only thing is, Eddie feels more than a little sorry for Lucas Sinclair, a kid now sulking around, utterly crestfallen that his favourite Laundry Basket Friend isn’t also secretly a full-blown nerd.

It’s just that Eddie wanted to give Steve a nice, soft, comfy shirt he had hoped he would look at just like he is right now.

Besides, Steve had admitted that he liked the Hellfire logo months back when they first started dating. Told Eddie it was, “So creative, man”, after expressing some mild disappointment that he hadn’t shown up for their first date wearing it.

He smiles at the memory, Steve’s eyes lighting up as soon as he hopped into the Beemer, far too eager to head off to Benny’s Diner that he hadn’t even bothered to let Steve chivalrously walk up to the front stoop of the new and improved Casa de Munson.

“Eddie…” Steve says, his voice just above a whisper and sounding just as soft as the too-important shirt in his grip.

“Don’t worry,” he snorts, “I’m not making you join or anything it’s just… You said you haven’t been sleeping well…”

He gestures with his hand, searching for the right words. Better words that won’t sound so monumental and weighted as Steve’s eyes trail right along the shirt’s scooped neckline.

The hem is probably a little flimsy, but hopefully, Steve won’t fucking claw at it like the old Tigers gym shirt he almost tore in two a few weeks back after bolting upright in a sweat after a nightmare. That is what did it – really set Eddie on his mission. Seeing Steve’s sniffles turn to tears and how he tried to hide them away, shrugging Eddie off before rushing to the ensuite bathroom.

He had come back a few minutes later, eyes red as he hugged his arms across himself, appearing small and frightened but acting cold as ice.

“Yeah…” Steve nods before mouthing what appears to be the word, “soft”, as he balls the fabric between his fingers.

“Hell, I know you haven’t been sleeping,” Eddie continues to ramble, “Just… tossing and turning. Also your… Y’know…”

He gestures to his own neck, referring to the still-reddened scar around Steve’s. One that Eddie knows leaves his throat scratchy and hoarse at the slightest provocation. A mark that nosey townspeople gawk at when Steve is at work, leaving him all embarrassed and well, not like Steve ‘The Hair’ Harrington at all.

And Steve hadn’t even told Eddie about that part. Nope. He found out from Robin, who swung by the mechanic one afternoon, inconsolable about her best friend spending their shift at Family Video hidden away in Keith Anderson’s stinky loser palace of an office.

“Mhmm,” Steve nods, pursing his lips.

Eddie knows he isn’t mad – it’s just something his boyfriend doesn’t talk about. That he doesn’t like talking about.

He needn’t ramble anymore, really – fill the silence between them or attempt to explain himself because, in a flash, Steve slips off his tight-fitting navy polo and replaces it with his new Hellfire shirt.

And Eddie can’t help but beam at a job well done.

It hangs nicely. Loose enough to sleep in, but not billowing so much to swallow that physique entirely. The neckline sits just where he had hoped too, much lower than the regular Hellfire shirts, scooped below Steve’s collar bones so that even if it stretches in his sleep, it couldn’t possibly pull and tug at his scar.

It’s perfect.

Exactly what he wanted to give Steve, who looks down at the devilish, very metal logo – a sight that is sure to scare off his snooty parents for good if they ever see it.

Before he knows it, Steve lunges for him and Eddie feels his cheeks squish against his boyfriend’s hands as he is kissed.

And kissed.

And kissed some more.

Kisses that last for long enough and grow softer with every peck that Eddie soon feels his legs buckling and he forgets altogether what they are even doing up here, in Steve’s bedroom, in the middle of the day on a warm summer afternoon.

It’s just the he –

“ – I love you,” Steve smiles when he comes up for air and – 

His eyes blow wide in an instant.

And Eddie is sure his own do too – maybe even pop right out of his goddamn skull with an audible gasp in there somewhere as well as they both fully realise what has just been said.

Steve loves him?

Just the same as he loves Steve. So much that he is blurting it out now, in the middle of his bedroom on a warm, mid-summer afternoon – perhaps months too early when they are probably, most likely still in the honeymoon phase.

All because of one perfect t-shirt.

Steve’s brow pinches together and his jaw goes slack as he looks away.

“I…” he trails off, drumming his fingers on Eddie’s shoulders.

“Stevie...” he tuts, smiling back at him.

He steps closer still, closing any remaining space between them as he loops his arms around his partner’s middle and squeezes him tight.

Eddie backs them a step back, then another. Then another until he is at a safe enough distance to rock Steve back and collapse onto the bed.

They fall with a conjoined, “Hmphf” – one that knocks the wind out of Eddie’s already breathless lungs and has Steve momentarily distracted away from whatever inner turmoil he had going on a moment ago. As he lands on top of his boyfriend, Eddie gets a feel of the shirt, now warmed by Steve’s permanently hot body temperature. A feeling that makes it seem even softer.

Like it is already worn in and loved.

He wants to ball a handful of it up in his fist and never let go.

But Eddie forces himself to sit upright, settling down in a straddled position to hover over Steve’s clothed form. He smiles down at the sight beneath him, his giddiness short-lived and quickly fading as a big, brown and now glistening set of panicked eyes return.

“Stevie,” he whispers, running his hand up Steve’s torso.

He ghosts his fingers with a featherlight touch over the printed logo, an illustration he had first scribbled on the back of his math book in his junior year.

Eddie leans forward and takes Steve’s hands, clasping them tight and one by one, he brings them to rest above his head where his super-soft signature swoop is sticking every which way, mussed by the bedspread.

He can’t help but chuckle a little at the sight – momentarily giving into the greedy feeling he gets when he thinks about how this Steve is the one he gets all to himself.

But Steve frowns, those expressive brows looking positively pained now as if only one thing could possibly soften them.

“I love you too,” Eddie says, freeing a hand to delicately pluck at Steve’s loosened neckline, “Obviously.”

“You do?” Steve asks.

Eddie nods as a visible relief washes through Steve’s eyes, leaving his brows to soften up so much he wonders if his boyfriend might now cry.

And before he can say or do anything more, Steve bolts upright, once again leaving Eddie feeling winded and more than a lot flushed this time as he wraps his arms around him and buries his face in his neck, snuffling close like the world’s cuddliest puppy.

They stay like this for a long while, simply breathing in sync as they hold each other. And soon Steve begins to sink, his body going lax as his head slips down onto Eddie’s shoulder.

“I really wanna sleep,” he hums as tears seep through Eddie’s own plain black t-shirt.

“You wanna try now?” Eddie offers, pulling back enough to give an encouraging little smile.

Steve nods, refusing to let him go as they lower down together as one, his eyes fluttering shut when his head meets the bedspread.

“Wanna get all cozy under the covers?” Eddie continues, nudging at the bedding.

He really doesn’t want to move too much more – not when Steve looks like this.

Relaxed.

Loved.

Comfortable and wrapped up in a softness Eddie would like to keep him cocooned in forever.

But as he always does, Steve moves for them and rolls to the side. He snuggles in close, burrowing his head between the crook of Eddie’s neck and the mattress all protected and safe. Eddie palms around for the blanket and haphazardly wraps what sliver of it is free around them, shielding his partner a little more for good measure.

It’s good like this.

Calm. Warm.

Soft.

#steddie #steve harrington #eddie munson #steddie fic #healing steddie #stranger things s4 #lily writes a fic #fluff and angst #cw injury #steddie fanfiction

[georgeclarkesgf]

forgetful | george clarke

the minute george stepped into the flat, he knew something was off.

"y/n? you here?" walking further into the flat, he found y/n in the kitchen making herself a cup of tea, "hey, sorry i'm back so late. we missed t-"

"don't. i can't believe you. all i asked was that you not plan to film today and i wake up to a message telling me you've gone to film a video for arthur. do you even know why i asked you to stay home today?"

he was trying to remember, really he was. but his mind was blank and the guilt began to seep in, only just noticing the tears that left stains on her cheeks.

"no. of course you don't. my parents are in town george. i planned a nice lunch, maybe go on a walk, come back to the flat for a few drinks, but all that went to shit because you left to film a stupid video and then ignored my messages all day. you know how important it is to me that you get along with my parents so having to cancel on them last minute because you weren't even here was not something i wanted to have to do." the tears in her eyes were threatening to fall again, hating how needy and pathetic she sounded.

"we can sti-" george tried, again quickly being shut down.

"no george, i'm mad at you. you don't get to say it'll be alright and that we can still do something. we're not playing happy families. you've hurt me. when we sort this out, then we organise something else."

now the guilt was in full swing and he immediately started to think of ways he could make it up to her, knowing it would take a lot of grovelling to get back onto her good side.

"i'm going to bed, i love you." a soft kiss being placed on his lips.

"i love you too." slight relief evident on his face, knowing she'll never not say 'i love you', even during an argument.

she rounded the kitchen island, starting to make her way to his room and get ready for bed. george watched as she closed the door, still stood in the kitchen, contemplating whether to follow her or give her some space.

he decided on the latter.

--------

it was nearing midnight when george decided he needed some sleep, and the dip in the bed as he got comfortable was enough to wake y/n, a groan leaving her lips.

"sorry. i didn't mean to wake you," she let out an agitated hum of acknowledgement and rolled over, curling into george's side, unable to resist the heat his body always provided, "still mad at me?"

"yep." she responded, accentuating the 'p'.

"okay. can we talk about it?"

"i've said my peace. you go."

"i really am sorry sweetheart, i feel awful," her nails were running along the lines and dips of his stomach, a habit he'd grown accustomed to over the several months they'd been together, "the video was planned ages ago and i didn't even realise the dates clashed. when you reminded me of 'that thing' that was happening today i thought you meant filming. i promise to make it up to you. and your parents. please say they don't hate me."

george hoped it was enough, not that he wouldn't do anything she asked to get her to forgive him, but he couldn't stand the thought of her staying mad at him.

in y/n's head, he was forgiven. during her time alone, she realised she didn't even give him a chance to explain before locking herself in his room for the rest of the night.

"i'm sorry too," george was slightly taken aback by this, unsure what she was apologising for, "i shouldn't have stormed off like that. not even letting you speak before i disappeared all night. and my parents don't hate you. we can do dinner tomorrow if that's okay with you?"

"that's more than okay. i have my whole day free to spend with you and them. we can do whatever you guys want. i love you."

"i love you. so much. even if you are forgetful."

and george stuck to his promise. safe to say y/n's parents like george more than her.

a/n have this as an 'i'm sorry i haven't posted in a while present' <3

#george clarke #george clarkey #arthurtv #chaoscrew #sidemen #arthur hill #tiktok #george clarkey x reader #george clarke x reader #blurbs #george clarkey imagines #george clarke imagines #blurb #youtube #youtuber imagine #youtuber x reader #youtuber imagines #george clarkey imagine #george clarke imagine

[alpydk]

Poor Lad (Rugan)

Just a quick (apparently fever dream idea I had at some point that I'm writing up. Hopefully will appease the Zhentarim inside me.)

***

It’s a warm day in Baldur’s Gate as Rugan stands in the small cemetery. The sounds of the circus nearby can be heard, the laughter of children, the cacophony of various instruments being played. He’s stood there for some time looking at the relatively new tombstone that juts out of the freshly dug earth. His leather armour has been replaced with a black cotton shirt and his once cleanly shaven face now sports the start of an emerging beard, a failing attempt at a disguise as he wanders the streets of the city.  

“Gods, I’ve been standing here ages trying to come up with the words. Ain’t I meant to have some big farewell lined up? You know, flowers or something? I’ll have a pint for you later if anything. Hopefully, that’ll do.” His words are casual, not the type for baring feelings or dragging out long goodbyes.

“Roah’s leading the guild now. Yeah, you remember that big hero that got us out of that cave? Turns out they weren’t all glowing halos and bullshit like we thought they were, ended up taking down Nine-Fingers and stuck her in charge. Bit of a surprise if you ask me, you know after they showed up and took care of Zarys and… well, you know what happened.” He looks away catching the glimpse of a small bird that flutters nearby. “I offered to meet up with them if they ever got to the city but I've not seen head nor hide of them since we got here. They’re probably off saving the world or something. A real shame as they owe us half the profit from selling that chest we had, though I’m not so sure it’s worth the gold now.” He swallows hard, trying to bury the guilt. Yeah, that pint’ll do nicely, maybe a bottle of whiskey to chase it down too…

He passes a quick gaze back over the stone, knowing the words he should be saying, the ones he’s been trying to avoid for too long. “You know Olly, I was a right prick that day. Should’ve just done the job, got in got out like always, kept my head down. But mate, it gets exhausting following the rules all the time. I wanted an out, a bit of peace, maybe a nice bird to rock home to. Instead, I fucked it up and got you killed.” 

He kicks a stone up with his boot, watching as it bounces along the grass past the grave. “You were an alright lad, proper head on your shoulders, could’ve gone far with the right person behind you. Shame you didn’t have that though.” He takes one last look at the stone, staring at the dates and doing a quick calculation of the age stated. “Fuck," he sighs. "I’m sorry, alright. I should’ve done better by you.”

He rolls his neck, loosening up the tension that’s set in before relaxing his shoulders and turning away. “I’ll see you at the tavern later, mate. Have a good one.”

#bg3 #baldur's gate 3 #bg3 rugan #monday angst? #zhentarim #rugan is hard to write #i need a real author here #or the artist in my head

[thesublemon]

best picture

For the first time in a long time, I watched all of the movies nominated for Best Picture at the Oscars this year. Partly on a whim, partly for a piece I’ve been working on for a while about what is going wrong in contemporary artmarking. I cannot say that the experience made me feel any better or worse about contemporary movies than I already felt, which was pretty bad. But sometimes to write about a hot stove, you gotta put your hand on one. So. The nominees for coldest stove are:

Poor Things. Did not like enough to finish. I always want to like something that is making an effort at originality, strangeness, or style. Unfortunately, the execution of those things in this movie felt somehow dull and thin. Hard to explain how. Maybe the movie’s motif of things mashed together (baby-woman, duck-dog, etc) is representative. People have been mashing things together since griffins, medleys, Avatar the Last Airbender’s animals, Nickelodeon’s Catdog, etc. Thing + thing is elementary-level weird. And while there’s nothing wrong with a simple, or well-worn premise, there is a greater burden on an artist to do something interesting with it, if they go that route. And Poor Things does not. Its themes are obvious and belabored (the difficulty of self-actualization in a world that violently infantilizes you) and do not elevate the premise. There’s a fine line between the archetypal and the hackish, and this movie falls on the wrong side of it. It made me miss Crimes of the Future (2022), a recent Cronenberg that was authentically original and strange, with the execution to match.

Anatomy of a Fall. Solid, but not stunning. The baseline level of what a ‘good’ movie should be. It was written coherently and economically, despite its length. It told a story that drew you along. I wanted to know what happened, which is the least you can ask from storytelling. It had some compelling scenes that required a command of character and drama to write—particularly the big argument scene. The cinematography was not interesting, but it was not annoying either. It did its job. This was not, however, a transcendent movie.

Oppenheimer. Did not like enough to finish. But later forced myself to, just so no one could accuse me of not knowing what I was talking about when I said I disliked it. I felt like I was being pranked. The Marvel idea of what a prestige biopic should be. Like Poor Things, it telegraphed its artsiness and themes and has raked in accolades for its trouble. But obviousness is not the same as goodness and this movie is not good. The imagery is painfully literal. A character mentions something? Cut to a shot of it! No irony or nuance added by such images—just the artistry of a book report. The dialogue pathologically tells instead of shows. It constantly, cutely references things you might have heard of, the kind of desperate audience fellation you see in soulless franchise movies. Which is a particularly jarring choice given the movie’s subject matter. ‘Why didn’t you get Einstein for the Manhattan project’ Strauss asks, as if he’s saying ‘Why didn’t you get Superman for the Avengers?’ If any of this referentiality was an attempt to say something about mythologization, it failed—badly. The movie is stuffed with famous and talented actors, but it might as well not have been, given how fake every word out of their mouths sounded. Every scene felt like it had been written to sound good in a trailer, rather than to tell a damn story. All climax and no cattle.

Barbie. Did not like enough to finish. It had slightly more solidity in its execution than I was afraid it would have, so I will give it that. If people want this to be their entertainment I will let them have it. But if they want this to be their high cinema I will have to kill myself. Barbie being on this list reminds me of the midcentury decades of annual movie musical nominations for Best Picture. Sometimes deservingly. Other times, less so. The Music Man is great, but it’s not better than 8 1/2  or The Great Escape, neither of which were nominated in 1963. Musicals tend to appeal to more popular emotions, which ticket-buyers and award-givers tend to like, and critics tend to dislike. I remember how much Pauline Kael and Joan Didion hated The Sound of Music (which won in 1966), and have to ask myself if in twenty years I’ll think of my reaction to Barbie the same way that I think of those reviews: justified, but perhaps beside the point of other merits. Thing is. Say what you want about musicals, but that genre was alive back then. It was vital. Bursting with creativity. For all Kael’s bile, even she acknowledged that The Sound of Music was “well done for what it is.” [1] Contemporary cinema lacks such vitality, and Barbie is laden with symptoms of the malaise. It repeatedly falls back on references to past aesthetic successes (2001: A Space Odyssey, Singin’ in the Rain, etc) in order to have aesthetic heft. It has a car commercial in the middle. It’s about a toy from 60 years ago and politics from 10 years ago. It tries to wring some energy and meaning from all of that but not enough to cover the stench of death. I’d prefer an old musical any day.

American Fiction. Was okay. It tried to be clever about politics, but ended up being clomping about politics. At the end of the day, it just wasn’t any more interesting than any other ‘intellectual has a mid-life crisis’ story, even with the ‘twist’ of it being from a black American perspective. Even with it being somewhat self-aware of this. But it could have been a worse mid-life crisis story. The cinematography was terrible. It was shot like a sitcom. Much of the dialogue was sitcom-y too. I liked the soundtrack, what I could hear of it. The attempts at style and meta (the characters coming to life, the multiple endings) felt underdeveloped. Mostly because they were only used a couple times. In all, it felt like a first draft of a potentially more interesting movie. 

The Zone of Interest.Wanted to like it more than I did. Unfortunately, you get the point within about five minutes. If you’ve seen the promotional image of the people in the garden, backgrounded by the walls of Auschwitz, then you’ve already seen the movie. Which means that all the rest of the movie ends up feeling like pretentious excess instead of moving elaboration. It seemed very aware of itself as an Important Movie and rested on those laurels, cinematically speaking, in a frustrating way. It reminded me of video art. I felt like I had stepped through a black velvet drape into the side room of a gallery, wondering at what point the video started over. And video art has its place, but it is a different medium. Moreover video art at its best, like a movie at its best, takes only the time it needs to say what it needs to say. 

Past Lives. I’m a human being, and I respond to romance. I appreciate the pathos of sweet yearning and missed chances. And I understand how the romance in this movie is a synecdoche for ambivalent feelings about many kinds of life choices, particularly the choice to be an immigrant and choose one culture over another. The immigrant experience framing literalizes the way any choice can make one foreign to a past version of oneself, or the people one used to know, even if in another sense one is still the same person. So, I appreciate the emotional core of what (I believe) this movie was going for, and do think it succeeded in some respects. And yet…I was very irritated by most of its artistic choices. I found the three principal characters bland and therefore difficult to care about, sketched with only basic traits besides things like Striving and Being In Love. Why care who they’d be in another life if they have no personalities in this one? It’s fine to make characters symbols instead of humans if the symbolic tapestry of a movie is interesting and rich, but the symbolic tapestry of this movie was quite simple and straightforward. Not that that last sentence even matters much, since the movie clearly wanted you to feel for the characters as human beings, not just symbols. Visually, the cinematography was dull and diffuse, with composition that was either boring or as subtle as a hammer to the head.

Maestro. Did not like enough to finish. Something strange and wrong about this movie. It attempts to perform aesthetic mimicry with impressive precision—age makeup, accents, period cinematography—but this does not make the movie a better movie. At most it creates spectacle, at worst it creates uncanny valleys. It puts one on the lookout for irregularities, instead of allowing one to disappear into whatever the movie is doing. Something amateurishly pretentious in the execution. And not in the fun, respectable way, like a good student film. (My go-to example for a movie that has an art-school vibe in a pleasant way is The Reflecting Skin). There’s something desperate about it instead. It has the same disease as Oppenheimer, of attempting to do a biopic in a ‘stylish’ way without working on the basics first. Fat Man and Little Boy is a less overtly stylish rendition of the same subject as Oppenheimer, but far more cinematically successful to me, because it understands those basics. I would prefer to see the Fat Man and Little Boy of Leonard Bernstein’s life unless a filmmaker proves that they can do something with style beyond mimicry and flash.

The Holdovers. Did not like enough to finish. It tries to be vintage, but outside of a few moments, it does not succeed either at capturing what was good about the aesthetic it references, or at using the aesthetic in some other interesting way. The cinematography apes the tropes of movies and TV from the story’s time period, but doesn't have interesting composition in its own right. It lacks the solidity that comes from original seeing. (Contrast with something like Planet Terror, in which joyous pastiche complements the original elements.) The acting is badly directed. Too much actorliness is permitted. Much fakeness in general between the acting, writing, and visual language. If a movie with this same premise was made in the UK in the 60’s or 70's it would probably be good. As-is the movie just serves to make me sad that the ability to make such movies is apparently lost and can only be hollowly gestured at. That said, the woman who won best supporting actress did a good job. She was the only one who seemed to be actually acting.

Killers of the Flower Moon. The only possible winner. It is not my favorite of Scorsese’s movies, but compared to the rest of the lineup it wins simply by virtue of being a movie at all. How to define ‘being a movie’? Lots of things I could say that Killers of the Flower Moon has and does would also be superficially true of other movies in this cohort. Things like: it tells a story, with developed characters who drive that story. Or: it uses its medium (visuals, sound) to support its story and its themes. The difference comes down to richness, specificity, control, and a je ne sais quois that is beyond me to describe at the moment. Compare the way Killers of the Flower Moon uses a bygone cinematic style (the silent movie) to the way that Maestro and The Holdovers do. Killers of the Flower Moon uses a newsreel in its opening briefly and specifically. The sequence sets the scene historically, and gives you the necessary background with the added panache of confident cuts and music. It’s useful to the story and it’s satisfying to watch. Basics. But the movie doesn’t limit itself to that, because it’s a good movie. The sequence also sets up ideas that will be continuously developed over the course of the movie.* And here’s the kicker—the movie doesn’t linger on this sequence. You get the idea, and it moves on to even more ideas. Also compare this kind of ideating to American Fiction’s. When I said that American Fiction’s moments of style felt underdeveloped, I was thinking of movies like Killers of the Flower Moon, which weave and evolve their stylistic ideas throughout the entire runtime.

*(Visually, it places the Osage within a historical medium that the audience probably does not associate with Native Americans, or the Osage in particular. Which has a couple of different effects. First, it acts as a continuation of the gushing oil from the previous scene. It’s an interruption. A false promise. Seeming belonging and power, but framed all the while by a foreign culture. Meanwhile potentially from the perspective of that culture, it’s an intrusion on ‘their’ medium. And of course, this promise quickly decays into tragedy and death. The energy of the sequence isn’t just for its own sake—it sets up a contrast. But on a second, meta level it establishes the movie’s complicated relationship to media and storytelling. Newsreels, photos, myths, histories, police interviews, and a radio play all occur over the course of the movie. And there’s the movie Killers of the Flower Moon itself. Other people’s frames are contrasted with Mollie’s narration. There’s a repeated tension between communication as a method of knowing others and a method of controlling them—or the narrative of them—which plays out in both history and personal relationships.)

Or here’s another example: When Mollie and Ernest meet and he drives her home for the first time, we see their conversation via the car’s rearview mirrors. This is a bit of cinematic language that has its origins in mystery and paranoia. You see it in things like Hitchcock or The X-Files or film noir. By framing the scene with this convention, the movie turns what is superficially a romantic meet-cute (to quote a friend) into something bubbling with uneasiness and dread. This is not nostalgia—this is just using visuals to create effects. It doesn’t matter if you’ve seen anything that uses the convention before, although knowing the pedigree might add to your enjoyment. The watchfulness suggested by the mirrors and Ernest’s cut-off face will still add an ominous effect. It works for the same reason it works in those other things. Like the newsreel, it is a specific and concise stylistic choice, and it results in a scene that is doing more than just one thing.

In general, the common thread I noticed as I watched these nominees, was the tendency to have the ‘idea’ of theme or style, and then stop there. It’s not that the movies had nothing in them. There were ideas, there was use of the medium, there was meaning to extract. There were lots of individually good moments. But they tended to feel singular, or repetitive, or tacked on. Meanwhile contemporary viewers are apparently so impressed by the mere existence of theme or style, that being able to identify it in a movie is enough to convince many that the movie is also good at those things. The problem with this tendency—in both artists and audiences—is that theme and style are not actually some extra, remarkable, inherently rarifying property of art. Theme emerges naturally from a story with any kind of coherence or perspective. And style emerges naturally from any kind of artistic attitude. They are as native as script, or narrative, or character. A movie’s theme and style might not be interesting, just like its story or dialogue might not be interesting, but if the movie is at all decent, they should exist. What makes a movie good or bad, then, is how it executes its component parts—including theme and style—in service of the whole. When theme is well-executed it is well-developed. Contemporary movies, unfortunately, seem to have confused ‘well-developed’ with ‘screamingly obvious.’ A theme does not become well-developed by repetition. It becomes well-developed by iterationand integration. Theme is like a melody. Simply repeating a single melody over and over does not result in the song becoming more interesting or entertaining. It becomes tedious. However, if you modify the melody each time you play it, or diverge from the melody and then return to it, that can get exciting. It results in different angles on the same idea, such that the idea becomes more complex over time, instead of simply louder.

Oppenheimer wasprobably the worst offender in this regard. Just repeat your water drops, crescendoing noise, or a line about ‘destroying the world’, and that’s the same as nuance, right? Split scenes into color and black and white and that’s the same as structure, right? That’s the same as actually conveying a difference between objectivity and interiority (or another dichotomy) via the drama or visual composition contained in the scenes, right? When I watched many of these movies, I kept thinking of a behind-the-scenes story from Buffy the Vampire Slayer. The story goes that Joss Whedon was directing Sarah Michelle Gellar in some scene, and when the take was over he told her how great she was, and that he could see right where the music would come in. And Gellar replied that if he was thinking about the music, he clearly wasn’t getting enough from her acting alone. This conversation then supposedly informed Whedon’s approach to “The Body,” a depiction of the immediate aftermath of death that is considered one of the best episodes of television ever made, and which has no non-diegetic music whatsoever. Not to imply that music is necessarily a crutch, or to pretend that “The Body” is lacking in other forms of stylization (it is a very style-ish episode). But more to illustrate the way that it is easy to forget to make the most of all aspects of a medium, particularly the most fundamental ones, once one has gotten used to what a final product is supposed to feel like. 

And that’s why most of these movies don’t feel like movies. They create the gestalt of a movie or a ‘cinematic’ moment—often literally through direct vintage imitation—without a sense of the first principles. Or demonstrating a sense of them, anyway. Who needs AI when the supposedly highest level of human filmmakers are already cannibalistically cargo-culting the medium just fine.

[1] “The Sound of Money (The Sound of Music and The Singing Nun).” The Pauline Kael Reader. (This book contains the full text of the original review, rather than the abbreviated review that I linked earlier.) 

#posts: art #movies #am rusty at blogging and don't have all the virtuous nuance i would like in this but we will go with it

[gerdy-sertorius]

A Damsel Pristine Cut Prediction

Alright, I have a theory for the leadup to Damsel’s Chapter Three. So, what information do we have on Chapter Three presently? Well, we already know it’s going to be depressing as all heck (Tony has mentioned that Abby's plan for the chapter would be very painful for both you and the Princess). We know that it will exist in relation to staying with her in the cabin. We know that there are heavily Romantic themes within the chapter. We know that one of Damsel’s primary themes is her lack of agency, so frightening in her Deconstruction and somewhat nervously endearing in her fairytale escape. So to recap, it will focus on Damsel and you staying together, it will focus on the Damsel’s lack of agency, and it will play into traditional Romantic tropes while simultaneously deconstructing them. 

So the idea is that when Damsel declares her wish to leave, rather than simply deconstructing her, you deny her request. You declare that you will stay with her and live out your romantic destiny. While taken aback, she accedes to your request, as she always would. So you stay together in the basement, spending time with each other, maybe opening up new lines of dialogue. She would be acting odd throughout, clearly wanting to leave but also wholly devoted to you. If you say that you’d love to continue to be with her, then what does leaving really matter? She has you, what more could she want? But the drive to leave, to be free, it still tugs at her, to fulfill her purpose as a vessel.

She eventually works up the courage to ask you if you would be willing to leave yet. You could either agree and get the standard “Romantic Haze” ending, or continue staying with her, much to Hero’s chagrin. It feels uncomfortable to so disregard the Princess’s wishes for this life. Smitten, for his part, is so completely out of touch with reality that he genuinely believes that spending time with the Princess like this is something that she honestly wants, and is pushing for a continuation of the status quo. He wants the time with the Princess, he wants to take her and live out their life together, forever.

In response to your second denial, she is clearly hurt but also putting on a brave face. *For his sake.* She is happy, she tells herself. She is with the one she loves, she is willing to do whatever he wants. If being with him would make him happy, then that is what she will do. You unlock more dialogue with her. You talk and laugh and love each other. But the Damsel’s wishes still have been ignored, the one thing she wanted, taken from her. She, after sitting for a long while with you, declares affirmatively that it is her wish to leave. Once again, you can simply get your “Romantic Haze” and abort, or you can continue on and definitively say no. She accepts your wishes, a smile on her face as a tear rolls down her cheek (meant to be reminiscent of the Scorched Grey leadup). 

The dialogue for you… shifts. It becomes more possessive, more controlling. More in tune with the player. The Hero, by this point, is fuming. He keeps telling you that this isn’t right, that this isn’t what she wants and that this needs to stop. You ignore him. You and the Damsel will be together, there will be nothing standing in your way. You lifting her, her lifting you, forever and ever. Consumed by true belief, there is absolutely nothing that will stop you. You are her guide, the one who knows what is best for her. She needs you and you need her. 

Damsel, in one final effort, merely asks to go up the stairs, not to leave but simply to look out the window. To see the stars, to keep a grasp of what could have been. To have a dream. The game will allow you to say “no” as long as you want, but she will begin to deconstruct along that route, unless you allow her to go upstairs. You take her hand and the music swells as you take the stairs, and despite the bleakness of the moment, despite the fact that you will never leave, the moment is beautiful, seeing a smile upon her face that you have not in a long while, seeing the wonder of the outside world. She smiles, turns to you with tears filling her eyes. 

“My dashing hero.”

“I’m sorry.”

She grabs the knife and begins to stab herself in a cruel reflection of Chapter One, apologizing to you all the while. She was incapable of living like this, incapable of being there for you and for that she is truly, genuinely apologetic. She is broken and tearful the whole while, and eventually, as the last flame of light exits her eyes, she dies, with a simple “I’m so sorry” exiting her lips. The Smitten immediately takes the blade to end his own life, both finally being together forever in the cabin. The Hero does not try to stop him this time. 

#slay the princess #the damsel #stp damsel #black tabby games #stp princess #really straddling the line between fan theory and fanfic #this would kill my soul

[y-rhywbeth2]

"I had a brother, named Sarevok, and out conflict was brutal. I am not destined to a peaceful end, Cernd. I am fuel, not an heir. That is my secret"

And that there is something that bothered me in BG3 in Durge playthroughs: despite Larian kinda portraying it like they are and it's some sort of commonly accepted fact, Bhaalspawn are not considered or intended to be the heirs to the Throne of Blood, it wasn't on Alaundo's prophecy, and they are in no way ever truly intended to actually take Bhaal's place. Bhaal sure as hell never had that in mind, unless it was for them to seize his old mantle so he could hijack them.

Sarevok got the idea from an ex-priest of Bhaal who missed his status and was trying to make a new god for himself, and it later turned out that Charname was part of a larger prophecy that might allow them to take Bhaal's place. Sometimes Bhaal lies about things to manipulate you into doing what he wants.

"Heir" implies legitimacy, the only way godhood is on the table is by a loophole.

Even if Durge is special and daddy's favourite and everybody isn't just lying and telling them that to make them play along, Bhaal would still never actually share power unless he's the one in total control, basically ruling through them. And as they themselves say in the prayer for forgiveness, their end purpose is still to die.

(Also considering the WotC timeline... yeah. That second line is brutally true.)

Cernd: "If you succumb to his taint further, I will act, for it may be more your own doing. A god is a god, but they are only as strong as the power we give them." Charname: "Wise words, but still only words. You don't know, and can't know, what it is really like."

This however, I do feel was a little better portrayed in BG3. Cernd isn't wrong that Bhaalspawn have responsibility for their own actions, but the struggle with Bhaal was mostly "tell don't show" bar a specific stretch of the game and could've used more willpower rolls and equivalent. (So could BG3, but at least it had them.)

#BG2 and WotC cannon aren't compatible though. #What. #...actually BG2. WotC and BG3 aren't compatiable with either of the other two #bg2 spoilers #bg2 playthrough shenanigans #babbling #long post #griping

[starythewriter]

Jack Harlow X you- VMAS

TW: CREAMPIE. Breeding.

You step out of a black bently. Feeling the shiny exterior as you stepped out with Jack Harlow trailing closely behind you. He had a big bright flashy smile and so did you. The both of you decided to hold hands. Quickly you saw fans and paparazzi swirling all around you but you both kept walking to enter the VMAs. Today was a giant night one where you and Jack would see your dreams come into fruition, this night would mark a moment in history so life changing.

You and Jack made 2 different hit songs once was named “astronomy” this was a soft hiphop song mixed with some heavy rap. The cover had the both of you in it. This was the story of 2 lovers who loved eachother very much but who were spilt apart and trying to find eachother in almost you could say another life.

The 2nd song. Was called “Triángulo amoroso” which was somewhat reflective of what was happening to you as you were close with Jack at the same time you were near Maluma. You remember when Maluma took you out to date and you were both at a giant restaurant with an amazing rose garden.

You kept walking entering the vmas quickly rushing over and sitting next to Maluma. You and Jack held hands under the table smiling. “I’m excited I already feel like tonight will be just a great night especially because I’m spending it with you Jack”

“I know and by the way you look fabulous you went all out with your look.” Said Jack with a flashy smile he grinned from ear to ear feeling a little spicy already he wanted you all for him. “Thank you” you smiled slowly doing the triangle method with your eyes.

“Y- you… your so fucking… se- sexy” he stuttered loosing his composure. He smiled nervously quickly recentering himself tightening his grasp on your hand as you both watched the announcements.

“Next up is Triángulo amoroso best rap song of the year” they announced he got up you followed him as the both of you cheered and laughed.

You walked up with him holding hands “thank you so much. To my parents mom and dad I love you, to our DJs and producers to Jack Harlow… for just being amazing my people and being so welcoming. Thank you to all of the wonderful people on my team.”

You said with a bright smile “thank you Y/N and my mom, my dad. Thank you so much to the recording academy. Thank you to my friends and my entire family. Thank you to everyone who supported me and kept me safe.

This night has been a true honor and I wanted to give props to Y/N for the amount of support and hard work Y/N put into this record our producers and just everybody. I hope you all continue to enjoy our music and just know we have something special coming soon”

You both finished your speeches smiling and laughing heading off of the stage onto the afternoon party.

You walked toward a table, but Jack grabbed your arm “we’ve waited long enough darling” he whispered he pulled you closer to a stall and the both of you hid in there locking the door so no one could get into your secret stall.

“Ah-“ you heard Jack groan as you kissed him. You both made out you felt his smooth pale skin.

You slowly raised his shirt touching his bare V line making him gasp.

You kissed him moaning. He sat down on a chair you slowly grinded against him taking off your shirt, he slowly did the same kissing your stomach.

You moaned feeling hotter and hotter by the second. You both were exploring eachothers minds through your eyes.

You kissed him, he kissed you. You slowly took off your clothing along with him.

“Relax” he whispered slowly placing his cock inside of you. Making you moan loudly.

You started to kiss his neck, slowly leaving a HICKY he groaned making you moan,

“I love your groans” you said. Slowly riding him faster causing him to groan again. He stared into your soul as you both felt amazing…

You both felt almost as if you were in a whole new world among the stars in just pure pleasure.

You kept riding him you couldn’t stop… not that you wanted to. He once again groaned your name bucking his hips along with yours.

“You’re so tight” he said with a growl fucking you harder. You grabbed onto him the hardest you’ve ever done so, mentally claiming him as yours.

Almost as if he read your mind he whispered “I’m all yours” you moaned feeling horny… “I know…. You’re all fucking mine…. But act like it don’t just say it”

You said teasing him still piercing his back with your nails drawing out blood. He bucked his hips into yours even harder groaning endlessly into your ear.

“How about it? Someone can’t take this.” He said smirking as he fucked you ruthlessly you both moaned and groaned with no intend to stop,

You looked into his eyes feeling magic, you both went as fast as possible as you hit your peak… you both moaned eachothers names.

He grabbed your hand intertwining your fingers and kissing you “I’m yours forever”

“I know missionary Jack”

“Oh you haven’t seen missionary yet. Just wait” he whispered.

You both started into eachothers eyes feeling so much love.

“We almost created a whole new universe” you giggled teasing him. “I know…”

He said giggling.

The end

#send in concepts #smutty #smut #jack harlow x y/n #vinnie hacker x reader x jack harlow #jack harlow blurb #jack harlow blurbs #jack harlow imagines #jack harlow fluff #jack harlow fanfic #jack harlow imagine #jackman thomas harlow #jack harlow x reader smut #jack harlow x reader #jack harlow

[soullessjack]

🔥 jack

oh my godddd I have so many unpopular opinions where do I even start….HOLY DISCLAIMER BATMAN!

anyways so in no particular order or tier system:

✯ i don’t think jack would wear anything feminine im sorry spn fandom. for lolz he has same-outfit-pattern-everyday autism and for serious it’s like. Really weird how fandoms tend to HC/portray non-binary amabs (and men/transmascs in general) almost exclusively as GNC or fem-presenting…like DGMW that is a real and valid form of self expression but it’s not the Only type of non-binary expression that exists. and honestly…**dare I say that most fandom/queer spaces just need to realize that queer masculinity exists and it doesn’t always have to be a matter of breaking gender norms??

** genuinely do whatever u want idc I can’t stop you i don’t want to stop you yada yada. paint his nails and put him in a skirt all u want but Please recognize patterns yall 😭

✯ more headcanon complaints (see disclaimer above ⇧) but I promise to switch it up soon. anyways every time somebody on this lil website says something along the lines of “Jack can’t handle/doesn’t like [insert violence, scary or adult-oriented thing], he prefers [soft or blatantly childlike things]” I shrivel inward like a dead spider. It’s annoying, it’s completely inaccurate to his canon personality and interests, it’s annoying ˣ2, and whether ppl wanna admit it or not—it stems from infantilization. not necessarily ableism, as infantilization is not exclusive to disabled people, but still just about the same thing.

honestly all I see of majority jack headcanons are ones that set him back to just being a child or otherwise being treated like one. for example, the one about him being able to shapeshift is pretty cool...until it just becomes about him deciding to age regress, yknow, to an age set he canonically chose not to go through, showed no desire to be in, and is more offended than anything to be considered as such. all of his interests have to be some shit like bluey or animal crossing, and he drinks apple juice from a sippy cup instead of beer. BARF.

I’ve lessened on my keyboard warring over babyjack in the past year but I have not lessened in being a hater. and I’ve said this before, but the baby-jack au already breached headcanon containment a long time ago when it’s not only so widespread that ppl take it for canon and it makes having any intelligent conversation about him nearly fucking Impossible, but it also lead to harassment and accusations of being a fucking predator, to anyone who dared find a whole grown man attractive. any potential jack ship, like jackharper? automatic grooming case to them. it’s like the fandom is just so dead set on this idea that jack really truly is a child in every aspect you can think of, and for what? if it’s just a headcanon, something you know is not part of the actual show, then don’t go Travis the Chimp levels of apeshit when you see him being treated like he is canonically 💀

unpopular opinion numero 3 which is slightly connected to 2:

✯ baby-jack and a handful of the domestic au’s are BORING (see disclaimer again ⇧), not just on a surface level to my suiting, but also because I feel like it just ..misses the point of the show?

the ragtag untraditional found family is now as nuclear and traditional as the Atomic Age. Dean and Cas are the most heteronormative “who wears the pants in the relationship” gay couple ever, Sam is demoted to the uncle that gets written out of his own family, Jack is just there to make his gay dads look cute and emphasize that they’re a gay family (while still being very heteronormative), and at least 5 of them could be found in a California gated community. everything that made any of them unique or defined their personalities is just scrubbed off, even for an AU.

so much of the later seasons focus on Sam and Dean realizing that they don’t have to make a hard splitting decision between the lives they want to live; that they can find a balance; be happy and have good things—namely families—without giving up hunting (and vice versa, that they can have hunting without giving up on family or happiness). everybody loves the gay hunters from S10(?12?) and what they represented for Dean, but I almost never see that be put into practice in the fandom.

THEY’RE ALREADY DOMESTIC!!! AND WITH THAT PERFECT BALANCE!!!! Season 13 quite literally gave Team Free Will a surrogate son to raise and established them as a family; highly untraditional, largely dysfunctional, overall not fitting of a family family, and yet they are a family still. Dean wears an apron and cooks and bakes for everyone; he built himself a man cave and established two separate family night events that they all ritually keep up; Sam has a morning jogging routine and visits his girlfriend every so often; Jack was taught how to drive, has normal chores like washing dishes, and gets groceries. And they didn’t just have that while fighting monsters—they had that while fighting a whole fucking archangel. Even if it did go down the gutter by the end, they still had it: domestic familial bliss and violent messy hunting without having to trade one for the other.

✯ I truly genuinely think Jack’s relationship with Dean is the best, most interesting and most misunderstood out of the three, and I also think that the problems with his relationship to Cas and Sam are hugely overlooked by the fandom—granted they are very small, especially if you’re comparing it to Dean, but they’re still there and I think we should bully Cas and Sam about it more. I shan’t elaborate because it’s 5AM and this was an impulsive add-on ❤️

✯ getting normal now…his plaid pattern jacket from the first half of Ouroboros is ugly as SHIT i have never liked it and don’t think I ever will. but I cannot deny it; he got that shit on.

✯ most unpopular opinion of all, I wanna do insane shit to his cervix 🙌

#holdthypeace.txt #is this coherent. I am highly caffeinated and it is 4:30 am #and I am also autistic so. you got essays here #ask game #unpopular opinion #spn #jack kline #spn fandom #tfw2.0 #destiel #god this felt GOOD my jackposting has been terribly insufficient #tbh this probably isn’t all my unpopular opinions……. I mean #it’s certainly not all of my opinions but I don’t know if the others would truly measure as unpopular or not #sometimes I just think his hair looks stupid and his outfits are bad #that’s not really unpopular #maybe #idk #goodnight gang #sam winchester #castiel #dean winchester #dean and jack #sam and jack #cas and jack #dadstiel #whatever else #tags #generic tags