#sorry again nonnie <3

[rocicrew]

1. I read your Amos/Holden fic on ao3 and it was SO GOOD!!!!

2. Okay but like imagine when Amos was blind and Holden found him and was talking to him for a minute in private, and trying to console him, and Amos says “you have to find a way. If I can’t see, how can I protect you?” And Holden is like ~sobbing~ but like quiet and on the inside because omfg he’s in love with Amos Burton isn’t he. (Also Holden would have to sleep next to him and spoon him and be the big spoon FOR REASONS)

hiiii i had an awful long week but this message made my day. i'm really glad you enjoyed it !!

holden is constantly sobbing on the inside abt how much he loves his crew, but s4 and amos/holden has especially extra Feels bc holden is constantly holy shit i love him sm while amos is blind, his cptsd is triggered and especially when he finds him shot on the ground after murtry shoots him

i had written this fic in regards to 4.08, but i absolutely see that exchange between them and crying

as a matter of them cuddling, personally i'd see it post ilus after they're back on the roci because (excluding the fact that holden got 0 sleep on ilus) holden would be very careful with how he's touching amos while he's unconscious after seeing him lash out. however after he made sure amos is fully on board with it up on the roci which is a safer space, he'd be soo down to cuddle. jimbo just wants to hold and be held by the loves of his life his family at any given time.

#this had been saved to my drafts instead of posting 💀 #work is killing me #sorry again nonnie <3 #the expanse #jamos

[katasstrophy]

I feel like I've seen every Bluelock boy paired with a very cute, very bubbly, and chill gf/reader before, but I haven't seen any of them paired with a cool and competent or even bossier type. Are there any guys you think of liking that type??? Or maybe just deserve that type to be kept in line lmao 🤣

nonnie!! 😳 NONNIE UR BRAIN I’M GIVING IT A THOUSAND KISSES UR SOOO RIGHT FOR THIS!!! i guess it doesn’t really show with the fics i’ve uploaded so far – which is a damn shame, i should fix that – but i am absolutely all for readers who are just… out there, ya know? they’re prickly, or easy to anger, or sardonic as all hell, or way too clever for their own good or yes yes, bossy<3 i eat that shit UP like it’s my last meal. this is not to say i don’t enjoy sweet, bubbly readers (bc i do!) but the type you describe just… scratches a certain itch iykwim 👁️👁️

i think one of my first posts ever about blue lock on this blog (cw. mid writing LMAO) was exactly about this. obviously most of the blue lock guys are only extreme egoists when they’re playing soccer, but i do think that aspect of their lives will ultimately start to bleed into their personality as they grow up/go pro. so having someone who’s just like “yeah that’s great and all but if you won’t make it to date night i’ll leave your sorry ass” is just. so sexy to them like?? they haven’t gotten their ego knocked down a peg in a while so i think they’d be drawn to a partner like that askdhxnbz idk if i’m explaining this very well but as far as i’m concerned all blue lock boys deserve an unhinged reader lol 😤

THAT BEING SAID!!! >:))) i have a top three list of blue lock men who i, personally, would love to put in their place and encourage anyone out there to do so as well LOL

1. MICHAEL KAISER — this cocky motherfucker ugh need i say more 🙄 the urge to censor his name was real strong but i persevered still cannot believe i’m (sadly) attracted to this horrible, horrible man. he’s sooo insufferable and just so obsessed with himself like he unironically refers to himself as the emperor when i tell you there’s nothing i want more than to make this man beg on his knees i mean it – what a pretty sight that would be hm? <3 all his past lovers probably treated him like he was god’s greatest gift to women (HE IS NOT) – and by now he’s not only used to it but comes to expect it – so when he meets you and you’re like “mm you’re kind of a prick leave me alone thenk yew✨✨” he’s just. so scandalized LMFAO suddenly he’s the one chasing after you and vying for a shred of your attention oooohh yes that’s exactly what he deserves how it should be

2. ITOSHI SAE — listen he might be my precious babygirl now but i used to hate this mans guts like no other and that little resentment still lives on in my heart in the form of wanting this man’s downfall to be a woman like don’t tell me that’s not the hottest thing you’ve ever heard. he’s just so single-mindedly focused on soccer – japan’s treasure and what not – and thinks he can get away with being an asshole because of it but you place down your foot and tell him to cut the bullshit or you’ll find someone who treats you better (AMEN SISTER) and suddenly he’s grappling with the reality that shit he might just fall apart without you yes girl make him suffer

3. OLIVER AIKU — i couldn’t not include the resident fuckboy here mmmm the possibilities for him are endless and each one more delicious than the last. he might not be as insufferable as the others but he still thinks extremely highly of himself, especially when it comes to his way with the ladies. typical “oh no i don’t do relationships” kinda guy who can show you a good time for a night before dipping in the morning – and you just don’t want that. so you reject his advances, say you’re not interested and move on, but for some reason, oliver can’t. literally physically wounds his pride when he crawls back for a second chance but you don’t budge, still wary of him due to his past behavior unless he can show you otherwise. and the way he scrambles to prove himself as trustworthy to you? god tier groveling from a man YUMM

#—ping! new message from (anon) #AKSHHDJD THIS GOT SO LONG AND RAMBLY AGAIN SORRY!! #but you have a fat juicy brain on you nonnie #idk if this is exactly what you wanted but these are the thoughts that jumped out so hope that’s okay!! <3 #blue lock x reader #—bllk.thoughts!

[fivefeetfangirl]

omg hiii!! hope ur doing good 😊 re ur tags on the post about reading a lot of time travel fics lately 👀👀 do you have any recs ? I feel like ive devoured the trope there arent any good ones left 😩

Hi nonny!!

Based on your ask it seems like you've probably read more time travel fics than me haha I just started like 3 weeks ago. And these are what I've read so far (I would rec them all, they're all very good):

crossing lines by sometimeswelose which is about s1 dean getting transported into s15. read the tags on this one tho!

in this louisiana bar by fleeceframe where s10 cas travels back to s1 dean. in the next part s10 cas travels back to s4 dean

psalm 40:2 by unicornpoe where s15 cas travels back to pre-series dean

I haven't read this one but been recced it, time has come today by teen_dean where 19 year old dean from 1998 is brought to 2020 to help with a hunt

If you have any recs for me feel free to send another ask <33 or if anyone wanna add to this post, please do!

#sorry this took some time to answer anon im neck deep in exam preparations hsjdhsjd so im not thinking completely straight about this. i #feel like i forgot some but i cant figure which ones. i even checked my search history haha #anyways. hope theres something here you havent read and again feel free to rec me stuff <33 #hope youre doing good too nonny <3 #i will fill on this post when i get time to read more time travel fics <3 #fic recs

[w0niecult]

Okay, hear me out, dilf!kirk taking you to the beach with him and he can hang out with you and all, to watch him surf or surf with him, and he’s all handsy with you when he is taking a break.

And in the drive him, he is partially handsy. Once y’all get home, the post!surf fuck is INSANE. Maybe once y’all get home or in the shower. But this man, he has that drive to keep going or get all of his feeling out after a long day of surfing.

Kirk HAS TO HAVE that post whatever fuck. I did when I played sports.

OOOOOO y e s

✩‧₊˚ He would be such a tease, grinding his very obvious erection into your ass,

✩‧₊˚ touching your thighs and slowly moving his hand up further and further, but pulling back once he reaches your pussy, pawing at your tits and softly kissing your neck—

✩‧₊˚ once you’re all ready and prepped for him, the fun truly begins

✩‧₊˚ He’d have you on all fours, mouth gagged, cunt stuffed and would use you like his own personal little fleshlight ♡⸝⸝

#hi nonnie! #kirk hammett #metallica #kirk Hammett smut #again not a good writer at all #so sorry nonnie!! #oh to have kirk tease me like that :(( #Kirk Hammett x reader #bambi’s cottage <3

[thefrsers]

requested by Anon:

HAPPY CASTAVERSARY SAM HEUGHAN AS JAMIE FRASER

(JULY 09.2013-PRESENT)

#outlander #outlanderedit #requeststedit #jamie fraser #jamiefraseredit #outlander cast #outlandercastedit #sam heughan #sheughanedit #OL: season 1-6 #gifs #mine #I AM SO SO SO SO SORRY FOR THE DELAY OF THIS REQUEST NONNIE #IRL get in the way + having photoshop/computer probs....IT WAS A HOT MESS FOR A LIL WHILE THERE #but I hope you like this gifset <3 #there really couldn't be anyone else made for this role but Sam it was literally made for him #and how lucky are we to have him as our Jammf :') #THANK YOU for there request and once I apologize for the delay of getting it up for you all xx #also its nice to be giffing again I've missed it :')

[endious]

HIII im sorry if uve already been asked this before but i love your writing and its hard to find anything like it, do you have fic recs for writing that is similar to yours or fics that you love yourself because im sure you have great taste

unfortunately like you’ve said, it is extremely difficult to find anything like what i write. if you’re looking for hardcore shit like i write i unfortunately dont have any recs because there’s just nothing out there (from all that i’ve searched) that’s similar to what i write. that’s the whole reason i even write in the first place, because there’s nothing out there that interests me and there certainly isn’t any fics that do jeff justice as a fuckin’ sicko. he’s either too soft or not nearly gross enough but to each their own.

however,

Head first in the dirt 、MANIAC 、Taken (<- this one inspired me to even think of writing a full story like ??? two years ago and I constantly go and reread it)

this are full fledged stories (wip stories. they arent completed but are worth a read) and not oneshots just because i literally can’t find any that i read more than one paragraph of before closing the tab. no hate to anyone i’ve read fics from i just have a specific taste and how i view jeff but those stories i’ve linked above just itch a certain scratch for me. i havent read the first two (both are written by same author btw) that much but i love the pacing of the story and their writing is overall really pleasing and keeps me interested. of course i can be a shameless whore and plug my own story that’s got the same elements i always write but i wont lmfao

#— cadie answers #— nonnies #sorry to disappoint you anon but you’ll just have to stick around for any fics i myself write </3 #i wish there was fics out there similar to mine but then again i dont want there to be #because if there are. and there’s a steady flow of fics like mine i will just. stop writing lmfao #only here to share my ideas and my version of jeff LMFAO i dont even read stuff anymore i just write write weite #write* omfg

[actuallyitsstar]

have u seen the top gun 3 leaks/rumors?? GOD i hope it's true 😭😭😭 i need to see miles teller bradley bradshaw again

aaaaa hi there nonnie!! omg yes i have!! i'm just a bit 50/50 on the whole idea if i'm being honest- on the one hand, i would love so so much to see our favorite old man and the daggers and ofc bradley ;) again, and there are so many things about top gun/tgm that i think can rly be expanded upon and explored!! but on the other hand, i am worried that so close together and with it seeming a bit like a studio rush due to money or contracts or bargaining, idk. it might not turn out how i'm/we're hoping and i'd almost rather keep what we have now than have something we don't like become canon as a result of something like that 😭😭 i guess we'll just have to wait and see what happens! i am excited, but mostly, i am cautious, and very very nervous lol.

everyone has varying interpretations of our current canon material, and in their own way and their own universe everyone is right- but i do fear what would happen if they made a third movie that drew the line. someone will get alienated no matter what, and who knows what they could decide to do! they could rule out or include a relationship we consider basically canon or to be an ick, or they could directly contradict a beloved fandom headcanon that we all hold dear and turn those of us already quite committed to it into au participators all at once.... etc. of course, on the other hand, they could do exactly what we hope for- you never know- we just all hope for such different things. i worry that there's no way to make as well done and well received a movie as tgm due to the loss of the nostalgia factor and the rush and the split fanbase demographics, but at the same time i am excited by the possibility of seeing the things i'd want to see! it's all quite up in the air, but we'll have to be patient i suppose!

(thanks so much for the ask, nonnie! have a lovely day!! <3)

#star unasks #Anonymous #top gun #so sorry to be like. a lil bit negative nonnie #I AM EXCITED FOR U TO SEE MILES TELLER AGAIN TOO ALDHFKFHFJG #its just i worry 😭 #what if they make a third movie and like. they say that mav and bradley didnt rly know each other growing up #and everything i stand for becomes alternate universe akdhfkffhgjg #if mav is bradleys pseudo dad became au i think i would have to walk into the sea #i dont mean to be dramatic but ive already written 200k+ words of it. u must understand my commitment lajdkffhgjg #not to mention icemav or hangster or idk. what if its none of the same actors or if we're just missing tom cruise #like i think we all forget that if they make another top gun they will most certainly have mav married to or otherwise #committed to penny too #like. akdfhfkfhfgjgjg #im not sure if we truly want this !! be careful what u wish for !!! #but im excited for the good possibilities nonetheless <3

[threewaysdivided]

hi 3wd. i’ve tried to write before and i’ve never gotten far in the process, despite having many ideas im enthusiastic about. all your blogging about being a planner-writer has got me thinking i might have the same style of writing as you l- and a lot of the reason im struggling to put words on paper is because i don’t have a direction or fleshed out emotional/plot beats to write towards. what would be your advice to any fledgling planner-writers that don’t know where to start? how did you start writing with this writing style?

Hey nonnie 💜

It can be super frustrating to have a bunch of pieces you want to play with but not have them come together in a way that maintains traction.  Outlining could definitely be a potential tool to help sustain momentum, so let’s see if I can get some gears turning for you.

For me personally, the outline-approach is one I just sort of fell into naturally.  Part of it comes from my school days; we were encouraged to write dot-point plans to structure our arguments/ research/ storytelling for assignments ahead of drafting (some teachers even counted evidence of it towards the final grade), which set it as a habit early.  Fun fact: I actually outlined this answer before writing it; I do it for most long posts.  Another part of it is that I tend to come at writing from a very analytical angle - there’s a degree to which I try to solve or understand stories as I consume them.  One of my earliest casual jobs was working as an English/Lit tutor for high-schoolers.  I find a lot of joy in picking narratives apart, figuring out how they work and finding ones that hold up through several layers of examination, so as a writer I like to construct stories that way.

Part of it is also that, when I want to write something for release, I’m conscious of the fact that it will have an audience.  A question that hangs around in the back of my mind is “if I found this story and wasn’t the writer, would I enjoy reading it?”

There’s another aspect that has to do with respect, in a way.  I love the worlds and the characters that I use in my stories, and for me that means writing things that feel true to their spirit, giving significance to the times when that changes and making sure they have a meaningful journey (even if it’s not a happy one).

For me outlining suits this ethos, since having a map of future directions makes it easier to place foreshadowing fairly, identify themes, build character arcs and keep explanations/ lore consistent.

I’m also going to admit that I just got lucky with Deathly Weapons. There was a very specific emotional idea that I wanted to centre a story around, and the inspiration happened to come with both a starting premise and a concept for the ending.  Then I also had wish-lists; some tropes I wanted to play with, and some existing series whose storytelling structure I wanted to emulate and pay homage to.  Something I realised a few years after starting DW is that I’m a very project-and-output-oriented person.  In a way, Deathly Weapons’ came to me as a project brief where I already knew the end-goal and a lot of what I wanted to work towards.

With that said, let’s talk outlining:

The value of having a plan

To me, an outline is a bit like having an itinerary for a road-trip.  It gives you an idea of where you’re going, how long things will take, what key things you want to do, how much it might cost and it helps you anticipate potential problems.  But, like an outline, an itinerary isn’t binding.  There might be some things that take more effort to change (distance to travel, bookings you need to cancel/ reschedule/ extend - key plot points that a story hinges around or that need more preparation/ payoff to be effective) but you can adjust as you go; take extra time to explore an interesting spot, add a detour based on local recommendations, skip things that turn out to be less compelling than they first seemed, take a shorter route to get to a key destination faster, extend the trip to see a few more sights or decide to cut things short because something came up.   The itinerary gives you the security of already knowing where you’re headed, letting you put down the mental burden of having to work out each stop as you go and enjoy the moment more. 

Ways an outline can help:

Reassurance: if you have a tendency to be anxious/ self-critical/ have high standards about characterisation, plot holes etc. then an outline can be a good way to workshop the story and get ahead of potential challenges, as well as to concept-test whether this is a project you feel like committing to.

Scoping: blocking out an overview can help you get an idea of the size and complexity of the project, and how much time/resources/teamwork it might need.

Motivation: having a plan of future story moments that you’re looking forward to can provide a goal to help you push through the less exciting parts (e.g. connective scenes) and/or help you re-find your enthusiasm if you’re returning from a break or are feeling creatively flat for reasons outside the story itself.

Iteration: if you tend to come up with stories primarily by exploring and assembling ideas, then an outline method can be a way to quickly put a concept on paper, examine it and then decide if/how you want to use it, without the restriction of needing to write it all out as polished paragraphs first.

Splitting up the steps: useful if you tend to think faster than you can type full sentences, find that you move between ideas non-sequentially or if prose-writing/ sentence construction is something that takes a lot of mental energy or stop-and-starting from you.  An outline can be a way to separate the processes of story crafting and story telling into more-distinct stages rather than trying to juggle both at once.  Find the story first, then write it.

Non-sequential writing: having a roadmap of your story’s structure and direction can give you more freedom in how you choose to approach it, letting you jump ahead to work on planned future sections/scenes where the inspiration is flowing rather than waiting for the next scene to “come to you”.

For a more direct comparison, Screenwriting Bibles are a form of outline for professional TV/Film production.  These “bibles” are key reference documents used by writers for information on the premise, characters, settings and other project elements, as well as to plan future episodes and seasonal arcs.  (This podcast transcript, article and template are good starting sources if you want to learn more about TV Bibles.) 

Much like a series bible, an outline can help you keep tabs on:

Consistency and continuity: this can be minor stuff like names of background characters or small details (running gags, item descriptions, character trivia) but can also be major stuff like character motivations, who has what abilities, event timelines or story-themes.

Direction: your outline can capture the overall arc(s) and conflict source(s) of your story and their intended resolutions, as well as mapping out how those conflicts are progressing.

Causality: whether planned events and character choices feel consistent and reasonable within the internal logic of your story.

If any of this sounded helpful to you then you might benefit from experimenting with an outliner/ planner approach.  There are a bunch of different planner techiques (here’s a link for some) as well as hybrid “plan-tser” methods that you could try. But for now let's talk about the general process, starting with a focus question:

What is it that makes you want to tell this story?

This might seem like a daunting place to begin but it can help with figuring out the core of your story and what you find compelling.

It’s okay if you don’t have a neat-and-clean answer straight away.  Sometimes inspiration just strikes out of the blue, and that’s fine.  Sometimes you have a vague directional pull but you’ll need to do some story-work before you can identify what’s calling to you.  However, if you did have a specific itch or passion that drove you to write then thinking about what and why that is can help you understand what you want from the story – and in turn what might connect with other people.

I also want to be clear that this is not about judging your motivations or their “artistic merit”.  I had a specific story to tell is fine, as is I wanted to explore this concept/theme/emotion/issue, or this was a gift/commission for someone else, and so is I wanted to try writing a specific genre, or I wanted to experiment with a specific medium, or I wanted to do my own version of [existing idea] or I am fascinated by this character/relationship/world or I needed some vicarious catharsis, or I was horny.  And a whole bunch of other things.

Knowing what you’re trying to get out of a story can help you decide what type of story you want to tell, as well as the overall scope and what medium/format/genre to tell it in.  Maybe it’s a single-scene character/aesthetic study, or a one-shot vignette.  Maybe it’s one long story, or it could be series of connected stories, or it could be a story-anthology centring on a common idea.  Maybe this story would work well as a comic, or art piece(s), or podcast, video, or something interactive like a choose-your-own-adventure or a videogame.

Understanding where you’re coming from can also help you answer the questions of what is your story about? and what happens in your story? which are related but not the same. 

What is your story about concerns the themes and thesis of your story, which can help you figure out the story’s tone, main emotional or thematic conflict(s), and how you want them to resolve by the ending.  Put simply, it’s the message.

What happens in your story is the synopsis of planned events, character actions, worldbuilding and other content.  Put simply, it’s the stuff your story has in it.

Let’s take my Deathly Weapons fanfic as a case study:

What made me want to write this story? Deathly Weapons started with me being unsatisfied with what felt like a gap in the Danny Phantom x Superheroes crossover fanfic space at the time.  There was a trend where stories would kill Danny’s friends and family to justify placing him with the crossover’s other hero team but very few of those stories felt like they acknowledged the emotional consequences of doing so; the ones that allowed him to grieve frequently using it for nonspecific angst about Loss™ or mourning the generic archetypes of A Love Interest™, A Sister™, Parents™ or A Best Friend™ rather than the specific characters and bonds from the series.  There were also some smaller itches around plot construction and mysteries that I couldn’t find many stories to scratch.  I wanted to try writing something to fill those gaps. What is this story about? Thematically Deathly Weapon’s central emotional arc is about grief and healing: in particular the uniqueness of the bonds between people and how grief reflects the specific hole each individual leaves behind, as well as the process of finding closure, making new connections and moving forward in the aftermath of loss. What happens in this story? A lot.  In my youthful hubris and overambition I planned out basically a half-season of a TV show.  For the sake of not dragging this section out by a mile, here’s an arc/mission plot teaser list I made a little while ago.

Since Deathly Weapons Arc II is deliberately structured to emulate a TV show, you can sort of see how that summary has accidentally ended up mirroring parts of a top-down Pitch Deck.  But, of course, that’s not the outline I actually use when writing.

Different levels and types of outline

Like a lot of creative terms, “outlining” covers a pretty broad umbrella’s worth of stuff. 

Methods-wise there are plenty of different approaches: from specific story-writing software (Scrivener, Campfire etc.), to word documents, to binders and notebooks, to honest-to-goodness sticky-notes, thumbtacks and string.  Personally I alternate between a documents folder on my computer and a physical notepad/sketchpad for when I’m on the go, but you should pick whatever format feels most comfortable for how you process/visualise information.

Functionally, I think it helps to conceptualise three main levels of outline: Brainstorming, Structural and Detail.  To be clear, you don’t have to do all three.  A short story or one-shot might be served by writing directly from a brainstorming or light structural outline.  You also don’t have to keep them strictly separate.  A brainstorming document might cover some early structure notes or test paragraphs.  A structural or detailed outline might have some brainstorming or research sections as you uncover and solve smaller questions.  Heck, you can have detail notes inside your initial drafts if they help you keep the story flowing.  These are tools you can use, not prescriptions you need to follow.

Let’s talk about the levels:

Brainstorming

Brainstorming is the least structured.  Like the name suggests it’s mostly about getting concepts down and coming up with ideas – this could include early notes for plots beats/ scenes/ character interactions, sketches, screenshots/quotes and possibly research questions for stuff you want to confirm or find out about (e.g. checking source material, or researching systems and potential setting-locations).  You could consider this like early research notes for a class essay – where you know what your subject is and might start with some initial thoughts or focus questions but are still learning and figuring out the broad strokes of your content and stance.  

Despite that comparison, brainstorming is probably the most creatively fun step in the process.  This is not where you worry about things like “quality”, “cohesiveness”, “accuracy/canon compliance” or “cliches” – this is the time for rolling with whatever inspiration strikes you, pouring out any idea you find interested/compelling/cathartic, asking questions, going down internet rabbit holes and generally just enjoying unabashed creation.  This is your raw material: you’re going to cut and shape it later.

Structural

Structural outlines probably have them most utility in giving your story shape and form, especially if your story is long or has a lot of components.  If you were doing an essay, this is the part where you’d figure out your thesis and start grouping each main argument and its supporting points into planned body paragraphs.  For a story, this is where you start sorting your ideas and putting them in order; deciding on your arcs, conflicts and resolutions, working out the order and causality of events, your character motivations and dynamics, where to place key foreshadowing, major scenes and the like.  This is the level where you’re going to try and solve potential story problems – to come up with in-universe explanations and identify possible plot-holes before you write yourself into them.  You’ll likely do extra brainstorming or research in this phase too but it’ll be more targeted – aimed at filling gaps, connecting dots or serving specific needs. 

For longer or more complex stories you might have multiple structural outlines tracking different levels of granularity; some providing an overview of the whole story/ series arc, while other focus on specific characters/ subplots or break things down into individual plot beats and scenes.  You might also spin some of your initial brainstorming into reference or meta documents – content that you aren’t going to directly cover in-story but that will inform or add depth/consistency to other elements.  If you enjoy puzzle-solving then this can be a very satisfying part of the process: there’s nothing quite like hiding a subtle piece of symbolism/foreshadowing, coming up with a sneaky red-herring or finding a rock-solid explanation to make you feel extremely clever.

It’s also worth repeating that you are not beholden to whatever structural outlines you first come up with – your outlines can and should evolve with you as you develop your story and come up with new or alternate ideas.  (Just last year I re-ordered two major subplots and added an extra character arc for Deathly Weapons).

Some stuff to think about for structural outlining:

Remember that, as the storyteller you have full control of the narrative and what happens inside it.  Like I said at the start of my case study on YJ: Invasion’s writing, even the rules of a fiction piece are made up: there is nothing physically stopping you from making the sky be a different colour every five minutes if you felt like it.  If you want something to happen then you can work backwards to reverse-engineer a specific scenario where those things would reasonably occur.  Start at Scene B and figure out what needs to happen to get there from Established Starting Point A.  If you need a character to act a certain way, then you can tailor a situation to trigger that response based on their established personality/ insecurities/ flaws.  You can manufacture specific story problems whose solutions play toward or against the skills and abilities of different characters, or create scenarios which situationally discourage characters from using skills/abilities/tools that might otherwise be overpowered. You can also make the call to deviate from what has been established in order to facilitate a scene or plot point - temporarily imposing a trait for narrative purposes (sometimes referred to as carrying a ball) or Rules Lawyering your worldbuilding to create a technical loophole.  This risk here is that this can feel artificial, jarring or unfair if not reasonably justified within the story logic.  There’s also a limit on how often/ how far you can push this before it risks breaking the story.  If things start to contradict or situations arbitrarily turn on a dime then your audience can lose trust that the characters and world will follow the expectations set by the narrative – they can start to feel narratively unsafe, until it reaches a point where the only way for them to reconcile the dissonance and inconsistencies in the story is to acknowledge that it’s all an artificial construct being externally steered by the hand of the author.   You can do whatever you want… provided you do the work to make audience to believe it.

That being said, try not go get too wedded to the specifics of your early ideas.  Sometimes an element is just not going to fit with the direction your story ends up taking; whether because it’s not compatible with the eventual trajectory of the characters/events/lore or simply because it would be hard to include without disrupting/diverting/distracting from the flow of the story at that point.  In some instances you can take the core of an idea and modify it to find a new place in the narrative; for example by repurposing a scene or piece of dialogue, repackaging information, rescheduling a conversation, fusing concepts together or deconstructing them and integrating the component parts across other scenes.  But in other cases you may decide that the potential problems (whether structural or narrative) introduced by including an element outweigh the value it could add – in which case it’s time to lovingly set it aside.  This is what they mean when they say kill your darlings.  Having a designated document for future story ideas and/or outtakes can help with this (or you could do what I did with Defining Moment and turn an idea into its own side-story).

This can be also a good place to consider more technical story elements, like pacing.  Think about the peaks and valleys of intensity (suspense, intrigue, action, character drama etc.) across the beats of your story; where you might want to ramp things up or down, and how you might use scene and/or chapter breaks to space out information, create breathing room or hold the audience at a certain level of emotion/anticipation.  (For a good short primer, try these videos about Pacing and Tension Cycles in games).

You may also like to use the structure overview as an opportunity to take stock of Tropes and Patterns.  Not to avoid them – you can’t really avoid tropes – but just to see if any are showing up and what they might be saying, even if you didn’t intend for that to happen.  (For a topical example: consider what tropes are showing up around different minority/minority-analogous characters - either in their depictions or how the story treats them - and what message that might be sending.  There’s a lot of bias to the way certain groups and issues have historically been portrayed in media, some of which have baked themselves into now-common stock plots and archetypes.  That isn’t to say you should never use them; just be conscious and careful, especially if your story intends to make some sort of commentary on those topics.)  On a more positive note, this can be another way to learn about what story mechanics you like, both in your own writing and others’.

Detail

Detail notes are the most granular level of outlining, getting down into the specifics of an individual scene or conversation.  These are the least strictly necessary – depending on the length/ complexity of your story, the granularity of your structural outline(s) and your personal writing preference, you may prefer to jump directly from a structural outline into a first draft.  That said they can still be useful, especially if you want to hammer out the fine details of action, dialogue or information-flow while staying a step back from specific prose.  This is where you get things like a bullet-point breakdown of each line/action/piece of narration (for when you have a detailed idea of what’s going to be said/done but not the specific words to describe it) or script-style notes (for when you have the character voices and lines but not the narration or action surrounding it).  As mentioned earlier, you can blend detail notes and rough drafting together – writing some sections out in prose as the words come to you, then breaking into note-form to keep the ideas flowing in sections where wording might be starting to stick. 

An example

Let’s look at my outlining system for Deathly Weapons:

Now, I want to make it clear: this is not the standard.  This is not even the standard for me.  Deathly Weapons got a bit out of hand, ballooning into a half-season of a TV show: it’s more a series of 12+ self-contained stories in a trench coat than your standard fanfiction.  However, it is a decent example of complex outlining.  I have multiple levels of structural outline – some covering the entire story arc, some covering the individual missions.  I also have quick-notes that I made as a consistency-reference from canon, and some worldbuilding meta I did as a thought exercise to develop one of the character-backstories (the one shown ended up published here on Tumblr).  You can see how I blend the outline types together in my detailed notes, as well as how my approach to outlines has evolved from more brainstorming-focused to more structurally-focussed as the story has solidified.  Again, this is not the standard, but hopefully it gives you an idea of what you can get up to with outlines for a complex long-term project.

Okay, so that’s the basic breakdown of outlining as a process (at least the version I use).  Hopefully it’s got some gears turning. 

However, I also know that it’s more of a framework through which to approach story-building; it’s an organisational tool that helps you set out current and future-planned content in a way that lets you take stock, identify things that need attention and keep track of important details.  On its own it’s not necessarily going to be able to help address the challenges it reveals; in the same way that knowing how to plan an essay won’t necessarily teach you how to research one effectively. 

In Part 2 of this series (yep it's a series now) I'm going to go over some concepts for story-building and editing that might help you during the structural phase. Click here to go to the next part >>

#Writing advice #Outlining #Planner writing #Story planning #Stories #Post Series: Outlining Tips #this was originally meant to be one post but then Tumblr decided it was too long so here we go #Sorry this took ages for me to answer nonnie #I moved cities again and the burnout after last year whacked me very hard. Brain go (half-hearted raspberry noise) #Hopefully there’s enough stuff in here to make up for the wait #It might amuse you to know that I did 3 different outlines trying to figure out what would be useful #Learn from my example but maybe don’t try to follow it #Outlines Divided (who lives in a state of derangement and writes over 10000 words of background notes per paragraph) #is an outlier and should not have been counted #There’s a lot of talk about DW in here. How very self-indulgent telling you all about me. me. me. #(It’s mostly because I’m the creator in its case so I can talk about the processes used to make it without making guesses) #Anonymous #3WD #3WD Answers

[peachsayshi]

I just got off work, and I'm so tired but imagining toji just doing his thing and being his pillow princess makes me so 😩

Awww! I hope you can get some nice relaxing time once you're home, nonnie! <3

Can you imagine coming home, and the first thing that happens is you are greeted with with a bear hug? He's got such nice arms, and he's so warm and loving when he holds you. He serves you a warm meal, and makes sure you get nice and cozy before fucking you relentless before bed 😩😩😩😩

send me your slutty toji thoughts because I know we are all IN THAT MOOD

#you'd be so exhausted you would just pass right out #also nonnie I think the term pillow princess is reserved for wlw only <3 #I just don't want anyone to get offended #I could also be wrong? but I think I read it somewhere #someone please correct me if I'm also wrong lol #again I'm sorry for all the h-word thoughts but I'm going through it #peach and secret friends.🍑🧡 #toji thirst hours #mail 💌

[khonshuscondemned]

Hello darlings! It has been: 215 since Moon Knight came out and 180 days since the end of Moon Knight

Make it feral. You write so much and so good. You put out the posts and we're chewing them up and eating them with our soup like dipping bread. You bring the smiles and the sunshine. Fantastic work my good chum.

Thank you for being you and hope you have a feral day!

Life has been insane and hectic but I will say this side of moon knight tumblr is absolutely one of the best things to happen all year ahem ahem heh <3 hopefully I’ll be posting more as my schedule gets back to normal but from me to you nonny- a huge thank you and a cheer for the fun and chaos to come!!!

#ihanswers #nonny asks #this was so sweet to see and im sorry im uncertain if we ever answered the first ask but !! #it totally made my day to see this in my inbox and made me smile despite how batshit everything is rn so thank you again <3

[lilypixels]

Ur top 5 sims from other simblrs + top five characters u most relate to :3

Anon...I have been thinking about this all day and oh man my memory is being tested I fear 🤠

Sims from simblrs:

Milan by @void-imp I want to hold in hands

Jace by @waysims cause I love a good mess uwu

Masaaki by @neriney is a precious baby must protect

Kassie by @mamahoggs has me in a death grip ngl like wow

Literally all of @froggytraits monster high sims, I love

Honorable mention: everyone’s sims!! I just love seeing people’s sims and there’s so many out there I adore 🥰 I wish I could list them all but we’d be here all day I fear

Characters I relate to:

Who do I relate to and like again rip

Attorney Woo (Extraordinary Attorney Woo)- the ASD rep we needed I think, relate to near everything about her and it’s nice

Riddle (Twisted Wonderland)- I too am pretty adamant about rules and almost explode when strict ones are broken; we also tiny but mighty I wanna say

Todoroki (BNHA)- ...yeah there’s a lot ngl xD

Sayu (Genshin Impact)- I also am always tired and ready for a nap

Sogo (Idolish7)- I don’t often share when things bother me and try to always seem happy, same as this fellow here 🤠 we are both trying to get better

#nonnies <3 #asks #sorry this took me like 10 hrs to answer :’D #I was thinking all day #and this what we ended up with #the second part making me once again think I need to journal about my favs and stuff #cause literally mind blanks 💀 #why does this always happen #this was cute and fun to answer tho !!

[moonlightsdream]

Seriously what happened to kdramas we used to get a variety of genres but still had room to tell great love stories, it used to be pretty balanced maybe 60/40 in favor of dramas with romance now it has flipped, from the upcoming dramas of the year less than a third is focused on romance. I enjoy non romantic dramas, shows like stranger six flying dragons signal etc are some of the best things I've ever seen. But this feels like the korean drama industry getting swallowed up by westernization and trying to become american television (which is in shambles rn with everything getting cancelled and deleted from platforms) and I don't get it, if only those shows were actually good, sure some of them are fantastic as usual but most of them are the most derivative basic crime stories and what's with the seasons??? And they've started shortening shows, 16 was the perfect length and 20 if sometimes needed, now you can't find a 20 ep drama and we've started getting so many 12 and 8 episode shows.... Lol everywhere I turn it's a mess, american shows are all now 8 episodes never getting to develop characters or plots before getting the axe and writers are about to strike,chinese dramas have always been a complete jumble due to the political landscape which translates into crazy censorship and requirements and rules that change on a dime you're lucky if you get a drama that has a story that hasn't been cut to hell and you can actually understand what's happening, other standards like good directing and writing are just a very rare bonus and now Korean dramas in the last couple of year have turned into this. Is this a reflection of the real world which has been descending more and more into an absolute pile of shit. This industry like all of them has always been driven by greed but we always had a bit of balance with creativity and respect for audiences but now it feels like that's entirely gone and what is supposed to be our solace is an uncertain world is just turning into a mirror of it.

hello!! sorry for the late reply.. i wanted to orgnaize my thoughts first…

i really feel you anon in general, last year i haven't watched that mnay dramas and yet there were only few ones that i fully enjoyed from '22dramas, there were quite numbers of drama i enjoyed which weren't produced in '22! maybe what happened is they started making dramas with international viewers in mind! with how big korean contents have become in the last few years this was bound to happen.. all the upcoming sequels? or this weird trend of spilting dramas into parts? why not film the whole dramas and air it all at once, with so many being produced and aired between the two parts one could forgot what happened in the first part://…. and we even got some dramas that were episodic in their natura, like the case of the week law dramas :///..

long gone the many romance dramas days, esp the pure rom-com as they have to insert serial killers in 95% of them, and we rarely get melodramas… they don't produce many of them anymore and if we got ones they tend to be average mostly which is sad…. like they fall flat either because of the weak writing or lack of chemistry between the leads, i doubt they do a chemistry test between the cast to see if they have any or not :/// .. though i have to mention and say romance in a non-romance drama really hits different and could be as good and compelling as that in the romance drama!!

i might be in the minority here but i don't mind the short length format, some stories can't be stretched into 16eps, i find 12eps a very reasonble length, yet some stories could be told in less number of episodes… take last year netflix dramas they were mostly 10 or less and yet still some of them could've been told in much lesser episodes.. so the biggest issue is the weak writing followed by the directing……

if we are lucky we will get few good romance dramas this year, the bar is very low though.. in the meantime old asian dramas and movies are good alternative..

#replies #anonymous #again sorry nonnie for the late reply :3

[enluv]

oh okay sorry to bother :/ your works are just really good and i wanted to read more hah....,,,, stay healthy pls your content is really good

no worries nonnie! I’m not sure if you were the one who sent the ask earlier and if I came off as rude I am so sorry!! I was surprised when someone said I hadn’t posted because I feel like I’ve been posting a lot lately!! I’ll be posting when I have time/ideas :)

#really sorry again I took it the wrong way 😔 #thank you seriously for liking my works #I feel so bad I really am sorry love <333 #💬.direct message?! #nonnie my beloved <3

[thefallofruins]

── “Inconvenience” [Ryomen Sukuna]

Request — I love love love love love your fav concubine/queen stories with sukuna 😍😍😍😍❤️❤️❤️❤️ can I request a story where for the concubine rides sukuna's tummy tongue until he's completely satisfied , like edge play/multiple orgasm or pregnant sex where the queen is really needy and horny for her husband after he has spent so much time outside.

A/N — hi nonnie, tysm for requesting <3 hope you don't mind, but I went with preggo sex cuz I'm not comfy writing fics with his belly mouth involved yet, so I'm really sorry. Hope you enjoy this though.

Warnings — pregnant sex, praise, creampie, nipple play, true form! Sukuna Minors DNI

"S'kuna, missed you so much..." you mumble softly, face buried in his chest. He was met by such an adorable sight the moment he returned— his adorable, pretty lil wifey with a small yet visible baby bump rushing to greet him and capturing him in a hug. He chuckles, patting your head softly.

"That so? just how much did you miss me, my Queen?" he places a finger beneath your chin, gently nudging you to look up at him. One of his other hands are placed on your hip, his thumb tracing your slightly swollen belly.

"Too much, Sukuna..." you reply with a frown. Your hormones were driving you mad. Carrying the child of the king of curses wasn't easy, your needs increased phenomenally. You needed Sukuna more than ever, you needed him to be by your side, saying soft and comforting things to you, reminding you of how good you are, how proud he is of you for carrying his little heir.

He chuckles again, a hand reaching to tuck a strand of hair behind your ear, "Well, I'll have to apologise to my Queen for causing her such inconvenience, no?"

"You better," you pout, tiptoeing in an attempt to get a kiss. He smiles and pulls you close, bending a bit to give you a well-deserved kiss. You whimper softly as he bites your lower lip, his tongue swirling around yours, driving you crazy. You needed him so, so, so bad.

He parts, allowing you your oxygen, a thumb tracing your lower, swollen lips slightly. Goodness, you had gotten so beautiful with his heir growing in you. A hand traces the line of your back, causing shivers to run down your spine, "My beautiful queen..."

A short gasp escapes you as his fingers finds your loosely tied obi— untying it in a single moment. Your kimono loosely falls at your sides, and Sukuna gently places you back on your bed where you lay resting before his return. He presses a few kisses on the soft skin of your neck, relishing your scent— one he had to unwillingly part from for a few days.

"Magnificent..." he mutters, trailing kisses before stopping at the swell of your breasts, which had swollen significantly thanks to the pregnancy. He chuckles darkly, cupping your sore tit with one hand, making you whine softly before his lips latch onto your nipple, sucking deviously on the sore skin.

"N–Ngh...S'kuna..." you let out a soft moan, fingers tugging on his pink hair slightly as you feel the wetness grow between your thighs. You rub your legs together to soothe the growing ache. Sukuna, noticing soon, parts from your nipple with a smile, a string of saliva dissolving as he does.

"Feeling needy, are we?" he speaks, his finger reaching below to trace your dripping folds from over the cloth. "Ah...so needy, my queen." he chuckles, feeling the wetness grow and watching you squirm, eyes pleading him to continue.

"Speak, my Queen..." he smirks, teasing you by torturously tracing his finger up and down, finding your sensitive clit. You're a mess and he hasn't even begun yet.

"S-Sukuna–ah, please!" the plea escapes your lips, "N-Need you," you say in a raspy voice. The hormones had gotten you so needy and sensitive for him. He chuckles, the no-good panties ripped off from you in an instant, revealing your glistening cunt.

"How cute." he smirks, beginning to undress himself, the kimono falling off his body, the silk material falling of his body. You eye your husband with your needy eyes— making quite a cute sight for his. He reveals his cock– veiny, throbbing, pre-cum dripping down from his tip. Such a sight could make you drool on spot...

"Ready, my Queen?" he asks, a smile on his lips as he rubs the tip against your puffy lips. You give him a weak nod, as he prods his cock into your entrance, making you gasp at the sensation of his girth slowly filling up your tight entrance. "S-Sukuna!"

He enters your heat fully, making you feel every inch of him, and added your grown sensitivity from your hormones— every push, every pull, every caress on your skin, it drove you crazy. "O-Oh, Sukuna-Ah!" you moan, wrapping your hands weakly around his neck.

He begins to rock his thick length in and out of your tight cunt, which welcomed it warmly, squeezing around it everytime. He groans, feeling the slick coat his cock, feeling the warmth of your sweet cunt tightening around him, leaning down to kiss you and leave your lips swollen, feeling your round tits bounce up and down with each thrust against his chest.

"Cum for me, my precious..." he grunts, feeling your gummy walls tighten around him a bit more, knowing you're nearing your sweet release. "Mnhh...S'kuna!!" you moan out loudly, a clear liquid gushing over his cock as your walls clamp around him, your head buried in the crook of his neck, making him grin merrily.

A few more thrusts, and he finds himself close to release too, he grunts audibly before emptying his seed into you. A soft whine escapes your lips as you feel the warm sticky liquid fill you up, feeling more sensitive than ever. He pulls out, looking at his cum gush out of your cunt slowly, proud of the mess he created.

His eyes shift back at your tired form, and he leans to press a kiss to your forehead, gently brushing the strands of your hair from my face before he grins at you, "Hope that was enough to make up for the inconvenience caused."

You, through heavy breaths, manage to give him a soft and sweet smile, "Will do..."

He smiles at your response, laying himself beside you, kissing your forehead softly. His fingers gently traces the swell of your belly. "You did well, my love..." he says softly, allowing you to rest as you cuddle up to him.

A hand rests on your head and the other on your belly, he's enthralled by the fact that there's a tiny version of him on the way. And you're the one who's giving him this blessing. His precious queen.

"I'm so proud of you," he mutters softly, kissing the top of your head. That's the last thing you hear before slipping into sleep's sweet embrace.

#jujutsu sukuna #jjk smut #ruins posts #sukuna smut #sukuna x reader #jujutsu kaisen smut #jujustsu kaisen x reader #sukuna x you #sukuna x y/n #jjk x reader #jjk x you #jjk x y/n #sukuna fluff #true form sukuna #sukuna imagine #ryomen sukuna smut

[uzurakis]

hii again!! I’m here to request a Drabble/headcannon (doesn’t matter to me :3) where the reader gets approached by two strangers n one of them goes ‘hi my friend thinks you’re cute’ and motions to their friend next to them even though the jjk men (yuta and Megumi but feel free to add anyone else!) is literally RIGHT next to them (this happened during lunch a week ago n all my friends laughed at me 😭😭😭)

WHEN A STRANGER CALLS YOU CUTE IN PUBLIC!

featuring: gojo satoru. fushiguro megumi. yuuta okkotsu. itadori yuuji.

n. hi baby! i supposed you’re the same nonnie that requested the stalker one? thank you for trusting me with your requests cause yours are always enjoyable to write and your ideas are *french kiss*. i hope ya like this one and please if you have any ideas you wanna share, hmu! ill always write yours bby. mwaah xoxo

hey, excuse me! my friend thinks you’re cute . .

ITADORI YUUJI. you exchanged a surprised glance with itadori, who cracked a smile sheepishly. "oh yeah? thanks," he replied, clearly missing the implication. the stranger nudged their friend, urging them to speak up. "uh, yeah," offering a nervous smile. "you're really cute."

your boyfriend only chuckled, oblivious to their intentions. "right? my girlfriend is the cutest!” he said proudly, pinching your cheeks infront of them. “yuu, we’re in public..”

the strangers shared a bewildered look, realizing that their attempt to strike up a conversation with you had been unintentionally thwarted. "uh, yeah, you’re really lucky," the stranger managed to mumble before they awkwardly excuse themselves and slipped back into the crowd.

you and itadori watched them go, bemused expressions on your faces. "did you catch what they were trying to do?" you asked, stifling a laugh. itadori shook his head, still clueless. "nah, but it doesn't matter. i already know who the cutest one here is," he said, planting a kiss on your cheek, causing you to giggle at his oblivion.

GOJO SATORU. before you could respond, gojo stepped forward, subtly clearing his throat. you shot him a puzzled look, wondering what he was up to. “yeah? well, she's taken," declaring at once, voice laced with amusement as he wrapped an arm around your waist, pulling you closer to him.

the strangers kept eyeing you curiously, seemingly undisturbed by the statement he made. "oh really? too awful," one of them remarked, maintaining a smile.

gojo raised an eyebrow, exchanging a knowing glance with you. it was clear they weren't getting the hint. with a sigh, he cleared his throat again, this time louder, as he firmly took your hand and started to lead you away. “sorry, folks, but we're kinda busy," your boyfriend said with a charming smile, gently steering you in the opposite direction.

as you both walked away, gojo grinned down at you. "just making sure they know who you belong to, darling,” he said, pulling you closer as you continued your walk through the path.

FUSHIGURO MEGUMI. you immediately glanced nervously at megumi beside you. however, your boyfriend remained silent, his expression unreadable as he gazed at the strangers.

unsure of how to reply, you gave the stranger a hesitant smile. megumi didn't express his jealousy, but it was obvious that he was still very much in the dark about it. the stress was literally radiating off of him. "um, thank you," you managed to murmur, feeling awkward under megumi's scrutiny.

the strangers seemed unfazed by megumi's silence, continuing to chat amicably with you. they asked questions, trying to engage you both in conversation, but megumi remained aloof, his attention solely focused on you. you glanced at him, catching the tightness in his jaw and the furrow in his brow. he was clearly uncomfortable, but he didn't make a move to pull you away from the strangers. rather, he only stood there, sulkily contemplating.

sensing his unease, you subtly shifted closer to him, hoping to offer some reassurance. megumi glanced down at you, his gaze softening ever so slightly before returning to the strangers, "hey, you done talking?" he shot at the strangers with thinly veiled irritation.

he then sighed, a hint frustration crossing his features. without another word, he gently took your hand and pulled you away from the conversation, his grip firm but not forceful. as you walked, you stole a glance at megumi, finding his expression softened slightly, his jealousy dissipating now that you were out of the strangers' reach. “i didn’t feel it like has to be said, but,” a tint of red swelled on his face, his eyes denying your gaze. “yeah, you’re always pretty. and if you need someone to say it, just,”

“just ask me, okay?”

YUTA OKKOTSU. you responded with a timid smile, sensing yuuta's comforting presence beside you. he let out a soft chuckle, his laughter soothed the situation as you thanked the compliment. "i appreciate it.”

yuuta's casual reaction didn’t appear to dismiss the strangers, as they continue to strike up a discussion as though you’ve been friends for years. while yuuta stays a silent yet watchful presence, they kept the questions going.

after a while, yuuta's smile widened, his eyes crinkling with amusement as he glanced at his watch. "it was fun talking to you guys," he said, his tone gentle but firm. "but me and my girlfriend need to be somewhere else."

you blinked in surprise at his sudden intervention, but the strangers took it in stride and finally offering their farewells. after they walked away, you turned to yuuta, curiosity piqued by his unexpected assertiveness.

"you’re not going to say anything about it?” you commented, impressed by his ability to not get jealous or anything else in between. yuuta brushed your hair, his gaze warm with affection. "cause they weren’t wrong though. you are the cutest.”

@uzurakis — reqs are open! <3

#.writing #jjk x reader #jujutsu kaisen x reader #jujutsu kaisen #jujutsu kaisen fluff #megumi fluff #megumi fushiguro #megumi fushiguro x reader #fushiguro x reader #megumi x reader #gojo satoru #gojo satoru x reader #gojo x reader #gojo x you #gojo fluff #geto suguru x reader #geto suguru #itadori yuuji x reader #itadori yuuji #itadori x reader #yuji itadori #yuji x reader #yuuta fluff #yuuta okkotsu x reader #okkotsu yuuta #yuuta x reader #itadori fluff #jjk gojo

[endious]

hihi what r ur fav creepypastas??

haiiii <33 jeff…. he’s the only one

#— cadie answers #— nonnies #IM A LIAR !!! not really though.. #i guess other ones i like are eyeless jack. nina. maybe even jane ?? not sure though im not interested in any of them nearly as much as jef #LMFAO IM SORRY </3 IM SORRYYYY #i like toby too.. i like hoodie and masky and kinda slenderman as well but again. doesnt come close to jeff #i dont think any will. hes the only reason im in the fandom rn LMAO