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#sorry i took a while to get to this
greenglowinspooks · 6 months
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(DCxDP) The obligations of a rogue versus those of a parent (Pt. 3)
Tw: Vivisection mention, torture mention (GiW agent receiving), me not actually knowing how telegram works
Will be crossposted to AO3 eventually.
(Pt. 1 here) (Pt. 2 here) - (Pt. 4 here)
(Masterlist/subscription post)
It’s an average, ordinary afternoon in Gotham, and Jason is in hell.
Specifically, Jason is in hell because he’s been researching the GiW for the last week or so, ever since a cryptic message from Scarecrow of all people.
He still hasn’t gotten anything substantial out of it that Scarecrow hadn’t already provided. Most location data had been previously scrubbed from the database, weaponry details were apparently all stored physically, and the experiment logs seemed to be only accessible from within one of the bases, whose locations Jason did not have.
Apparently Babs and Tim were having similar issues with gathering information. He had sent a copy of the files over to them in a moment of weakness, but they were having the exact same results as him.
To make things worse, the GiW was more active than they had been previously, combing through Crime Alley and the rest of Gotham tirelessly. At least they weren’t harassing him anymore, he thought, but now he had even less of a clue what they wanted.
And to top it all off, the Joker had escaped Arkham a few days prior to Jason receiving Scarecrow’s note, and he still hadn’t done anything. That could only mean that he was planning something big, which meant more grief for Jason, because the clown was obsessed with him.
So yes, Jason wasn’t having the best week.
He got up from his computer, stretched, and walked over to the window.
The sky was Gotham’s usual grey, clouded with a toxic miasma made up of traditional pollutants and the aftermath of gas attacks both, which could generously be called ‘smog.’
The streets seemed busier than usual, or maybe that was just because Jason was having a hard time keeping his eyes focused.
With blurry vision and a dull ache in the back of his head, Jason paced through his apartment, going through everything he knew.
The GiW, or Ghost Investigation Ward, were part of a secret government project having to do with ‘ecto-entities,’ which were mostly made up of ghosts.
The GiW was able to kidnap and steal away anyone who was ‘ecto-contaminated’ to be dissected, and it was completely legal.
According to the non-censored patrol reports he was given, Jason himself was considered ecto-contaminated. So were Bruce, Damian, Steph, and Cass.
There were also several rogues that were in the same boat, but their names had been redacted, presumably by Scarecrow. He wasn’t entirely sure why, but he guessed it was either for leverage or privacy. Knowing Crane, it could be both.
Anything useful about the GiW seemed to be stored physically within their compounds, or on an operating system that couldn’t be accessed outside of certain areas.
Anything useful about ghosts was conveniently removed by Scarecrow.
And, lastly, he knew from capture logs that they had numerous captive ghosts which were definitely being experimented on. One of these ghosts was named Daniel, last name redacted, and had been turned over by his parents in return for allowing them to run their own experiments on the boy.
From what he could tell, it had been around fifty two days since he had been turned in.
Fifty two days of experimentation and dissection.
Jason had to find him.
But first, he had to find the locations of the GiW bases, and plan his entrance carefully. He couldn’t let them get away because of a simple mistake.
The only location data he had been able to find was on a picture of the boy, Daniel, a picture of a vigilante in a red suit, and a quick note left about Daniel which hadn’t been transferred into the main database.
The note was…
Jason had been around crime for a very, very long time. He understood it intimately, in a way most people would never hope to achieve.
He understood hatred, too.
And yet, the words in that note were almost incomprehensible to him.
They were mockery of a child in pain. A child that was not seen as human. A child that was seen as a threat, a monster.
The man had detailed the security surrounding the child being cut back. Apparently, the kid had some sort of sonic scream. They were removing the muzzle that inhibited it because he had screamed himself hoarse, and he couldn’t make a sound anymore.
He also mentioned that the kid was cut open at least once a day, sometimes multiple times. He was opened up, played with, and sewn back shut.
The man joked that they should just put a zipper on him, so they wouldn’t keep wasting their stitches.
Jason really, really wanted to kill that guy.
The metadata on the note traced back to a newly-bought building in Gotham’s financial district, while the photos both came from Amity Park, Illinois.
Amity Park, Illinois did not exist in any official capacity.
Tim, who had taken the Batplane to check the precise location listed in the metadata, had reported that there was a town there after all, and it was on complete media lockdown from the rest of the world. He hadn’t even been able to use Bat, Justice League, or Teen Titans channels to message anyone outside of the city until he left.
Jason had checked the building in the financial district firsthand, and found that the man who had submitted the note had done so while resting on a patrol of the city. He seemed to go there often to avoid his superiors, and Jason found it easy enough to get the drop on him the third time around.
His advanced interrogation techniques hadn’t been enough to get the man to name any locations. Worse, the man definitely recognized Red Hood, and would definitely tell the rest of the GiW about what had happened as soon as he left.
So, Jason did something about that. He couldn’t kill him, unfortunately, so he did the next best thing.
The GiW sent him to a public hospital within a few hours of finding him with shattered hand bones, broken arms, and a throat with near-permanent damage. The man wouldn’t be able to speak for a month at least.
He might never write again.
Jason, having read the note over and over until the words stained the backs of his eyes, thought it was the least he deserved.
Jason sighed, stopping his pacing. He wasn’t getting anywhere with this. If anything, working himself up was only going to lower the chances of him magically coming to a realization about where the kid was or what in the hell was going on.
He walked into the kitchen, popped some leftovers into the microwave, and started them up.
Once they were done, he brought them out to his desk, intending to eat as he continued to work on the GiW case.
When he saw his screen, he froze.
Telegram had been opened to a new chat with someone he had never messaged before.
TooFine: who are you?
TooFine: why are you looking into the giw?
The messages were a couple of minutes old, probably sent while Jason was spiraling pacing. He just stared at the screen, dumbstruck.
Shakily, he responded.
RedDead: How the hell did you get my contact info
Whoever was on the other side of the screen paused for a second. Jason considered sending a quick text to Babs to tell her what was going on, but he decided that he could handle this by himself.
TooFine: got it from the backdoor I put into the giw system.
RedDead: Shit
TooFine: ok your turn
TooFine: why r u looking into the giw? seriously man
RedDead: I don’t have a single reason to tell you. Give me one and I might answer your questions
TooFine paused again. Clearly they both had issues trusting someone over the internet, and rightfully so. What they had both admitted to doing was incredibly illegal, and if someone turned them in, they would be in deep shit.
TooFine: ive been trying to take down the giw since it was created. I can help u if ur honest with me
RedDead: Oh yeah, because no one has ever lied to another person on the internet before
RedDead: But fine
RedDead: I’m looking into them because they’ve been shadowing me for over a month at this point, among other reasons
TooFine: other reasons?
Jason sighed. He shouldn’t have added that. He knew that the other guy would ask, but he said something anyways.
RedDead: They’ve got a kid. I don’t like it when people hurt kids
TooFine: Danny? he’s alive?
RedDead: From what I can tell
So he knew the kid. Or, at least, he was pretending to. It would make sense for him to be cagey about his intentions, and for him to be desperate enough to reach out.
TooFine: oh my god
TooFine: do you know what city? fuck
TooFine: fuck fuck fuck
TooFine: I need to find him man please
RedDead: He’s somewhere in Gotham
RedDead: I’ve been trying to find him for a week now but no dice. They keep everything important on separate servers
TooFine: listen man you’re a good hacker but you’re not as good as me. you need my help if we’re gonna find Danny
RedDead: Okay, what are you trying to get me to agree to?
TooFine: i’m coming to gotham and we’re going to meet up
RedDead: Hell no
RedDead: Stranger danger
TooFine: if I tell u who I am will you say yes
RedDead: ?? How am I supposed to verify if you’re telling the truth
TooFine then sent him what seemed to be a selfie. Jason’s jaw dropped at the kid’s sheer audacity.
RedDead: There’s something seriously wrong with you
TooFine: my name is Tucker Foley. i live in amity park. i’m in 10th grade
RedDead: ???????? WHAT THE HELL
TooFine: i can send u my address too
RedDead: PLEASE DON’T??
RedDead: WHAT’S YOUR FUCKING DAMAGE? DON’T DOXX YOURSELF TO ME
RedDead: WHAT IF I WANTED TO KILL YOU OR SOMETHING? WHAT IF I WAS A FED
TooFine: i have to take that chance.
TooFine: Danny is my best friend. they’ve had him for over a month and no one’s doing anything to help. mr. Lancer was the only one who cared and he gave up after they blackmailed him
TooFine: they’ve had him for OVER A MONTH. I THOUGHT HE WAS DEAD.
TooFine: Sam and Jazz and I are coming to gotham and we’re going to find him no matter what it takes
TooFine: you have to help us
Jason considered, for a second, the choices he’d made in his life that had led up to this moment. He also considered, if he was in this kid’s position at his age, if he would be doing the same.
He decided to throw the kid a bone.
RedDead: [4735.jpg]
TooFine: HUH
RedDead: I’m guessing you know me
TooFine: RED HOOD??????
RedDead: No I’m just a very dedicated LARPer
TooFine: am i gonna die for Danny right now
RedDead: If I were literally anyone else, probably
RedDead: But no, you’re not. I’m gonna help you find your friend
TooFine: your username is red dead and you’re. yeah ok
RedDead: Oh come on, it’s funny
TooFine: Danny would love you
RedDead: So Danny clearly has great taste in jokes
TooFine: nope. literally loves puns and wordplay
RedDead: Nevermind
They both paused for a second. Then, Jason had a thought.
RedDead: Wait you’re in the 10th grade and you’re hacking into government databases?
TooFine: please don’t tell my parents.
RedDead: And how are you supposed to explain a sudden vacation to Gotham to your parents?
TooFine: wait so you’ll help me?
RedDead: I really hate to say it but I’m not the best at hacking, and my usual help is busy trying to track down the Joker. So, yep, we’re teaming up
TooFine: LET’S GOOOOOO
RedDead: God. I’m asking a 16 year old to help me take down a government agency and save another 16 year old
RedDead: I feel like the bat
TooFine: oh my god this is awesome. Danny is gonna flip when the actual real-life Red Hood comes to save him.
RedDead: I already regret this
TooFine: too late.
TooFine: btw do u have any place for 2 teenagers and 1 adult teenager to stay in gotham? preferably without dying but yknow.
Jason groaned. He was really, really gonna regret this, and he knew it.
Still, the alternative was some overeager kid dragging two other idiots to Gotham to find their friend and getting themselves killed. At least this way he’d have help, and damn good help at that.
He really was turning into the Bat, wasn’t he?
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westwing19 · 3 months
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For your Metadad au, does Meta Knight have moments where he’s proud of Kirby and how far his kid had come?
Oh absolutely. He's probably the type to act reserved and dignified when he doles out praise in front of Kirby, but behind his back he starts gushing to anyone who will listen.
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Kirby's a very talented kid, so MK has a lot to gush about, much to his friends' chagrin ^^
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shittyutmv · 4 months
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I really thought you gave him furry head here
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he is Such a dogboy
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troublefemme · 5 months
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hey a friend of mine asked me if i had any resources on butch identity but they really don't do well with, like, books, so i was wondering if you could recommend me stuff like articles or essays (anthologies i think are worth a shot too)? thanks!
So I might not be the best person to ask about it because I don't read that many articles, I'm more of a book person, but I was reminded by a friend when discussing this ask that a lot of books I enjoy are collections of essays so I'll make some recommendations for books still and you can pick out of those a few essays that might help your friend understand butch better.
Here's a few suggestions from the books I recommend probably the most:
The Persistent Desire: A Femme-Butch Reader edited by Joan Nestle:
"They was no one to mess with": The construction of the butch role in the lesbian community of the 1940s and 1950s - pages 62-80
Butch To Butch: A Love Song - pages 81-94
When Butches Cry - page 109
How The Butch Does It - pages 133-137
The Femme Question - pages 138-145 (speaks a bit about butch as a role)
A letter from Australia - pages 169-179
The Butch-femme Question - pages 208-219
Lullabye For A Butch - pages 234-237
Butch On The Streets, 1981 - pages 240-248
Butches, Lies And Feminism - pages 272-292
When She Wears A Tie For Me - pages 333-335
My Woman Poppa - pages 348-350
Sweet Suit Suite - pages 353-354
A Celebration of Butch-femme Identities in the Lesbian Community - pages 454-463
Of Catamites And Kings: Reflections On Butch, Gender, And Boundaries - pages 466-482
Persistence: All Ways Butch and Femme - Ivan Coyote and Zena Sharman:
A Butch Roadmap - pages 77-79
Butch Is How I Feel - pages 90-94
Masculine Of Center, Seeks Her Refined Femme - pages 107-115
With Both Fists: Conscious Gender Building Through The Butch And Femme Identities - pages 152-158
Tomboy Survival Guide by Ivan Coyote:
Shouldn't I Feel Pretty? - pages 108-116
Be Careful In There - pages 128-133
Heat And Hot Water - page 231
For articles specifically, maybe some butch mutuals can help, I'll leave this open for people to recommend stuff in the replies.
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kinnbig · 2 months
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✨ Simple Gif Colouring for Beginners ✨
I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.
when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!
a couple of things to begin with:
I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!
I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.
as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).
I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.
this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.
okay, full walkthrough beneath the cut!
contents:
1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!
1. intro
the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.
if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!
* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)
✨ natural gif colouring goals
part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!
in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:
brighten dark scenes
remove muddy, yellowish lighting or filters
saturate colours
correct any skin lightening filters or overexposure
make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos
this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!
✨ very very basic colour theory
[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]
the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).
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so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.
in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.
it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.
looking at the colour balance sliders on photoshop can make it easier to visualise:
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so making a gif more red also means making it less cyan.
removing green from a gif means adding magenta.
taking yellow out of a gif will make it more blue.
tl;dr:
neutralise yellows by adding blue (and vice versa)
neutralise reds by adding cyan (and vice versa)
neutralise green by adding magenta (and vice versa)
2. super simple colouring (the essentials)
starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)
some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.
I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.
so here is my base gif!
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it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.
colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:
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there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.
I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.
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✨ curves layer
the first thing I always do is a curves layer. when you first open one it will look like this:
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first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.
if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.
the next step is selecting the white and black points with the little eyedropper tools.
the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.
here's what that did to the gif:
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then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.
here's what the gif looks like after picking the white and black points:
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this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.
and this is what the curves graph looks like now:
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you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.
next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.
‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.
✨ selective colour (and skin tone correction)
skin tones are made up of a mixture of yellow and red.
removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.
adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.
selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.
I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.
in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.
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the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.
here's the result. Kim's skin is a lot less pink toned and much more natural looking:
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✨ hue/saturation
this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.
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I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.
clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.
I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)
then I increased the 'master' saturation of all the colours to +5:
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I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.
‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.
done!
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✨ saving and reusing colouring
you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.
each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.
I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.
✨ another one! (speedrun!)
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HI KEN!
the white point for the curves layer was in the window behind them.
the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.
3. other adjustment layers
imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.
✨ brightness/contrast
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pretty self explanatory!
I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 
the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.
✨ levels
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levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.
use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.
levels is a good place to start if your curves layer isn't working.
(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)
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on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!
✨ vibrance
vibrance... makes the colours more vibrant. it's more subtle than saturation.
it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.
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vibrance is much more subtle!
✨ colour balance
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colour balance affects the overall balance of colours within a gif.
it's good for scenes with heavy tints.
I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.
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✨ channel mixer
I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.
basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.
kind of the reverse of selective colour?
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so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.
this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)
(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)
4. troubleshooting
‼️curves
usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(
for example, with this base gif:
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using many of the brightest points as a white point turn it wacky colours, like this:
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yikes :(
some options for these cases:
try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.
try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.
skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.
‼️over/undersaturation
if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.
oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.
5. fin!
and done! I hope this was coherent helpful to somebody.
if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.
happy gifmaking 🥰
✨ some links!
photoshop basics by @selenapastel
gifmaking for beginners by @hayaosmiyazaki
gifmaking guide for beginners by @saw-x
dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)
beginner's guide to channel mixer by @aubrey-plaza
how to fix orange-washed characters by aubrey-plaza
colour correcting and fixing dark scenes by @kylos
does resampling matter? by usergif
how to put multiple gifs on one canvas by @fictionalheroine
watermarking using actions by @wonwooridul
resource directory by @usergif
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ask-moon-and-pebbs · 4 months
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Is Pebbles alright? He looks like he got put in timeout
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u3pxx · 1 year
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How do you choose the colors in your art? Your color palettes always look so cohesive and so pleasing to look at!
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ah, this is gonna be pretty long so i'll talk about it under keep reading :^]
now i am no expert!!! i am just a guy!!!! i'll just be talking about how i do it! ok!
PART 1: COLORS??? HELP.
i really like going with warm stuff on my art so it's kind of a given that most colors i use end up wounding up on this side of the color wheel
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so, let's say i'm coloring trucy, a character who wears blue, i end up choosing warmer looking blues, sometimes i end up choosing purple or gray if the other colors i chose makes it look like blue, yannow, color theory and stuff. like this for example!
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now the first one is noticeably blue, but the second one is like a lavender and third one is like, really not blue! it's like a desaturated rose color or something, however, paired with the right colors...
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they're all "blue", aren't they?
PART 2: CHOOSE WEIRD COLORS
by weird colors, i mean colors that aren't like what the thing looks like irl. like, a leaf is green right? but, it doesn't have to be when you color it!
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like when i color things gold sometimes, i use a light and desaturated red-orange for it or how like with the color blue, i don't even use blue at all!
now just because i use warmer tones a lot doesn't mean i don't use the colors from the other side of the color wheel, it depends really, if the color scheme i'm going for is monochromatic or if i really wanted to make something pop
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but of course, you can't just color willy-nilly, you gotta take into account
PART 3: CONTEXT AND MOOD
where and when is your drawing set? what's the mood? are we having fun here or are there Horrors?
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see how it changes the mood? the things we're supposed to be feeling when we look at the drawing? yeahg. ill use warmer colors when i want the drawing to look happy dreamy etc but ill break out the blues and greens when we're in sinister town pftt
also, just wanted to share again how other colors can change what another color looks like:
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PART 4: GRADIENT MAPS AND OVERLAY LAYERS
now as for making colors more cohesive... seriously, just slap that thing on top of your piece and it helps the colors get together even more! like of course i choose my own colors but gradient maps + overlay layers are kind of like adding that one final thing.
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i'll use this one as an example, left one is no gradients maps/overlays and the right one is with them. i just really prefer some good ol' ourple tones in my art so there are a couple of things i add on top to really bring out the warmth in here, like so:
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PART 5: ANYTHING ELSE?
uhhh don't be afraid to use tools in your program to correct the colors you don't like ala color balance tone curve contrast brightness etc etc.
hell, you can even color pick from like irl pictures and adjust accordingly to what colors you want.
i also do have like colors that i consistently use when shading things after countless trial and error; like how i'll use purple to shade red, blue to shade with green etc etc
ig that's all, hope this helps!
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daily-odile · 2 months
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this may be too similar to the judo flipping loop but
odile punching someone. that woman needs to get her feelings out
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Rock α V
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reds-skull · 7 months
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Thank youuu
I love them too, I'm thinking of having them as a big brother/little brother duo maybe?? Anyway here's them buying tea for the base like stereotypical Brits
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Ok first time I read this my heart melted because it's so sweet :]
I keep thinking up aus for mw2, but they're all too complicated for a one-off comic, and I just finished a series so I'm not doing another one for the time being. But I had a superpower au for them, that I'm gonna explain under a read more because I know it's gonna be long lmao
But before that thank you for everyone again! I read all your lovely comments and they warm my heart <333
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SO in this au, some people gain powers the first time they die. The powers are based on how they died (also when they die they meet these cool eldritch beings called reapers that have a little chat with them to decide if they're worthy of those powers).
Soap died from an explosion. Got blown out of a building. So his powers are explosion resistance and creation. His fingertips are always on fire because he's practically blowing the air around them all the time.
Gaz fell off a helicopter :( so now he can manipulate gravity, either objects around him or himself. He also floats a few inches off the ground most times.
Price was kinda hard for me to decide but I ended up making him die by abandonment. Now he can telepathically communicate with people.
And Ghost... he died in that coffin. Got pulled out by a reaper and received the powers to control limbo, the space between life and death. He's not authorized to use them unless he's alone, so he gets sent on solo missions only, until Price recruits him to the 141.
That is, until he pairs up with Ghost.
Before being recruited to the 141, Soap mainly defused bombs. Since, even if it's too late, he won't die. Thing is, Soap still gets hurt. His bones get crushed, his heart stops, his limbs get torn apart. He does heal, but the worse the injury, the longer it takes.
That made him kinda depressed. Because he felt like a glorified bomb robot. Except he's cheaper, since it doesn't cost the military any money when he fails to defuse on time.
Ghost isn't immune to bombs. He himself doesn't enter limbo, since that traps anything alive.
He and Soap go on a mission where intel suggests the enemy has rigged various explosives around the intel they need. They split up, Soap goes to defuse them and Ghost slowly makes his way through the facility.
And Ghost does help him. But he treats him like he would a regular, non-powered human. Stops when he's in too much pain, encourages him through it. Does his best to stop the bleeding.
Ghost completes his objective, but Soap gets spotted by an enemy and detonates the bomb he's working on to save himself.
Ghost find Soap after he fails to sitrep, impaled by a rebar. He whimpers and begs Ghost to help him off it, since he can't heal.
Because Ghost sees him as human. He watched as Soap kept trying to make jokes with him, but more importantly, how he treated him no differently from anyone else.
Soap, for his side, isn't used to that... gentleness. And that's how his interest in Ghost begins.
They exfil and return to base. A few months pass, and Ghost keeps an eye on one Soap MacTavish. Looks through his medical records, past missions. Finds out just how much he suffers through.
But Ghost isn't his commending officer, so he can't do anything. Until he's approached by his captain, John Price. He brings up the option of adding a new member to the taskforce. He gives Ghost the candidates he considered, Soap was brought up, Ghost stops him and states that he would agree to a new member if it was Soap.
Now if I had like, better writing abilities I would have absolutely written this as a fic. Butttt I don't and even if I did, I don't have confidence in them so I won't. But this idea is now out there and you can do whatever you want with it.
Also I got like a lot more sketches of this au but I only posted the ones I made for the ask.
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marblerose-rue · 1 year
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click for better quality!
it's this way! / squirrelpaw and leafpaw
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suntails · 8 months
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a father's love
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mag200 · 4 months
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ethel cain “am i making you feel sick (x7)” forever and ever
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macksartblock · 11 months
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well if youre in the hyperfixation mode - world's most divorced father and world's worst bisexual representation, jodie? :3! only if you want tho
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World's saddest divorcé - buck up champ
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Plush Pep's travel in Europe (more photos below the cut)
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I wish I could have took more pictures with him but I was a little too socially anxious to haha. Maybe next time!
(I posted some of these photos like a month or two ago on reddit, so don't mind if you've seen the pisa tower pics before)
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joyfuladorable · 1 year
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Dragon of the Sun by @forestwhisper3
(Ch.5&6>)
You know, it was kind of weird...
Mikey sat on the living room couch, the sci-fi movie he was watching fading into the background after a really campy fight scene between two psychics reminded him of something.
The first time he'd had a freaky dream that ended up sort of true, he'd chalked it up to some weird crystal mumbo-jumbo messing with him. He figured it was a one-and-done sort of thing, especially since he hadn't had another since leaving the underground city.
But now it had happened again, and this time there were no crystals to blame.
GAHHHH!!!! THIS FIC!!! MYSTIC MIKEY BUT IT'S 03 MIKEY!!!!! This fic has my whole damn heart, holy shit! Author does a fantastic job diverging from canon and giving us all the family feels and character depth that the show didn't. My heart? Palpating, pumping, melting onto the damn floor!! Go read it!!!
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poorly-drawn-mdzs · 1 year
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Concept: LQR big naturals but also with the flattest ass. Make him a titty dorito
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Lan Qiren Breasted Boobily down the stairs of Cloud Recess
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