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#she’s reading her poems
welcometogrouchland · 4 months
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I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry
#ramblings of a lunatic#dc comics#Jason Todd#batfamily#it's just a fun quirk! it's a fun lil detail and I simply cannot slight ppl for enjoying and incorporating it into works#like obviously jason isn't the only one. I'm a big believer in the batfam having over lapping interests they refuse to bond over#i know dick canonically used the robin hood stories (which are pretty flowery in their language far as i can tell) as inspo for Robin#and i know babs was a librarian and even tho her area of nerddom is characterized as more computery she probably knows quite a lot-#-about literature as well#duke is a hobbyist writer i believe? i saw a fan mention that- which if so is great and I hope he's also a nerd#(i mean he is canonically. i remember him being a puzzle nerd in his introduction. but i mean specifically a lit nerd)#damian called Shakespeare boring but also took acting classes so i think he's more of a theatre kid.#Tim's a dropout and i don't think he's ever shown distinct interest in english lit and i can't remember for Steph?#I'm ngl my brain hyperfocused on musician Steph i forget some of her other interests I'm sorry (minus softball and gymnastics!)#and then Cass had her whole (non linear but it's whatevs) arc about literacy and learning to read#went from struggling to read in batgirl 00 to memorizing Shakespeare in 'tec and is now an avid read in batgirls!#she's shown reading edgar allen poe but we don't know if it's his short stories or his poems#point to all of the above being: i know Jason's not the only lit nerd in the batfam#but also i do need him to be writing poetry in his spare time and reading and reviewing it#jason at the next dead robins society meeting: evening folks today I'll be assigning all of us poems based on laika the space dog#damian and steph who have been kidnapped and brought to jasons warehouse to hangout: LET US GO BITCH#speaking of^ random poem i think jason would like: space dog by alan shapiro#wake up one morning in an unfamiliar more mature body with a profound sense of abandonment. the last four lines. mmm tasty
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couthbbg · 8 days
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Bianca Stone, “Artichokes” // x . x . x . x . x . x . x . x . x . x
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stardotnet · 3 months
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yes, there will be singing
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quaranmine · 9 months
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i think the whole cringe is dead, radical sincerity, depth of genuine emotion, earnest effort, and unironic love thing that tumblr has going on the past few years has transformed my outlook on things and changed me for the better. but it does mean that now the people i know irl will give me strange looks for being too sappy or too poetic or too dedicated or too excited about about something because they're still stuck in their "well i only like this ironically" phase. guess that's their problem tho not mine <3
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whenyoulosesmallmind · 4 months
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Nicklas Bäckström & the Washington Capitals (+ nickeovi) ― Immortality, Clare Harner | insp.
credits: x. x. x. x. x. x. x. x. x. x.
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dozydawn · 10 months
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Taxi, May 1989. “Fragrant Deception”
Photographed by Steven White.
Models: Jessica and Rochelle Relyea.
“The bawdier maiden got the rogue in the sack, But all he could do was write on her back.
He could not perform in the way she desired; By the scent of another his fancy was fired.”
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in the dream i don’t tell anyone, you put your head in my lap ; shoko ieiri
synopsis; ever since the battle in shinjuku came to its conclusion, nothing’s been the same as it used to. but you don’t think anyone is doing quite as badly as shoko. 
word count; 4.5k
contents; shoko ieiri/reader, gn!reader, canon-typical mentions of death (iykyk), angst, hurt/comfort (but not very heavy on the comfort), jjk spoilers (up to chapter 236!!), mild gore (mentions of blood, autopsies and general gore-ish imagery? nothing too bad tho), shoko ieiri deserves better, includes gojo slander (stay safe gojo nation)
a/n; first of all i just wanna apologize to the shoko girlies for writing angst when we’re already so starved of content, i have like 50 fluff drabbles planned for her but chapter 236 threw me into a mental angst pit so </3 yeah. i love my wife!!
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shoko hasn’t been herself for a while.
the thought sneaks its way into your subconscious, as your feet carry you to her morgue — a rotten thought you just can’t seem to rinse away.
it’s not very hard to notice. she doesn’t talk as much, for one. not that shoko was ever much of a talker, but now the silence around her is deafening. thick and heavy like the spine of a knife. and she smiles even less.
you can’t remember the last time you heard her laugh.
the crescents beneath her eyes are darker than ever, darker than you thought possible. a murky purple that you’d find soothing in any other context, but like this it’s just revolting. her eyes are deep and dark, the same as ever, but now they’re glazed over with something you can’t quite put your finger on. 
apathy, maybe.
or bloodlust.
the scent of cigarette smoke that follows her is suffocating. indistinguishable from her natural scent. you don’t know if she’ll ever be able to scrub the tobacco stench off her skin.
(you’ve given up on counting the exact number of cigarettes she smokes each day. you’re not sure you want to know the answer.)
she doesn’t even look alive, anymore. like some part of her already reached its expiration date. a spectre, wandering the hallways, filling the air with the slow, ominous clacking of her heels.
shoko hasn’t been herself for a while — and it’s so obvious. her grief is so heavy, her sleep-deprivation so severe. you’d have to be blind not to notice it. 
so why hasn’t anyone said anything?
you gnaw at your bottom lip, trying to suffocate the bitterness swimming inside your veins. it’s a dumb question, really, because you already know. you don’t want to acknowledge it, because it’s so unfair, but you know. of course you do.
no one has the time to. it’s as simple as that. 
no one’s doing well, anymore. not since shinjuku.
not since gojo died.
shoko’s grief is a fickle thing. always with her, tucked away within those eyebags, in the pockets of her coat. in that smell of tobacco, never-fading, always lingering. it follows her like a ghost, like something she’ll never quite be rid of.
(like something she doesn’t want to be rid of.)
shoko’s grief is a fickle thing, and it always has been. but recently, it’s been downright overwhelming. it used to be subtle, the kind of thing you notice if you look close enough. if you squint. if you even care enough to try.
but now, it’s more like a haunting than a simple ghost.
(geto. nanami. yaga. and now gojo, too.
how many people does she have to lose before whatever’s watching is satisfied?)
shoko hasn’t been herself for a while, and it’s obvious, and it’s sickening. she still does her duty to a tee, but she isn’t quite there anymore. gaze always forlorn, as if she’s trying to convince herself of something.
and yet no one says a thing.
everything is one big mess, right now. you don’t want to blame anyone. everyone’s exhausted, completely and utterly spent, but they’re still planning it all out. even in the midst of their mourning. because they don’t have any other choice. 
this is not the kind of situation where you should be pointing fingers. a part of you is angry, livid even — but you know the others are doing just as badly. it’s not like you aren’t, either.
still, though. isn’t this just too unfair?
”i brought you coffee!”
making sure your voice doesn’t waver is tougher than you initially assumed. just the sight of her sends a tremor running through your ribs; sunken down in her chair, papers in hand, eyes scanning the pages methodically. papers of what, you’d like to ask — but you already know.
(she’s reading through the post-mortem examination report, again. searching for something you don’t understand. you’re not sure she does, either.)
and she looks exhausted.
try as you might, your voice ends up sounding a little stale, as it flows from your lips and reaches her ears. but the attempt is there — the attempt to sound cheerful, calm. normal. to give her something to hold on to.
shoko looks up at you, and her lips curl in a way you think is supposed to form a smile. it doesn’t. her eyes look into yours but it’s like she’s not seeing you at all.
when you go to give her the cup of espresso, your fingertips touch. only for a second, before she curls her fingers around the ceramic handle. she receives the coffee with a small murmur of thanks, but you don’t notice because you’re too busy thinking of how cold her skin feels.
(cold like a ghost. cold like death.)
shaking away the shivers down your spine, you allow your gaze to trail over the morgue. it looks the same as always. cold, empty. foreboding. today, you think it feels just a little chillier than usual. matching the temperature of the outside world, where everything lies buried in heaps of snow and frost.
hesitantly, you plop down in the seat right next to hers. with such a narrow distance, you can smell the tobacco sticking to her clothing. it makes you want to throw up.
(you try not to look over at the couch in the corner of the room, where a certain someone used to slack off. his awkwardly long limbs would dangle off the edges, and shoko would pretend that she didn’t enjoy his company. you were more than content with silently admiring the smile she was trying to hide.)
shoko doesn’t look at you, professional in the way her eyes run across the files. cause of death: damage to central intestines, subsequent loss of blood. from a cut to the stomach, right below the liver and spleen.
you look away before your eyes can read another line.
leaning back in your chair, you exhale a tiny sigh. desperate to fill the silence with something, anything at all. you scramble for topics, racking your brain.
(what could you possibly tell her that she doesn’t already know?)
”the others are still planning everything out,” you speak, playing with your fingers idly to distract yourself. ”i think it’s going well.”
shoko hums, unaffected. ”that’s good.”
she’s speaking to you, but that feeling of unease still won’t go away. her voice sounds still, flat. empty of emotion. but you can tell she’s trying to be polite.
that’s no surprise. shoko isn’t the type to ever show how she’s truly feeling. she’s not the type to ask for help, either. people come to her for help, not the other way around. that’s all she’s ever known.
(in that sense, the two of them were alike.)
but that just makes it all the more important for you to be there. even if you’re a little awkward, and even if you can’t do much. even if it’s only for a moment or two, you want to see her smile. you want to feel for yourself that she’s really there.
looking over at shoko, you wring your hands together, the cold air of the morgue nipping at your sweaty palms. she’s drinking from the cup, one finger around the handle as her other hand flips through the papers.
”does it taste okay?” you ask, softly. if only you could ask her that under better circumstances, with cups of espresso made with better coffee machines than those at jujutsu high. ”i made it myself, so…”
”it’s fine.” shoko takes a sip. dragging her syllables out, as if mustering the will to speak. ”don’t worry.”
short sentences. almost cold, but you know better than that. she just doesn’t have it in her to pretend that everything is normal, anymore.
and it makes you uncomfortable. this silence. 
a couple months ago, it would have felt comforting; a quiet, peaceful kind of solitude shared between the two of you. nostalgic, like the smell of morning dew. or the way moonlight feels on your skin when the world falls asleep.
the silence you had with shoko always felt so tender. a single moment of peace, before the other shoe dropped. just that one moment was enough to give you the hope you needed to make it through another day.
you loved being silent with shoko. you loved her silence, the way she could soothe your very soul without saying a thing.
but now it only stings your skin. you fear that you might drown in it.
there is nothing to say. you want to ask her how she’s doing, but you already know. you want to ask her why she’s still reading the files from gojo’s autopsy, but you already know.
you want to ask her if she can still keep going, like this. but you already know.
she doesn’t have a choice.
(something crumbles, deep inside your chest, like ashes cast into the sea.)
”hey. shoko?”
she hums, again. weak. quiet. absentminded, acknowledging your words but not really hearing them.
you take a deep breath.
”i think i’m going to quit being a sorcerer.”
silence.
for a moment, nothing happens. nothing moves, or speaks. the air is cold and crisp and carries no meaning, no words, nothing at all. 
like time is frozen. frozen like all the bodies shoko’s had to dig inside these past few months. frozen like gojo was when she found him in the snow.
frozen like your youth, a glass marble kept in your pocket for moments when you feel as if the ground beneath your feet is about to slip away. then you’d take it out, and look deep inside it. watch the swirling of greens and blues and purples. that streak of indigo right in the middle of the glass. memories of the past, to give you comfort.
to remind yourself of why you’re doing this. to give you a reason to keep moving forward.
(south or north, it doesn’t matter. stay as you are or move forward, look to the past or to the future — none of it matters if you aren’t alive. that’s the conclusion you came to.)
shoko’s expression, too, is frozen. it doesn’t change, even as you let those loaded words fall from your tongue. you watch her carefully, out of the corner of your eye. she doesn’t even look at you, gaze still glued to the tiny letters detailing exactly what gojo’s pulse was at when he got cut.
but something flickers, in the depths of her irises, so fast you barely catch it. something you can’t identify, but it’s still something. it’s movement. it’s alive.
”not right now, obviously,” you elaborate. suddenly a little nervous, now that the words have been made manifest. ”but… you know. once all this is over.”
not sure what else to say, you trail off, fidgeting with your fingers again. voice wavering pitifully towards the end of the sentence, because deep down you know it’s not a question of once, but a question of if.
(if this ever ends. if i don’t die tomorrow, or the day after that.)
you swallow the lump in your throat, and look at her. trying to find her eyes. trying to keep her alive for as long as you can, this sequence of motion, this moment frozen in time.
trying to reach her.
”you won’t ever have to worry about me dying,” you throw in, like the words are light and not heavy as bricks. but you know she needs to hear them. ”i’ll leave, and then — and then…” 
staring down at your lap, you link your hands together. exhaling, a little breathless. sheepish, in a way. ”… well. i don’t know. i haven’t thought that far ahead, yet.”
you never had the chance to. you didn’t even really think of it as a possibility, as something you could do. and you know it’s not a possibility for shoko. the choice to be a sorcerer was never hers, from the very beginning.
a user of the reverse cursed technique. capable of healing almost any wound, more power and capability than a child should ever have. invaluable. she’s saved so many lives you’re sure she’ll be reborn as a god.
but the choice was never hers.
a soothing kind of ache blooms in both your palms, as your nails dig into the soft skin. hard enough to form crescents, like the ones under shoko’s eyes, that she’ll never be rid of no matter how much she sleeps. the choice was never hers.
isn’t that just too cruel?
they don’t deserve her. none of them do. the elders didn’t, the jujutsu world doesn’t — not even the students. no one deserves it; everything she does for everyone, day and night, just slaving away in the morgue or her office. cutting up curses and old friends. every second of the day, always that same buzzing of her name being called. 
shoko, someone needs healing, come quick! 
shoko, i know it’s 2 am and you have work tomorrow, but there’s a curse that i need you to dissect.
shoko, i think i got a paper cut, would you mind taking a look?
none of them deserve her.
you think of gojo. a flash of white hair, a grin brighter than the sun. a bloodstained smile — one shoko had to wipe away.
something ugly claws its way up your throat.
none of them deserve her. especially not him.
what were you thinking, leaving her all alone like this? so much for being the strongest. you couldn’t even stay alive.
why would you die with a smile on your face? do you have any idea how cruel that is to her?
you idiot. don’t you know how much she missed you?
— yeah. none of them deserve her. gojo doesn’t, the world doesn’t, and neither do you. no one does. 
what shoko deserves is to live a normal life. 
and she never will.
it’s foolish. it’s naive, a juvenile daydream. but you wish for it so, so badly. so much that even just the thought alone feels like too much to bear.
you wish you could bring her with you. 
you wish you could take her hand in yours, and run away. leave it all behind, every single thing, without caring about the consequences. you’d hold her hand and never let it go, and then you’d run and run until you were both high on adrenaline and breathless laughter.
maybe you could go somewhere, together. somewhere better. outside of japan, where there are less curses. money wouldn’t be an issue, you both have more than you know what to do with — one of the perks of having a job that’s bound to kill you. you could settle down in some smaller town, peaceful, maybe a little secluded. just to make sure no one finds you. 
maybe you could open up a little shop, together. or spend all your days tangled up beneath the blankets, catching up on lost sleep. talking and whispering, like you’d do back at the sleepovers you used to have. you’d make her coffee every morning, and tea every evening. you’d spend the rest of your life trying to make her laugh as loud as possible.
there’s nothing you want more. absolutely nothing. there never will be.
— but you can’t ask her.
you can’t ask her to come with you, no matter how much you want to. that’d be the cruelest thing you could possibly do to her.
she would never agree. you’d only be hurting her more. so selfish, all of these wishes. it was so much simpler back when you were just kids. when you didn’t have to care about duties or responsibilities. when your cognitive empathic abilities were just a little more lacking. 
a sigh flows from your lips. resigned, but somewhat hopeful, all the same. tainted with the murmurs of a memory that’ll never happen.
”maybe i’ll open up a bakery, or something.” you tap your fingers against the desk, smiling a little to yourself at the thought. or trying to. ”then you could come visit.”
shoko looks into her cup of coffee. watching the swirling of the vortex, the abyss that gazes back at her. she doesn’t look at you but you can tell she’s listening. then she puts the cup down, and you glance at her now-empty hand. 
shoko’s hands have always been pretty. even when they’re covered in grime, or stained with blood. thin, a little bony, smooth skin obscuring clear blue veins. moles litter her hands like stars in the sky; one right beneath her pinkie, another by her wrist. the more you look, the more you find.
tentatively, you broach the distance between you. curling your fingers around her slender ones, where they rest on her lap. linking hands. it’s a slow movement, drawn out and careful, accompanied by the heavy beating of your heart. 
(her skin is cold to the touch. your skin buzzes with unease, but you don’t let go.)
then you smile. a small thing, not really optimistic, but the attempt is there. something for her to hold on to. looking deep into her eyes, admiring the hazel glow that never quite left them.
”i’ll give you free pastries.”
a moment passes. shoko’s fingers squeeze around yours — weakly, but it’s there. movement, motion, life. a way of reaching out. a way to hold on.
her eyes continue to trail over the page, but you know she’s not reading any of the contents. you’ve caught her attention. a small victory, but you’ll take what you can get.
”i don’t like sweets,” she reminds you, leaning back a little in her chair. allowing her eyes to flutter shut, at last — and it’s not much but it’s something. a moment of relief for those tired, tired eyes. more tired than any 29 year old’s should be.
”i’ll change your mind,” you promise, mustering up enough will to sound smug. ”my pastries will be out of this world. you’ll get a sweet tooth in no time, sho.”
she exhales a breath, vaguely amused. your smile widens, hopelessly. her happiness was always the root of yours, wasn’t it?
then she looks at you, one eyebrow raised in lazy scepticism. ”can you even bake?”
”nope,” you deadpan. ”but i’ll learn. you’ll see.”
this time, shoko almost chuckles — and it’s more than you’ve gotten out of her in recent memory. god, you missed that sound. a little raspy, from all the cigarettes, but still so honeyed and smooth. hearing it makes you feel as if everything will turn out fine, in the end.
(what a powerful thing, for a voice to do. one so lovely it anchors you to the earth.)
a faux pout curls its way to your lips, and you squeeze her hand lightly. ”don’t laugh, i’m being serious!” your pout shifts into a soft grin, a little teasing. ”i’ll get you addicted to sugar instead of nicotine.”
”haha…”
shoko laughs. shoko laughs and it’s beautiful.
shoko laughs, a genuine laugh, and it’s so beautiful that you almost don’t notice the tears in her eyes. almost.
and then you realize your mistake.
a memory comes to you, then. you recall a hushed conversation, beneath a cloudy summer sky. the air was heavy with the scent of lilacs and cigarette smoke. two people were beside you, and all you cared about was listening to the tilt of their voices. that, and nothing more. a time before everything and everyone went south.
(”you know, shoko. you really should drop those death sticks of yours.”
”i don’t want to hear that from the guy who needs 40 grams of pure sugar every day just to function.”
”rude! and as far as addictions go, sugar is a cut above nicotine, don’t ya think?”
”whatever. just worry about yourself, gojo.”)
by the time you realize, it’s already far too late. the tears have already begun to fall. little droplets of grief, sticking to her skin.
they trickle down the contours of shoko’s face, and fall onto the paper in her hand, smudging the letters. she clutches it tightly, crinkling it, just to make the damage worse. her other hand is still holding yours, chipped nails digging into your skin gently.
but she keeps laughing. low, hazy laughter — pained. she sounds like she’s in pain, and that’s because she is. even if no one ever cares to mention it.
(how cruel, for her to be born with the reverse cursed technique. capable of healing any physical wound; leaving her with too many mental ones to count. never to be healed or acknowledged, in this life or the next.)
you can only stare. helpless to her sadness. her eyes are a little red, and she’s biting down on her lip hard enough to draw blood — a drop of scarlet falls onto the paper, and you think of gojo again.
you think of shoko finding him. running to his side. doing all she could to heal him, to patch him up — getting blood all over her hands and clothes. red everywhere, staining the pure white of the snowfall. like something out of a painting.
she did all that she could. pressing down on his chest, positive cursed energy pouring out from her fingertips in tandem with the snow. pressing two shaky fingers to his pulse point, just in case. just to find any sign of life, absolutely anything. hoping so tenderly that she’d feel the flutter of his pulse. that he’d get up, and laugh obnoxiously, and ask her if she really thought he’d leave her behind so easily.
you’d never seen her look so scared. so desperate, a primal kind of fear you’ve learned to associate with self-driven survival. the way some animals can claw their way out of a predator’s stomach if they’re swallowed whole. but she did that to save him. trying to claw him out, herself. from the belly of the beast.
she did all that she could.
but gojo didn’t do anything. he just laid there, split in two. frozen in time, eternally young. watching the sky. smiling.
(what a wonderful way to die. what an awful thing for an old friend to find.)
before your mind can catch up, your body acts. muscle memory, in the way your arms curl around her midriff to bring her close. tucking her into your side while she sniffles and cries. still laughing, like she’s still trying to convince you that she’s fine. like she’s isn’t falling apart at the seams.
the dam breaks. the ice shatters. everything comes crashing down — and you’re there to pick up the pieces. despite everything.
it’s not enough, it never will be. but at least it’s something.
it’s heart-wrenching, the way she clings to you. like you’re the only thing she has. the dry laughter that spills from her throat devolves into sobbing, her chest heaving as she tries to catch her breath, nails clinging to the fabric of your clothing like she’s trying to anchor herself. broken sniffles fill the space between you as she hides away, in the crook of your neck.
(the sound makes you feel like someone drove a knife from your sternum down to your stomach.)
all you can do is hold her. quietly, delicately. as if she could break if you squeeze her too hard. as if she’d shatter like a sheet of glass if you were to say the wrong thing again.
you hold shoko like she’s fragile. because she is, regardless of what anyone else says. because she’s a human being, and she’s grieving, and she needs this.
eventually, she musters up the will to speak — and it’s awful, raspy, broken syllables she has to force out of her throat. 
she chokes on the words like they’re poisonous. like she’s been carrying them around for decades, bubbling beneath the surface, waiting to be let out.
“don’t — don’t end up here,” shoko pleads, voice wavering through the syllables. full of fear. “please.”
you know what she means. she doesn’t have to say it, because you know.
don’t end up in my morgue. don’t end up on my autopsy table. 
shoko sounds meek. she sounds close to falling apart. you’ve never seen her like this before, clutching onto your sleeves as if begging you to stay. 
“you’re — you’re the only one i…”
she doesn’t finish, cut off by a broken sniffle. but she doesn’t need to. 
you’re the only one i have left. i can’t lose you, too.
please don’t die. please don’t leave me behind.
a shaky inhale. your arms tighten around her waist, tugging her closer. praying that she’ll feel the steady beating of your heart, the undeniable proof that you’re alive. that you haven’t left her yet. 
you blink away the tears in your eyes, grasping for control over your wavering voice.
“i won’t.”
and maybe it’s cruel, maybe it’s the cruelest thing you could do to her — making a promise you know you might not be able to keep. but you do so anyway. helpless to her sadness. at the complete mercy of her grief. you’d do anything to stop the tears from falling, to soothe the turmoil in her chest.
“i won’t let you be alone, shoko,” you murmur into her hair, with all the comfort you can possibly muster. ”not now, or ever.”
three words yearn to be spoken, resting on the tip of your tongue. three little syllables, desperate to be heard after living in the back of your throat for so many years. 
and for a second, you think you might say it. 
you think you might say it, breathe life into the statement. you can almost taste it, can almost hear it. can almost see what her expression would look like.
but shoko sniffles, and hugs you tighter. protective, like you’ll leave if she doesn’t. so tightly that it hurts a little.
and you swallow the words, once more. 
right now, this is enough. it’s enough that you’re alive, that you’re here. that’s what shoko needs, right now.
she doesn’t need your love. she just needs you to stay alive.
so you will. you decide that you will, no matter what. you’ll leave, and you’ll open up a shitty bakery that won’t get any customers — and you’ll give her free pastries for the rest of your life. you’ll get her so addicted to sweets that she’ll have no choice but to come back for more.
shoko cries like a child. filling the silence of the morgue with her shaky breaths and quiet sniffles, little hiccups and whimpers. the tears never seem to stop, and you wonder how long it’s been since she last let them fall.
you hold her in your arms, smoothing a palm down her back, counting the bumps of vertebra — and don’t say anything. there’s no need to.
for now, the soft patter of your heartbeat is enough.
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ijichi stands just outside the morgue, unmoving. not saying a thing.
it’s muffled, hushed and quiet, but still audible. the sound of childlike crying. the kind all sorcerers do their best to keep to themselves.
in his arms lie a bundle of papers. the final pages of gojo’s autopsy report. it’s important that shoko sees them — vital, according to her. something about the six eyes, the possibilities they hold. the hope that maybe, just maybe…
— he clutches them tightly, and then walks away.
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If I weren't so familiar with "The Rime of the Ancient Mariner," I think I would be able to appreciate "The Albatross" off the new album a whole lot more. Like, "peace" is a top three song for me off folklore and I just love the conversation those two songs are having, the storytelling choice to use third person, some of the instrumentation. But she does the least interesting possible thing with the allusion.
It's super clear that Taylor hasn't actually read the Rime and is just going off the general cultural idea of what the albatross is supposed to represent. Given that the allusion is basically the entire premise of the song, this is really disappointing. Especially on an album called "The Tortured Poets Department."
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cybersteal · 2 months
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Taken by the amazing fantastic wonderful @wilxfyre
I commissioned them to take some sappy shots of Vice and So Mi because all of their work is just so impressive, and I am still not over how fucking adorable and wholesome these are. Every soft, tender moment they get together fills me with so much joy, it heals my soul.
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LES DEUX BOUTS DE L'ÉCHELLE, PIERRE
𝘑𝘦 𝘳é𝘱𝘰𝘯𝘥𝘪𝘴: 𝘔𝘰𝘪, 𝘫𝘦 𝘴𝘶𝘪𝘴 𝘭𝘦 𝘳ê𝘷𝘦𝘶𝘳; 𝘑𝘦 𝘮'𝘦𝘯 𝘷𝘢𝘪𝘴 𝘥𝘰𝘶𝘤𝘦𝘮𝘦𝘯𝘵, 𝘤ô𝘵𝘰𝘺𝘢𝘯𝘵 𝘭𝘢 𝘥𝘰𝘶𝘣𝘭𝘦 𝘢𝘳𝘤𝘩𝘦 𝘋𝘦 𝘷𝘰𝘴 𝘱𝘰𝘯𝘵𝘴, 𝘭'𝘰𝘦𝘪𝘭 𝘣𝘢𝘪𝘴𝘴é, 𝘤𝘢𝘳 𝘫'𝘢𝘪 𝘱𝘦𝘶𝘳, 𝘲𝘶𝘢𝘯𝘥 𝘫𝘦 𝘮𝘢𝘳𝘤𝘩𝘦, 𝘋'é𝘤𝘳𝘢𝘴𝘦𝘳 𝘶𝘯 𝘪𝘯𝘴𝘦𝘤𝘵𝘦 𝘰𝘶 𝘣𝘪𝘦𝘯 𝘲𝘶𝘦𝘭𝘲𝘶𝘦 𝘩𝘶𝘮𝘣𝘭𝘦 𝘧𝘭𝘦𝘶𝘳. 𝘑𝘦 𝘣𝘶𝘵𝘪𝘯𝘦, 𝘦𝘯 𝘱𝘢𝘴𝘴𝘢𝘯𝘵, 𝘰𝘶 𝘭𝘦 𝘳𝘪𝘳𝘦 𝘰𝘶 𝘭𝘦 𝘱𝘭𝘦𝘶𝘳, 𝘊𝘢𝘳 𝘭𝘢 𝘷𝘪𝘦, 𝘪𝘤𝘪-𝘣𝘢𝘴, 𝘢 𝘵𝘰𝘶𝘫𝘰𝘶𝘳𝘴 𝘤𝘦𝘴 𝘥𝘦𝘶𝘹 𝘤𝘩𝘰𝘴𝘦𝘴
BOTH ENDS OF THE LADDER, PIERRE
𝘐 𝘢𝘯𝘴𝘸𝘦𝘳𝘦𝘥: 𝘐 𝘢𝘮 𝘵𝘩𝘦 𝘥𝘳𝘦𝘢𝘮𝘦𝘳; 𝘐 𝘴𝘭𝘰𝘸𝘭𝘺 𝘴𝘵𝘳𝘰𝘭𝘭 𝘢𝘣𝘰𝘶𝘵 𝘵𝘩𝘦 𝘥𝘰𝘶𝘣𝘭𝘦 𝘢𝘳𝘤𝘩 𝘖𝘧 𝘺𝘰𝘶𝘳 𝘣𝘳𝘪𝘥𝘨𝘦𝘴, 𝘭𝘰𝘰𝘬𝘪𝘯𝘨 𝘥𝘰𝘸𝘯, 𝘧𝘰𝘳 𝘐 𝘢𝘮 𝘢𝘧𝘳𝘢𝘪𝘥, 𝘸𝘩𝘦𝘯 𝘐 𝘸𝘢𝘭𝘬, 𝘖𝘧 𝘤𝘳𝘶𝘴𝘩𝘪𝘯𝘨 𝘢𝘯 𝘪𝘯𝘴𝘦𝘤𝘵 𝘰𝘳 𝘴𝘰𝘮𝘦 𝘩𝘶𝘮𝘣𝘭𝘦 𝘧𝘭𝘰𝘸𝘦𝘳. 𝘐 𝘨𝘢𝘵𝘩𝘦𝘳, 𝘰𝘯 𝘮𝘺 𝘸𝘢𝘺, 𝘭𝘢𝘶𝘨𝘩𝘵𝘦𝘳 𝘰𝘳 𝘵𝘦𝘢𝘳𝘴, 𝘍𝘰𝘳 𝘭𝘪𝘧𝘦, 𝘩𝘦𝘳𝘦 𝘣𝘦𝘭𝘰𝘸, 𝘢𝘭𝘸𝘢𝘺𝘴 𝘤𝘢𝘳𝘳𝘪𝘦𝘴 𝘣𝘰𝘵𝘩
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trainingdummyrabbit · 5 months
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maybe we'll try again next time.
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angelmush · 5 months
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i got a goose tattooed on the inside of my forearm today and it was a flash piece but it's my favorite tattoo already it means everything to me i could sob
#i love geese so much and so deeply i named my dog after them#goose is my black dragon dog and my loyal faithful companion and my entire world#i just love these birds#they are so misunderstood as aggressive and scary when really they just are sensitive to spatial pressure#and they need a wider diameter than humans are often willing to give#but they are so beautiful i love their long graceful necks and how i can recognize their sounds anywhere#and that no matter where i live i see their little v's in the sky#and of course wild geese by mary oliver is one of the first poems i fell in love with#my english teacher deborah read it aloud to us in high school and it made me want to go outside and to stay alive#and when my gf and i first started dating i knew i loved her for lots of reasons but one of them was that she also loved geese#she told me she had a shared folder with her family members titled “geese i've seen” that she would put her goose photos in#so her entire family could witness them with her#i remember when i was sick with anorexia a few weeks before i was hospitalized a v of canadian geese flew over me on my way into work#and these big fluffy snowflakes were falling down and i could hear them calling#and it made my eyes well up#and i hoped they would get somewhere warm enough for winter#whether or not people have respect for them is a wonderful metric for gauging somebody's character#at the grocery store i worked at when i was 18 the only coworker i grew close to had a similar affinity for geese#she had a necklace of one#a little silver glinting goose in flight :'')#personal
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recurring-polynya · 16 days
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i want the boots rukia is wearing in this color spread more than anything
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finelythreadedsky · 2 months
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 On one level the book is about the life of a woman who is hardly more than a token in a great epic poem, on another it’s about how history and context shape how we are seen, and the brief moment there is to act between the inescapable past and the unknowable future. Perhaps to write Lavinia Le Guin had to live long enough to see her own early books read in a different context from the one where they were written, and to think about what that means.
-Jo Walton
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willowbee-brook · 19 days
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I like when Monk talks about Trudy. He is truly in love with this woman and his expressions of love are for the small details he noticed about her all throughout their time together.
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slothcapsule · 9 months
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//kaeya hangout spoilers (?)
its incredibly funny to me that outside of his fanbase a lot of people seem to mischaracterize kaeya, tending to see him as this sort of emotionally closed off suave guy that makes only calculated moves for his own benefit and whatnot, and when hyv saw that they said fuck all of you, we're going to make sure every time kaeya is on screen he is the SWEETEST and most GENTLE man you'll EVER encounter and he has FRIENDS and a FAMILY in mondstat that love him and he loves very dearly. thats so real of them tbh
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hairtusk · 8 months
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the sylvia plath tag on this website is completely unusable, i need you illiterate coquette bitches to die
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