at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Alright let's do this
At 10 notes i'll Say something Nice to a random mutual (Not posting the proof sorry y'all)
At 20 notes i'll say something very nice to all of my mutuals
At 50 notes i'll start studying what is a dual person and how it affects me
At 70 i'll clean up my office (gonna do it tomorrow cuz it's late as i write this)
At 120 notes i'll post a random pic from my phone
(early art for Geodo!)
At 150 notes i'll study some more for school (Fiiine i'll be more responsible, goddamn)
At 200 notes i'll read the picture of Dorian gray as much as possible in 2 hours (wip. Will do tomorrow night)
At 300 notes i'll take one of those gender tests (it called me gay and i'm unsure what to think of it)
At 350 notes i'll post the very much unfinished alpha of my videogame (on it; can't find the file rn)
At 1k notes i'll tell my psychologist about Cassidy (god FUCKING DAMMIT if i get sent to an asylum or something it's y'all's fault)
At 5k notes i'll drink battery acid (Sour strips candies + monster)
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im just saying that if i had been in charge of s6 of doctor who, i would have fully leaned into the horror of amy's pregnancy, the loss of her own agency in it, the way she was used as a vessel to create a child she would never hold again, amy pond who never indicated once that she even wanted a child and was made to have one anyway against her will, and once they were done using her, they even took away any choice she might make about it in the future.
and i would have had this be a factor in amy and river's relationship going forward. how do you interact with a child you never knew, never got to decide if you wanted to have, and she's also already your friend, you love her as this miraculous, insane woman who has saved your life more than once. she's always known more about you than you could about her, but now you know exactly how much she was keeping from you. it's not like she could have told you, could have stopped it, but all this time, she was your friend and she was your daughter, and how do you learn to live with her?
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I see your “Alice and Celia are anagrams” post and raise you a “Alice and s1 Jon are wearing the same hat”
S1 Jon is desperately skeptic bc he’s scared & doesn’t feel in control so he’s bluffing in a way that comes across as unlikable. I think Alice is also haunted by the job but faking her way through it by bullishly insisting others don’t think about it… also in a way that can come across as unlikable.
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Dp x Dc AU: Dani has a too many break-ups for Danny’s heart to handle as an older brother- So he gives her a criteria that her next boyfriend needs to fit for Danny to approve of their relationship.
Dani was really excited about her new boyfriend. He was witty, and charming, knew how to sword fight and was absolutely stunning. He loved his family, was passionate about animals and social justice causes, and he was an artist! She had a thing for green eyes, and hey, he was actually super chill about them having flexible schedules to see each other (she had vigilante shit to do that she couldn’t explain)! It’s been going on for a few months and she’s honestly ready for him to meet Danny & Jazz but...
The last time she was home it was for a broken heart and Danny was beside himself with worry over her. He made the guys recently deceased ancestors come forward to speak on his behalf and it was Mortifying- Danny was ready to throw down. And Dani had to admit, it was super sweet that her big brother cared so much. He’d happily given a shovel talk to each of her partners when she brought them home and he’d happily tried to bond with them and integrate into their lives. Danny always allowed her to make mistakes but respected her choices to only ever ask two questions when a new partner came into the picture: Do they make you happy? Do they treat you well?
This last time he made a simple request, just could they please fit this one criteria?
The thought comes to her unfortunately when she’s making out with her perfect match, her soul mate, this beautifully stabby man Damian Wayne, that she should bring up the deal breaker. Her brother gave her literally one request for her next partner, and by the ancients she didn’t want to disappoint Danny.
Pulling away from her boyfriends kiss for just a moment, Dani quickly asks “Sorry, Sorry, it’s just...Have you ever died before?”
Damian’s look of confusion and then concern grew on his normally collected face, which told her more than enough.
“Okay great!” And she leaned back in, only to realize that he’s pulled back.
“Would... Would you care to explain why you just asked me that?” Damian was doing his best to not jump to conclusions.
“Sorry, I just got in my head a bit about how you’re like, the light of my life and I want you to meet my family and then my brain wandered, before you did that thing with your teeth, to the fact that my brother kind of requested... um, well, he just asked that my next partner be, uh, don’t freak out if this sounds weird, but uh, be dead.”
“He...He wants your partner to be dead.”
“Well, Dead adjacent is perfectly normal in my family! It’s not like a whole thing! You’ve died before, so he’ll absolutely love you! And he’ll love you even more because you love me!” She smiles as brilliantly as the stars.
Damian isn’t sure for a second, but eventually asks: “Your family is ‘dead adjacent’ and you want me to meet them?” to which she happily confirms.
“Do you... Wish to know how I-” Damian begins but she cuts him off “No! Never, I would never ask that of you. He won’t ask either! He actually has a better vision for these things so it probably won’t even come up! How does next Tuesday work?”
“That should be fine, however, well...On the subject of family expectations ... Is it even possible that you might be a vigilante?” Damian’s worries melt away when his girlfriend smiles and lunges forward to kiss him.
Families could have such weird expectations, you know?
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